10-1-14 Feldman-Stevenson prog - Music · 10.10.2014  · George Harrison (1943-2001) Arr. Daniel...

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Please turn off cell phones. No photography or recording is permitted. Wednesday, October 1, 2014 8:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Robert Schumann (1810-1856) Fantasiestücke, op. 73 Zart und mit Ausdruck Lebhaft, leicht Rasch und mit Feuer Anton von Webern (1883-1945) Two Pieces Langsam Langsam Anton von Webern Three Pieces, op. 11 Mässig Sehr Bewegt Äusserst ruhig Anton von Webern Sonata (1914) Sehr Bewegt Ludwig van Beethoven (1770-1827) Sonata for Cello and Piano, op. 69 Allegro ma non tanto Scherzo, Allegro molto Adagio cantabile, Allegro vivace ***Intermission*** Richard Strauss (1864-1949) Sonata for Cello and Piano, op. 6 Allegro con brio Andante ma non troppo Finale, Allegro vivo John Lennon (1940-1980) Cello, Goodbye: A Beatles Medley Paul McCartney (b. 1942) George Harrison (1943-2001) Arr. Daniel Kohane ’12 (b. 1989) Faculty Recital Ronald Feldman, cello Doris Stevenson, piano

Transcript of 10-1-14 Feldman-Stevenson prog - Music · 10.10.2014  · George Harrison (1943-2001) Arr. Daniel...

Page 1: 10-1-14 Feldman-Stevenson prog - Music · 10.10.2014  · George Harrison (1943-2001) Arr. Daniel Kohane ’12 (b. 1989) Faculty Recital Ronald Feldman, cello Doris Stevenson, piano.

Please turn off cell phones.No photography or recording is permitted.

Wednesday, October 1, 20148:00 p.m.

Brooks-Rogers Recital HallWilliamstown, Massachusetts

Robert Schumann (1810-1856) Fantasiestücke, op. 73Zart und mit AusdruckLebhaft, leichtRasch und mit Feuer

Anton von Webern (1883-1945) Two PiecesLangsamLangsam

Anton von Webern Three Pieces, op. 11MässigSehr BewegtÄusserst ruhig

Anton von Webern Sonata (1914)Sehr Bewegt

Ludwig van Beethoven (1770-1827) Sonata for Cello and Piano, op. 69 Allegro ma non tantoScherzo, Allegro moltoAdagio cantabile, Allegro vivace

***Intermission***

Richard Strauss (1864-1949) Sonata for Cello and Piano, op. 6Allegro con brioAndante ma non troppoFinale, Allegro vivo

John Lennon (1940-1980) Cello, Goodbye: A Beatles MedleyPaul McCartney (b. 1942)

George Harrison (1943-2001)

Arr. Daniel Kohane ’12 (b. 1989)

Faculty RecitalRonald Feldman, celloDoris Stevenson, piano

Page 2: 10-1-14 Feldman-Stevenson prog - Music · 10.10.2014  · George Harrison (1943-2001) Arr. Daniel Kohane ’12 (b. 1989) Faculty Recital Ronald Feldman, cello Doris Stevenson, piano.

Ronald Feldman

Twice winner of the American Symphony League’s ASCAP Award for AdventuresomeProgramming of Contemporary Music, Ronald Feldman has achieved critical acclaim for hiswork as conductor and cellist. He has appeared as guest conductor with major orchestras suchas the London Symphony Orchestra, Boston Pops Orchestra, Rochester PhilharmonicOrchestra, the Saint Louis Symphony, and the Quebec Symphony, as well as many regionalorchestras including the Pro Arte Symphony, Springfield Symphony, Albany Symphony, andthe Amarillo Symphony. After successful appearances as guest conductor for three consecutiveseasons at Symphony Hall and at Tanglewood, the Boston Symphony’s summer home, com-poser and Conductor John Williams appointed Mr. Feldman Assistant Conductor of the BostonPops Orchestra. He served as assistant to John Williams from 1989-1993.

Mr. Feldman joined the Boston Symphony at the age of 19. He has appeared as cello soloistwith many orchestras performing a wide range of concerto repertoire from Dvorak to Ligeti.His many chamber music affiliations have included performances with the Boston SymphonyChamber Players, Collage New Music Ensemble, the Boston Conservatory Chamber Players,and the Williams Chamber Players. His performances include collaborations with artistsEmmanuel Ax, Garrick Ohlsson, Gil Shaham, and Yo Yo Ma.

In 2001 Mr. Feldman left the Boston Symphony Orchestra to pursue other musical interests.He joined the faculty of Williams College where he is Artist in Residence, Lecturer in Music,Chamber Music coordinator, and Conductor of the award-winning Berkshire Symphony. Hewas formerly the conductor and Music Director of the New England Philharmonic and theWorcester Orchestra. He is on the faculties of Williams College, the New EnglandConservatory of Music, and Berklee College of Music. He is Music Director of the LongwoodSymphony Orchestra, the orchestra of Boston’s medical community.

Doris Stevenson

Doris Stevenson has won lavish praise from critics and public alike in performances around theworld. She has soloed with the Boston Pops, played at Carnegie Hall and Alice Tully Hall inNew York, the Kennedy Center in Washington, D.C., Salle Pleyel in Paris, Sala de MusicaArango in Bogota, and Suntory Hall in Tokyo. Her acute sensitivity and musicianship havemade her a sought-after partner with some of the leading lights in string playing. She has per-formed with Gregor Piatigorsky, Ruggiero Ricci and Paul Tortelier, great players of the past.Early in her career she was invited by Heifetz and Piatigorsky to perform with them in theirchamber concerts. She was pianist for the cello master classes of Piatigorsky, who describedher as “an artist of the highest order.” The list of distinguished artists she has performed withincludes cellists Andre Navarra, Leslie Parnas and Gary Hoffman, violinists Charles Castlemanand Elmar Olivera, violists Walter Trampler and Paul Neubauer and singers Kaaren Ericksonand Catherine Malfitano. She is a founding member of the Sitka Summer Music Festival inAlaska and has toured throughout that state, playing in many remote Native Alaskan com-munities. She has participated in many chamber music festivals and has performed in 48 of the50 states. This spring she performs with cellist Zuill Bailey at the Phillips Gallery inWashington, D.C., at Bargemusic in New York and at Smith College. She plays a score of out-reach concerts each season for the Piatigorsky Foundation in schools, libraries, prisons, andremote communities, bringing live classical music with commentary to people who wouldn’totherwise hear it.

Doris Stevenson is deeply committed to performing new music. In the last three years she hasplayed in concert the works of twenty living composers. She was the first woman to performFrederick Rzewski’s masterpiece, De Profundis for speaking pianist, which she brought toNew York City to perform as a Williams in New York concert. Her many recordings includesix major works by David Kechley and two by Ileana Velazquez-Perez, the Saint Saens violinsonatas with Andres Cardenes, the complete Mendelssohn cello works with Jeffrey Solow, andthe Brahms Sonatas with cellist Nathaniel Rosen. A CD of Stravinsky rarities with violinistMark Peskanov received a Grammy nomination. Miss Stevenson taught for ten years at theUniversity of Southern California and has been Lyell B. Clay Artist in Residence at WilliamsCollege since 1987.