40 variations cello Sevcik.pdf
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:È op"3 40 Variations/ Variationen for CtrLLO arr. Feuillard BOS\MORTTI
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sevcik cello
Transcript of 40 variations cello Sevcik.pdf
:È
op"3
40 Variations/ Variationen
for
CtrLLO
arr. Feuillard
BOS\MORTTI
4A Variationenvon 0. $evcik op.a
fiir Violoncello iibertragen vonL . R . FEUILLARD.
ASKURZUIIGEII UTD ZEICHEII :G. Ganzer Bogen.H. I lalber Bogen.u.H. Untere Hâlfte.o .H. Obere Hâl f te .Fr. Am Frosch des Bogens.M. I l i t te des Bogens.Sp. Spitze des Bogens.R Hcrunterstr ich.V Hinaufstr ich.
Bre i t s tossen -
40 Variationsde 0. $evôik op.s
transmites pour Yioloncelle ParL. R. FEUILLARI l .
40 variaciod 0. $evcika op.g
pro violoncello uPiavil
L.R. FEUILLARD.
40 Variations0, $evéik op.e
transcribed for Violoncello byL . R . FEUILL IRD.
40 BffiIlifi.cocr. 0. 0. l lJeBr{ t{xt. op. 3[;rr nio.roIIqo.iIE treperorrsrb
t . R . F E U I L L A R D .
ABBREY IATIOI{S AÎID SI GIIS:G. Whole bow-length.H. f la l f bow- length.u.H. Lower half bow-length.o .H. L Ipper ha l f bow- lencth.Fr. Fiôg (nut, or heel) oîthe bow.M. Bow -m idd le .Sp. T ip o f the bow.n Down- stroke.V Up -stroke.
Broatl (detached) staccato.. Hammered staccato (martel lato).t Jerkediricochet) or hopping st&ccato.) Raise ,h" lo*
_-
-
coKFAq,Efi tR H 3HAKlt:G. Idà.rr^rxr cv t , l r r t iox lb.I I . I lo"ronrt t toHl c r r , r r r t ia .u .H . Hnx r ren t roJo r runuh) .o. I I . Bepxnerc no"roornroru.Fr. Y xo.ro,qo' rx l r .[1. Cepegruorccvhlr{NiI.Sp. IioHu,ov-b e]f,r,rqn&.n Cxbrcxorrl Brrrrl 'b.V Ci lLrcr iour BBepx'b.
IIp oramx r,l lr ' l lrrrp nxolr'6.. Orpus l reTo .I 0rcnal i r rBenu{nx6 rr . rn
IlpblraX,q,IIlI 'b Cil I ' lq ROY'b.
) Cnnr r cub rqona .
ABREYIATIOTS ET SIGI IES:G. Tout lbrchet.H. Noitté d'archet.u.H. I[oitié infériere.o.H. Moitié supériere.Fr. Talon de l'archet.M. llle'lieu de l'archet.Sp. Pointe de l'archet.n Tirez.V Pousses,
T
)
Ahgestossen oder gehâmmert.Geworfen (spiccato) oder springend.Bogen heben.
I
)
Détaché large.Staccato ou martelé.Jeté (spiccato t ou sautillé .Leaer l'arcltet.
z[aATKY A ZtAhrEl l r .g. celym..sng!ccem.t l . potootcn?.m snlyccem,u.E . dolejiz' polooici.o.H. hoiefir.p oloo ici.Fr. U àabky smyéce.M. Stied,ern smuéce.Sp. Hrotem sn{éce.n smyk dolù.V smuk nahoru.
Èir-ok{m turten.. odrd.ùenë aneb potepem.r, Ûa3rgm (spiccat6) aieb poskokem.) gdozn snycce.
Edited and translated byAllegro.
Edited by L.E. Feuillard and, A.E.Bosmorth
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t s . . t c , t 6157
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Var, 5.
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Var.8.
Var.9.
Var. 10.
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Allesretto. J. = ao.r r - - V 4
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Allegro. J = rso.sDtcca to \
B . & C g 6 1 5 7
Var.l1.
Var.12.
Var. 13.
I
.A, l legro, J=l lo l_ .4 - r r 1 . r
I
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YERÂi l t lERUI IGEI { DES EOGEI ISTRICHES.
A)
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CHAHGEHEIITS DE COUPS D'ARCHET,ZHEI IY STYXU.
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CHAIIGES O F BOWI }IG -STYLES.n EPEl i l tHbr ÂBHHEH|n Ct*Ur q{n,
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Allegro . J= 162.U.(p) spiccato
2
B . , r C o 6 1 5 7
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Var. 14.
u . I I . u.H.fl
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V V V
Allegretto. J. = os.sp iccato I rI ' l : - 2 + '
n v n V V Y - Vli. *ld"[Ii q.
f v t f
Var. 15,V V V
X'eter Uhozjcrk
Y
V V V
l o
V V V
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V V V
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V V V
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sauti l lé> | . '
B . & C g 6 1 5 7cre _
Var. 16.
f t ] I r r r r ç
Var, 18.
u . I I .
u . H .
n
I
Al legro . )= læo.n I r r f
u . I [ .
o . I I .
u . H .
o . I I .
,-) l t t l
I t t l t r r r r r r r l
r r f l t t
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A l l eg ro . J=162 .sautillé r r> r : ^ t
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t t rr t] '{,
u . I I .
I
u . H .
B . . r C g 6 1 5 7
I . ' C .
7, vr tt
A r
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u . I I . c . I I .
o . l I
o . I l .
a.--)
10
Var. 19.
Var.20.
Var. 21.
Allegro . J=yt+.,^r l_ s-n
I
fi.-r
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u.H.
Va-
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Al legro . J= 88 .nv- t
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Allegro . J=126.
Ya,r,22,spiccato
l t t t t
r v i l * ; r
r 1, - L I I
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t{.
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Y
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V t l i* : . , t - : , r î
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II
2I
3T I
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Allegro. J= ro,
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t
t{. }I .
1v .
Var.23.
I
Allcgro. I = 88.'4=-
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n9 sautil lét t t r
t r r t
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l r r
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M.
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n,-i ;\l^i in 2-'
l \Cn îs
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Allegro moderato. J =ro4.
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1,iÎ> ;\ fi
Fr .
v I ' r
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Var.26.l'Nj rï"
B. & Cg 6 {57
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a
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Var.28.
Allegretto. J: too.o " 4
l l jssend' "^o\à'nt letmof l y iug
B . & C 9 6 r 6 7
l4
Var.29.
IAltegrO. d = 86.
YERATI}ERUTGET DES EOGETSTRICHES,
, t{..(P)l . l '
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Al legro.J=152.'æL f
;Var.30.
f l iegend
cHAi lGEtEt{TS" 0E CoUBS I I 'ÂRCHET CHAi lGES 0F 80WltC- STYLES.zrÉny sHyr(Û, nEpEtrtHbrÂ8HxEHil i crbtqKA.
î \ t f i z . \ * )< . rl it. r-r )- 1\>r- 4.wuto.* â d 4ll'g'g../n11.,,
rrW) r'ii I\t. sautillé
rtolant letmof ly ing
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I ffi
II9 C.
Al leg ro . J=12o .f,h_
4:{--/ / \ - l t l h S
--*ù-a-.. L=
Var.31.r t t t f
B. & C9 8 t57
15
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p -dolce
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Var.32.
Var,33.
werfenj.ete.r uhozJ"t*
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16
Var.34.
spic catoI
@ ) ^("flFr.
Allegro. J : 126., r a Q g
I v f
r v 4 9 9r . r - l I t
VERA III)ERUI{GEfl DES BOGEIISTRICHES,
.-+ J1-'/
I I .
6.Fr.(
- 9 . . 1 : r r -
t t . @ l ' ' t t l , r . I
M.( ? )Fr.(nf)
Al legro . J = t44 .Ll -=,
CHAHGEIIEilTS- DE COUP"S I!'ABCHETZHËilY ShIYKU.
C H A I I G E S O F B O W I T G . S T T L E S .nEPEHf Hb t ÂBr f XEHtH CMbrqKA.
v ' î - v c ' - / 7 \ J
t
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t
12.
l I t :
Allegro. J : eo.
Var.35.
r r . . - î r ,
, i l . i
Allegretto. J : 6s.vffi'h.'-..
l \ -' \_:
olz .--\
rffi>
l/->
B .& C9 6 tÉ7
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I I9 C. -_ - - I9C.
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rffi-
Var.36.
Var.37.
IAllegro. J = Lao.
G.gliss.
ff>
i$x
Mod.erato. J: to8.
frÈI I çC. IçC.
t f r r v I
18
Var.38.
Al legro. J =ru ,e .3 -I l r I
ooeà t l ^ r r
4t
4 4l ! f
YER A II DERUI{GEII DÉS BOGETSTR ICHES. CHATGETETTS. I lE C( IUB,S D'ARCHET. CHAIIGES OF BOWITG - STYLES.zi lEty styr(Ù. nEpEHtHbt ÂBtlxEHt[ ctbtqKt.
,^. =] . , ] .2 '? l; , L:. , r s.l G* (i -(l : (i 4.i
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Var.39. B.
V?T, . - e.L[ L]
ii:'ç,f, ra)t* L:
Al legretto. J = noo.tt ', , f 6 . 1 ; J L : . : .
Var.39.A.
CHATGEMEHTS DE COUPS I l 'ARCHETPo-uR rEs IAR, 3s A.) 3s B.) . .zilËily snyru yE yARtAcrcH se'A) 39 B)
CHAHGES OF B(}WII IG - STYLESFOR THE VAR. 39 A . ) 39 B . ) .N E PETtHbI ÂBHXEHIl,| CITbII{KAÂnn vAR.3e A. gg e.
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n.Allegro . ) 1y+
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Var.40.u .âarpegglo
t)-
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Allegro. J =$2. /4.saut i t lé / :
l û r r ,CHAHGEIdEHTS DES ARPEGES.
zttÈHY Y AnPEzifcx.CHATOES OF THE AI.:PEGGI(,S.nEPEit tHbt Arnrtr xrr .
Æ ,
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[18 .
Printed and bound in Great Britain byCaligraving Limited Thetford Norfolk
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L)fti)
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B . & C ç 6 t 5 ?1/00 (36245)
The \{trrks ofOTAKAR S
V J
EYOIK
\
Sovolopmcnt ofi the .tot, l/""/O P . 6 . V I O L I N M E T H O D F O R B E G I N N E R S .
Par ts 1 -5 . l s t Pos i t ion .Par t 6 . S tud ies Prepara tory to the var ious
Part 7 .
OP . 6 . Comp le te , bound i n C lo th .
Pos i t i ons .5 th Pos i t i on and comb in ing t he va r i ousPos i t i ons .
T"z fligAtly €lvanccl, FupîltOP.7. STUDIES PREPARATORY TO THE SHAKE &
D E V E L O P M E N T I N D O U B L E - S T O P P I N G .Par t 1 . Exerc ises in the 1s t Pos i t ion .Par t 2 . Exerc ises in the 2nd, 3 rd , 4 th , Srh & 6 th
pos i t ions .
OP. B . CHANGES OF POSITION & PREPARATORY SCALES T U D I E S .ln Th i rds , S ix ths , Octaves , & Tenths .
O P . 9 . P R E P A R A T O R Y S T U D I E S I N D O U B L E . S T O P P I N G .In Th i rds , S ix ths , Octaves & Tenths .
OPS. 7 , I & 9 . Comple te , bound in C lo t t r .
vloLtNLITTLE SEVCIK, Elementary TutorSEVCIK SCALES & ARPEGGIOSHOW TO PRACTISE SEVCIK'S MASTERWORKSINTRODUCTION TO SEVCIK VIOLIN STUDIES
f rom Op. 1 (by K. W. Rokos)
Tnz /{*o €l,ronecl P"pîlt
O P . 1 . S C H O O L O F V I O L I N T E C H N I O U E .Pa r t 1 . Exe rc i ses i n t he 1s t Pos i t i on .Pa r t 2 . Exe rc i ses i n t he 2nd -7 th Pos i t i ons .Pa r t 3 . Exe rc i ses i n Change o f Pos i t i on .Pa r t 4 . Exe rc i ses i n Doub le -S topp ing , T r i p l e -
S topp ing , Ouad rup le -S topp ing (3 & 4 -par t chords) . P izz icato , F lageole t Tones,H a r m o n i c s .
O P . 1 . C o m p l e t e , b o u n d i n C l o t h .
?nrolopmcnt of tAc RtgAt l/""/
O P . 2 . S C H O O L O F B O W I N G T E C H N I O U E .(4 ,000 Exerc ises in Bowing)P a r t s 1 - 6Exerc ise Themes to Op. 2 .
OP. 3 . 40 VARIATIONS
- P iano Accompan iment (op t iona l )
OPS. 2 & 3 , Comple te , bound in C lo th .
VIOLAArranged by L ionel Ter t is
OP. 1 . SCHOOL OF TECHNIOUE.Par t 1 . Exerc ises in the 1st Pos i t ion.Par t2 . Exerc ises in the 2nd-7th Pos i t ions.Parl3/4. Exerclses in Changes of Posit ion & in
Double, Tr ip le & Ouadruple Stopping, e tc .
OP .2 . SCHOOL OF BOWING TECHNIOUE.P a r t s 1 , 2 & 3 .
OP. 3. FORTY VARIATIONS (arr. Margaret Major)P iano Accompan imen t ( op t i ona l )
OP.7. PREPARATORY STUDIES TO THE TRILLPar t 1 . ar r . A lan Arno ld ; 1s t Pos i t ionPar t 2 . 2nd-6th Pos i t ion.
OP.8. CHANGES OF POSITION & PREPARATORY SCALESTUDIES.
OP. 9 . PREPARATORY STUDIES IN DOUBLE-STOPPING(arr . A lan Arno ld)
CELLOOP. 1 . THUMB PLACING EXERCISES.
Part 1. 1st Posi t ion (arr . W. Schul tz)OP.2 . SCHOOL OF BOWING TECHNIOUE.
(4,000 Exercises arr . Feui l lard)Parts 1-6.
OP. 3. FORry VARIATIONS (arr . Feui l lard)Piano Accompaniment (opt ional)
OP.8. CHANGES OF POSITION & PREPARATORY SCALESTUDIES.In Thirds, Sixths, Octaves & Tenths (arr . H. Boyd)
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