CIHA2012 The Challenge of the Object - GBV · The Challenge of the Object ... Anthropology in...
Transcript of CIHA2012 The Challenge of the Object - GBV · The Challenge of the Object ... Anthropology in...
GKMANISCHES NATIONAL MUSEUM
CIHA2012 N U R N B E R G
The Challenge of the Object Die Herausforderung
33rd Congress of the International Committee of the History of Art
33. Internationaler Kunsthistoriker-Kongress Nurn berg, 15. -20. Juli 2012
Congress Proceedings - Part 1
32. Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums
Contents/lnhalt
CONGRESS PROCEEDINGS - PART 1
Index of Authors/Autorenindex 20
Preface/Vorwort 24
G. Ulrich GroBmann 26 The Challenge of the Object
Section 01 Questioning the Object of Art History/ Die Frage des Objekts in der Kunstgeschichte
Horst Bredekamp 34 Introduction. The Object as an Active Force
Carolin Behrmann 37 The Authority of Juridical Objects
Audrey Rieber 42 What is Art History the History of? On the Epistemological Problem of the Object in Art History
Assimina Kaniari 46 Material Objects as Impossible Things. Kubler, Panofsky and Abstraction
Jian Zhang 50 »Kunstwissenschaft« in China. Some Remarks on its Reception
Stefan Laube 55
»Siamesische Zwillinge« in der Kunstkammer. Gberlegungen zum Chiasma von Bild und Ding
Martina Muller-Wiener 60 Objects and Communication. Things that Talk
Michael Yonan 63 The Suppression of Materiality in Anglo-American Art-Historical Writing
Nicos Hadjinicolaou 67 Eine Welt der Objekte als Herausforderung an die Menschheit
Marko Gylen 70 Facticity of the Artwork. A Post-Phenomenological Approach
Mateusz Kapustka 73 Liturgies of the Void. Seeing Objects as Images
Alessandra Russo 77 »These [Statues] they Generally Called Qemi«. A New Object at the Crossroad of Languages
Linda Baez Rubi/Emilie Carreon Blaine 82 Neuspanische Faltschirme als bildgenerierende Artefakte
Ana Gongalves Magalhaes 86 Objecthood and Brazilian Modernist Narrative. The Making of the Sao Paulo Museum of Modern Art and its Primary Collection
Kristel Smentek 91 Objects of Encounter. Mounting Asian Porcelain in Eighteenth-century France
Andrew Morrall 96 Object, Material, Myth. Ovidian Poetics and Natural Philosophy in the Sixteenth-Century Northern European »Kunstkammer«
Heinz Schodl 101 Das Objekt als »lebendes, gesundes Wesen«. Josef Strzygowski als Methodiker
Maurice Y.-Chr. SaB 105 »E I'asino nostro, che ha mosso i passi, per lo ingegno veder d'ogni mortale«. Physiological Reflection on Pictorial Efficacy in a Cinquecentesque Portrait Painting
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Sektion 02 The Concept of the »Original« as Hermeneutical Problem/Begriff und Theorien des »Originals« als hermeneutisches Problem
Miguel Fatomir Faus/Ada Raev The Concept of the »0riginal« as Hermeneutical Problem
Ariane Mensger Die Scheidung zwischen Kopie und Original in derfruhen kennerschaftlichen Literatur
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Annette Tietenberg 162 Original or Reproduction? The Signature as an Authentification Strategy in Design
Grischka Petri 166 On the Copyright Hermeneutics of the Original
Marina P. Markellou 170 The Bad Artists imitate, the Great Artists Steal. Evaluation of the Concept of Originality for Protection of Post-modern Art under Copyright Law
Anna Maria Ambrosini Massari 120 II concetto di »originale« e I'attribuzione dell'opera d'arte. Qualche appunto di storia e metodo
Olaf Gisbertz 124 Genuinely Fake - Fake Genuine? Remarks on the Concept of »0riginal« in Architecture as a Hermeneutical Problem
Sektion 03 On Religions and their Objectivations as seen from Intercultural Perspectives/Die Religionen und ihre Objektivierungen in der Kunst aus interkultureller Perspektive
Saskia Huneke 129 Original und Kopie. Die Relativitat der Begriffe am Beispiel von Bildwerken im Park Sanssouci
Oleg Tarasov 134 Old Russian Icon as the Masterpiece. From Prototype to an Original
Leah R. Clark 136 Replication, Quotation, and the »Original« in Quattrocento Collecting Practices
Lidia Giuchowska 141 The »Lady with an Ermine« by Leonardo da Vinci. Its Originality, its Remakes and the Problem of its Repainting
Irina Alter 146 Original. Replik. Kopie. George Dawe am russischen Hof
Antoinette LeNormand-Romain 151 La Porte de I'Enfer. La poetique de I'ceuvre ouverte chez Rodin
Andreas Huneke 155 Max Sauerlandt und der Streit um Original und Faksimilereproduktion 1929/30
Severine Gossart 158 Des originaux derives. La situation des ready-mades de Marcel Duchamp dans les annees 1950-1960
Martina Stoye 176 Introduction
Vera Beyer 180 Each Other's Idols. Reciprocal Perspectives on Images and Imaginings in Persian and Romanic Miniatures
Suzanne Wijsman 182 Material Object and Immaterial Imagination. Expressions of »Self« and »Other« in a Fifteenth-Century Hebrew Illuminated Prayer Book
Milada Studnickova 185 A Theological Metaphor as an Object. A Fly and Spectacles
Ryusaku Nagaoka 189 Buddhist Soteriology and the Functions of Figurative Art
Alberto Saviello 193 Transcendency in Transcultural Perspective. The Indo-Portuguese »Good Shepherd« Ivories
Urte Krass 198 Saint Francis Xavier's Tomb in Goa. Transmission, Transplantation, and Accidental Convergence
Liang Guo 203 Elegant Strategy. Jesuits' Atlas and their Confucian Connoisseur in late Ming Dynasty
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Juan Luis Gonzalez Garcia 207 Visual Preaching and Ritual Iconoclasm in Early Colonial Latin-America
Margit Kern 211 Transcultural Negotiation in Early Modern Era Art? The Pre-Columbian Blood Sacrifice Bowl at the Foot of the Stone Cross in Cuernavaca, Mexico
Martina Stoye 216 Oscillating Narration and Shifts in Perspective in Indian Temple Hangings of the 19th Century. On the Multipurpose of Inconsistencies in Picture-Language Or: How to Unfold a Universe of Meanings
Mathias A. Fubah 221 Drinking Horns and Title Cups in the Cameroon Grassfields
E. Suzanne De Villiers-Human 226 Object and Medium. Art Historiography, Image Theory and Venda Sculpture
Maria Berbara 231 Images of Heroism and Martyrdom. Borrowings from the Vatican »Laocoon« during the Early Modern Period
Pa via Machalikova 236 Holy Image of the Early 19th Century. Incentives and Reception
Joan E. Greer 240 Late Nineteenth-Century Visualizations of Nature and the Dutch Theologians' Culture
Monika Keska 246 Crucifixions and Popes. Religious Imagery in the works of Francis Bacon
Ursula Helg 250 Das Objekt und seine Bildmacht jenseits des Sichtbaren. Lygia Clarks Beziehungs-objekte - eine Herausforderung des Bildbegriffs
Joe A. Thomas 255 The Object of Christian Science Word, Image, and Spirituality in Robert Indiana
Diana McClintock 259 Howard Finster's »Paradise Garden«. A Phenomenological Examination of Living Religious Art
Section 04 The Object as Subject/Das Objekt als Subjekt
Ruth B. Phillips Were We Never Western? An Introduction to »The Object as Subject«
Milena Bart I ova Imago movens - Moving Image
Durdica Segota Object Versus Non-object. A Dilemma for the Historian of Ancient Art
Heather Dawkins Neural Networks of Perception and Subjectivity, and the Animation of Objects
Jessica Ullrich Vom Subjekt zum Objekt und wieder zuruck. Mortifizierungs- und Verlebendigungsstrategien in taxidermischen Praparaten der Gegenwartskunst
Joris van Gastel When the Bust Speaks Back. Physiognomy and Identity in Italian Baroque Portrait Sculpture
Annerose KeBler, geb. Rist Meta-Bildhauerei. Uberlegungen zur Sprachfahigkeit und Beseelung der Skulptur am Beispiel der Pygmalion-Gruppe Falconets im Pariser Salon von 1763
Chloe Chard Socializing with Sculptures. Gossip, Laughter and the Studio Visit
Ling Min Public Art and its Relationship with a Contemporary Chinese Public
Riikka Haapalainen »l Object!« Things and Objects in Participatory Art
Jenny Graser Sie blicken uns an, wir blicken zuruck. Die kinetischen Plastiken Jean Tinguelys zwischen agent und patient, Akteur und Performer
Erin Campbell Good Housekeeping. Objects and Agency in the Early Modern Italian Domestic Interior
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Hans-Ernst Mittig Wunschbilder der Lebendigkeit heute
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Khadija von Zinnenburg Carroll 316 Vitrinendenken. Vectors between Subject and Object
Caroline Turner 319 The Object as Subject in Transcultural Dialogue
Juliette Leeb-du Toit 324 Mediating Diasporic Whiteness in Contemporary South African Art, with Particular Reference to Objects in the Work of Penny Siopis
Keith Moxey 328 The Time of the Object
Catherine M. Soussloff 331 Michel Foucault's Ironic Object
Michael Godby 335 Rhopography. Banal Objects in the Work of Zwelethu Mthethwa and Andries Gouws
Gabi Dolff-Bonekamper 338 When Objects become Subjects. Section 04 - An Afterword
Tommaso Casini 357 The Portrait. From Private »Object of Art« to Symbol of Collective Memory
Ekaterini Kepetzis 360 Musealisierung, Kategorisierung, Katalogisierung des Objektes im »Musee des Monuments Frangais«. Rekreation von Geschichte und Identitat nach der Katastrophe
David Raizman 365 From World's Fair to Museum. Gain and Loss in the Display of 19th century Presentation Furniture
Peter N. Miller 370 The Germanisches Nationalmuseum and the Museums Debate in later 19th-Century Germany
Roland Prugel 374 Vom Musterstuck zum Kulturgut. Zur Verortung kunsthandwerklicher Objekte in eine kulturgeschichtliche Sammlung
Rainald Franz 378 Das Landliche und das Moderne. Volkskunst versus Avantgarde in Osterreichischen Museen um 1900
Sektion 05 Musealization of Objects: Art History versus Cultural History?/Objekte im Museum: Kunstgeschichte versus Kulturgeschichte?
Frank Matthias Kammel 340 Musealization of Objects. Art History versus Cultural History? Introduction
Martin Olin 344 The Allure of Context. Medieval Sculpture in Swedish Museums from Romantic Nationalism to Political Feminism
G era Idin e A. Johnson 348 Beyond the Visual. The Multi-Sensory Reception and Display of Renaissance Sculpture
Raffaella Morselli 352 Inventari, elenchi, carte sparse: fonti per la storia del collezionismo? Una verifica in casa Gonzaga a Mantova tra Cinquecento e Settecento
Mateja Kos 382 Scientific Analysis and the Object
Lieske Tibbe 385 Citizen of Amsterdam or Outcast? The Position of Rembrandt's Works in the 1876 and 1925 Historical Exhibitions of Amsterdam
Pnina Rosenberg 390 Salon des refuses. Art Exhibitions in French Concentration Camps
Janice Baker 394 Out of the Wilderness (MONA). Critically Engaging with the Profound Art Encounter
Annette Bhagwati 398 Musealization of Objects: Art History versus Cultural History. Art and Artifact - The Plural Nature of the Object at the Museum of Anthropology in Vancouver
Maureen Murphy 401 Art, histoire et societe. Le statut de I'objet a la cite nationale de I'histoire de I'immigration et au musee du quai Branly (Paris)
Lada Servitja Tormo 404 When the Museum Design Presents the Objects out of Context
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Piotr Piotrowski 406 Critical Objects. The De-Musealization of Art?
Ines Gold bach 411 What is the Work? On thelimportance and Impossibility of a Lasting Context for a Work, Using the Artist Jannis Kounellis as an Example
Thomas Gadeke 415 Why a Work of Art is not an Object. A Case for the Presentation and Development of Contemporary Art in the Museum, in the Spirit of the Salon des Refuses, using Specific Examples
Ernst Seidl 417 Objektwissenschaft. Wissenschaftsrelikte als Quellen einer Kunstgeschichte als Dinggeschichte
Jose Antonio Gonzalez Zarandona 449 Destruction of Heritage or Secular Iconoclasm? The Case of Dampier Archipelago Rock Art
Claudia Cen dales Pa redes 454 The Role of Memorial Monuments in the Formation of Cultural Identity in Latin American Countries
Peter Probst 458 New Media for Old Deities, Creating and Disputing Iconic Objects at a Nigerian World Heritage Site
MaryKate Cleary 460 Destroying the Palace/Rebuilding the Castle. Collective Memory and the Search for Historical Identity in Berlin
Adrian von Buttlar Preserving Postwar-Modernity. A Special Debate in Germany?
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CONGRESS PROCEEDINGS - PART 2
Religious and Civil War
Lars Berggren Reshaping the National Myth. Risorgimento Monuments in the Political Geography of Rome
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Section 06 World Heritage: Cultural Identity and the War against Works of Art/ Weltkulturerbe: Kulturelle Identitat und der Krieg gegen Kunstwerke
Gemma Domenech i Casadevall 474 Art or Religion? The Destruction of Religious Art During the Spanish Civil War
Tobias Strahl Architecture as a Weapon
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Eva-Maria Seng 430 World Cultural Heritage: Cultural Identity and the War on Works of Art. Introduction, Sketch of Problems and Objects
Theoretical Starting Points and Reflections
Laura Gieser 435 Iconic Objects and the World Heritage List
Elena Franchi 440 Objects whose Destruction would be a Great Loss for National Artistic Heritage. The Lists of Works of Art and the Concept of Cultural Heritage in Italy during the Second World War
Redefinition and the Re-writing of History
Vendula Hm'dkova 480 Prague Castle as a Symbol of Political Representation
Aki Toyoyama 482 Cave Temples as the Imagining of India The Negotiation between Early Modern Indian Tradition and Colonial Knowledge
Sofia Katopi 487 Venetian Monuments in Crete. A Reinvented Heritage
Marjeta Ciglenecki 492 Monuments to the National War of Liberation in Slovenia and Collective Memory
Works of Art an Cultural Identity
Frederick M. Asher The Mahabodi Temple. A Contested World Heritage Site
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The Instrumental Art Historian
Sabine Arend Art Historians as Actors in Occupied Poland 1939-1945
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Section 07 Missing Links: Object Manipulation in (Post)Colonial Context/Missing Links: Veranderungen am Objekt im (post-)kolonialen Kontext
Viktoria Schmidt-Linsenhoff (f)/Melanie Ulz 502 Introduction
Bernard Muller 505 L'imaginaire de la conquete coloniale a I'ceuvre, de I'evenement historique a sa restitution artistique
Greg M. Thomas 509 Regrouping. Displays of Loot from »Yuanmingyuan«
Didier Houenoude 514 Objets de musee et enseignement de I'histoire de I'art en Republique du Benin
Barbara Paul 518 Who or What Is Actually the Object? (Non-heteronormative) Desire and Power in the Context of Art and Postcolonialism
Partha Mitter 552 Science, Race and the Objectification of Sara Baartman
Susanne Leeb 556 Can Art Save the Ethnological Museum?
Nath Mayo Adediran 561 The Politics of Objects. Objects, View and Museum Politics in Nigeria
Lisa Chandler 566 The Reclaimed Object. Transformations of Museum Artefacts by Indigenous Australian Artists
Jens Baumgarten 570 »Body and Souk. A Traveling Altar. Circulation of Artifacts and of Concepts in Colonial and Post-Colonial Contexts
Dorothea Co§kun 574 Against the Dominance of the Visual. A Plea for an Inclusion of All the Senses in the Presentation of Indigenous Objects
Resolution 578
Gabriele Genge 522 Fetish and Fetishism. Transcultural Specifications for an Aesthetics of the Formless
Christian Kravagna 525 Beyond Restitution. Recapture as Artistic Strategy
Michael Falser 528 Colonial Appropriation, Physical Substitution and the Metonymies of Translation. Plaster Casts of Angkor Wat for the Museum Collections in Paris and Berlin
Eva-Maria Troelenberg 533 Artification, Appropriation and the Museum's Extended Agency in a Cross-cultural Perspective. The Case of Mshatta in Berlin
Nina Trauth 538 From Charming to Abominable. The Annexation of Oriental Attire in Baroque Portraiture
Hannah Baader 543 The Object on Stage. Imaging the Moghul Court in 18th Century Dresden
Claudia Mattos 548 »An Archive Written in Clay«. Emilio Goeldi between Archaeology, Art and Politics
Sektion 08 Exploring the Object. Art Technology and Connoisseurship/Auf Spuren-suche. Kunsttechnologie und Kennerschaft
Marzia Faietti 580 Drawings and Disegno between Technique and History
Raimondo Sassi 585 Digital »Mnemosyne« Atlas
Cara Rachele 590 Between Art and Technology. Antonio da Sangallo the Younger's Wooden Model for St. Peter's Basilica in Rome
Doris Oltrogge 595 Wettstreit der Kunste? Buchmalerei und Goldschmiedekunst im 13. Jahrhundert
Nicholas Herman 599 The Illuminated Manuscript in the Age of Digital Reproduction. Beyond Benjamin and »contra« Camille?
Giovanni Maria Fara 603 I trattati di Durer nelle biblioteche italiane. Primi risultati di un censimento in corso
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Gunnar Heydenreich 608 The Cranach Digital Archive. Challenges and perspectives for collaborative art technological and art historical research
Elke Werner 613 Lucas Cranach the Elder. Production Processes and Invention
Wolfgang Augustyn 617 Material, Technik und Bild. Die neue Forschungsstelle Realienkunde am Zentral-institut fur Kunstgeschichte in Munchen
Christian Barta/Arnulf von Ulmann 620 Die virtuelle Rekonstruktion einer mittelalterlichen Fassung
Samuel Vitali 624 Auf der Suche nach dem Original. Die Kunstgeschichte und die Faszination des Blicks unter die Oberflache
Edgar Lein 629 Technologische Bildanalyse versus Kennerschaft am Beispiel von Giovanni Bellinis »Gotterfest«
Pi era Giovanna Tordella The geometry of the self-portrait. Proposing a new interpretation of van Dyck's painting in the Westminster collection
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Sektion 09 Objects on the Move: Histories of Provenance and Preservation/Objekte auf Reisen: Uberlieferungsgeschichten
Elena Kashina 664 The Circulation and Provenance of Holy Items during the Reign of Ivan IV
Tobias Kunz 668 Wandernde und schwimmende Gnadenbilder. Aspekte der Legendenbildung und ihre bildliche Umsetzung in der fruhen Neuzeit
Barbara Furlotti 673 Unexpected Shifts. Thieves as Mobilizers of Art and Objects in Early-modern Italy
Christina Strunck 677 Travelling Objects. Transfers between France, Florence and Lorraine (1589-1627)
Genevieve Bresc-Bautier 682 La dispersion des sculptures du musee des Monuments frangais en 1816. Les criteres des choix entre patrimoine, politique et religion
Beth Fowkes Tobin 687 Pacific Artifacts, Cook's Voyages, and the Question of Value
Biagia Bongiorno 691 Architektur auf Reisen. Von echten und eingebildeten Spolien in Berlin
Christian Janecke 6 96 »Weit herumgekommen...«. Uber den Mobilitatslook in der Gegenwartskunst
Taisuke Edamura 699 Broken Glass and/on the Move. The Poetics of Moving Objects in Contemporary Art
Ingo Herklotz 640 Objekte auf Reisen und ihre Gberlieferungs-geschichten. Bilanz und Perspektiven der Forschung
Ulli Seegers 646 (De)Konstruktionen von Geschichte. Die Bedeutung der Provenienz fur die Identitat von Sammlungsobjekten
Andrea Worm 650 The Medieval Codex as Travelling Object
Gia Toussaint 655 Translozierte Aura? Byzantinische und islamische Spolien im Westen
Birgitt Borkopp-Restle 660 In Praise of the Lord. Oriental Silks in Christian Churches
Section 10 Cultural Clearings: The Object Transformed by the Art Market/ Schnittstelle Kunsthandel: Das Objekt im Auge des Marktes
Johannes Nathan 706 Introduction
Federico Freschi 707 The Art Market, Artistic Controversy, and the Limits of Accountability in Contemporary South African Art
Claire L. Kovacs 709 Degas' »Vingt dessins« as Object and Means of Dissemination
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Malcolm Gee 712 Contemporary Art in Boom and Crisis. France and Germany 1918-1933
Brenda Schmahmann 714 Embroidering the Facts? Markets and the subject matter of works by the Mapula project in South Africa
Ape Levi Terna 717 Art Objects from Cameroon. Their Making and Meaning Transformed by the Market
Mary Knights 720 Australian Indigenous Art. The Impact of the Market on Production, Critical Engagement with the Artwork and how it is Contextualised
Antoinette Friedenthal 723 Defining the CEuvre. Shaping the Catalogue Raisonne
John Klein 728 Object or Design? Aesthetic Mobility in Matisse's Paper Cut-Outs
Melanie Klein 730 Marketable Concepts. The Original and Originality in Modernisms of Africa and Europe
Frank Zollner 735 De-authentification and Authentification in and by the Contemporary Art Market. The Case of Neo Rauch
Daniel Dubuisson/Sophie Raux 738 Art Dealers and the Socio-cultural Construction of Value in Eighteenth Century France
Gerrit Walczak 740 Gersaint, Watteau, and Beyond. Oberservations on the Art Trade and its Social Practices in Eighteenth-Century Paris
M.J. Ripps 745 A Faustian Bargain? Charles Sedelmeyer, Wilhelm Bode, and the Expansion of Rembrandt's Painted Corpus, 1883-1914
Anne Helmreich 748 London Commercial Art Dealers and The Language of Display, c. 1850-1914
Anitra Nettleton 753 Making a Market for »African Art« in Johannesburg in the 1960s
Inge Reist 756 Cultural Clearings: The Object Transformed by the Art Market. Summary and Response
CONGRESS PROCEEDINGS - PART 3
Section 11 The Artefact and its Representations/ Das Kunstwerk und seine Reprasentationen
Dan Karlholm 768 Objects/Subjects, Infinite Multiplication. An Introduction
Old Media
Bernd Carque 771 Nahe und Feme zum Objekt. Manuelle Reproduktionen nach dem Codex Manesse
Philippe Bordes 776 Representing the Rococo »Objet d'art«
Stephen Bann 780 Casts and the Nineteenth-Century Crisis in Reproduction
Photography - Case Studies
Kai Kappel 784 Between National Appropriation and European Cultural Heritage. The Photographic Depiction of Castel del Monte
Jorgelina Orfila 789 From Motif to Site. Cezanne's Landscapes as Seen Through Art History's Photographic Eye
Rachel Sloan 794 The Reproduction of Phantoms. Fernand Khnopff and Photography
Heike M. Neumeister 798 Verisimilitude, Artistry and Alterity. Carl Einstein and the African Object as Subject of Aesthetic Renewal c. 1915-1935
Valentin Nussbaum 803 »As Seen on the Screen«. The Artefact and the Cinematic Gaze
Mayumi Abe 808 Where the Object Finds its Place? From its Birth to the Paginal Exhibition of »Objets Surrealistes«
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New Media Aura: the Value of an Operational Concept
Georg H ohm arm 813 Das abwesende Werk. Objektreprasentationen im Cyberspace
Lisa Mansfield 817 The Representation of Artefacts in Second Life. Interaction, Imagination, Interpretation, Innovation
Anna Brzyski 821 Missing in Action. Digital Video Art and the Internet
Bettine Menke 865 Aura, Object, and Medium
Claude Imbert 869 De I'aura aux pronostics du regard. Benjamin intervient au point aveugle des Lumieres
Bill Balaskas 872 Antonin Artaud's »Cinema of Cruelty« and the Impossible Search for the Authentic Medium. A Lesson for the Digital Age
Archive
Costanza Caraffa 824 Documentary Photographs as Objects and Originals
Erik Buelinckx 828 Resurrections
Louisa Wood Ruby 833 The Work of Art in the Age of Mechanical Reproduction and Beyond
Generalia
Rudolf Frieling 838 The More Things Change. The Museum as Producer and Performer
Ursula Frohne 842 Display or Displacement? Featuring the Object of Art in Photography
Michael Ann Holly 847 Vanishing's Victory
Hubert Locher 851 Creative Visions. Photography, the Art Historical Canon, and the Object of Art History
Victoria H.F. Scott 875 Art and Culture as Site of Contestation. The French Reception of the Frankfurt School
Gabriel Cabello 879 The Persistence of Aura. From Medium-object to Medium-memory
Fabienne Brugere 884 The Destruction of the Aura. The Aura of the Destruction
Past and Present Configured: Idol and Idea, Aura and Reproduction
Ulrich Pfisterer 886 Idol - Aura - Art. New Horizons of Early Modern Europe and the Beginnings of »Global Art History«
Boris Roman Gibhardt 891 Aura zwischen Kunstwerk und »absoluter Ware«. Schauobjekte in Kunst und Medien um 1800
Barbara Vinken 896 De-auratization in Flaubert's »Education sentimentale«
Segolene Le Men 901 La valeur de I'original dans les arts du multiple. Le cas de la gravure en France au XIXe siecle
Section 12 Beyond the Aura?/Jenseits der Aura?
Michael F. Zimmermann 858 Introduction: »Aura« as an Operative, not an Ontological Concept
Guillaume le Blanc 863 Introduction. Biopolitique et esthetique: la vie, I'experience et I'aura
Maria Grazia Messina 906 On the Return of the Aura in de Chirico's »Still Life« 1913-1914
Barbara Kuhn 910 »quelque chose comme un portrait, un autoportrait peut-etre«. Le portrait a I'epoque de sa productibilite technique. Jean-Philippe-Toussaint: LAppareil-photo
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Nazism - Genocide - Biopower. (An)aesthetics of Control
Paul B. Jaskot 914 Power, Policy and the Political History of Art. The Example of the Postwar Reception of the Nuremberg Party Rally Grounds
Stephen F. Eisenman 919 Political Art in the Age of Invisibility. Contesting the Supermax
Fabienne Liptay 923 The Work of Art in the Age of Impossible Production. Jafar Panahi's »This Is Not a Film«
Section 13 The Multiple Art Work/Das multiple Kunstwerk
Flans Dickel/Yuko Nakama 928 »To create is divine - to reproduce is human« (Man Ray). The Multiple Artwork
Multiple Forms of Art and the Multiple as a Form of Art - the Wide Range of the Section's Subject in a Globalized World
Yutaka Fujioka 931 The Mass-Production of Buddhist Sculptures in the Late Heian Period and a Buddhist Sculptor Jocho
Katerina Reed-Tsocha 935 Vasarely's Multiples. Their Artistic Context and Long-term Philosophical Significance
Multiple Perspectives in Art History
Patricia Zalamea 937 Collecting Reproductions in the New World. Humanist Paintings in Tunja and their Translation of Printed Images
Yoko Fliraoka 940 The »Twelve Months« by Pieter Bruegel the Elder. A Grand Panorama Overlooking Time and Space
The Multiple Art Work in Sculpture
Matthew Martin 944 Models and Multiples. Eighteenth-century European Porcelain Sculpture
Maria Teresa Cruz Yabar 949 Original, Modelo, Restauracion, Copia y Reproduccion en la Escultura de la Corte en Madrid en la segunda mitad del siglo XVIII
Teresa Ende 954 ))... an original after a 11«. Original, Copy and Variation in the Art of Wilhelm Lehmbruck
The Multiple Art Work on Paper
Laurence Schmidlin 959 Acting like Print. Drawing's Strategies of Multiplication
Anna Manicka 963 The Multiple Art Work. The New Meaning of the Multiple Artwork in the Contemporary Print
Tiffany Washington 967 Mapping the Market for Mechanical Multiples. Associated American Artists' Prints in the Age of Online Reproduction
Eva Francioli 971 Constructivism and Journal Editing. Reviews as an Example of Multiple Artworks
The Multiple
Tobias Vogt 975 Necessarily Unique. The Drawing as the Multiplicand in the 1960s
Bettina Paust 978 The Multiples by Joseph Beuys as a Self-Referential Expansion of the Traditional Definition of Art
Kassandra Nakas 983 »Damaged Goods«. Das »multiple Objekt« in den 1980er Jahren
Laura Bravo 986 Felix Gonzalez Torres. The Fleeting Life of Flesh and Objects
Oliver Grau 990 Media Arts Challenge for our Societies. New Structures for 21stCenturies Humanities
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Section 14 Diirer's Life and Work. The Object as a Key to the Subject?/Durers Leben und Werk. Das Objekt als Schliissel zum Subjekt?
Daniel Hess/Jeffrey Chipps Smith 996 Diirer's Life and Work. The Object as a Key to the Subject?
Susanne Meurer 1050 »Yearning for Biography**. The Elusive Life of Matthis Grunewald
Miriam Kirch »Ein gar sonderbares Schaustuck**
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Andrea Bubenik Appropriations of Albrecht Diirer's Self Portraits
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Anja Grebe 1059 Durer as Object. Relic(t)s of an Artist
Tico Seifert 1064 William Bell Scott. Durer's Champion in Victorian Britain
Erwin Pokorny Durers Selbstakt in Weimar
Christopher Atkins Durer's Marking of Time
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1008
Stephanie Porras 1012 Folds, Traces and Holes. Durer's Ideal Bodies
Gabor Endrodi 1016 Durers Entwurfe fur die Augsburger Fuggerepitaphe und die Umwege der autonomen Zeichenkunst
Ashley D. West 1021 Albrecht Durer's Idyll. An Artist, a Humanist, and a Book
Berth old Hinz 1026 Durer als Autor und Protagonist deutschsprachiger Fachprosa
Dagmar Hirschfelder 1031 Durers Bildniszeichnungen als biographische Zeugnisse. Zur Netzwerkbildung auf der niederlandischen Reise
John K. Delaney/E. Melanie Gifford/Lisha D. Glinsman/ 1036 John 0. Hand/Catherine Metzger
»Common painting** and »diligent fiddling**. Technical analysis for insight into the divergent styles of Durer's »Madonna and Child«/»Lot and his Daughters**
Daniela Bohde 1041 Die Zeichnung als Ausdruck des Kunstlers? Uberlegungen zu Status und Funktion von altdeutschen Zeichnungen
Thomas Schauerte 1046 Kunstlerreisen der Durerzeit. Kurze Anmerkungen zu einem biographischen Stereotyp
Section 15 Charged Sites/Ereignisorte
Bernd Nicolai 1070 Charged Sites/Ereignisorte. Introduction
Nasser Rabbat 1073 The Ka'ba. A Primordial Locus of Memory
Sonja Fessel 1075 Charged Sites. On the Representation of Historic Place in Contemporary Photography
Shao Yiyang 1080 Infinite Social Landscape
Margareta Wallin Wictorin 1084 Dak'Art. The Biennial Exhibition of Contemporary African Art in Dakar. A Site Charged with Political Issues
Brianne Cohen 1089 Charged Counterpublics. Mediating Strangers in Thomas Hirschhorn's »Bijlmer Spinoza-Festival**
Ralph-Miklas Do bier 1092 Shifts of Meaning. From Via dell'lmpero to Via dei Fori Imperiali
Julia Burbulla 1098 Total Experience. The Individual in Artistic Space at Nazi Party Rallies (1933-1938)
Lynda Mulvin 1101 Nuremberg and the Ruins of Baalbek, otherwise Heliopolis in Coelosyria. Overlapping Historical Processes?
Joan Coutu 1105 Taste and the Ideal. Constructing National Memory in Mid-eighteenth-century England
15
Contents/lnhalt
Caroline A. Jones 1110 Event/Site
Peter Krieger 1114 The Charge of Emptiness at the Constitution's Square in Mexico City
Jens Brinkmann 1118 A Multidisciplinary Space for the Evolution of Brazilian Culture. The Centra Cultural Sao Paulo
Barbara Clausen 1158 The Silence of Performance and the Movement of Sculpture
Karen von I/eh 1163 The Virgin Mary as a Feminist Icon in the Work of Diane Victor
Petra Lange-Berndt 1167 The Fugitive Kind. Sigmar Polke's Snakeskins
Yan Geng 1122 Tiananmen. From Imperial Gate to Communist Icon
Nenad Makuljevic 1126 Visuality, Conflict and Space. Belgrade Among Ottoman, Habsburg and Serbian States (17th-19th Century)
Anna Minta 1129 Contested Spaces in Jerusalem. The Politics of the Sacred in Architecture and Historic Preservation
Cristina Rodriguez Samaniego 1132 The 19th Century Mausoleum of Christopher Columbus in Santo Domingo
Ute Verstegen 1136 Geteiltes Gedenken. Parallelnutzungen von Sakralorten durch Christen und Muslime in Jerusalem und Bethlehem
Alexander Schmidt 1141 Taterorte, Memoriale, postmoderne Umwertungen. Aneignungen von national-sozialistischer Architektur in Deutschland
Isa be lie Graw 1171 Art as (Gendered) Quasi-Subject. Anthropomorphism, Human Figures and Mannequins in the work of Isa Genzken and Rachel Harrison
Ha raid Tesan 1174 Picassos Portrat von Gertrude Stein - Gertrude Steins Portrat von Picasso. Korperlichkeit und kulturelle Differenz im Vorfeld des Kubismus
Tutta Palin 1179 An Artistic Masquerade before Masquerade Theory
Beate Sontgen 1184 Touching Things
Claudia Sedlarz 1188 Elsie de Wolfe and Tony Duquette. Two Interior Designers and their Different Relation to Objects
Maureen Daly Goggin 1191 (De)Constructing Gender in Needle and Thread. Political Assertions and Gender Bias in Janie Terrero's 1912 WSPU Sampler
CONGRESS PROCEEDINGS - PART 4
Section 16 The Gendered Object/Das geschlechtsbezogene Objekt
Sabeth Buchmann/Pamela M. Lee The Gendered Object. Introduction
Evelina Guzauskyte 1195 Fowl Play: The Symbolism of Birds. In Some Eighteenth-century Mexican »Casta« Paintings
YuningTeng 1198 Disperse the Political Shadow. A Study on Constructing and Deconstructing Authority in a Case of Cixi's Portrait
Assaf Pinkus 1203 The Transformative Body. Seeing through the Schreinmadonna
1152
Juli Carson That Obscure Object of Gender. Kerry Tribe's »Critical Mass«
1155
16
Contents/lnhalt
Section 17 Objecthood. Modernist and Contemporary Perspectives/ Dinglichkeit. Moderne und zeitgenossische Perspektiven
Philip Ursprung 1265 Echo-Logy. Allan Kaprow and the Energy Crisis
lleana Parvu 1268 Between Commodity and Thing. The Object from 1985 to 1995
Regine Prange Objecthood and the Problem of Form. A Critical Introduction
1214 Ralph Ubl 1271 Prospectus. Blumenberg and Fried on Objecthood
Brigid Doherty 1219 Rilke's Magic Lantern
R. Bruce Elder 1224 Futurism = Symbolism + Dynamism
Sebastian Egenhofer 1228 The Becoming of the Readymade. The Concept of the Work of Art after Duchamp
Joyce Tsai 1231 In Retrospect. Laszlo Moholy-Nagy and the Work of Art
Simon Baier 1233 Malevic's Sickle
Magdalena Nieslony 1238 Die Auferweckung und der Tod der Dinge im »Reismus« der russischen Avantgarde
Megan R. Luke 1242 The Wandering »Merzbau«
Alessandro Nigro 1245 Muse addormentate, oggetti primi, strutture primarie. Da Brancusi a Morris attraverso Kubler
Michael Luthy 1249 Zur asthetischen Lebendigkeit moderner Kunst-Dinge
Paulo Venancio Filho 1253 Questioning the Object: the »Non-object« and Others
Stephane Huchet 1255 L'objectivation sociale de I'artiste dans I'art bresilien. De Helio Oiticica (1967) a Vik Muniz (2010)
Stefan Neuner 1259 Some Remarks on Dan Flavin's »lmage-Objects«
Angela Matyssek 1262 Subverting and Conserving the Authentic and the Original in Contemporary Art
Section 18 The Absence of the Object and the Void/Die Abwesenheit des Objekts und die Leere
Burcu Dogramaci 1276 The Absence of the Object and the Void. Introduction
Dominique Sirois-Rouleau 1279 Le mythe de la disparition de I'objet. Cas »Home Stories«
Erzsebet Tatai 1283 The Re- and Dematerialization of the Object (of Art). Through the Analysis of Hungarian Examples from the Late 20th and 21st Century
Mariko Kaname 1287 Remarks on »Emptiness« or »lntervals« in Painting. Modernism and Orientalism
Ivan Ruiz 1291 To Destroy/Engender. The Reconfiguration of the Object in Gabriel de la Mora's Work
Mathilda Legemah 1295 Leerfelder. Intermediate Raume in kinematografischen Installationen
Kristin Marek 1300 The Visibility of the Dead between Virtuality and Materiality. Visual Culture and the Culture of Visibility in the Works of Christoph Schlingen-sief, Teresa Margolles and Gregor Schneider
Anne Thurmann-Jajes 1305 Radio Art. The Perception of a Special Form of Dematerialized Art
Wolfgang Rathert Dekonstruktion oder Regression. Uber »Entleerung« in der Musik des 20. Jahrhunderts
1309
17
Contents/lnhalt
Alexander Streitberger 1313 Spezifische Objekte der Fotografie. Situationsasthetik und konzeptuelle Fotografie Ende der 1960er Jahre
Jessamyn A. S. Conrad 1318 Absence as Presence. The Mihrab as a Means to and Metaphor for a Transcendental God
Cedric Gruat/Lucia Martinez 1365 Echange ou restitution? La negociation artistique de 1940-1941 entre la France et I'Espagne
Martin Schieder 1367 »L'art frangais doit revenir d'Allemagne en France**. The Debate on Restitution of French Art Works from Germany, 1918 and 1945
Mariana Marchesi 1323 Images of the Absent Body in the Last Argentinean Dictatorship. The Visual Works of Juan Pablo Renzi
Birgit Haehnel 1327 The Trace of the Wounds in the White Cloth
Mari Rodriguez 1332 Dissolving the Art Object. Creating Experiences. The Collective El Sindicato, 1976-1978
Isabelle le Masne de Chermont 1372 »Les chefs-d'oeuvre des collections privees frangaises retrouves en Allemagne par la Commission de recuperation artistique et les services allies**. Exposition, Paris, Orangerie des Tuileries, juin-novembre 1946
Uwe Hartmann 1376 Restitution als Klassenfrage. Die »Gberfuhrung von Kunstwerten in das Eigentum des Volkes** in der SBZ und in der DDR
Cristina Vasconcetos de Almeida 1336 On the Object Archiving its own Absence
Mark A. Cheetham 1340 The Absent Objects of EcoArt. Strategies of the Remote & Ephemeral
Rita Eder 1343 Notes and Thoughts on the Outcome of Section 18. The Absence of the Art Object and the Void
Nawojka Cieslihska-Lobkowicz 1380 Das Spannungsfeld von Nationalgedachtnis und Politik. Restitution in Europa
Gilbert Lupfer 1385 Provenienzforschung und Kunstgeschichte. Spannungen und Perspektiven
Birgit Schwarz 1388 Hitlers Gemaldesammlungen in Fotoalben
Alice Halsdorfer 1393 Between Law and Morality. Mediation and the Return of Cultural Property
Section 19 Restitution
Christian Feest/Lilia Rivero Weber Shared Fleritage. The Ancient Mexican Feather Headdress in Vienna
1397
Benedicte Savoy 1346 Restitution
Yann Potin 1351 Das restituierte Erbe Europas. Kunstbeute, Archivraub und Restitutionen von 1814/15
Christina Kott 1355 Kunstwerke als Revanche? Die Problematik der Restitutionen im und nach dem Ersten Weltkrieg in Westeuropa
Ewa Manikowska 1360 National versus Universal? The restitution debate between Poland and Soviet Russia after the Riga Peace Treaty (1921)
Wendy Shaw 1402 The Valorization of Antiquities in the late Ottoman Empire. Huseyin Zekai's discussion of Troy, Baalbek, and the Scholarship of Antiquities in »Holy Treasures** (1913)
Ines Rotermund-Reynard 1406 An- und Abwesenheit des Kunstwerks im kulturellen Gedachtnis. Die Irrfahrten der »Biche morte** von Gustave Courbet
Kerstin Holm 1411 Beutekunst aus Deutschland in der postsowjetischen Provinz. Worin liegt das Interesse der Kultur selbst?
18
Contents/lnhalt
Section 20 Architecture as Object/Architektur als Objekt
Amy F. Ogata The Playhouse. An Architectural Object Lesson
1467
Alina Payne/Georg Satzinger 1416 Architektur als Objekt. Vorbemerkung
Alina Payne 1417 Architecture as Object. Introduction
Hildegard Sahler 1420 Architektur als Objekt der Verehrung. Entstehung und Wirkung der GroBreliquien in Loreto, Jerusalem und Assisi
Matteo Burioni 1425 Displaced Buildings. The Tower of Babel, Pietro della Valle and the Biography of Archeological Objects
Louise Bourdua 1429 From Tomb to Museum. Andriolo De' Santi's Model City
Jens Niebaum 1432 Momente des >Objekthaften< im kirchlichen Zentralbau der Renaissance
Claudia Conforti 1436 II Castrum Doloris (1689-1698) per san Francesco Saverio al Bom Jesus di Goa di Giovanbattista Foggini. Dono di Cosimo III de' Medici, granduca di Toscana
JorgStabenow 1441 Urbane Objekte. Freistellung versus Einbindung in der Architektur der fruhneuzeitlichen Stadt
Rafael Jackson 1446 Architecture as Objet Trouve. Historical City and Surrealist Sensibility
Regine Bonnefoit 1449 Die »Paper Tube Structures** von Shigeru Ban. »Architektur als Objekt« im wortlichen Sinne
Carmen Popescu 1454 Which Work of Art? Museum Architecture and its Ambiguous Meanings
Alexandra Stara 1458 Architectural Fragment as Museum Object. The »Musee des Monuments Frangais«
Markus Thome 1462 Constructed Objects. Museum Display of Medieval Architecture in North America
Section CIHA CIHA as the Object of Art History/ Die Rolle des CIHA in der Kunstgeschichte
Thomas W. Gaehtgens 1472 Introduction
Jaynie Anderson 1474 CIHA as the Object of Art History
Heinrich Dilly 1477 Geschichtslos, nicht ohne Geschichten. Die Zukunft der Internationalen Kongresse fur Kunstgeschichte
Giovanna Perini Folesani 1482 II contributo italiano ai congressi e colloqui del CIHA dalle origini al 2000
Laszlo Beke 1486 CIHA - Object or Subject?
Jillian Carman 1488 Re-imagining Art History in South Africa
Roberto Conduru 1492 Eccentric Essays. Teaching and Writing an Worldwide History of Art at the Rio de Janeiro State University
Thierry Dufrene/Peter J. Schneemann 1496 The CIHA as an Object. Object of Desire - Object in the Making
Howard Morphy 1500 Meaningful Form. The Changing Boundaries between Anthropology and Art History
Toshio Watanabe 1505 Art Historical Canon and the Transnational
John Clark 1507 Art History and its Futures. The Asian Case of Non-Euramerica
Hans Belting 1510 From World Art to Global Art. View on a New Panorama
19