CIHA2012 The Challenge of the Object - GBV · The Challenge of the Object ... Anthropology in...

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GKMANISCHES NATIONAL MUSEUM CIHA2012 NURNBERG The Challenge of the Object Die Herausforderung 33 rd Congress of the International Committee of the History of Art 33. Internationaler Kunsthistoriker-Kongress Nurn berg, 15. -20. Juli 2012 Congress Proceedings - Part 1 32. Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums

Transcript of CIHA2012 The Challenge of the Object - GBV · The Challenge of the Object ... Anthropology in...

GKMANISCHES NATIONAL MUSEUM

CIHA2012 N U R N B E R G

The Challenge of the Object Die Herausforderung

33rd Congress of the International Committee of the History of Art

33. Internationaler Kunsthistoriker-Kongress Nurn berg, 15. -20. Juli 2012

Congress Proceedings - Part 1

32. Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums

Contents/lnhalt

CONGRESS PROCEEDINGS - PART 1

Index of Authors/Autorenindex 20

Preface/Vorwort 24

G. Ulrich GroBmann 26 The Challenge of the Object

Section 01 Questioning the Object of Art History/ Die Frage des Objekts in der Kunstgeschichte

Horst Bredekamp 34 Introduction. The Object as an Active Force

Carolin Behrmann 37 The Authority of Juridical Objects

Audrey Rieber 42 What is Art History the History of? On the Epistemological Problem of the Object in Art History

Assimina Kaniari 46 Material Objects as Impossible Things. Kubler, Panofsky and Abstraction

Jian Zhang 50 »Kunstwissenschaft« in China. Some Remarks on its Reception

Stefan Laube 55

»Siamesische Zwillinge« in der Kunstkammer. Gberlegungen zum Chiasma von Bild und Ding

Martina Muller-Wiener 60 Objects and Communication. Things that Talk

Michael Yonan 63 The Suppression of Materiality in Anglo-American Art-Historical Writing

Nicos Hadjinicolaou 67 Eine Welt der Objekte als Herausforderung an die Menschheit

Marko Gylen 70 Facticity of the Artwork. A Post-Phenomenological Approach

Mateusz Kapustka 73 Liturgies of the Void. Seeing Objects as Images

Alessandra Russo 77 »These [Statues] they Generally Called Qemi«. A New Object at the Crossroad of Languages

Linda Baez Rubi/Emilie Carreon Blaine 82 Neuspanische Faltschirme als bildgenerierende Artefakte

Ana Gongalves Magalhaes 86 Objecthood and Brazilian Modernist Narrative. The Making of the Sao Paulo Museum of Modern Art and its Primary Collection

Kristel Smentek 91 Objects of Encounter. Mounting Asian Porcelain in Eighteenth-century France

Andrew Morrall 96 Object, Material, Myth. Ovidian Poetics and Natural Philosophy in the Sixteenth-Century Northern European »Kunstkammer«

Heinz Schodl 101 Das Objekt als »lebendes, gesundes Wesen«. Josef Strzygowski als Methodiker

Maurice Y.-Chr. SaB 105 »E I'asino nostro, che ha mosso i passi, per lo ingegno veder d'ogni mortale«. Physiological Reflection on Pictorial Efficacy in a Cinquecentesque Portrait Painting

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Sektion 02 The Concept of the »Original« as Hermeneutical Problem/Begriff und Theorien des »Originals« als hermeneutisches Problem

Miguel Fatomir Faus/Ada Raev The Concept of the »0riginal« as Hermeneutical Problem

Ariane Mensger Die Scheidung zwischen Kopie und Original in derfruhen kennerschaftlichen Literatur

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Annette Tietenberg 162 Original or Reproduction? The Signature as an Authentification Strategy in Design

Grischka Petri 166 On the Copyright Hermeneutics of the Original

Marina P. Markellou 170 The Bad Artists imitate, the Great Artists Steal. Evaluation of the Concept of Originality for Protection of Post-modern Art under Copyright Law

Anna Maria Ambrosini Massari 120 II concetto di »originale« e I'attribuzione dell'opera d'arte. Qualche appunto di storia e metodo

Olaf Gisbertz 124 Genuinely Fake - Fake Genuine? Remarks on the Concept of »0riginal« in Architecture as a Hermeneutical Problem

Sektion 03 On Religions and their Objectivations as seen from Intercultural Perspectives/Die Religionen und ihre Objektivierungen in der Kunst aus interkultureller Perspektive

Saskia Huneke 129 Original und Kopie. Die Relativitat der Begriffe am Beispiel von Bildwerken im Park Sanssouci

Oleg Tarasov 134 Old Russian Icon as the Masterpiece. From Prototype to an Original

Leah R. Clark 136 Replication, Quotation, and the »Original« in Quattrocento Collecting Practices

Lidia Giuchowska 141 The »Lady with an Ermine« by Leonardo da Vinci. Its Originality, its Remakes and the Problem of its Repainting

Irina Alter 146 Original. Replik. Kopie. George Dawe am russischen Hof

Antoinette LeNormand-Romain 151 La Porte de I'Enfer. La poetique de I'ceuvre ouverte chez Rodin

Andreas Huneke 155 Max Sauerlandt und der Streit um Original und Faksimilereproduktion 1929/30

Severine Gossart 158 Des originaux derives. La situation des ready-mades de Marcel Duchamp dans les annees 1950-1960

Martina Stoye 176 Introduction

Vera Beyer 180 Each Other's Idols. Reciprocal Perspectives on Images and Imaginings in Persian and Romanic Miniatures

Suzanne Wijsman 182 Material Object and Immaterial Imagination. Expressions of »Self« and »Other« in a Fifteenth-Century Hebrew Illuminated Prayer Book

Milada Studnickova 185 A Theological Metaphor as an Object. A Fly and Spectacles

Ryusaku Nagaoka 189 Buddhist Soteriology and the Functions of Figurative Art

Alberto Saviello 193 Transcendency in Transcultural Perspective. The Indo-Portuguese »Good Shepherd« Ivories

Urte Krass 198 Saint Francis Xavier's Tomb in Goa. Transmission, Transplantation, and Accidental Convergence

Liang Guo 203 Elegant Strategy. Jesuits' Atlas and their Confucian Connoisseur in late Ming Dynasty

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Juan Luis Gonzalez Garcia 207 Visual Preaching and Ritual Iconoclasm in Early Colonial Latin-America

Margit Kern 211 Transcultural Negotiation in Early Modern Era Art? The Pre-Columbian Blood Sacrifice Bowl at the Foot of the Stone Cross in Cuernavaca, Mexico

Martina Stoye 216 Oscillating Narration and Shifts in Perspective in Indian Temple Hangings of the 19th Century. On the Multipurpose of Inconsistencies in Picture-Language Or: How to Unfold a Universe of Meanings

Mathias A. Fubah 221 Drinking Horns and Title Cups in the Cameroon Grassfields

E. Suzanne De Villiers-Human 226 Object and Medium. Art Historiography, Image Theory and Venda Sculpture

Maria Berbara 231 Images of Heroism and Martyrdom. Borrowings from the Vatican »Laocoon« during the Early Modern Period

Pa via Machalikova 236 Holy Image of the Early 19th Century. Incentives and Reception

Joan E. Greer 240 Late Nineteenth-Century Visualizations of Nature and the Dutch Theologians' Culture

Monika Keska 246 Crucifixions and Popes. Religious Imagery in the works of Francis Bacon

Ursula Helg 250 Das Objekt und seine Bildmacht jenseits des Sichtbaren. Lygia Clarks Beziehungs-objekte - eine Herausforderung des Bildbegriffs

Joe A. Thomas 255 The Object of Christian Science Word, Image, and Spirituality in Robert Indiana

Diana McClintock 259 Howard Finster's »Paradise Garden«. A Phenomenological Examination of Living Religious Art

Section 04 The Object as Subject/Das Objekt als Subjekt

Ruth B. Phillips Were We Never Western? An Introduction to »The Object as Subject«

Milena Bart I ova Imago movens - Moving Image

Durdica Segota Object Versus Non-object. A Dilemma for the Historian of Ancient Art

Heather Dawkins Neural Networks of Perception and Subjectivity, and the Animation of Objects

Jessica Ullrich Vom Subjekt zum Objekt und wieder zuruck. Mortifizierungs- und Verlebendigungsstrategien in taxidermischen Praparaten der Gegenwartskunst

Joris van Gastel When the Bust Speaks Back. Physiognomy and Identity in Italian Baroque Portrait Sculpture

Annerose KeBler, geb. Rist Meta-Bildhauerei. Uberlegungen zur Sprachfahigkeit und Beseelung der Skulptur am Beispiel der Pygmalion-Gruppe Falconets im Pariser Salon von 1763

Chloe Chard Socializing with Sculptures. Gossip, Laughter and the Studio Visit

Ling Min Public Art and its Relationship with a Contemporary Chinese Public

Riikka Haapalainen »l Object!« Things and Objects in Participatory Art

Jenny Graser Sie blicken uns an, wir blicken zuruck. Die kinetischen Plastiken Jean Tinguelys zwischen agent und patient, Akteur und Performer

Erin Campbell Good Housekeeping. Objects and Agency in the Early Modern Italian Domestic Interior

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Hans-Ernst Mittig Wunschbilder der Lebendigkeit heute

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Khadija von Zinnenburg Carroll 316 Vitrinendenken. Vectors between Subject and Object

Caroline Turner 319 The Object as Subject in Transcultural Dialogue

Juliette Leeb-du Toit 324 Mediating Diasporic Whiteness in Contemporary South African Art, with Particular Reference to Objects in the Work of Penny Siopis

Keith Moxey 328 The Time of the Object

Catherine M. Soussloff 331 Michel Foucault's Ironic Object

Michael Godby 335 Rhopography. Banal Objects in the Work of Zwelethu Mthethwa and Andries Gouws

Gabi Dolff-Bonekamper 338 When Objects become Subjects. Section 04 - An Afterword

Tommaso Casini 357 The Portrait. From Private »Object of Art« to Symbol of Collective Memory

Ekaterini Kepetzis 360 Musealisierung, Kategorisierung, Katalogisierung des Objektes im »Musee des Monuments Frangais«. Rekreation von Geschichte und Identitat nach der Katastrophe

David Raizman 365 From World's Fair to Museum. Gain and Loss in the Display of 19th century Presentation Furniture

Peter N. Miller 370 The Germanisches Nationalmuseum and the Museums Debate in later 19th-Century Germany

Roland Prugel 374 Vom Musterstuck zum Kulturgut. Zur Verortung kunsthandwerklicher Objekte in eine kulturgeschichtliche Sammlung

Rainald Franz 378 Das Landliche und das Moderne. Volkskunst versus Avantgarde in Osterreichischen Museen um 1900

Sektion 05 Musealization of Objects: Art History versus Cultural History?/Objekte im Museum: Kunstgeschichte versus Kulturgeschichte?

Frank Matthias Kammel 340 Musealization of Objects. Art History versus Cultural History? Introduction

Martin Olin 344 The Allure of Context. Medieval Sculpture in Swedish Museums from Romantic Nationalism to Political Feminism

G era Idin e A. Johnson 348 Beyond the Visual. The Multi-Sensory Reception and Display of Renaissance Sculpture

Raffaella Morselli 352 Inventari, elenchi, carte sparse: fonti per la storia del collezionismo? Una verifica in casa Gonzaga a Mantova tra Cinquecento e Settecento

Mateja Kos 382 Scientific Analysis and the Object

Lieske Tibbe 385 Citizen of Amsterdam or Outcast? The Position of Rembrandt's Works in the 1876 and 1925 Historical Exhibitions of Amsterdam

Pnina Rosenberg 390 Salon des refuses. Art Exhibitions in French Concentration Camps

Janice Baker 394 Out of the Wilderness (MONA). Critically Engaging with the Profound Art Encounter

Annette Bhagwati 398 Musealization of Objects: Art History versus Cultural History. Art and Artifact - The Plural Nature of the Object at the Museum of Anthropology in Vancouver

Maureen Murphy 401 Art, histoire et societe. Le statut de I'objet a la cite nationale de I'histoire de I'immigration et au musee du quai Branly (Paris)

Lada Servitja Tormo 404 When the Museum Design Presents the Objects out of Context

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Piotr Piotrowski 406 Critical Objects. The De-Musealization of Art?

Ines Gold bach 411 What is the Work? On thelimportance and Impossibility of a Lasting Context for a Work, Using the Artist Jannis Kounellis as an Example

Thomas Gadeke 415 Why a Work of Art is not an Object. A Case for the Presentation and Development of Contemporary Art in the Museum, in the Spirit of the Salon des Refuses, using Specific Examples

Ernst Seidl 417 Objektwissenschaft. Wissenschaftsrelikte als Quellen einer Kunstgeschichte als Dinggeschichte

Jose Antonio Gonzalez Zarandona 449 Destruction of Heritage or Secular Iconoclasm? The Case of Dampier Archipelago Rock Art

Claudia Cen dales Pa redes 454 The Role of Memorial Monuments in the Formation of Cultural Identity in Latin American Countries

Peter Probst 458 New Media for Old Deities, Creating and Disputing Iconic Objects at a Nigerian World Heritage Site

MaryKate Cleary 460 Destroying the Palace/Rebuilding the Castle. Collective Memory and the Search for Historical Identity in Berlin

Adrian von Buttlar Preserving Postwar-Modernity. A Special Debate in Germany?

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CONGRESS PROCEEDINGS - PART 2

Religious and Civil War

Lars Berggren Reshaping the National Myth. Risorgimento Monuments in the Political Geography of Rome

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Section 06 World Heritage: Cultural Identity and the War against Works of Art/ Weltkulturerbe: Kulturelle Identitat und der Krieg gegen Kunstwerke

Gemma Domenech i Casadevall 474 Art or Religion? The Destruction of Religious Art During the Spanish Civil War

Tobias Strahl Architecture as a Weapon

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Eva-Maria Seng 430 World Cultural Heritage: Cultural Identity and the War on Works of Art. Introduction, Sketch of Problems and Objects

Theoretical Starting Points and Reflections

Laura Gieser 435 Iconic Objects and the World Heritage List

Elena Franchi 440 Objects whose Destruction would be a Great Loss for National Artistic Heritage. The Lists of Works of Art and the Concept of Cultural Heritage in Italy during the Second World War

Redefinition and the Re-writing of History

Vendula Hm'dkova 480 Prague Castle as a Symbol of Political Representation

Aki Toyoyama 482 Cave Temples as the Imagining of India The Negotiation between Early Modern Indian Tradition and Colonial Knowledge

Sofia Katopi 487 Venetian Monuments in Crete. A Reinvented Heritage

Marjeta Ciglenecki 492 Monuments to the National War of Liberation in Slovenia and Collective Memory

Works of Art an Cultural Identity

Frederick M. Asher The Mahabodi Temple. A Contested World Heritage Site

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The Instrumental Art Historian

Sabine Arend Art Historians as Actors in Occupied Poland 1939-1945

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Section 07 Missing Links: Object Manipulation in (Post)Colonial Context/Missing Links: Veranderungen am Objekt im (post-)kolonialen Kontext

Viktoria Schmidt-Linsenhoff (f)/Melanie Ulz 502 Introduction

Bernard Muller 505 L'imaginaire de la conquete coloniale a I'ceuvre, de I'evenement historique a sa restitution artistique

Greg M. Thomas 509 Regrouping. Displays of Loot from »Yuanmingyuan«

Didier Houenoude 514 Objets de musee et enseignement de I'histoire de I'art en Republique du Benin

Barbara Paul 518 Who or What Is Actually the Object? (Non-heteronormative) Desire and Power in the Context of Art and Postcolonialism

Partha Mitter 552 Science, Race and the Objectification of Sara Baartman

Susanne Leeb 556 Can Art Save the Ethnological Museum?

Nath Mayo Adediran 561 The Politics of Objects. Objects, View and Museum Politics in Nigeria

Lisa Chandler 566 The Reclaimed Object. Transformations of Museum Artefacts by Indigenous Australian Artists

Jens Baumgarten 570 »Body and Souk. A Traveling Altar. Circulation of Artifacts and of Concepts in Colonial and Post-Colonial Contexts

Dorothea Co§kun 574 Against the Dominance of the Visual. A Plea for an Inclusion of All the Senses in the Presentation of Indigenous Objects

Resolution 578

Gabriele Genge 522 Fetish and Fetishism. Transcultural Specifications for an Aesthetics of the Formless

Christian Kravagna 525 Beyond Restitution. Recapture as Artistic Strategy

Michael Falser 528 Colonial Appropriation, Physical Substitution and the Metonymies of Translation. Plaster Casts of Angkor Wat for the Museum Collections in Paris and Berlin

Eva-Maria Troelenberg 533 Artification, Appropriation and the Museum's Extended Agency in a Cross-cultural Perspective. The Case of Mshatta in Berlin

Nina Trauth 538 From Charming to Abominable. The Annexation of Oriental Attire in Baroque Portraiture

Hannah Baader 543 The Object on Stage. Imaging the Moghul Court in 18th Century Dresden

Claudia Mattos 548 »An Archive Written in Clay«. Emilio Goeldi between Archaeology, Art and Politics

Sektion 08 Exploring the Object. Art Technology and Connoisseurship/Auf Spuren-suche. Kunsttechnologie und Kennerschaft

Marzia Faietti 580 Drawings and Disegno between Technique and History

Raimondo Sassi 585 Digital »Mnemosyne« Atlas

Cara Rachele 590 Between Art and Technology. Antonio da Sangallo the Younger's Wooden Model for St. Peter's Basilica in Rome

Doris Oltrogge 595 Wettstreit der Kunste? Buchmalerei und Goldschmiedekunst im 13. Jahrhundert

Nicholas Herman 599 The Illuminated Manuscript in the Age of Digital Reproduction. Beyond Benjamin and »contra« Camille?

Giovanni Maria Fara 603 I trattati di Durer nelle biblioteche italiane. Primi risultati di un censimento in corso

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Gunnar Heydenreich 608 The Cranach Digital Archive. Challenges and perspectives for collaborative art technological and art historical research

Elke Werner 613 Lucas Cranach the Elder. Production Processes and Invention

Wolfgang Augustyn 617 Material, Technik und Bild. Die neue Forschungsstelle Realienkunde am Zentral-institut fur Kunstgeschichte in Munchen

Christian Barta/Arnulf von Ulmann 620 Die virtuelle Rekonstruktion einer mittelalterlichen Fassung

Samuel Vitali 624 Auf der Suche nach dem Original. Die Kunstgeschichte und die Faszination des Blicks unter die Oberflache

Edgar Lein 629 Technologische Bildanalyse versus Kennerschaft am Beispiel von Giovanni Bellinis »Gotterfest«

Pi era Giovanna Tordella The geometry of the self-portrait. Proposing a new interpretation of van Dyck's painting in the Westminster collection

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Sektion 09 Objects on the Move: Histories of Provenance and Preservation/Objekte auf Reisen: Uberlieferungsgeschichten

Elena Kashina 664 The Circulation and Provenance of Holy Items during the Reign of Ivan IV

Tobias Kunz 668 Wandernde und schwimmende Gnadenbilder. Aspekte der Legendenbildung und ihre bildliche Umsetzung in der fruhen Neuzeit

Barbara Furlotti 673 Unexpected Shifts. Thieves as Mobilizers of Art and Objects in Early-modern Italy

Christina Strunck 677 Travelling Objects. Transfers between France, Florence and Lorraine (1589-1627)

Genevieve Bresc-Bautier 682 La dispersion des sculptures du musee des Monuments frangais en 1816. Les criteres des choix entre patrimoine, politique et religion

Beth Fowkes Tobin 687 Pacific Artifacts, Cook's Voyages, and the Question of Value

Biagia Bongiorno 691 Architektur auf Reisen. Von echten und eingebildeten Spolien in Berlin

Christian Janecke 6 96 »Weit herumgekommen...«. Uber den Mobilitatslook in der Gegenwartskunst

Taisuke Edamura 699 Broken Glass and/on the Move. The Poetics of Moving Objects in Contemporary Art

Ingo Herklotz 640 Objekte auf Reisen und ihre Gberlieferungs-geschichten. Bilanz und Perspektiven der Forschung

Ulli Seegers 646 (De)Konstruktionen von Geschichte. Die Bedeutung der Provenienz fur die Identitat von Sammlungsobjekten

Andrea Worm 650 The Medieval Codex as Travelling Object

Gia Toussaint 655 Translozierte Aura? Byzantinische und islamische Spolien im Westen

Birgitt Borkopp-Restle 660 In Praise of the Lord. Oriental Silks in Christian Churches

Section 10 Cultural Clearings: The Object Transformed by the Art Market/ Schnittstelle Kunsthandel: Das Objekt im Auge des Marktes

Johannes Nathan 706 Introduction

Federico Freschi 707 The Art Market, Artistic Controversy, and the Limits of Accountability in Contemporary South African Art

Claire L. Kovacs 709 Degas' »Vingt dessins« as Object and Means of Dissemination

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Malcolm Gee 712 Contemporary Art in Boom and Crisis. France and Germany 1918-1933

Brenda Schmahmann 714 Embroidering the Facts? Markets and the subject matter of works by the Mapula project in South Africa

Ape Levi Terna 717 Art Objects from Cameroon. Their Making and Meaning Transformed by the Market

Mary Knights 720 Australian Indigenous Art. The Impact of the Market on Production, Critical Engagement with the Artwork and how it is Contextualised

Antoinette Friedenthal 723 Defining the CEuvre. Shaping the Catalogue Raisonne

John Klein 728 Object or Design? Aesthetic Mobility in Matisse's Paper Cut-Outs

Melanie Klein 730 Marketable Concepts. The Original and Originality in Modernisms of Africa and Europe

Frank Zollner 735 De-authentification and Authentification in and by the Contemporary Art Market. The Case of Neo Rauch

Daniel Dubuisson/Sophie Raux 738 Art Dealers and the Socio-cultural Construction of Value in Eighteenth Century France

Gerrit Walczak 740 Gersaint, Watteau, and Beyond. Oberservations on the Art Trade and its Social Practices in Eighteenth-Century Paris

M.J. Ripps 745 A Faustian Bargain? Charles Sedelmeyer, Wilhelm Bode, and the Expansion of Rembrandt's Painted Corpus, 1883-1914

Anne Helmreich 748 London Commercial Art Dealers and The Language of Display, c. 1850-1914

Anitra Nettleton 753 Making a Market for »African Art« in Johannesburg in the 1960s

Inge Reist 756 Cultural Clearings: The Object Transformed by the Art Market. Summary and Response

CONGRESS PROCEEDINGS - PART 3

Section 11 The Artefact and its Representations/ Das Kunstwerk und seine Reprasentationen

Dan Karlholm 768 Objects/Subjects, Infinite Multiplication. An Introduction

Old Media

Bernd Carque 771 Nahe und Feme zum Objekt. Manuelle Reproduktionen nach dem Codex Manesse

Philippe Bordes 776 Representing the Rococo »Objet d'art«

Stephen Bann 780 Casts and the Nineteenth-Century Crisis in Reproduction

Photography - Case Studies

Kai Kappel 784 Between National Appropriation and European Cultural Heritage. The Photographic Depiction of Castel del Monte

Jorgelina Orfila 789 From Motif to Site. Cezanne's Landscapes as Seen Through Art History's Photographic Eye

Rachel Sloan 794 The Reproduction of Phantoms. Fernand Khnopff and Photography

Heike M. Neumeister 798 Verisimilitude, Artistry and Alterity. Carl Einstein and the African Object as Subject of Aesthetic Renewal c. 1915-1935

Valentin Nussbaum 803 »As Seen on the Screen«. The Artefact and the Cinematic Gaze

Mayumi Abe 808 Where the Object Finds its Place? From its Birth to the Paginal Exhibition of »Objets Surrealistes«

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New Media Aura: the Value of an Operational Concept

Georg H ohm arm 813 Das abwesende Werk. Objektreprasentationen im Cyberspace

Lisa Mansfield 817 The Representation of Artefacts in Second Life. Interaction, Imagination, Interpretation, Innovation

Anna Brzyski 821 Missing in Action. Digital Video Art and the Internet

Bettine Menke 865 Aura, Object, and Medium

Claude Imbert 869 De I'aura aux pronostics du regard. Benjamin intervient au point aveugle des Lumieres

Bill Balaskas 872 Antonin Artaud's »Cinema of Cruelty« and the Impossible Search for the Authentic Medium. A Lesson for the Digital Age

Archive

Costanza Caraffa 824 Documentary Photographs as Objects and Originals

Erik Buelinckx 828 Resurrections

Louisa Wood Ruby 833 The Work of Art in the Age of Mechanical Reproduction and Beyond

Generalia

Rudolf Frieling 838 The More Things Change. The Museum as Producer and Performer

Ursula Frohne 842 Display or Displacement? Featuring the Object of Art in Photography

Michael Ann Holly 847 Vanishing's Victory

Hubert Locher 851 Creative Visions. Photography, the Art Historical Canon, and the Object of Art History

Victoria H.F. Scott 875 Art and Culture as Site of Contestation. The French Reception of the Frankfurt School

Gabriel Cabello 879 The Persistence of Aura. From Medium-object to Medium-memory

Fabienne Brugere 884 The Destruction of the Aura. The Aura of the Destruction

Past and Present Configured: Idol and Idea, Aura and Reproduction

Ulrich Pfisterer 886 Idol - Aura - Art. New Horizons of Early Modern Europe and the Beginnings of »Global Art History«

Boris Roman Gibhardt 891 Aura zwischen Kunstwerk und »absoluter Ware«. Schauobjekte in Kunst und Medien um 1800

Barbara Vinken 896 De-auratization in Flaubert's »Education sentimentale«

Segolene Le Men 901 La valeur de I'original dans les arts du multiple. Le cas de la gravure en France au XIXe siecle

Section 12 Beyond the Aura?/Jenseits der Aura?

Michael F. Zimmermann 858 Introduction: »Aura« as an Operative, not an Ontological Concept

Guillaume le Blanc 863 Introduction. Biopolitique et esthetique: la vie, I'experience et I'aura

Maria Grazia Messina 906 On the Return of the Aura in de Chirico's »Still Life« 1913-1914

Barbara Kuhn 910 »quelque chose comme un portrait, un autoportrait peut-etre«. Le portrait a I'epoque de sa productibilite technique. Jean-Philippe-Toussaint: LAppareil-photo

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Nazism - Genocide - Biopower. (An)aesthetics of Control

Paul B. Jaskot 914 Power, Policy and the Political History of Art. The Example of the Postwar Reception of the Nuremberg Party Rally Grounds

Stephen F. Eisenman 919 Political Art in the Age of Invisibility. Contesting the Supermax

Fabienne Liptay 923 The Work of Art in the Age of Impossible Production. Jafar Panahi's »This Is Not a Film«

Section 13 The Multiple Art Work/Das multiple Kunstwerk

Flans Dickel/Yuko Nakama 928 »To create is divine - to reproduce is human« (Man Ray). The Multiple Artwork

Multiple Forms of Art and the Multiple as a Form of Art - the Wide Range of the Section's Subject in a Globalized World

Yutaka Fujioka 931 The Mass-Production of Buddhist Sculptures in the Late Heian Period and a Buddhist Sculptor Jocho

Katerina Reed-Tsocha 935 Vasarely's Multiples. Their Artistic Context and Long-term Philosophical Significance

Multiple Perspectives in Art History

Patricia Zalamea 937 Collecting Reproductions in the New World. Humanist Paintings in Tunja and their Translation of Printed Images

Yoko Fliraoka 940 The »Twelve Months« by Pieter Bruegel the Elder. A Grand Panorama Overlooking Time and Space

The Multiple Art Work in Sculpture

Matthew Martin 944 Models and Multiples. Eighteenth-century European Porcelain Sculpture

Maria Teresa Cruz Yabar 949 Original, Modelo, Restauracion, Copia y Reproduccion en la Escultura de la Corte en Madrid en la segunda mitad del siglo XVIII

Teresa Ende 954 ))... an original after a 11«. Original, Copy and Variation in the Art of Wilhelm Lehmbruck

The Multiple Art Work on Paper

Laurence Schmidlin 959 Acting like Print. Drawing's Strategies of Multiplication

Anna Manicka 963 The Multiple Art Work. The New Meaning of the Multiple Artwork in the Contemporary Print

Tiffany Washington 967 Mapping the Market for Mechanical Multiples. Associated American Artists' Prints in the Age of Online Reproduction

Eva Francioli 971 Constructivism and Journal Editing. Reviews as an Example of Multiple Artworks

The Multiple

Tobias Vogt 975 Necessarily Unique. The Drawing as the Multiplicand in the 1960s

Bettina Paust 978 The Multiples by Joseph Beuys as a Self-Referential Expansion of the Traditional Definition of Art

Kassandra Nakas 983 »Damaged Goods«. Das »multiple Objekt« in den 1980er Jahren

Laura Bravo 986 Felix Gonzalez Torres. The Fleeting Life of Flesh and Objects

Oliver Grau 990 Media Arts Challenge for our Societies. New Structures for 21stCenturies Humanities

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Section 14 Diirer's Life and Work. The Object as a Key to the Subject?/Durers Leben und Werk. Das Objekt als Schliissel zum Subjekt?

Daniel Hess/Jeffrey Chipps Smith 996 Diirer's Life and Work. The Object as a Key to the Subject?

Susanne Meurer 1050 »Yearning for Biography**. The Elusive Life of Matthis Grunewald

Miriam Kirch »Ein gar sonderbares Schaustuck**

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Andrea Bubenik Appropriations of Albrecht Diirer's Self Portraits

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Anja Grebe 1059 Durer as Object. Relic(t)s of an Artist

Tico Seifert 1064 William Bell Scott. Durer's Champion in Victorian Britain

Erwin Pokorny Durers Selbstakt in Weimar

Christopher Atkins Durer's Marking of Time

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1008

Stephanie Porras 1012 Folds, Traces and Holes. Durer's Ideal Bodies

Gabor Endrodi 1016 Durers Entwurfe fur die Augsburger Fuggerepitaphe und die Umwege der autonomen Zeichenkunst

Ashley D. West 1021 Albrecht Durer's Idyll. An Artist, a Humanist, and a Book

Berth old Hinz 1026 Durer als Autor und Protagonist deutschsprachiger Fachprosa

Dagmar Hirschfelder 1031 Durers Bildniszeichnungen als biographische Zeugnisse. Zur Netzwerkbildung auf der niederlandischen Reise

John K. Delaney/E. Melanie Gifford/Lisha D. Glinsman/ 1036 John 0. Hand/Catherine Metzger

»Common painting** and »diligent fiddling**. Technical analysis for insight into the divergent styles of Durer's »Madonna and Child«/»Lot and his Daughters**

Daniela Bohde 1041 Die Zeichnung als Ausdruck des Kunstlers? Uberlegungen zu Status und Funktion von altdeutschen Zeichnungen

Thomas Schauerte 1046 Kunstlerreisen der Durerzeit. Kurze Anmerkungen zu einem biographischen Stereotyp

Section 15 Charged Sites/Ereignisorte

Bernd Nicolai 1070 Charged Sites/Ereignisorte. Introduction

Nasser Rabbat 1073 The Ka'ba. A Primordial Locus of Memory

Sonja Fessel 1075 Charged Sites. On the Representation of Historic Place in Contemporary Photography

Shao Yiyang 1080 Infinite Social Landscape

Margareta Wallin Wictorin 1084 Dak'Art. The Biennial Exhibition of Contemporary African Art in Dakar. A Site Charged with Political Issues

Brianne Cohen 1089 Charged Counterpublics. Mediating Strangers in Thomas Hirschhorn's »Bijlmer Spinoza-Festival**

Ralph-Miklas Do bier 1092 Shifts of Meaning. From Via dell'lmpero to Via dei Fori Imperiali

Julia Burbulla 1098 Total Experience. The Individual in Artistic Space at Nazi Party Rallies (1933-1938)

Lynda Mulvin 1101 Nuremberg and the Ruins of Baalbek, otherwise Heliopolis in Coelosyria. Overlapping Historical Processes?

Joan Coutu 1105 Taste and the Ideal. Constructing National Memory in Mid-eighteenth-century England

15

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Caroline A. Jones 1110 Event/Site

Peter Krieger 1114 The Charge of Emptiness at the Constitution's Square in Mexico City

Jens Brinkmann 1118 A Multidisciplinary Space for the Evolution of Brazilian Culture. The Centra Cultural Sao Paulo

Barbara Clausen 1158 The Silence of Performance and the Movement of Sculpture

Karen von I/eh 1163 The Virgin Mary as a Feminist Icon in the Work of Diane Victor

Petra Lange-Berndt 1167 The Fugitive Kind. Sigmar Polke's Snakeskins

Yan Geng 1122 Tiananmen. From Imperial Gate to Communist Icon

Nenad Makuljevic 1126 Visuality, Conflict and Space. Belgrade Among Ottoman, Habsburg and Serbian States (17th-19th Century)

Anna Minta 1129 Contested Spaces in Jerusalem. The Politics of the Sacred in Architecture and Historic Preservation

Cristina Rodriguez Samaniego 1132 The 19th Century Mausoleum of Christopher Columbus in Santo Domingo

Ute Verstegen 1136 Geteiltes Gedenken. Parallelnutzungen von Sakralorten durch Christen und Muslime in Jerusalem und Bethlehem

Alexander Schmidt 1141 Taterorte, Memoriale, postmoderne Umwertungen. Aneignungen von national-sozialistischer Architektur in Deutschland

Isa be lie Graw 1171 Art as (Gendered) Quasi-Subject. Anthropomorphism, Human Figures and Mannequins in the work of Isa Genzken and Rachel Harrison

Ha raid Tesan 1174 Picassos Portrat von Gertrude Stein - Gertrude Steins Portrat von Picasso. Korperlichkeit und kulturelle Differenz im Vorfeld des Kubismus

Tutta Palin 1179 An Artistic Masquerade before Masquerade Theory

Beate Sontgen 1184 Touching Things

Claudia Sedlarz 1188 Elsie de Wolfe and Tony Duquette. Two Interior Designers and their Different Relation to Objects

Maureen Daly Goggin 1191 (De)Constructing Gender in Needle and Thread. Political Assertions and Gender Bias in Janie Terrero's 1912 WSPU Sampler

CONGRESS PROCEEDINGS - PART 4

Section 16 The Gendered Object/Das geschlechtsbezogene Objekt

Sabeth Buchmann/Pamela M. Lee The Gendered Object. Introduction

Evelina Guzauskyte 1195 Fowl Play: The Symbolism of Birds. In Some Eighteenth-century Mexican »Casta« Paintings

YuningTeng 1198 Disperse the Political Shadow. A Study on Constructing and Deconstructing Authority in a Case of Cixi's Portrait

Assaf Pinkus 1203 The Transformative Body. Seeing through the Schreinmadonna

1152

Juli Carson That Obscure Object of Gender. Kerry Tribe's »Critical Mass«

1155

16

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Section 17 Objecthood. Modernist and Contemporary Perspectives/ Dinglichkeit. Moderne und zeitgenossische Perspektiven

Philip Ursprung 1265 Echo-Logy. Allan Kaprow and the Energy Crisis

lleana Parvu 1268 Between Commodity and Thing. The Object from 1985 to 1995

Regine Prange Objecthood and the Problem of Form. A Critical Introduction

1214 Ralph Ubl 1271 Prospectus. Blumenberg and Fried on Objecthood

Brigid Doherty 1219 Rilke's Magic Lantern

R. Bruce Elder 1224 Futurism = Symbolism + Dynamism

Sebastian Egenhofer 1228 The Becoming of the Readymade. The Concept of the Work of Art after Duchamp

Joyce Tsai 1231 In Retrospect. Laszlo Moholy-Nagy and the Work of Art

Simon Baier 1233 Malevic's Sickle

Magdalena Nieslony 1238 Die Auferweckung und der Tod der Dinge im »Reismus« der russischen Avantgarde

Megan R. Luke 1242 The Wandering »Merzbau«

Alessandro Nigro 1245 Muse addormentate, oggetti primi, strutture primarie. Da Brancusi a Morris attraverso Kubler

Michael Luthy 1249 Zur asthetischen Lebendigkeit moderner Kunst-Dinge

Paulo Venancio Filho 1253 Questioning the Object: the »Non-object« and Others

Stephane Huchet 1255 L'objectivation sociale de I'artiste dans I'art bresilien. De Helio Oiticica (1967) a Vik Muniz (2010)

Stefan Neuner 1259 Some Remarks on Dan Flavin's »lmage-Objects«

Angela Matyssek 1262 Subverting and Conserving the Authentic and the Original in Contemporary Art

Section 18 The Absence of the Object and the Void/Die Abwesenheit des Objekts und die Leere

Burcu Dogramaci 1276 The Absence of the Object and the Void. Introduction

Dominique Sirois-Rouleau 1279 Le mythe de la disparition de I'objet. Cas »Home Stories«

Erzsebet Tatai 1283 The Re- and Dematerialization of the Object (of Art). Through the Analysis of Hungarian Examples from the Late 20th and 21st Century

Mariko Kaname 1287 Remarks on »Emptiness« or »lntervals« in Painting. Modernism and Orientalism

Ivan Ruiz 1291 To Destroy/Engender. The Reconfiguration of the Object in Gabriel de la Mora's Work

Mathilda Legemah 1295 Leerfelder. Intermediate Raume in kinematografischen Installationen

Kristin Marek 1300 The Visibility of the Dead between Virtuality and Materiality. Visual Culture and the Culture of Visibility in the Works of Christoph Schlingen-sief, Teresa Margolles and Gregor Schneider

Anne Thurmann-Jajes 1305 Radio Art. The Perception of a Special Form of Dematerialized Art

Wolfgang Rathert Dekonstruktion oder Regression. Uber »Entleerung« in der Musik des 20. Jahrhunderts

1309

17

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Alexander Streitberger 1313 Spezifische Objekte der Fotografie. Situationsasthetik und konzeptuelle Fotografie Ende der 1960er Jahre

Jessamyn A. S. Conrad 1318 Absence as Presence. The Mihrab as a Means to and Metaphor for a Transcendental God

Cedric Gruat/Lucia Martinez 1365 Echange ou restitution? La negociation artistique de 1940-1941 entre la France et I'Espagne

Martin Schieder 1367 »L'art frangais doit revenir d'Allemagne en France**. The Debate on Restitution of French Art Works from Germany, 1918 and 1945

Mariana Marchesi 1323 Images of the Absent Body in the Last Argentinean Dictatorship. The Visual Works of Juan Pablo Renzi

Birgit Haehnel 1327 The Trace of the Wounds in the White Cloth

Mari Rodriguez 1332 Dissolving the Art Object. Creating Experiences. The Collective El Sindicato, 1976-1978

Isabelle le Masne de Chermont 1372 »Les chefs-d'oeuvre des collections privees frangaises retrouves en Allemagne par la Commission de recuperation artistique et les services allies**. Exposition, Paris, Orangerie des Tuileries, juin-novembre 1946

Uwe Hartmann 1376 Restitution als Klassenfrage. Die »Gberfuhrung von Kunstwerten in das Eigentum des Volkes** in der SBZ und in der DDR

Cristina Vasconcetos de Almeida 1336 On the Object Archiving its own Absence

Mark A. Cheetham 1340 The Absent Objects of EcoArt. Strategies of the Remote & Ephemeral

Rita Eder 1343 Notes and Thoughts on the Outcome of Section 18. The Absence of the Art Object and the Void

Nawojka Cieslihska-Lobkowicz 1380 Das Spannungsfeld von Nationalgedachtnis und Politik. Restitution in Europa

Gilbert Lupfer 1385 Provenienzforschung und Kunstgeschichte. Spannungen und Perspektiven

Birgit Schwarz 1388 Hitlers Gemaldesammlungen in Fotoalben

Alice Halsdorfer 1393 Between Law and Morality. Mediation and the Return of Cultural Property

Section 19 Restitution

Christian Feest/Lilia Rivero Weber Shared Fleritage. The Ancient Mexican Feather Headdress in Vienna

1397

Benedicte Savoy 1346 Restitution

Yann Potin 1351 Das restituierte Erbe Europas. Kunstbeute, Archivraub und Restitutionen von 1814/15

Christina Kott 1355 Kunstwerke als Revanche? Die Problematik der Restitutionen im und nach dem Ersten Weltkrieg in Westeuropa

Ewa Manikowska 1360 National versus Universal? The restitution debate between Poland and Soviet Russia after the Riga Peace Treaty (1921)

Wendy Shaw 1402 The Valorization of Antiquities in the late Ottoman Empire. Huseyin Zekai's discussion of Troy, Baalbek, and the Scholarship of Antiquities in »Holy Treasures** (1913)

Ines Rotermund-Reynard 1406 An- und Abwesenheit des Kunstwerks im kulturellen Gedachtnis. Die Irrfahrten der »Biche morte** von Gustave Courbet

Kerstin Holm 1411 Beutekunst aus Deutschland in der postsowjetischen Provinz. Worin liegt das Interesse der Kultur selbst?

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Section 20 Architecture as Object/Architektur als Objekt

Amy F. Ogata The Playhouse. An Architectural Object Lesson

1467

Alina Payne/Georg Satzinger 1416 Architektur als Objekt. Vorbemerkung

Alina Payne 1417 Architecture as Object. Introduction

Hildegard Sahler 1420 Architektur als Objekt der Verehrung. Entstehung und Wirkung der GroBreliquien in Loreto, Jerusalem und Assisi

Matteo Burioni 1425 Displaced Buildings. The Tower of Babel, Pietro della Valle and the Biography of Archeological Objects

Louise Bourdua 1429 From Tomb to Museum. Andriolo De' Santi's Model City

Jens Niebaum 1432 Momente des >Objekthaften< im kirchlichen Zentralbau der Renaissance

Claudia Conforti 1436 II Castrum Doloris (1689-1698) per san Francesco Saverio al Bom Jesus di Goa di Giovanbattista Foggini. Dono di Cosimo III de' Medici, granduca di Toscana

JorgStabenow 1441 Urbane Objekte. Freistellung versus Einbindung in der Architektur der fruhneuzeitlichen Stadt

Rafael Jackson 1446 Architecture as Objet Trouve. Historical City and Surrealist Sensibility

Regine Bonnefoit 1449 Die »Paper Tube Structures** von Shigeru Ban. »Architektur als Objekt« im wortlichen Sinne

Carmen Popescu 1454 Which Work of Art? Museum Architecture and its Ambiguous Meanings

Alexandra Stara 1458 Architectural Fragment as Museum Object. The »Musee des Monuments Frangais«

Markus Thome 1462 Constructed Objects. Museum Display of Medieval Architecture in North America

Section CIHA CIHA as the Object of Art History/ Die Rolle des CIHA in der Kunstgeschichte

Thomas W. Gaehtgens 1472 Introduction

Jaynie Anderson 1474 CIHA as the Object of Art History

Heinrich Dilly 1477 Geschichtslos, nicht ohne Geschichten. Die Zukunft der Internationalen Kongresse fur Kunstgeschichte

Giovanna Perini Folesani 1482 II contributo italiano ai congressi e colloqui del CIHA dalle origini al 2000

Laszlo Beke 1486 CIHA - Object or Subject?

Jillian Carman 1488 Re-imagining Art History in South Africa

Roberto Conduru 1492 Eccentric Essays. Teaching and Writing an Worldwide History of Art at the Rio de Janeiro State University

Thierry Dufrene/Peter J. Schneemann 1496 The CIHA as an Object. Object of Desire - Object in the Making

Howard Morphy 1500 Meaningful Form. The Changing Boundaries between Anthropology and Art History

Toshio Watanabe 1505 Art Historical Canon and the Transnational

John Clark 1507 Art History and its Futures. The Asian Case of Non-Euramerica

Hans Belting 1510 From World Art to Global Art. View on a New Panorama

19