Hungarian LangArt - Eratio Postmodern Poetry · 2014-01-10 · Hungarian PostPo 12 Hungarian PostPo...

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Hungarian LangArt E·ratio Editions 1 Hungarian LangArt by Márton Koppány

Transcript of Hungarian LangArt - Eratio Postmodern Poetry · 2014-01-10 · Hungarian PostPo 12 Hungarian PostPo...

Page 1: Hungarian LangArt - Eratio Postmodern Poetry · 2014-01-10 · Hungarian PostPo 12 Hungarian PostPo No. 2 13 Homeland 14 The Stranger at the Door 15 The Enemy of the People 16 Elliptical

Hungarian LangArt

E·ratio Editions 1

Hungarian LangArt

by

Márton Koppány

Page 2: Hungarian LangArt - Eratio Postmodern Poetry · 2014-01-10 · Hungarian PostPo 12 Hungarian PostPo No. 2 13 Homeland 14 The Stranger at the Door 15 The Enemy of the People 16 Elliptical

Hungarian LangArt

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E·ratio Editions

2014

© 2014 Márton Koppány

eratiopostmodernpoetry.com

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Hungarian LangArt

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Hungarian LangArt

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Some of the works included in this e·chap were previously published in E·ratio 16, Otoliths and On Barcelona.

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Hungarian LangArt

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Introduction 7

checking in 9

Song 10

January 2013 11

Hungarian PostPo 12

Hungarian PostPo No. 2 13

Homeland 14

The Stranger at the Door 15

The Enemy of the People 16

Elliptical Idyl 17

Hungarian LangArt No. 1 18

Asylum: the young colleague arrives at the

Spanish border — for Mr. Behoover 19

from The Adventures of Munchausen 20

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Introduction Lately I’ve gotten interested in topics that have direct political consequences — mostly because “it” is reaching out for me, almost in a physical sense. But history (my family’s history and through it: anybody’s history) has always been in my head and always influenced my work. In Hungarian LangArt I react to the situation. Hungarian democracy is collapsing and a more and more openly authoritarian regime is in the making, based on the old-new paradigm of the “folk” and the “other.” I was depressed for months, but then the whole mess started inspiring me. (So I must be grateful in a sense.) (Even if the depression comes back again and again: it belongs to the business.) The majority of my fellow citizens applauds, they tolerate or even like the new regime — beautiful. Let’s talk “their” language — which is mine! “We” approve. Of course my poems are meant to be critical, but the most direct form of criticism is self-criticism. Naivety is the peak of dialectical thinking.

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checking in

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Song

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January 2013

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Hungarian PostPo

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Hungarian PostPo No. 2

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Homeland

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The Stranger at the Door *

* Ő ( the letter O with two acute accents) = he/she/it in Hungarian

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The Enemy of the People

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Elliptical Idyl

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Hungarian LangArt No. 1

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Asylum: the young colleague arrives at the Spanish border — for Mr. Behoover

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from The Adventures of Munchausen

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ē · rā/ tiō

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Márton Koppány (b. 1953) lives in Budapest, Hungary. He started writing “visual poetry” at the end of the seventies and since then his work has been widely published and exhibited. His latest book in print is Addenda (Otoliths, 2012). His poems were included in three recent anthologies of visual poetry and language art: The Last Vispo (Fantagraphics, 2012), A Global Visuage (edition ch, 2012), and The Dark Would (Apple Pie Editions, 2013). The following interviews are good sources to find more info about him: http://verysmallkitchen.com/2010/09/09/a-primer-in-concrete-david-berridge-and-marton-koppany/ http://www.3ammagazine.com/3am/maintenant-69-marton-koppany/

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