Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)

8/10/2019 Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)

1/172

LIEDERBUCH

FUR

GITARRE


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3/172

3

Inhaltsverzeichnis

All My Loving (The Beatles) . . . . . . . . . . . . . . . . . . . . . . 8

I Want to Hold Your Hand (The Beatles) . . . . . . . . . . . . . . . 9

And I Love Her (The Beatles) . . . . . . . . . . . . . . . . . . . . . 10

Eight Days a Week (The Beatles) . . . . . . . . . . . . . . . . . . . 11

Help! (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Norwegian Wood (The Beatles) . . . . . . . . . . . . . . . . . . . . 14

Girl (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

In My Life (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . 16

Eleanor Rigby (The Beatles) . . . . . . . . . . . . . . . . . . . . . . 17

Yellow Submarine (The Beatles) . . . . . . . . . . . . . . . . . . . . 18

A Day in the Life (The Beatles) . . . . . . . . . . . . . . . . . . . . 19

I am the Walrus (The Beatles) . . . . . . . . . . . . . . . . . . . . . 20

Strawberry Fields forever (The Beatles) . . . . . . . . . . . . . . . 22

Hey Jude (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . 24

The Continuing Story of Bungalow Bill (The Beatles) . . . . . . . . 26

Happiness is a Warm Gun (The Beatles) . . . . . . . . . . . . . . . 27

Rocky Raccoon (The Beatles) . . . . . . . . . . . . . . . . . . . . . 28

Come Together (The Beatles) . . . . . . . . . . . . . . . . . . . . . 29

Maxwells Silver Hammer (The Beatles) . . . . . . . . . . . . . . . 30

Let it be (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . 32

Get back (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . 33

The Gnome (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . 34

Fearless (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Time (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Brain Damage (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . 38


4/172

4 INHALTSVERZEICHNIS

Welcome to the Machine (Pink Floyd) . . . . . . . . . . . . . . . . 39

Wish You were here (Pink Floyd) . . . . . . . . . . . . . . . . . . . 40

Another Brick in the Wall (Pink Floyd) . . . . . . . . . . . . . . . . 41

Mother (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Comfortably Numb (Pink Floyd) . . . . . . . . . . . . . . . . . . . 44

The Sounds of Silence (Simon & Garfunkel) . . . . . . . . . . . . . 46

Mrs. Robinson (Simon & Garfunkel) . . . . . . . . . . . . . . . . . 48

The Boxer (Simon & Garfunkel) . . . . . . . . . . . . . . . . . . . . 50

Its Good to be King (Tom Petty) . . . . . . . . . . . . . . . . . . . 52

Hard on Me (Tom Petty) . . . . . . . . . . . . . . . . . . . . . . . 54

Blowin in the Wind (Bob Dylan) . . . . . . . . . . . . . . . . . . . 56

Knockin on Heavens Door (Bob Dylan) . . . . . . . . . . . . . . . 57

Father and Son (Cat Stevens) . . . . . . . . . . . . . . . . . . . . . 58

Morning has Broken (Cat Stevens) . . . . . . . . . . . . . . . . . . 59

Field of Mars (The Church) . . . . . . . . . . . . . . . . . . . . . . 60

Secret Corners (The Church) . . . . . . . . . . . . . . . . . . . . . 61

Lola (The Kinks) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Hotel California (Eagles) . . . . . . . . . . . . . . . . . . . . . . . . 64

Sex and Candy (Marcy Playground) . . . . . . . . . . . . . . . . . 66

House of the Rising Sun (Animals) . . . . . . . . . . . . . . . . . . 68

Lady in Black (Uriah Heep) . . . . . . . . . . . . . . . . . . . . . . 70

The Universal Soldier (Donovan) . . . . . . . . . . . . . . . . . . . 72

Where have all the Flowers Gone? (Peter, Paul & Mary) . . . . . . 74

Suzanne (Leonard Cohen) . . . . . . . . . . . . . . . . . . . . . . . 76

Seasons in the Sun (Terry Jacks) . . . . . . . . . . . . . . . . . . . 78

Streets of London (Ralph McTell) . . . . . . . . . . . . . . . . . . . 80


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INHALTSVERZEICHNIS 5

Dust in the Wind (Kansas) . . . . . . . . . . . . . . . . . . . . . . 82

The One I Love (R.E.M.) . . . . . . . . . . . . . . . . . . . . . . . 83

Angie (The Rolling Stones) . . . . . . . . . . . . . . . . . . . . . . 84

Nights in White Satin (The Moody Blues) . . . . . . . . . . . . . . 85

When a Blind Man Cries (Deep Purple) . . . . . . . . . . . . . . . 86

Marooned (Wire) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Venus (Shocking Blue) . . . . . . . . . . . . . . . . . . . . . . . . . 88

Killing Me Softly with his Song (Roberta Flack) . . . . . . . . . . . 89

Sailing (Rod Stewart) . . . . . . . . . . . . . . . . . . . . . . . . . 90

Teach Your Children (Crosby, Stills, Nash & Young) . . . . . . . . 91

Throw down the Sword (Wishbone Ash) . . . . . . . . . . . . . . . 92

Two oClock (F. Rainer Bechtold) . . . . . . . . . . . . . . . . . . . 93

Ick heff mol en Hamburg en Veermaster sehn . . . . . . . . . . . . 94

What shall We do with the Drunken Sailor? . . . . . . . . . . . . . 96

Go down, Moses! . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

O Tannenbaum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Lat uns froh und munter sein . . . . . . . . . . . . . . . . . . . . . 100

Kling, Glockchen, klingelingeling . . . . . . . . . . . . . . . . . . . 101

Schneeflockchen, Weirockchen . . . . . . . . . . . . . . . . . . . . 102

Schneeflockchen, Weirockchen . . . . . . . . . . . . . . . . . . . . 103

Leise rieselt der Schnee . . . . . . . . . . . . . . . . . . . . . . . . . 104

Alle Jahre wieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Ihr Kinderlein, kommet . . . . . . . . . . . . . . . . . . . . . . . . 106

Ihr Kinderlein, kommet . . . . . . . . . . . . . . . . . . . . . . . . 107

O du frohliche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Stille Nacht, heilige Nacht! . . . . . . . . . . . . . . . . . . . . . . . 109


6/172

6 INHALTSVERZEICHNIS

Dicke (Marius Muller-Westernhagen) . . . . . . . . . . . . . . . . . 110

Gru mir die Genossen (Marius Muller-Westernhagen) . . . . . . . 112

Ja, so warn s die alten Rittersleut (Karl Valentin) . . . . . . . . . . 114

Ja, so warn s die alten Rittersleut . . . . . . . . . . . . . . . . . . 116

Aloha Heja He (Achim Reichel) . . . . . . . . . . . . . . . . . . . . 118

Aloha Heja He . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Mein kleiner gruner Kaktus (Comedian Harmonists) . . . . . . . . 122

Straen unserer Stadt (Christian Heilburg) . . . . . . . . . . . . . . 124

Und keiner soll sagen . . . (Willy Millowitsch) . . . . . . . . . . . . . 126

Wie schon, da du geboren bist (Rolf Zuckowski) . . . . . . . . . . 128

Kinder (Bettina Wegener) . . . . . . . . . . . . . . . . . . . . . . . 130

Sieben Tage lang (Bots) . . . . . . . . . . . . . . . . . . . . . . . . 131

Marmor, Stein und Eisen (Drafi Deutscher) . . . . . . . . . . . . . 132

Yenawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Die Affen rasen durch den Wald . . . . . . . . . . . . . . . . . . . . 134

Lustig ist das Zigeunerleben . . . . . . . . . . . . . . . . . . . . . . 136

Bolle reiste jungst zu Pfingsten . . . . . . . . . . . . . . . . . . . . 138

Pizza-Blues (Christof Schardt) . . . . . . . . . . . . . . . . . . . . . 140

Raucherhusten-Blues . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Microsoft-Blues (Hartmut Henkel) . . . . . . . . . . . . . . . . . . 143

Wickie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Das Urmel-Lied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

O du lieber Augustin . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Auf einem Baum ein Kuckuck sa . . . . . . . . . . . . . . . . . . . 147

Sabotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Otto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149


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INHALTSVERZEICHNIS 7

Bruder Jakob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Creutzfeldt-Jakob (Elmar Horig) . . . . . . . . . . . . . . . . . . . 151

Negeraufstand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Scheie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Gitarren-Griffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

CD-Verzeichnis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169


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8

All My Loving (The Beatles)

Close youraeyes and Ill k

D7iss you,

tomGorrow Ill m

eiss you,

remCember Ill

aalways be tr

Fue.

And then wh

a

ile Im aw

D7

ay,

Ill write hGome evry d

eay,

and Ill sCend all my l

D7

oving to yGou.

Ill pret

a

end that Im k

D7

issing

the lGips I am m

eissing

and hCope that my dr

aeams will come tr

Fue.

And then whaile Im aw

D7

ay,

Ill write hGome evry deay,

and Ill sCend all my l

D7

oving to yGou.

All my leoving

H7

I will sH+

end to yGou.

All my leoving, dH

7

arling, H

+

Ill be trGue.


9/172

9

I Want to Hold Your Hand (The Beatles)

GOh yeh,

CIll tell you s

Gomething,

aI think youll underst

eand.

ThenCIll say that s

Gomething,

aI wanna hold your h

eand.

FI wanna h

Gold your h

Cand,

a FI wanna h

Gold your h

Cand.

GOh pl

Cease, say to m

Ge,

ayoull let me be your m

ean.

And plCease, say to m

Ge,

ayoull let me hold your h

eand.

FNow let me h

Gold your h

Cand,

a FI wanna h

Gold your h

Cand.

g7

And when I tC7

ouch you I feel hFappy ins

dide.

g7

Its such a fC7

eeling that my lFove I cant h

Gide.

FI cant h

Gide,

FI cant h

Gide.

GOh y

Cou got that s

Gomething,


eand.

WhenCI feel that s

Gomething,


eand.

FI wanna h

Gold your h

Cand,

a FI wanna h

Gold your h

Cand.

g7

And when I tC7

ouch you I feel hFappy ins

dide.

g7

Its such a f

C7

eeling that my l

F

ove I cant h

G

ide.FI cant h

Gide,

FI cant h

Gide.

GOh y

Cou got that s

Gomething,


eand.

WhenCI feel that s

Gomething,


eand.

FI wanna h

Gold your h

Cand,

a FI wanna h

Gold your h

Eand.

FI wanna hGold your hFand. C


10/172

10

And I Love Her (The Beatles)

aI give her

eall my love,

athats all I d

eo,

aand if you s

eaw my love,

C

youd love her t

D7

oo, I l

G

ove her.

aShe gives me

eevrything,

aand tenderl

ey,

a

the kiss my l

e

over brings,Cshe brings to m

D7

e, and I lGove her.

eA love like

hours

ecould never d

hie

eas long as

hI have you n

D7

ear me.

aBright are the st

ears that shine,

adark is the sk

ey,

aI know this l

eove of mine

Cwill never d

D7ie, and I l

Gove her.


11/172

11

Eight Days a Week (The Beatles)

COoh I need your l

D7

ove babe, gFuess you know its tr

Cue.

CHope you need my l

D7

ove babe, jFust like I need y

Cou.

Haold me, l

Fove me, h

aold me, l

D7

ove me.

CAint got nothin but l

D7

ove babe,Feight days a w

Ceek.

CLove you evry d

D7

ay girl,Falways on my m

Cind.

COne thing I can s

D7

ay girl, lFove you all the t

Cime.

Haold me, l

Fove me, h

aold me, l

D7

ove me.


D7

ove girl,Feight days a w

Ceek.

GEight days a week I l

aove you.

D7

Eight days a week is nFot enough to sh

G7

ow I care.

COoh I need your l

D7ove babe, g

Fuess you know its tr

Cue.

CHope you need my l

D7

ove babe, jFust like I need y

Cou.

Haold me, l

Fove me, h

aold me, l

D7

ove me.


D7

ove babe,Feight days a w

Ceek.

G

Eight days a week I l

a

ove you.

D7

Eight days a week is n

F

ot enough to sh

G7

ow I care.

CLove you evry d

D7

ay girl,Falways on my m

Cind.

COne thing I can s

D7

ay girl, lFove you all the t

Cime.

Haold me, l

Fove me, h

aold me, l

D7

ove me.


D7

ove girl,Feight days a w

Ceek.

FEight days a w

Ceek.

FEight days a w

Ceek.


12/172

12

Help! (The Beatles)

GWhen I was younger, so much y

hounger than today,

eI never needed anybodys h

Celp in

Fany w

Gay.

GBut now these days are gone, Im n

hot so self assured.

e

Now I find Ive changed my mind, Ive

C

opened

F

up the d

G

oors.

aHelp me if you can, Im feeling down.

And I dFo appreciate you being round.

H

D

elp me get my feet back on the ground.

Wont you plGease, please, help me?

GAnd now my life has changed in,

hoh, so many ways,

e

my independence seems to v

C

anish

F

in the h

G

aze.GBut evry now and then I f

heel so insecure,

eI know that I just need you like Ive n

Cever d

Fone bef

Gore.


13/172

Help! (The Beatles) 13



HDelp me get my feet back on the ground.


GWhen I was younger, so much y

hounger than today,

eI never needed anybodys h

Celp in

Fany w

Gay.

GBut now these days are gone, Im n

hot so self assured.

e

Now I find Ive changed my mind, Ive

C

opened

F

up the d

G

oors.



H

D

elp me get my feet back on the ground.


eHelp me! Help m

Ge! Oo!


14/172

14

Norwegian Wood (This Bird has Flown) (The Beatles)

DI once had a girl, or should I say, sh

Ce once had m

De.

ShDe showed me her room, isnt it good, N

Corwegian w

Dood?

Shedasked me to stay and she told me to sit anywh

Gere.

SodI looked around and I noticed there wasnt a ch

Gair.

A

DI sat on a rug, biding my time, dr

Cinking her w

Dine.

WDe talked until two, and then she said,

CIts time for b

Ded.

She tdold me she worked in the morning and started to l

Gaugh.

I tdold her I didnt and crawled off to sleep in the b

Gath.

A

D

And when I awoke, I was alone, th

C

is bird had fl

D

own.

SDo I lit a fire, isnt it good, N

Corwegian w

Dood?


15/172

15

Girl (The Beatles)

Is there

a

anybody goin to listen to my story,dall about the girl who came to st

aay?

EShes the k

aind of girl you want so much it makes you sorry.

Stdill, you dont regret a single d

aay.

FAh, g

Cirl!

d7 G7

GCirl!

d7 G7

When I thaink of all the times Ive tried so hard to leave her,

shde will turn to me and start to cr

ay.

EAnd she pr

aomises the earth to me and I believe her,

dafter all this time I dont know wh

ay.

F

Ah, g

C

irl!

d7 G7

G

C

irl!

d7 G7

Shdes the kind of girl who puts you d

A7

own when friends are there,

you feel a fdool.

A7

Whden you say shes looking good, she

A7

acts as if its understood,

shes cdool, cool, cool, cool.

GCirl!

d7

G7

GCirl!

d7

G7

Was she taold when she was young that fame would lead to pleasure?

Ddid she understand it when they s

aaid,

Ethat a m

aan must break his back to earn his day of leisure?

Wdill she still believe it when hes d

aead?

FAh, g

Cirl!

d7 G7

GCirl!

d7 G7

GCirl!

d7 G7

GCirl!


16/172

16

In My Life (The Beatles)

There are pl

A

aces Ill rem

f

emberA7

all my lDife,

dthough s

Aome have changed,

some forever, not for bfetter,

A7

some have gDone

dand s

Aome remain.

All these plfaces had their m

Doments

with l

G

overs and friends I st

A

ill can recall,

some are dfead and some are l

H7

iving,

in mDy l

dife Ive l

Aoved them all.

EBut of

Aall these friends and l

fovers,

A7

there is nDo

done comp

Aares with you,

and these memries lose their mf

eaning,

A7

when I thDink of l

dove as s

Aomething new.

Though I knfow Ill never lose aff

Dection

for pGeople and things that w

Aent before,

I knfow Ill often stop and think ab

H7

out them,

in mDy l

dife Ill l

Aove you more.

EThough I kn

fow Ill never lose aff

Dection

for pGeople and things that w

Aent before,

I knfow Ill often stop and think ab

H7

out them,

in mDy l

dife Ill l

Aove you more.

EIn my life Ill love you m

Aore.

E A


17/172

17

Eleanor Rigby (The Beatles)

CAh, look at all the lonely peeople!

CAh, look at all the lonely p

eeople!

eEleanor Rigby picks up the rice in the church where a wedding has

bCeen, lives in a dr

eeam, waits at the window, wearing the face that she

keeps in a jar by the dCoor. Who is it f

eor?

e7

All the lonely pe6

eople, where dCo they all come fr

eom?

e7

All the lonely pe6

eople, where dCo they all bel

eong?

Feather McKenzie writing the words of a sermon that no one will h

Cear.

No one comes neear. Look at him working, darning his socks in the night

when theres nobody thCere. What does he c

eare?

e7

All the lonely pe6


eom?

e7

All the lonely pe6


eong?

eEleanor Rigby died in the church and was buried along with her n

Came.

Nobody ceame. Father McKenzie wiping the dirt from his hands as he

walks from the grCave. No one was s

eaved.

e7

All the lonely pe6


eom?

e7

All the lonely pe6


eong?


18/172

18

Yellow Submarine (The Beatles)

In the tGown, where FI was bCorn, laived a mdan, who sFailed to sGea.

CAnd he t

Gold us

Fof his l

Cife

ain the l

dand of s

Fubmar

Gines.

SCo we s

Gailed up t

Fo the s

Cun, t

aill we f

dound the s

Fea of gr

Geen.

CAnd we l

Gived ben

Feath the w

Caves

ain our y

dellow s

Fubmar

Gine.

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.

CAnd our fr

Giends are

Fall on b

Coard, m

aany m

dore of them l

Five next d

Goor.

CAnd the bGand begFins to plCay: a d7

G7

C

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.

C

As we l

G

ive a l

F

ife of

C

ease,

a

evry

d

one of us has

F

all we n

G

eed.

SkCy of bl

Gue and s

Fea of gr

Ceen

ain our y

dellow s

Fubmar

Gine.

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.

WCe all live in a y

Gellow submarine, y

Gellow submarine, y

Cellow submarine.


19/172

19

A Day in the Life (The Beatles)

GI read the n

hews today, oh b

eoy,

Cabout a l

eucky man who m

aade the grade.

GAnd though the n

hews was rather s

ead,

Cwell, I just h

Fad to l

eaugh.

CI saw the ph

Fotogr

eaph.

C

GHe blew his m

hind out in a c

ear.

CHe didnt n

eotice that the l

aights had changed.

GA crowd of p

heople stood and st

eared,

Ctheyd seen his f

Face bef

eore.

Neobody was really sure if he was from the House of L

Cords.

GI saw a f

hilm today, oh b

eoy.

CThe English

earmy had just w

aon the war.

GA crowd of p

heople turned aw

eay,

Cbut I just h

Fad to l

eook.

eHaving read the b

Cook, Id love to t

hurn y

Gou

eon.

GI heard the n

hews today, oh b

eoy,

Cfour thousand h

eoles in Blackburn L

aancashire.

GAnd though the h

holes were rather sm

eall,

Cthey had to c

Fount them

eall.

N

e

ow they know how many holes it takes to fill the Albert H

C

all.

Id love to thurn y

Gou

eon.


20/172

20

I am the Walrus (The Beatles)

AI am he as y

A7ou are he as

yCou are me and w

De are

Eall tog

Aeth

A7

er.

SCee how they run like pigs from a gun, see h

Dow they fly,

Im cr

A

ying.

SAitting on a cornfl

A7

akeD

wFaiting for the v

Gan to c

Aome.

A7

CForporation tea shirt, stupid bloody Tuesday.

MHan, you been a naughty boy, you let your face grow long.

I am theCeggman, they are the

Deggman,

I am the wEalrus, goo goo g joob.

MAister City plA

7

iceman sitting

prCetty little pl

Diceman

Ein a r

Aow.

A7

SCee how they fly like Lucy in the sky, see h

Dow they run,

Im crAying.


21/172

I am the Walrus (The Beatles) 21

YAellow matter c

A7

ustardD

drFipping from a d

Gead dogs

Aeye.

A7

CrFabalocker fishwife pornographic priestess.

BHoy, you been a naughty girl, you let your knickers down.

I am the

C

eggman, they are the

D

eggman,


AExpert texpert ch

A7

oking smokers

d

C

ont you think the j

D

oker l

E

aughs at y

A

ou?

A7

SCee how they smile like pigs in the sty, see h

Dow they snied,

Im crAying.

SAemolina P

A7

ilchardsD

clFimbing up the

GEiffel T

Aower.

A7

FElementry penguin singing Hare Krishna.

MHan, you should have seen them kicking Edgar Allen Poe.

I am theCeggman, they are the

Deggman,



22/172

22

Strawberry Fields forever (The Beatles)

CLet me take you down cause Im goin t

g7o strawberry fields.

A7

Nothing is real, and nFothing to get h

A7

ung about

strFawberry fields for

Cever.

L

G

iving is

h

easy with

G7

eyes closed.

E7

aMisunderstanding all you s

Fee.

Its getting hG7

ard to be someCone, but it all works

aout,

Fit doesnt m

Gatter much to m

Fe.

C


g7

o strawberry fields.

A7


A7

ung about


Cever.

NGo one, I th

hink, is in m

G7

y tree.E7

aI mean, it must be high or l

Fow.

That is, you knG7

ow, you cant tuneCin, but its all r

aight,

Fthat is, I th

Gink, its not too b

Fad.

C


23/172

Strawberry Fields forever (The Beatles) 23


g7

o strawberry fields.

A7Nothing is real, and n

Fothing to get h

A7ung about


Cever.

GAlways kn

how, somet

G7

imes thinkE7

its me.

B

a

ut you know and I know and its a dr

F

eam.

I think, I knG7

ow of thee, ah, yCes, but its all wr

aong,

Fthat is, I th

Gink, I disagr

Fee.

C

C

Let me take you down cause Im goin t

g7

o strawberry fields.A7


A7

ung about


Cever.


24/172

24

Hey Jude (The Beatles)

Hey JGude, dont make it bDad,

take a sD7

ad song and make it bGetter.

RemCember to let her into your h

Geart,

then you can st

D7

art to make it b

G

etter.

Hey JGude, dont be afr

Daid,

you were mD7

ade to go out and gGet her.

The mCinute you let her under your sk

Gin,

then you begD7in to make it b

Getter.

G7

And any time you feel the pCain, hey Jude, refr

a7

ain,

dont carry the wD7

orld upon your shGoulders.

G7

For now you know, that its a fCool, who plays it ca7

ool

by making his wD7

orld a little cGolder.

Da da da dG7

a da, da da dD7

a da.


25/172

Hey Jude (The Beatles) 25

Hey JGude, dont let me d

Down,

you have fD7ound her, now go and g

Get her.

RemCember to let her into your h

Geart,

then you can stD7

art to make it bGetter.

G7So let it out and let it

Cin, hey Jude, beg

a7in,

youre waiting for sD7

omeone to perfGorm with.

G7

And dont you know, that its just yCou, hey Jude, youll d

a7

o,

the movement you n

D7

eed is on your sh

G

oulder.

Da da da dG7

a da, da da dD7

a da.

Hey JGude, dont make it b

Dad,

take a sD7

ad song and make it bGetter.

RemCember to let her under your sk

Gin,

then youll begD7

in to make it bGetter,

better, better, better, better, better, oh.

DGa da da dFa-da-da-da, dCa-da-da-da, hey JGude.


26/172

26

The Continuing Story of Bungalow Bill (Beatles)

HCey, B

G7

ungalow BCill, wh

fat did you k

Cill, B

fungalow B

G7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?

He waent out tiger h

Cunting with his

Felephant and gun,

G

ain case of

Caccidents, he

Falways took his mom.

G

Hes theEAll American b

Gullet headed S

aaxon mothers s

fon.

All the children sing: HCey, BG7

ungalow BCill, whfat did you kCill, Bfungalow BG7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?

aDeep in the j

Cungle where the m

Fighty tiger lies,

G

aBill and his

Celephants were t

Faken by surprise.

G

ESo Captain M

Garvel zapped him r

aight between the

feyes.

All the children sing: HCey, B

G7

ungalow BCill, wh

fat did you k

Cill, B

fungalow B

G7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?

aThe children

Casked him if to k

Fill was not a sin,

G

aNot when he l

Cooked so fierce, his m

Fother butted in.

G

E

If looks could k

G

ill it would have been

a

us instead of h

f

im.

All the children sing: HCey, B

G7

ungalow BCill, wh

fat did you k

Cill, B

fungalow B

G7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?

HCey, B

G7

ungalow BCill, wh

fat did you k

Cill, B

fungalow B

G7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?

H

C

ey, B

G7

ungalow B

C

ill, wh

f

at did you k

C

ill, B

f

ungalow B

G7

ill?

HAey, B

E7

ungalow BAill, wh

dat did you k

Aill, B

dungalow B

Eill?


27/172

27

Happiness is a Warm Gun (The Beatles)

Shes naot a girl who meisses much,

ado do do do do dooo,

eoh yeah!

dShes well acquainted with the touch of the velvet hand

like a lizard on a waindow pane.

The m

d

an in the crowd with the multicolored mirrors

on his haobnail boots,

ldying with his eyes while his hands are busy working

aovertime,

da soap impression of his wife which he ate and donated

to the Naational Trust.

A7

A7

I need a fix cause Im going down, down to the bits that I left up town.

CI need a fix cause Im g

A7

oing down.

MA7

other Superior jCump the gun, M

A7

other Superior jG7

ump the gun.

M

A7

other Superior j

Cump the gun, M

A7

other Superior j

G7

ump the gun.

MA7

other Superior jCump the gun, M

A7

other Superior jG7

ump the gun.

CHappin

aess is a w

Farm gun!

G7 CHappin

aess is a w

Farm gun!

G7

CHappin

aess is a w

Farm gun!

G7 CHappin

aess is a w

Farm gun!

G7

fHappiness is a warm, yes it is, g

Cun!

a F G7 C a F G7 C


28/172

28

Rocky Raccoon (The Beatles)

a

Raocky Raccoon checked

D7

into his roomG7

only to find Gideons BCible.

Raocky had come equ

D7

ipped with a gun to shG7

oot off the legs of his rCival.

His ra7

ival it seems had brD7

oken his dreams by stG7

ealing the girl of his fCancy.

Her na7

ame was Magill, she cD7

alled herself Lil, butG7

evryone knew her as NCancy.

Now shae and her man who c

D7

alled himself Dan wereG7

in the next room at the hCoedown.

Raocky burst in and gr

D7

inning a grin, he said, DG7

anny Boy, this is a shCowdown.

But Da7

aniel was hot, he drD7

ew first and shot and RG7

ocky collapsed in the cCorner.

Now the daoctor came in st

D7

inking of gin and procG7

eeded to lie on the tCable.

He said, R

a7

ocky you met your match. And Rocky said, D

D7

oc, its only a scratch,

and Ill be bG7

etter, Ill be better Doc, as soon as I amCable.

Now Raocky Raccoon, he fell b

D7

ack in his roomG7

only to find Gideons BCible.

Gaideon checked out and he l

D7

eft it no doubt to hG7

elp with good Rockys revCival.


29/172

29

Come Together (The Beatles)

Hdere come old flat top, he come grdooving up slowly, he got Jdoo Joo

eyeball, he one hdoly roller, he got

A7

hair down to his knee.

GG7

ot to be a joker, he just do what he please.d

Hde wear no shoeshine, he got t

doe jam football, he got m

donkey finger,

he shoot cdoca cola, he say

A7

I know you, you know me.

G7

One thing I can tell you is you got to be free.

Come toghether, right n

Gow,

Aover m

de.

H

d

e bag production, he got w

d

alrus gumboot, he got

d

O-no sideboard,

he one spdinal cracker, he got

A7

feet down below his knee.

HG7

old you in his armchair, you can feel his disease.


Gow,

Aover m

de.

Hde roller coaster, he got

dearly warning, he got M

duddy Water,

he one Mdo-jo filter, he say

A7

One and one and one is three.

GG7

ot to be good looking cause hes so hard to see.


Gow,

Aover m

de.


30/172

30

Maxwells Silver Hammer (The Beatles)

JDoan was quizzical, stH7

udied pataphysical sceience in the home,

lA7

ate nights all alone with a test tube,Doh, oh, oh,

A7

oh.

MDaxwell Edison, m

H7

ajoring in medicine, cealls her on the phone,

cA7

an I take you out to the pictures, JDo-o-o-o

A7

an?

But,

E7

as shes getting ready to go, a kn

A7

ock comes on the door:

BDang! Bang! Maxwells silver hammer came d

E7

own upon her head.

ClA7

ang! Clang! Maxwells silver hammer made seure, that sh

A7

e was dDead.

B

D

ack in school again, M

H7

axwell plays the fool again,

teeacher gets annoyed,

wA7

ishing to avoid an unpleasant scDe-e-e-

A7

ene.

ShDe tells Max to stay, wh

H7

en the class has gone away,

seo, he waits behind,

wrA7iting fifty times I must not be s

Do-o-o-

A7o.

But, whE7

en she turns her back on the boy, he crA7

eeps up from behind:


31/172

Maxwells Silver Hammer (The Beatles) 31

BDang! Bang! Maxwells silver hammer came d

E7

own upon her head.

ClA7

ang! Clang! Maxwells silver hammer made seure, that sh

A7

e was dDead.

DP. C. Thirty-One, s

H7

aid, Weve caught a dirty one,

Meaxwell stands alone,

pA7

ainting testimonial pictures,Doh, oh, oh,

A7

oh.

RDose and Valerie, scr

H7

eaming from the gallery, seay he must go free,

the jA7

udge does not agree, and he tells them sDo-o-o-

A7

o.

But,E7

as the words are leaving his lips, a nA7

oise came from behind:

B

D

ang! Bang! Maxwells silver hammer came d

E7

own upon his head.

ClA7

ang! Clang! Maxwells silver hammer made seure, that h

A7

e was dDead.


32/172

32

Let it be (The Beatles)

When I fCind myself in t

Gimes of trouble, M

aother Mary c

Fomes to me,

spCeaking words of w

Gisdom, let it b

Fe.

e D C

AndCin my hour of d

Garkness, she is st

aanding right in fr

Font of me,


Gisdom, let it b

Fe.

e D C

Let it bae, let it b

Ge, let it b

Fe, let it b

Ce,

whisper words of wGisdom, let it b

Fe.

e D C

And whCen the broken h

Gearted people l

aiving in the w

Forld agree,

thCere will be an

Ganswer, let it b

Fe.

e D C

For thCough they may be p

Garted, there is st

aill a chance, that th

Fey will see,

th

C

ere will be an

G

answer, let it b

F

e.

e D C


Ge, let it b

Fe, let it b

Ce,

there will be anGanswer, let it b

Fe.

e D C

And whCen the night is cl

Goudy, there is st

aill a light, that sh

Fines on me,

sh

C

ine until tom

G

orrow, let it b

F

e.

e D C

I wCake up to the s

Gound of music, M

aother Mary c

Fomes to me,


Gisdom, let it b

Fe.

e D C


Ge, let it b

Fe, let it b

Ce,

whisper words of wGisdom, let it b

Fe.

e D C


33/172

33

Get back (The Beatles)

A

G DJ

Ao Jo was a man who thought he was a loner,

bDut he knew it couldnt l

Aast.

J

A

o Jo left his home in Tucson, Arizona,

fDor some California gr

Aass.

GG

Det b

Aack! Get back! Get b

Dack to where you once bel

Aonged.

GG

Det b



Aonged.

G DSw

Aeet Loretta Martin thought she was a woman,

bDut she was another m

Aan.

AAll the girls around her say shes got it coming,

bDut she gets it while she c

Aan.

GG

Det b



Aonged.

GG

Det b



Aonged.

G D A


34/172

34

The Gnome (Pink Floyd)

G D G D G D G D

I wDant to t

Aell you a st

Dory bout a l

Cittle m

Aan,

Cif I c

Aan.

A gnDome named Cr

Aimble-Cr

Domble, a l

Cittle gn

Aome stay

Cin their h

Aomes,

Geat

Ding, sl

Beep

Cing, dr

Fink

Cing th

Aeir w

Dine.

He wDore a sc

Aarlet t

Dunic, a bl

Cue green h

Aood, it l

Cooked quite g

Aood.

He hDad a b

Aig adv

Denture, a m

Cist of gr

Aass, fresh

Cair at l

Aast,

wGind

Ding, d

Bin

Cing, b

Fid

Cing h

Ais t

Dime.

And th

G

en one day,

C

hurr

F

ay, an

A

other w

E

ay from gn

G

omes to s

D

ay,

hGuuuurr

Day!

LookDat the sk

Ay, look

Dat the river,

Cisnt it g

Aood?

C A

LookDat the sk

Ay, look

Dat the river,

Cisnt it g

Aood?

C A

W

G

ind

D

ing, f

B

ind

C

ing pl

F

ac

C

es t

A

o g

D

o.

And thGen one day,

Churr

Fay, an

Aother w

Eay from gn

Gomes to s

Day,

hGuuuurr

Day!

HGuuuuuuuurr

Day!


35/172

35

Fearless (Pink Floyd)

G G G G C B G C B G

GYou say the hills too steep to climb,

C B Gshining.

C B G

GYou say youd like to see me try,

C B Gclimbing.

C B A

AYou pick the place and I choose the t

Dime,

and now I clGimb that hill in my

Cown way.

G

Just wait a while for the r

C

ight day.GAnd as I rise above the tr

Cee light and the clouds,

I look dDown, hear in the s

Cound of the things you said tod

Gay.

G G G G e2 e e2 e e2 G6 G C B G C B G

FGearlessly the idiot face the ground,

C B Gsmiling.

C B G

MGassing as the mergest tree turns round,

C B Gfounding.

C B A

AAnd whos the fool who wears the gr

Dound?

Hoe dGown in your

Cown way.

GAnd evry day is the r

Cight day.

GAnd as you rise above the f

Cear lines in this ground,

you look dDown, hear in the sCound of the faces in the grGound.

G G G G G G G G G G G G


36/172

36

Time (Pink Floyd)

E f E f E F f E F ff A E F f

Tficking away the moments that make up a d

Aull day,

you frEitter and waste the hours in an off hand w

fay.

Kficking around on a piece of ground in your h

Aome town,

wEaiting for someone or something to show you the w

fay.

TDired of lying in the sunshine, st

Aaying home to watch the rain,

yDou are young and life is long and th

Aere is time to kill today.

D

And then one day you find,

c

ten years have got behind you,

nho one told you when to run,

Eyou missed the starting gun.

f A E f f A E f

f A E f f A E f

D A D A D c h E

And you rf

un and you run to catch up with the sun, but its sAinking,

and rEacing around to come up behind you ag

fain.

The sfun is the same in the relative way, but youre

Aolder,

shEorter of breath and one day closer to d

feath.


37/172

Time (Pink Floyd) 37

DEvery year is getting shorter, n

Aever seem to find the time,

plDans that either come to naught or h

Aalf a page of scribbled lines.

HDanging on in quiet desper

cation is the English way,

the thime is gone, the song is over, th

Dought Id something m

Fore to say.

E E7 A A4 E E7 A A4

E7

Home, home agAain,

A4 A

E7

I like to be here when I cAan.

A4 A

E7

When I come home cold and tAired,

A4 A

its gE7

ood to warm my bones beside the fAire.

A4 A

FCar away across the field,

the tholling of the iron bell

cFalls the faithful to their knees

to hGear the softly sp

Foken m

cagic sp

hells.


38/172

38

Brain Damage (Pink Floyd)

DThe lunatic is on the gr

G7

ass,D

the lunatic is on the grG7

ass.

DRemembering games and d

Eaisy chains and laughs,

gA7

ot to keep the loonies on the pDath.

D2 D

DThe lunatic is in the h

G7

all,D

the lunatics are in my hG7

all.

DThe paper holds their folded f

Eaces to the floor,

andA7

every day the paper boy brings mDore.

D2 D

GAnd if the dam breaks open m

Aany years too soon,

andCif there is no room upon the h

Gill,

Gand if your head explodes with d

Aark forbodings too,

Ill s

C

ee you on the dark side of the m

G

oon.

h e A D

DThe lunatic is in my h

G7

ead,D

the lunatic is in my hG7

ead.

DYou raise the blade,

Eyou make the change,

A7

you re-arrange me till Im sDane.

D2 D

DYou lock the door and thr

Eow away the key,

theres sA7omeone in my head, but its not m

De.

D2 D

GAnd if the cloud bursts, th

Aunder in your ear,

Cyou shout and no one seems to h

Gear.

GAnd if the band youre in starts pl

Aaying different tunes,

Ill s

C

ee you on the dark side of the m

G

oon.

h e A D


39/172

39

Welcome to the Machine (Pink Floyd)

e C e

eWelcome my son,

Cwelcome to the mach

eine.

CWhere have you been?

aIts alright, we know where youve b

eeen.

CYouve been in the pipeline, filling in time,

e

provided with toys and Scouting for Boys.CYou bought a guitar to punish your ma,

eand you didnt like school, and you know youre nobodys fool.

So wCelcome to the mach

eine.

e C e C e C e C e

eWelcome my son,

Cwelcome to the mach

eine.

CWhat did you dream?

aIts alright, we told you what to dr

eeam.

CYou dreamed of a big star,

e

he played a mean guitar.CHe always ate in the Steak Bar,

ehe loved to drive in his Jaguar.

So wCelcome to the mach

eine.

e e e e e e e e e


40/172

40

Wish You were here (Pink Floyd)

a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)

F (C)So, so you think you can t

G (D)ell

heaven from hd (a)ell, blue skies from p

C (G)ain.

Can you tell a green fG (D)ield from a cold steel r

F (C)ail?

A smile from a vd (a)eil? Do you think you can t

C (G)ell?

C (G)And did they get you to tr

F (C)ade your heroes for gh

G (D)osts?

Hot ashes for trd (a)ees? Hot air for a c

C (G)ool breeze?

Cold comfort for chG (D)ange? And did you exch

F (C)ange

a walk on part in the wd (a)ar for a lead role in a c

C (G)age?

a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)

F (C)How I wish, how I wish you were h

G (D)ere.

Were just twd (a)o lost souls swimming in a fish bowl,

C (G)year after year,

G (D)running over the same old ground.

F (C)What have we found?

The same old fd (a)ears. Wish you were h

C (G)ere.

a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)


41/172

41

Another Brick in the Wall (Part 2) (Pink Floyd)

Wde dont need no education.

Wde dont need no thought control.

No ddark sarcasm in the classroom.

Tdeacher leave the kids alone.

G

G

Hey teacher leave the kids al

d

one.

d C d C G d F

FAll in all its just an

Cother brick in the w

dall.

FAll in all youre just an


dall.

Wde dont need no education.

Wde dont need no thought control.

No ddark sarcasm in the classroom.

Tdeachers leave the kids alone.

G

GHey teacher leave us kids al

done.

d C d C G d F



dall.



dall.

d d d d d d d d


42/172

42

Mother (Pink Floyd)

MGother do you think theyll drop the bComb? G

MGother do you think theyll like the s

Cong?

G

MCother do you think theyll try to break my b

Galls?

DOooh

Caaah, mother should I build a w

Gall?

MGother should I run for presid

Cent?

G

MGother should I trust the governm

Cent?

G

MCother will they put me in the firing l

Gine?

DOooh M

Ca, is it just a waist of t

Gime?

HGush now baby, baby dont you cr

Cy.

MFamas gonna make all of your n

Cightmares come true.

MFamas gonna put all of her f

Cears into you.

MFamas gonna keep you right here

Cunder her wing.

She wFont let you fly but she m

Cight let you sing.

MFamas gonna keep baby c

Cosy and w

Garm.

DOoooh b

Cabe,

Dooooh b

Cabe,

Dooooh babe,

of cCourse mamas gonna help build the w

Gall.


43/172

Mother (Pink Floyd) 43

G C G C G C D C G

MGother do you think shes good en

Cough for m

Ge?

MGother do you think shes danger

Cous to m

Ge?

MCother will she tear your little boy ap

Gart?

DOooh

Caaah, mother will she break my h

Geart?

HGush now baby, baby dont you cr

Cy.

MFamas gonna check out all your g

Cirl friends for you.

MFama wont let anyone d

Cirty get through.

M

F

amas gonna wait up unt

C

il you get in.

MFama will always find

Cout where youve been.

MFamas gonna keep baby h

Cealthy and cl

Gean.

DOoooh b

Cabe,

Dooooh b

Cabe,

Dooooh babe,

youllCalways be a baby to m

Ge.

MGother did it need to be so h

Cigh.


44/172

44

Comfortably Numb (Pink Floyd)

h

Hhello, hello, hello, is there anybody

Ain there?

Just nod if you can hGear me,

eis there

hanyone at home?

Chome on, come on now, I hear youre f

Aeeling down.

But

G

I can ease your p

e

ain and get you

h

on your feet again.

Rhelax, relax, relax, Ill need some inform

Aation first,

jGust the basic f

eacts, can you sh

how me where it hurts?

DThere is no pain, you are rec

Aeding.

DA distant ship smoke on the horAizon.

CYou are only coming through in w

Gaves.

Your lCips move but I cannot hear what youre s

Gaying.

WhenDI was a child, I had a f

Aever.

My h

D

ands felt just like two ball

A

oons.

NCow Ive got that feeling once ag

Gain, I cant explain,

you would notCunderstand, this is not how I

Gam.

AI

Chave bec

Gome comfortably n

Dumb.


45/172

Comfortably Numb (Pink Floyd) 45

D A D A C G C G

AI

Chave bec

Gome comfortably n

Dumb.

hO.k., o.k., o.k., just a little p

Ain prick.

Therell be no moreGaaaaaaa

eah! But you may f

heel a little sick.

Can you sthand up, stand up, stand up? I do believe its w

Aorking good.

Thatll keep you gGoing through the sh

eow, come

hon its time to go.

DThere is no pain, you are rec

Aeding.

DA distant ship smoke on the hor

Aizon.

C

You are only coming through in w

G

aves.

Your lCips move but I cannot hear what youre s

Gaying.

WhenDI was a child, I caught a fl

Aeeting glimpse,

Dout of the corner of my

Aeye.

CI turned to look but it was g

Gone,

I cannot put my fingerCon it now, the child is grown, the dr

Geam is gone.

AI

Chave bec

Gome comfortably n

Dumb.

h A G e h h A G e hh A G e h h A G e hh A G e h h A G e h


46/172

46

The Sounds of Silence (Simon & Garfunkel)

Haello darkness, my old fr

Giend,

Ive come to talk with you agaain,

because a vCision softl

Fy creep

Cing,

left its seeds while I wFas sleep

Cing,

and the vFision that was planted in my br

Cain

still remains,

a C

within the s

G

ound of s

a

ilence.

In restless draeams I walked al

Gone

narrow streets of cobblestaone,

neath the hCalo of

Fa street l

Camp

I turned my collar to the cFold and d

Camp,

when my Feyes were stabbed by the flash of a neon lCight,

that split the night,a C

and touched the sGound of s

ailence.

And in the naaked light I s

Gaw

ten thousand people, maybe maore,

people t

C

alking with

F

out speak

C

ing,

people hearing withFout listen

Cing,

people writing sFongs that voices never sh

Care .. .

and no one dare,a C

disturb the sGound of s

ailence.


47/172

The Sounds of Silence (Simon & Garfunkel) 47

Faools! said I, you do not kn

Gow,

silence like a cancer graows.

Hear my wCords that I m

Fight teach y

Cou,

take my arms that I mFight reach y

Cou.

But my wFords like silent raindrops f

Cell,

a. . .

Cand echoed in the w

Gells of s

ailence.

And the paeople bowed and pr

Gayed

to the neon god they maade,

and the sCign flashed out

Fits warn

Cing

in the words that it wFas form

Cing,

and the signs said, The wFords of the prophets are written on the subway w

Calls

and tenement halls, a C and whisperd in the sGounds of sailence.


48/172

48

Mrs. Robinson (Simon & Garfunkel)

And heres to yCou, Mrs. Raobinson,

JCesus loves you m

aore than you will kn

Fow, wo, wo, w

Go.

God bless you, plCease, Mrs. R

aobinson,

hCeaven holds a pl

aace for those who pr

Fay, hey, hey, h

dey, hey, hey, h

Aey.

Wed lAike to know a little bit about you for our files.

Wed lDike to help you learn to help yourself.

GLook around you,

Call you see are s

Fympathetic

deyes,

strAoll around the grounds unt

Gil you feel at home.

And heres to yCou, Mrs. R

aobinson,

JCesus loves you m


Fow, wo, wo, w

Go.


aobinson,

hCeaven holds a pl


Fay, hey, hey, h

dey, hey, hey, h

Aey.

HAide it in a hiding place where no one ever goes.

PDut it in your pantry with your cupcakes.

GIts a little s

Cecret, just the R

Fobinsons aff

dair.

M

A

ost of all, youve got to h

G

ide it from the kids.


49/172

Mrs. Robinson (Simon & Garfunkel) 49

Coo, coo, ca-chCoo, Mrs. R

aobinson,

JCesus loves you m


Fow, wo, wo, w

Go.


aobinson,

hCeaven holds a pl


Fay, hey, hey, h

dey, hey, hey, h

Aey.

SAitting on a sofa on a sunday afternoon,

gDoing to the candidates debate.

GLaugh about it, sh

Cout about it, wh

Fen youve got to ch

doose,

Aevry way you look at it, you l

Gose.

Where have you g

C

one, Joe Di M

a

aggio?

A nCation turns its l

aonely eyes to y

Fou, woo, woo, w

Goo.

Whats that you sCay, Mrs. R

aobinson?

JColtin Joe has l

aeft and gone aw

Fay, hey, hey, h

dey, hey, hey, h

Aey.


50/172

50

The Boxer (Simon & Garfunkel)

GI am just a poor boy though my storys seldom t

eold,

I have squDandered my resistance for a p

aocket full of m

Dumbles, such are pr

Gomises.

All lies and jeest, still a m

Dan hears what he w

Cants to hear and disregards the r

Gest.

Hmm hmm hDmmmm, hmmmm hmm hmm h

Gmmmm.

When I lGeft my home and my family, I was no more than a b

eoy,

in the cDompany of strangers, in the qu

aiet of the r

Dailway station r

Gunning scared.

Laying leow, seeking

Dout the poorer qu

Carters where the ragged people g

Go,

looking fDor the places only they would kn

Gow.

Lie la leie, lie la l

Die la lie la lie, lie la l

eie, lie la l

Die la lie la l

Cie la la la la l

Gie.

AskingGonly workmans wages I come looking for a j

eob,

but I get noDoffers, just a c

aome-on from the wh

Dores on Seventh

GAvenue.

I do decleare, there were t

Dimes when I was s

Co lonesome I took some comfort th

Gere.

Ula la lDah, lah la la l

Gah.


51/172

The Boxer (Simon & Garfunkel) 51

Now the yGears are rolling by me, they are rocking evenl

ey,

I amDolder than I once was, y

aounger than Ill b

De, but thats not un

Gusual.

No it isnt streange, after ch

Danges upon ch

Canges we are more or less the s

Game,

after chDanges we are more or less the s

Game.



eie, lie la l

Die la lie la l

Cie la la la la l

Gie.



eie, lie la l

Die la lie la l

Cie la la la la l

Gie.

Then Im lGaying out my winter clothes and wishing I was g

eone,

going hDome, where the N

aew York City w

Dinters arent bl

Geeding me,

hleading me,

e

going hDome.

G

In the clGearing stands a boxer and a fighter by his tr

eade,

and he cDarries the reminders of

aevry glove that l

Daid him down

or cGut him till he cried out, in his anger and his sh

eame:

I am lDeaving, I am l

Ceaving!, but the fighter still rem

Gains.

Hmm hmm hDmmmm.

G



eie, lie la l

Die la lie la l

Cie la la la la l

Gie.



eie, lie la l

Die la lie la l

Cie la la la la l

Gie.



eie, lie la l

Die la lie la l

Cie la la la la l

Gie.


52/172

52

Its Good to be King (Tom Petty)

a d G a a d G a

Its good to be kaing, if just for a wh

dile.

To be there in vGelvet, yeah; to give em a sm

aile.

Its good to get h

a

igh and never come d

d

own.

Its good to be kGing of your own little t

aown.

aaCCeeYeah, the w

D2

orld would swD2

ing ifGI were k

Cing.

FeDCDe G

Can I h

G

elp it if IFeDCDe a

still drD2

eam time to time?D4 D

Its good to be kaing and have your own w

day.

Get a feeling of pGeace at the end of the d

aay.

And when your bulldog baarks and your canary s

dings,

youre out there with wGinners, its good to be k

aing.


53/172

Its Good to be King (Tom Petty) 53

aaCCeeYeah

D2

Ill be kD2

ing when dGogs get w

Cings.

FeDCDe GCan I h

Gelp it if I

FeDCDe astill dr

D2

eam time to time?D4 D

a d G a a d G a

Its good to be kaing and have your own w

dorld.

It helps to make frGiends, its good to meet g

airls.

A sweet little quaeen, who cant run aw

day.

Its good to be k

G

ing, whatever it p

a

ays.

FeDCDe GExc

Guse me if I

FeDCDe Ghave some pl

Gace in my mind,

FeDCDe a

where I g

D2

o time to time.

D4 D D4 D D4 D

a d G a a d G a


54/172

54

Hard on Me (Tom Petty)

d G a d G a

Itsdall I can d

Go, to k

aeep that little girl smiling,

dand keep my f

Gaith al

aive.

T

d

akes all I g

G

ot to h

a

old on to tomorrow.

And yGou want to make it h

F4

ard.F

Yeah, yGou want to make it h

F4

ard on mFe.

Sdome other tGime, aId be understanding,

ydou were supp

Gosed to b

ae

the frdiend that I n

Geeded wh

aen I was down and now.

YGou want to make it hF

4

ard, F

yGou want to make it h

F4

ard on mFe.

Meaybe if I tr

aied, I could t

eurn the other ch

Ceek.

Meaybe, but how b

aig do I h

Dave to b

Ge?

D G


55/172

Hard on Me (Tom Petty) 55

d G a d G a d G a

Now yGou want to make it h

F4

ard.F

Yeah, yGou want to make it h

F4

ard on mFe.

Meaybe if I tr

aied, I could t

eurn the other ch

Ceek.

Meaybe, but how b

aig do I h

Dave to b

Ge?

D G

dI need some

Gone to p

aut their arm around me,

shdelter me fr

Gom all h

aarm

jdust as I f

Gind s

aomething to believe in.

YGou want to make it h

F4

ard,F


F4

ard on mFe.

Yeah, yGou want to make it hF4

ard, F


F4

ard on mFe.

d G a d G a


56/172

56

Blowin in the Wind (Bob Dylan)

HCow many r

Foads must a m

Can walk down, bef

Core you c

Fall him a m

Gan?

HCow many s

Feas must a wh

Cite dove s

aail, bef

Core she sl

Feeps in the s

Gand?

HCow many t

Fimes must a c

Cannon ball fly, bef

Core they for

Fever are b

Ganned?

TheFanswer, my fr

G7

iend, is blCowin in the w

aind,

theFanswer is bl

G7

owin in the wCind.

HCow many t

Fimes must a m

Can look up, bef

Core he can s

Fee the sk

Gy?

HCow many

Fears must

Cone man h

aave, bef

Core he can h

Fear people cr

Gy?

HCow many d

Feaths will it t

Cake, till he knows, that s

Co many p

Feople have d

Gied?

TheFanswer, my fr

G7


aind,

theFanswer is bl

G7

owin in the wCind.

HCow many y

Fears can a m

Countain exist, bef

Core it is w

Fashed to the s

Gea?

HCow many y

Fears can some p

Ceople ex

aist, bef

Core theyre all

Fowed to be fr

Gee?

HCow many t

Fimes can a m

Can turn his head, pret

Cending he j

Fust didnt s

Gee?

TheFanswer, my fr

G7


aind,

theFanswer is bl

G7

owin in the wCind.


57/172

57

Knockin on Heavens Door (Bob Dylan)

GMama, t

Dake this badge from m

ae.

GI cant

Duse it anym

Core.

GIts getting d

Dark, too dark to s

aee,

Gfeels like Im kn

Dockin on heavens d

Coor.

GKnock, knock, kn

Dockin on heavens d

aoor,

Gknock, knock, kn

Dockin on heavens d

Coor.

Hey, hey, hey, hey, yGeah. Knock, knock, kn

Dockin on heavens d

Coor.

G

Knock, knock, kn

D

ockin on heavens d

C

oor.G

Knock, knock, knDockin on heavens d

Coor.

G D a G D C

GMama, p

Dut those guns to the gr

aound,

Gcause I cant sh

Doot them anym

Core.

GThat cold black cl

Doud is comin d

aown,

Gfeels like Im kn

Dockin on heavens d

Coor.

GKnock, knock, kn

Dockin on heavens d

aoor,

Gknock, knock, kn

Dockin on heavens d

Coor.


Dockin on heavens d

Coor.

GKnock, knock, kn

Dockin on heavens d

Coor.

GKnock, knock, kn

Dockin on heavens d

Coor.

G D a G D C

G

Mama, wh

D

ats about from my f

a

ace,

G

I cant s

D

ee to it anym

C

ore.G

Its a fDeeling that I just cant tr

aain.

GI feel like Im kn

Dockin on heavens d

Coor.

GKnock, knock, kn

Dockin on heavens d

aoor,

Gknock, knock, kn

Dockin on heavens d

Coor.


Dockin on heavens d

Coor.

G

Knock, knock, kn

D

ockin on heavens d

C

oor.GKnock, knock, kn

Dockin on heavens d

Coor.

G D a G D C G


58/172

58

Father and Son (Cat Stevens)

Its not tGime to make a ch

Dange, just rel

Cax take it

a7

easy,

youre still yGoung, thats your f

eault, theres so m

auch you have to kn

Dow.

Find a gGirl, settle d

Down, if you w

Cant you can m

a7

arry,

look at mGe, I am

eold but Im h

aappy.

D

I wasGonce like you are n

h7

ow and I knCow that its not

a7

easy

to be c

G

alm when youve f

e

ound something g

a

oing on.

D

But take your tGime, think a l

h7

ot, think ofCevrything youve g

a7

ot,

for you will stGill be here tom

eorrow, but your dr

Deams may n

Got.

C G C

How canGI try to expl

h7

ain? When I dCo he turns aw

a7

ay again.

ItsGalways been the s

eame, same old st

aory.

D

From the m

G

oment I could t

h7

alk I was

C

ordered to l

a7

isten

now theres a wGay and I kn

eow that I h

Dave to g

Go away. I kn

Dow, I h

Cave to g

Go.

Its not tGime to make a ch

Dange, just sit d

Cown take it sl

a7

owy,

youre still yGoung, thats your f

eault, theres so m

auch you have to go thr

Dough.

Find a gGirl, settle d

Down, if you w

Cant you can m

a7

arry,

look at mGe, I am eold but Im haappy. D

All the tGimes that Ive cr

h7

ied, keepingCall the things I kn

a7

ew inside,

its hGard but its h

earder to ign

aore it.

D

If they were rGight Id agr

h7

ee but its thCem they know not m

a7

e,

now theres a wGay and I kn

eow that I h

Dave to g

Go away. I kn

Dow I h

Cave to g

Go.


59/172

59

Morning has Broken (Cat Stevens)

D G A F h G7

C F C

Morning has brCok

den l

Gike the first m

Forn

Cing,

blackbird has speok

aen l

D4

ike the fDirst b

Gird.

G7

PrCaise for the s

Finging, pr

Caise for the m

aorn

Ding,

pr

G

aise for them spr

C

ing

F

ing, fr

G7

esh from the w

C

orld.

F G E a G C G7

Sweet the rains nCew f

dall, s

Gunlit from h

Feav

Cen,

like the first deewf

aall

D4

on the fDirst gr

Gass.

G7

PrCaise for the swFeetness Cof the wet gaardDen,

sprGung in compl

Ceten

Fess wh

G7

ere his feet pCass.

F G E a F h G D A7 D

Mine is the sDunl

eight, m

Aine is the m

Gorn

Ding.

Born of thefone l

hight,

E7

Eden saw plAay.

PrDaise with el

Gation, pr

Daise evry m

horn

Eing,

GAods recre

Dati

Gon

A7

of the new dDay.

G A F h G7 C F C

a F h G D A7 D


60/172

60

Field of Mars (The Church)

C4 C C4 C

C4

Its a long way home from the fCield of Mars.

C4

Distant, alone, beneath the plCatinum stars.

GAnd I turn to look, and Im n

Fever any closer.

GOnly just the rain m

Fakes the skin feel colder.

a

All my life seems so f

G

ar away,

a

all my life seems so f

G

ar away.

C4

The air is soft in the fCield of Mars.

C4

Tears and loss feed theCovergrown grass.

GAnd I have to leave, but I n

Fever seem to go.

GOnly more sad clouds, where

Fautumn winds will blow.

aAll my dreams seem so lGong ago, a all my dreams seem so lGong ago.

COoooh, f

Field of Mars,

Cooooh, f

Field of Mars.

C4

The time is past in the fCield of Mars.

C4

Grief wont last in the depCarting cars.

G

And I call her name, but she n

F

ever, ever hears.GAnd I call again to the cr

Fuelty of the years.

aOh, my love, shes so f

Gar away,

aoh, my love, shes so f

Gar away.

COoooh, f

Field of Mars,

Cooooh, f

Field of Mars.

C4 C C4 C G F G F a G a G

COoooh, f

Field of Mars,

Cooooh, f

Field of Mars.

C


61/172

61

Secret Corners (The Church)

C G4 F2 a GC G4 F2 a G F

LCying alone,

G4

isnt that you?

DrF2

ifting away is theaonly thing l

Geft to do.

SCuch a sad place, s

G4uch a lost world,

but nF2

othing is sadder than the taears of a m

Gake-believe g

Firl.

WhCo is this child, wh

G4

o is this man?

F2

Only two people who are daoing Gall they can.

FrCost on the ground, the cr

G4

uel winds of fate

blF2

ow us forever and I knaow theres j

Gust no esc

Fape.

a Run to the secret corners E of your room,

Ill still be wGaiting, Ill still be w

Faiting.

C G4 F2 a G F C


62/172

62

Lola (The Kinks)

C C D E

I mEet her in a club down in old Soho,

where you drAink champagne and it t

Dastes like coca c

Eola,

see oh el aye cAola.

She wEalked up to me and she asked me to dance,

IAasked her her name and in a d

Dark brown voice, she said L

Eola,

el oh el aye LAola,

Dla la la la L

Cola.

C D E

Well,EIm not the worlds most physical guy,

but when she squAeezed me tight she nearly br

Doke my spine, oh my L

Eola,

la la la la L

A

ola.

Well,EIm not dumb, but I cant understand,

why she wAalked like a woman and t

Dalked like a man, oh my L

Eola,

la la la la LAola,

Dla la la la L

Cola.

C D E

Well, we dr

H

ank champagne and danced all nightFunder electric candle light.

She pAicked me up and sat me on her knee

and said:A

Dear boy, wont you come home with me?

Well,EIm not the worlds most passionate guy,

but when I lAooked in her eyes, well, I Dalmost fell for my LEola,


63/172

Lola (The Kinks) 63

la la la la LAola,

Dla la la la L

Cola.

C D

LEola, la la la la L

Aola,

Dla la la la L

Cola.

C D E

I pAushed h

Eer aw

Hay, I w

Aalked t

Eo the d

Hoor,

I fAell t

Eo the fl

Hoor, I got d

Eown

G7

on my kncees,

thenHI looked at her, and she at me.

Well, th

E

ats the way that I want it to stay,

andAI always want it to b

De that way for my L

Eola,

la la la la LAola.

GEirls will be boys and boys will be girls,

its a mAixed up, muddled up, sh

Dook up world except for L

Eola,

la la la la LAola.

Well,HI left home just a week before

andFId never ever kissed a woman before.

But LAola smiled and took me by the hand

and said:A

Dear boy, Im gonna make you a man.

Well,EIm not the worlds most masculine man,

but I knAow what I am, and Im gl

Dad Im a man and so is L

Eola,

la la la la LAola,

Dla la la la L

Cola.

C D

LEola, la la la la L

Aola,

Dla la la la L

Cola.

C D

L

E

ola, la la la la L

A

ola,

D

la la la la L

C

ola.

C D E


64/172

64

Hotel California (Eagles)

a E G D F C d Ea E G D F C d E

aOn a dark desert highway,

Ecool wind in my hair,

Gwarm smell of colitas

Drising up through the air.

FUp ahead in the distance,

CI saw a shimmering light.

dMy head grew heavy and my sight grew dim,

EI had to stop for the night.

aThere she stood in the doorway,

EI heard the mission bell.

GAnd I was thinking to myself, this could be h

Deaven or this could be hell.

FThen she lit up a candle

Cand she showed me the way.

dThere were voices down the corridor,

EI thought I heard them say . . .

FWelcome to the Hotel Calif

Cornia.

Such a lEovely place, such a lovely place, such a l

aovely face.

PlFenty of room at the Hotel Calif

Cornia.

Any tdime of year, any time of year, you can f

Eind it here.

a

Her mind is Tiffany-twisted,

E

she got the Mercedes bends.GShe got a lot of pretty, pretty boys,

Dthat she calls friends.

FHow they dance in the courtyard, sw

Ceet summer sweat.

dSome dance to remember,

Esome dance to forget.


65/172

Hotel California (Eagles) 65

aSo I called up the captain,

Eplease bring me my wine.

He said,G

we havent had that spirit here sinceD

nineteen sixty nine.FAnd still those voices are calling from f

Car away,

dwake you up in the middles of the night,

Ejust to hear them say . . .

FWelcome to the Hotel Calif

Cornia.

Such a lEovely place, such a lovely place, such a l

aovely face.

They lFivin it up at the Hotel Calif

Cornia.

What a ndice surprise, what a nice surprise, bring your

Ealibis.

aMirrors on the ceiling,

Ethe pink champagne on ice.

And she said,G

we are all just prisoners here,D

of our own device.

F

And in the masters chambers,

C

they gathered for the feast.dThey stab it with their steely knives, but they j

Eust cant kill the beast.

aLast thing I remember, I was

Erunning for the door.

GI had to find the passage back to the pl

Dace I was before.

FRelax! said the night man, we are

Cprogrammed to receive.

dYou can check out any time you like, E but you can never leave.

a E G D F C d Ea E G D F C d E


66/172

66

Sex and Candy (Marcy Playground)

hHangin round d

Gowntown by mys

Felf,

and I had sho much time to sit and th

Gink about mys

Felf,

and then there she whas like d

Gouble cherry p

Fie,

yeah, there she w

h

as like d

G

isco superfl

F

y.

F

I smell sex andh

candyG

here.A

Whos that loungingh

in myG

chair?A

Whos that casting

h

devious st

G

ares in my dir

A

ection?

Mama this sAurely is a dr

Deam, y

Aeah.

h

Yeah, Mama this sGurely is a dr

Deam.

A h G F

h

Hangin round d

G

owntown by mys

F

elf,

and I had thoo much caffeine and I was th

Ginkin bout mys

Felf,

and then there she whas in pl

Gatform double s

Fuede,

yeah, there she whas like d

Gisco lemon

Fade.

F


67/172

Sex and Candy (Marcy Playground) 67

I smell sex andh

candyG

here.A

Whos that loungingh

in myG

chair?A

Whos that castingh

devious stGares in my dir

Aection?


Deam, y

Aeah.

h

Yeah, Mama this s

G

urely is a dr

D

eam.

A h


Deam, y

Aeah.

h G F

I smell sex andh

candyG

here.A

Whos that lounging

h

in my

G

chair?

A

Whos that castingh

devious stGares in my dir

Aection?


Deam.

A h


Deam.

A h

Yeah, Mama this sGurely is a drDeam, yAeah. h

Yeah, Mama this mGust be my dr

Deam.


68/172

68

House of the Rising Sun (Animals)

a C D F a E a E

Thereais a h

Couse in N

Dew Orl

Feans,

they caall The R

Cising S

Eun.

And its b

a

een the r

C

uin for m

D

any poor b

F

oys,

and Gaod I kn

Eow Im

aone.

C D F a E a E

My maother w

Cas a t

Dailor,

F

she s

a

ewed my n

C

ew blue j

E

eans.

My faather w

Cas a g

Damblin m

Fan,

way daown in N

Eew Orl

aeans.

C D F a E a E

Theaonly th

Cings a g

Dambler n

Feeds

are a sauitcase

Cand a tr

Eunk.

And theaonly t

Cime, h

Des satisf

Fied,

is whaen hes

Eon a dr

aunk.

C D F a E a E


69/172

House of the Rising Sun (Animals) 69

Oh maother,

Ctell your ch

Dildren,

F

not to dao the th

Cings Ive d

Eone.

Spaend your l

Cive in s

Din and miser

Fy

in the haouse of the r

Eising s

aun.

C D F a E a E

Withaone foot

Con the pl

Datform,

F

theaother put

Con the tr

Eain,

Im gaoing b

Cack to N

Dew Orl

Feans,

to w

a

ear that b

E

all and ch

a

ain.

C D F a E a E

Thereais a h

Couse in N

Dew Orl

Feans,

they caall The R

Cising S

Eun.

And its b

a

een the r

C

uin for m

D

any poor b

F

oys,

and Gaod I kn

Eow Im

aone.

C D F a E a E a


70/172

70

Lady in Black (Uriah Heep)

She ceame to me one morning, one lonely Sunday morning,

her lDong hair flowing in the m

eid-winter wind.

I kneow not how she found me, for in darkness I was walking,

and destrDuction lay around me from a f

eight I could not win.

e

Ahah

G

ahahah

D

ahahah

e

a

G

ahahah

D

ahahah

e

a.

Sheeasked me name my foe then. I said the need within some men

to fDight and kill their brothers without th

eought of love or God.

And I beegged her, give me horses to trample down my enemy!

So Deager was my passion to deveour this way of life.

eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.

But she weould not think of battle that reduces men to animals,

soDeasy to begin and yet imp

eossible to end.

For shee, the mother of all men, did counsel me so wisely then,

I fDeared to walk alone again and

easked if she would stay.

eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.


71/172

Lady in Black (Uriah Heep) 71

Oh, leady, lend your hand! I cried, oh, let me rest here at your side!

Have fDaith and trust in me! she said and f

eilled my heart with pride.

Thereeis no strength in numbers, have no such misconception,

but whDen you need me, be assured, I w

eont be far away.

eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.

Thus heaving spoke she turned away, and tho I found no words to say,

I stDood and watched until I saw her bl

eack cloak disappear.

My leabour is not easier, but now I know Im not alone,

I fDind new heart each time I think up

eon that windy day.

And eif one day she comes to you, drink deeply from her words so wise,

take cDourage from her as your prize and s

eay hello for me.

eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.

eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.

e

Ahah

G

ahahah

D

ahahah

e

a

G

ahahah

D

ahahah

e

a.eAhah

Gahahah

Dahahah

ea

Gahahah

Dahahah

ea.


72/172

72

The Universal Soldier (Donovan)

HDe is f

Cive feet tw

Do, and hes s

Gix feet f

eour,

he fCights with m

Dissiles and with sp

Gears,

he

Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)

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