Prof. Dr. Ulrich Eigler Vorlesung HS 13 Lateinische ... · 2 Prof. Dr. Ulrich Eigler Vorlesung HS...

1

Prof. Dr. Ulrich Eigler

Vorlesung HS 13

Lateinische Literatur des 1. Jh.s n. Chr.: eine „moderne“ Literatur?

Programm

1. 19.09.13

I. Stil und Epoche Minerva und Arachne: Klassik gegen Nachklassik? Ov. met. 6, 1-138

2. 26.09.13

Lucan und der lange Schatten Vergils Luc. 9, 950-1003; Verg. Aen. 8, 306-369

3. 03.10.13

Literatur und Kultur Petr. 1-3; 48; Sen. dial. 9, 9, 7; Suet. gramm. 16; Hor. epist. 2, 1, 88-92

4. 10.10.13

Literatur und Welt Sen. epist. 88, 1-3; 7-8; Sen. contr. 1, 2; Quint. inst. 10, 2

5. 17.10.13

II. Literatur der Kaiserzeit Dichten im kaiserlichen Rom Verg. ecl. 2, 56-73; Calp. Sic. ecl. 7, 1-46; Phaedr. 1, prol.; 1

6. 24.10.13

Prinzipat und Freiheit Tac. Agr. 3; Verg. Aen. 1, 1-33; Luc. 1, 1-66; Cic. off. 2, 1-2, 5; Tusc. 5, 1-11; Sen. epist. 89, 8

7. 31.10.13

Leben und Schreiben lassen: Kultur am Hofe Neros Sen. apocoloc. 5-7; Petr. 83

8. 07.11.13

Plinius und Tacitus: Vom Behagen und Unbehagen in der Kultur Tac. ann. 4, 32-33; Plin. epist. 6, 20; Tac. dial. 34-35

9. 14.11.13

III. Die (Un-)Sagbarkeit der Welt Seneca und das Paradoxe Sen. Thyest. 1035-1068; Ag. 978-1012

10. 21.11.13

Statius’ Thebais und die Ästhetik des Grausigen Stat. Theb. 8, 716-766; 12, 810-819

11. 28.11.13

Freud’ und Leid des Epigonen: Silius Italicus und Valerius Flaccus Sil. 2, 391-456; Val. Flacc. 5, 415-454; Verg. Aen. 1, 441-493; 8, 626-731; Plin. epist. 3, 7; Mart. 7, 63

12. 05.12.13

Gute Miene zum bösen Spiel: Statius und Martial Stat. silv. 1, 1; Mart. epigr. 1, 10; Mart. 10, 2; 10, 4

13. 12.12.13

Difficile est saturam non scribere oder: Das Leben als Realsatire? Pers. 5, 1-65; Iuv. 1, 1; Julius Hart, Auf der Fahrt nach Berlin (Ausschnitt) (1882); Paul Lindau rez. Uraufführung von G. Hauptmann, Vor Sonnenaufgang

14. 19.12.13

10:15 – 11:00 Uhr: Klausursitzung

2

Prof. Dr. Ulrich Eigler

Vorlesung HS 13

Lateinische Literatur des 1. Jh.s n. Chr.: eine „moderne“ Literatur?

Sekundärliteratur

Kollegstunde

Thema Texte Sekundärliteratur

1. 19.09.13

I. Stil und Epoche

Minerva und Arachne: Klassik gegen Nachklassik?

Ov. met. 6, 1-138

W. Eder, Augustus and the Power of Tradition: The Augustan Principate as Binding Link between Republic and Empire, in: K.A. Raaflaub, M. Toher (Hgg.), Between Republic and Empire, Berkeley – Los Angeles – Oxford 1990, 71-122. M. Vincent, Between Ovid and Barthes: Ekphrasis, Orality, Textuality in Ovid’s „Arachne“, in: Arethusa 27 (1994), 361-386. C.S. Hardy, Ecphrasis and the Male Narrator in Ovid’s Arachne, in: Helios 22,2 (1995), 140-148. Lothar Spahlinger, Ars latet arte sua: Untersuchungen zur Poetologie in den Metamorphosen Ovids, Stuttgart 1996 (Beiträge zur Altertumskunde 83). R. Glei, Der interepische poetologische Diskurs: Zum Verhältnis von Meta-morphosen und Aeneis, in: H. Tristram (Hg.), New Methods in the Research of Epic. Neue Methoden der Epenforschung, Tübingen 1998, 85-104. V. Pöschl, Arachne, in: W. Schubert (Hg.), Ovid. Werk und Wirkung (FS v. Albrecht), Frankfurt 1999, 423-429.

2. 26.09.13

Lucan und der lange Schatten Vergils

Luc. 9, 950-1003 Verg. Aen. 8, 306-369

U. Eigler, Caesar in Troja. Lucan und der lange Schatten Vergils, in: Ch. Walde (Hg.), Lucan im 21. Jahrhundert, München – Leipzig 2005, 186-201.

3. 03.10.13

Literatur und Kultur

Petr. 1-3; 48 Sen. dial. 9, 9, 7 Suet. gramm. 16 Hor. epist. 2, 1, 88-92

P. Veyne, Das Leben des Trimalchio, in: Ders. (Hg.), Die römische Gesell-schaft, München 1995, 9-50.

4. 10.10.13

Literatur und Welt

Sen. epist. 88, 1-3; 7-8 Sen. contr. 1, 2 Quint. inst. 10, 2

A. Stückelberger, Senecas 88. Brief, Heidelberg 1965, 19-97 (Übersetzung und Kommentar). S. F. Bonner, Education in Ancient Rome, London 1977, 97-111.

3

5. 17.10.13

II. Literatur der Kaiserzeit

Dichten im kaiserlichen Rom

Verg. ecl. 2, 56-73 Calp. Sic. ecl. 7, 1-46 Phaedr. 1, prol.; 1

6. 24.10.13 Prinzipat und Freiheit

Tac. Agr. 3 Verg. Aen. 1, 1-33 Luc. 1, 1-66 Cic. off. 2, 1-2, 5; Tusc. 5, 1-11 Sen. epist. 89, 8

G. Pfliegersdorffer, Lucan als Dichter des geistigen Widerstandes, in: Hermes 87 (1959), 344-377. Damien P. Nelis, Praising Nero (Lucan, De bello civili 1, 33-66), in: Gianpao-lo Urso (Hg.), Dicere laudes: Elogio, comunicazione, creazione del consenso, Pisa 2011, 253-264.

7. 31.10.13

Leben und Schreiben lassen: Kultur am Hofe Neros

Sen. apocoloc. 5-7 Petr. 83

G.B. Conte, The Hidden Author: An Interpretation of Petronius’ Satyricon, Berkeley – Los Angeles – London 1996. R. Mayer, Neronian Classicism, in: AJP 103 (1982), 305-318.

8. 07.11.13

Plinius und Tacitus: Vom Behagen und Unbehagen in der Kultur

Tac. ann. 4, 32-33 Plin. epist. 6, 20 Tac. dial. 34-35

Pier Vincenzo Cova, La critica letteraria di Plinio il Giovane, Brescia 1966.

9. 14.11.13

III. Die (Un-)Sagbarkeit der Welt

Seneca und das Paradoxe

Senec. Thyest. 1035-1068; Ag. 978-1012

E. Lefèvre, Die Bedeutung des Paradoxen in der römischen Literatur, in: P. Geyer, R. Hagenbüchle (Hg.), Das Paradox: Eine Herausforderung des abend-ländischen Denkens, Tübingen 1992, 209-246.

10. 21.11.13

Statius’ Thebais und die Ästhetik des Grausigen

Stat. Theb. 8, 716-766; 12, 810-819

M. Fuhrmann, Die Funktion grausiger und ekelhafter Motive in der lateini-schen Dichtung, in: H.R. Jauss (Hg.), Die nicht mehr schönen Künste, Mün-chen 1968, 23-66. H. Friedrich, Manierismus; in: Ders. (Hg.), Epochen der italienischen Lyrik, Frankfurt 1964, 593-616. P. White, The Friends of Martial, Statius and Pliny, and the Dispersal of Pat-ronage, in: Harvard Studies of Class. Phil. 79 (1975), 265-300.

11. 28.11.13

Freud’ und Leid des Epigonen: Silius Italicus und Valerius Flaccus

Sil. 2, 391-456 Val. Flacc. 5, 415-454 Verg. Aen. 1, 441-493; 8, 626-731; Plin. epist. 3, 7; Mart. 7, 63

D.O.T. Vessey, Lemnos Revisited: Some Aspects of Valerius Flaccus, Argo-nautica II, 97-305, in: CJ 80 (1985), 326-339.

4

12. 05.12.13

Gute Miene zum bösen Spiel: Statius und Martial

Stat. silv. 1, 1 Mart. epigr. 1, 10 Mart. 10, 2; 10, 4

H. Cancik, Untersuchungen zur lyrischen Kunst des P. Papinius Statius, Hil-desheim 1965 (Spudasmata 13), 89-101. H. Friedrich, Über die Silvae des Statius (insbesondere V, 4 Somnus) und die Frage des literarischen Manierismus, in: Wort und Text (FS Fritz Schalk), Frankfurt 1963, 34-56. N. Holzberg, Neuansatz zu einer Martial-Interpretation, in WJbb 12 (1986), 197-215. G. Nadeau, Catullus’ Sparrow, Martial, Juvenal and Ovid, in: Latomus 43 (1984), 861-868.

13. 12.12.13

Difficile est saturam non scribere oder: Das Leben als Realsatire?

Pers. 5, 1-65 Iuv. 1, 1 Julius Hart, Auf der Fahrt

nach Berlin (Ausschnitt) (1882) Paul Lindau rez. Urauffüh-rung von G. Hauptmann, Vor Sonnenaufgang

G.O. Hutchinson, Juvenal: Satire and the Real World, in: Omnibus 15 (1988), 20-22.

14. 19.12.13

10:15 – 11:00 Klausursitzung

Allgemeine Literatur:

Gian Biagio Conte, The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets, Ithaca (N.Y.) 1986 (Ital. Fassung ist umfangreicher).

R. R. Nauta, H.-J. van Dam, J. J. Smolenaars, Flavian Poetry, Leiden 2006.

5

Prof. Dr. Ulrich Eigler Vorlesung HS 13

Die lateinische Literatur des 1. Jh.s n. Chr. 1. Kollegstunde (19. September 2013)

Minerva und Arachne: Klassik gegen Nachklassik? Text: Ov. met. 6, 1-138 (ed. Anderson, 1977 (BT))

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9


Die lateinische Literatur des 1. Jh.s n. Chr. 2. Kollegstunde (26. September 2013) Lucan und der lange Schatten Vergils

Texte: 1. Luc. 9, 950-1003

2. Verg. Aen. 8, 306-369

Text 1: Luc. 9, 950-1003 (ed. Housman, 1926 (OCT))

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Text 2: Verg. Aen. 8, 306-369 (ed. Mynors, 1969 (OCT))

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13


Die lateinische Literatur des 1. Jh.s n. Chr. 3. Kollegstunde (03. Oktober 2013)

Literatur und Kultur Texte: 1. Petr. 1-3 2. Petr. 48 3. Sen. dial. 9, 9, 7 4. Suet. gramm. 16 5. Hor. epist. 2, 1, 88-92

Text 1: Petr. 1-3 (ed. Müller, 1995 (BT)) dJe([U&1(#0*.(=$/$"$(;&"*#"&1()$+0#1#'."$,(*/2&*$'#/'&"8(2&*(+0#1#/'F(aC#$+(5&0/$"#(4".(0*%$"'#'$(

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Text 2: Petr. 48 (ed. Müller, 1995 (BT)) dOWe(-"*1#0+<*.( #&'$1(1*'*( #)(/.,( 5&0'&( "$,4$H*'( $'F( [R*/&1[( */2&*'( [,*( /./(40#+$'8(1&'#%.>( 5.,(

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"$1&"( 0#&)#'*./*%&,8( [".=.[( */2&*'( [3=#1$1/./(1*<*( +#"*,,*1$8( /&12&*)( )&.)$+*1( #$"&1/#,(

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Z.0$%#1(<#$+($=.(4&$"(#4&)(C.1$"&1(0$=$"$6(U#1(Z*%B00#1(2&*)$1(?&1*,($=.(*4,$(.+&0*,(1$*,(

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vwxqoyszy(qrn{6[(

Text 3: Sen. dial. 9, 9, 7 (ed. Reynolds, 1977 (OCT)) (

34&)()$,*)*.,*,,*1.,($"=.(&*)$%*,(2&*+2&*)(."#'*./&1(<*,'."*#"&12&$($,'8( '$+'.( '$/&,($H,'"&+'#(

0.+&0#1$/'#F(*#1($/*1(*/'$"(%#0/$#"*#($'('<$"1#,(%*%0*.'<$+#(2&.2&$(&'(/$+$,,#"*&1().1&,(."/#f

1$/'&1($H4.0*'&"6(@=/.,+$"$1(40#/$8(,*(,'&)*."&1(/*1*#(+&4*)*/$($""#"$'&"F(/&/+(*,'#(+./2&*,*'#8(

+&1( *1#=*/*%&,( ,&*,( )*,+"*4'#( d$'e( ,#+"."&1( .4$"#( */=$/*."&1( */( ,4$+*$1( $'( +&0'&1( 4#"*$'&1(

+.14#"#/'&"6(

Text 4: Suet. gramm. 16 (ed. Brugnoli, 1963 (BT))((

dJPe(g6(?#$+*0*&,(T4*".'#(-&,+&0*(/#'&,8( 0*%$"'&,(3''*h+*i( $2&*'*,(S.1#/*( #)(2&$1(,&/'(?*+$"./*,(

$4*,'.0#$(+&1(;*0*#1(4#'"./*(/&4'#1(:6(3="*44#$().+$"$'8( ,&,4$+'&,( */($#($'(.%(<.+("$1.'&,(#)(

?."/$0*&1(^#00&1(,$(+./'&0*'(5*H*'2&$(&/#(;#1*0*#"*,,*1$(2&.)(*4,*(^#00.(*/'$"(="#5*,,*1#(+"*1*/#(

#%(3&=&,'.(.%*+*'&"6(!.,'()$*/)$()#1/#'*./$1(1."'$12&$(^#00*(,+<.0#1(#4$"&*'(,$)(*'#(&'(4#&+*,(

$'('#/'&1(#)&0$,+$/'*%&,(4"#$+*4$"$'8(4"#$'$H'#'.(/$1*/*(/*,*(,*(+&*&,(4#"$/'*(<.+(.;;*+*&1(/$=#"$(

/./(4.,,$'6(!"*1&,()*+*'&"(A#'*/$($H('$14."$()*,4&'#,,$(4"*1&,2&$(R*"=*0*&1($0(#0*.,(4.$'#,(/.f

5.,(4"#$0$=$"$(+.$4*,,$8(2&.)($'*#1(V.1*'**(:#",*(5$",*+&0*,(*/)*+#'h&"i(!"#$%&'(&)*)++%$,-(*,&$#.,/

+'(0'&,-1(

(

15

Text 5: Hor. epist. 2, 1, 88-92 (ed. Klingner, 1959 (BT)) (

*/=$/**,(/./(*00$(;#&$'(40#&)*'2&$(,$4&0'*,8(

/.,'"#(,$)(*/4&=/#'8(/.,(/.,'"#2&$(0*&*)&,(.)*'6(

g&.),*('#1(^"#$+*,(/.&*'#,(*/&*,#(;&*,,$'(

2&#1(/.%*,8(2&*)(/&/+($,,$'(&$'&,N(3&'(2&*)(<#%$"$'(

2&.)(0$=$"$'('$"$"$'2&$(&*"*'*1(4&%0*+&,(&,&,N(

(

(

XK(

16



Literatur und Welt Texte: 1. Sen. epist. 88, 1-3

2. Sen. epist. 88, 7-8 3. Sen. contr. 1, 2 4. Quint. inst. 10, 2

Text 1: Sen. epist. 88, 1-3 (ed. Reynolds, 1965 (OCT)) dJe(V$( 0*%$"#0*%&,(,'&)**,(2&*)(,$/'*#1(,+*"$()$,*)$"#,F(/&00&1(,&,4*+*.8(/&00&1(*/(%./*,(/&1$".(

2&.)( #)( #$,( $H*'6(:$"*'."*#( #"'*;*+*#( ,&/'8( <#+'$/&,( &'*0*#( ,*( 4"#$4#"#/'( */=$/*&18( /./( )$'*/$/'6(

-#1)*&( $/*1( *,'*,( */1."#/)&1( $,'( 2&#1)*&( /*<*0( #/*1&,( #=$"$( 1#*&,( 4.'$,'>( "&)*1$/'#( ,&/'(

/.,'"#8(/./(.4$"#6(dLe(g&#"$(0*%$"#0*#(,'&)*#()*+'#(,*/'(5*)$,F(2&*#(<.1*/$(0*%$".()*=/#(,&/'6(?$'$f

"&1(&/&1(,'&)*&1(5$"$(0*%$"#0$($,'(2&.)(0*%$"&1(;#+*'8(<.+($,'(,#4*$/'*#$8(,&%0*1$8(;."'$8(1#=/#f

/*1&1F(+$'$"#(4&,*00#($'(4&$"*0*#(,&/'6(3/('&(2&*+2&#1(*/(*,'*,($,,$(+"$)*,(%./*(2&."&1(4".;$,,."$,(

'&"4*,,*1.,(.1/*&1(#+(;0#=*'*.,*,,*1.,(+$"/*,N(U./()*,+$"$()$%$1&,(*,'#8(,$)()*)*+*,,$6(g&*)#1(

*00&)( )$( 0*%$"#0*%&,( ,'&)**,( 2&#$"$/)&1( *&)*+#5$"&/'8( #/( 5*"&1( %./&1( ;#+$"$/'F( /$( 4".1*''&/'(

2&*)$1(/$+(<&*&,("$*(,+*$/'*#1(#);$+'#/'6(dMe(^"#11#'*+$(+*"+#(+&"#1(,$"1./*,(5$",#'&"($'8(,*(0#f

'*&,($5#=#"*(5&0'8(+*"+#(<*,'."*#,8(*#1(&'(0./=*,,*1$(;*/$,(,&.,(4".;$"#'8(+*"+#(+#"1*/#6(g&*)(<."&1(

#)(5*"'&'$1(5*#1( ,'$"/*'N( ZB00#%#"&1($/#""#'*.( $'( 5$"%."&1()*0*=$/'*#( $'( ;#%&0#"&1(1$1."*#( $'(

5$",&&1(0$H(#+(1.)*;*+#'*.(|(2&*)($H(<*,(1$'&1()$1*'8(+&4*)*'#'$1($H*1*'8(0*%*)*/$1(;"$/#'N(

(

(

Text 2: Sen. epist. 88, 7-8 (ed. Reynolds, 1965 (OCT)) dQe(g&#$"*,(}0*H$,( &%*( $""#5$"*'( 4.'*&,( 2&#1( $;;*+*#,( /$( /.,( ,$14$"( $""$1&,N(U./( 5#+#'( #&)*"$(

&'"&1(*/'$"(@'#0*#1($'(Z*+*0*#1(*#+'#'&,(,*'(#/($H'"#(/.'&1(/.%*,(."%$1(D/$2&$($/*1(4.'&*'(*/('#1(

#/=&,'.($""."($,,$( '#1(0./=&,EF( '$14$,'#'$,(/.,(#/*1*(+.'*)*$( *#+'#/'($'(/$2&*'*#( */(.1/*#(}0*H*,(

1#0#( */4$00*'6(U./()$$,'( ;."1#(2&#$( ,.00*+*'$'( .+&0.,8(/./(<.,'*,>(<*/+(1./,'"#( $;;$"#( $'(<&1#/.(

+"&."$( =#&)$/'*#8( <*/+( */,*)*.,#( %0#/)*1$/'#( #&"*&18( <*/+( /#&;"#=*#( $'( '.'( 5#"*$'#'$,(1#0."&16(

C.+(1$().+$8(2&.1.).(4#'"*#1(#1$18(2&.1.).(&H."$18(2&.1.).(4#'"$18(2&.1.).(#)(<#$+(

'#1(<./$,'#(5$0(/#&;"#=&,(/#5*=$16(dWe(g&*)(*/2&*"*,(#/(!$/$0.4#(*/4&)*+#(;&$"*'8(#/(5$"%#(,#$+&f

0.(,&.()$)$"*'N(#/(}0*H$1(*00&1($,,$(2&$1(5*)$%#'8(#/'$2&#1(,+*"$'8(,&,4*+#'#(,*'N(V.+$(1$(2&*)(

,*'(4&)*+*'*#($'(2&#/'&1(*/($#(%./&18(*/(+."4."$(#/(*/(#/*1.(4.,*'#(,*'6(

(

Text 3: Sen. contr. 1, 2 (ed. Håkanson, 1989 (BT))((

Z3?TSV_Z(?3Z-3(T(?3Z-@Z8(!RS3(T(!RS@Z(Z@-6(g&#$)#1(5*"=.(#(4*"#'*,(+#4'#(5$/*'>($14'#(#(

0$/./$($'(4".,'*'&'#($,'6(5$/*$/'$,(#)(,$($H."#%#'(,'*4$16(1*0*'$18(2&*(#)(,$(5$/$"#'8(+&1($H."#"$(

17

/./(4.,,$'8(+.00&+'#/'$1($'(5*1(*/;$""$(5.0$/'$1(.++*)*'6(#++&,#'#($'(#%,.0&'#($'("$1*,,#(#)(,&.,(

$,'6(4$'*'(,#+$").'*&16(+./'"#)*+*'&"6(

Text 4: Quint. inst. 10, 2 (ed. Winterbottom, 1952 (OCT)) dJe(TH(<*,(+$'$"*,2&$(0$+'*./$()*=/*,(#&+'."*%&,($'(5$"%."&1(,&1$/)#(+.4*#($,'($'(5#"*$'#,(;*=&"#f

"&1($'(+.14./$/)*("#'*.8('&1(#)($H$140&1(5*"'&'&1(.1/*&1(1$/,()$"*=$/)#6(U$2&$($/*1()&f

%*'#"*( 4.'$,'( 2&*/( #"'*,( 4#",(1#=/#( +./'*/$#'&"( *1*'#'*./$6(U#1(&'( */5$/*"$( 4"*1&1( ;&*'( $,'2&$(

4"#$+*4&&18(,*+($#(2&#$(%$/$(*/5$/'#(,&/'(&'*0$(,$2&*6(dLe6(3'2&$(.1/*,(5*'#$("#'*.(,*+(+./,'#'8(&'(

2&#$(4".%#1&,(*/(#0**,(;#+$"$(*4,*(5$0*1&,6(Z*+(0*''$"#"&1()&+'&,8(&'(,+"*%$/)*(;*#'(&,&,8(4&$"*(,$+&f

/'&"8(,*+(1&,*+*(5.+$1().+$/'*&18(4*+'."$,(.4$"#(4"*."&18("&,'*+*(4".%#'#1($H4$"*1$/'.(+&0'&"#1(

*/($H$140&1(*/'&$/'&"8(.1/*,()$/*2&$()*,+*40*/#$(*/*'*#(#)(4".4.,*'&1(,*%*(4"#$,+"*4'&1(;."1#"*(

5*)$1&,6( dMe6( T'( <$"+&0$( /$+$,,$( $,'( #&'( ,*1*0$,( #&'( )*,,*1*0$,( %./*,( ,*1&,6( Z*1*0$1( "#".( /#'&"#(

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18

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19

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20



Dichten im kaiserlichen Rom

Texte: 1.Verg. ecl. 2, 56-73 2. Calp. Sic. ecl. 7, 1-46 3. Phaedr. 1, prol.; 1

Text 1: Verg. ecl. 2, 56-73 (ed. Mynors, 1969 (OCT)) (

S&,'*+&,($,8(?."B)./>(/$+(1&/$"#(+&"#'(30$H*,(

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Text 2: Calp. Sic. ecl. 7, 1-46 (ed. Korzeniewski, 1971 (Wiss. Buchgesellschaft Darmstadt))

(

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A$/'&,(#%(&"%$(5$/*,8(?."B)./>(5*+$,*1#(+$"'$( ( J(

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21

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22

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5*)*1&,8($'(,.")$'(2&*)2&*)(,4$+'#5*1&,(.0*16(

Text 3: Phaedr. 1, prol.; 1 (ed. Brenot, 1961 (Paris, Les Belles Lettres))

!".0.=&,(

3$,.4&,(#&+'."(2&#1(1#'$"*#1("$44$"*'8(

C#/+($=.(4.0*5*(5$",*%&,(,$/#"**,6(

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[!#'$"(<$"+0$('&&,[(*00$(*/2&*'([1#0$()*H*'(1*<*[>(

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C#$+(4".4'$"(*00.,(,+"*4'#($,'(<.1*/$,(;#%&0#(

2&*(;*+'*,(+#&,*,(*//.+$/'$,(.44"*1&/'6!

23



Prinzipat und Freiheit Texte: 1. Tac. Agr. 3

2. Verg. Aen. 1, 1-33 3. Luc. 1, 1-66 4. Cic. off. 2, 1-2, 5 5. Cic. Tusc. 5, 1-11; 6. Sen. epist. 89, 8

Text 1: Tac. Agr. 3 (ed. Köstermann, 1959 (BT)) (

dMe(U&/+()$1&1("$)*'(#/*1&,>($'(2&#12&#1(4"*1.(,'#'*1(%$#'*,,*1*(,#$+&0*(."'&(U$"5#(?#$,#"(

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24

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Text 3: Luc. 1, 1-66 (ed. Housman, 1926 (OCT))

Y$00#(4$"(T1#'<*.,(40&,(2&#1(+*&*0*#(+#14.,(

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+&12&$(,&4$"%#(;."$'(Y#%B0./(,4.0*#/)#('".4#$*,(

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27

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)&+$"$/'&"8( $,,$'( #&'$1(2&.))#1(=$/&,( $."&18( *)2&$(5$0(1#H*1$( */=$/&&18(2&*(/$+(40#&,&1(

/$+(0&+"&1(2&#$"$"$/'8(,$)(5*,$/)*(+#&,#(5$/*"$/'(,'&)*.,$2&$(4$",4*+$"$/'8(2&*)(#=$"$'&"($'(2&.(

1.).8( *'$1(/.,(2&#,*( */(1$"+#'&,(2&#/)#1(+$0$%"*'#'$1($H(&"%$(#0*2&#(,*+( */(<#/+(5*'#1($H(#0*#(

5*'#($'(/#'&"#(4".;$+'.,(#0*.,(=0."*#$(,$"5*"$8(#0*.,(4$+&/*#$8("#".,($,,$(2&.,)#18(2&*(+$'$"*,(.1/*f

%&,(4".(/*<*0.(<#%*'*,("$"&1(/#'&"#1(,'&)*.,$(*/'&$"$/'&">(<.,(,$(#44$00#"$(,#4*$/'*#$(,'&)*.,.,(|(

*)($,'($/*1(4<*0.,.4<.,(|>($'(&'(*00*+(0*%$"#0*,,*1&1($,,$'(,4$+'#"$(/*<*0(,*%*(#)2&*"$/'$18(,*+(*/(5*'#(

0./=$(.1/*%&,(,'&)**,(+./'$140#'*./$1("$"&18(+.=/*'*./$12&$(4"#$,'#"$6(

dJKe(U$+(5$".(!B'<#=."#,(/.1*/*,(,.0&1(*/5$/'."8(,$)("$"&1($'*#1(*4,#"&1(#140*;*+#'."(;&*'6(g&*(

+&1( 4.,'( <&/+( !<0*#,*&1( ,$"1./$1( */( @'#0*#1( 5$/*,,$'8( $H."/#5*'( $#1(^"#$+*#18( 2&#$(1#=/#(

)*+'#($,'8($'(4"*5#'*1($'(4&%0*+$(4"#$,'#/'*,,&1*,($'( */,'*'&'*,($'(#"'*%&,6(?&*&,()$()*,+*40*/#(#0*&)(

'$14&,( ;&$"*'( ;."'#,,$( )*+$/)*6( Z$)( #%( #/'*2&#( 4<*0.,.4<*#( &,2&$( #)( Z.+"#'$18( 2&*( 3"+<$0#&18(

3/#H#=."#$()*,+*4&0&18(#&)*$"#'8(/&1$"*(1.'&,2&$('"#+'#%#/'&"8($'(&/)$(.1/*#(."$"$/'&"(2&.5$(

"$+*)$"$/'8( ,'&)*.,$2&$( #%( *,( ,*)$"&1( 1#=/*'&)*/$,( */'$"5#00#( +&",&,( #/2&*"$%#/'&"( $'( +&/+'#(

+#$0$,'*#6(Z.+"#'$,(#&'$1(4"*1&,(4<*0.,.4<*#1()$5.+#5*'($(+#$0.($'(*/(&"%*%&,(+./0.+#5*'($'(*/().f

1&,( $'*#1( */'".)&H*'( $'( +.$=*'( )$( 5*'#( $'(1."*%&,( "$%&,2&$( %./*,( $'(1#0*,( 2&#$"$"$6( dJJe( ?&*&,(

1&0'*40$H("#'*.()*,4&'#/)*("$"&12&$(5#"*$'#,($'(*/=$/*(1#=/*'&).(!0#'./*,(1$1."*#($'(0*''$"*,(+./f

,$+"#'#(40&"#(=$/$"#($;;$+*'()*,,$/'*$/'*&1(4<*0.,.4<."&18($(2&*%&,(/.,(*)(4.'*,,*1&1(+./,$+&'*(

,&1&,8(2&.(Z.+"#'$1(&,&1(#"%*'"#%#1&"8(&'(/.,'"#1(*4,*(,$/'$/'*#1('$=$"$1&,8($""."$(#0*.,(0$5#f

"$1&,($'(*/(.1/*()*,4&'#'*./$8(2&*)($,,$'(,*1*00*1&1(5$"*8(2&#$"$"$1&,6(g&$1(1."$1(+&1(?#"f

/$#)$,(#+&'*,,*1$(+.4*.,*,,*1$2&$( '$/&*,,$'8( ;$+*1&,($'(#0*#,(,#$4$($'(/&4$"( */(-&,+&0#/.8(&'(#)(

$#1(+./,&$'&)*/$1()*,4&'#"$1&,6(T'(2&#)"*)&*(2&*)$1(,$"1./$1(,&4$"*."*%&,(#)( '$(4$",+"*4f

'&1( 0*%"*,(1*,*1&,8(2&*/'.(#&'$1()*$( +&1($.)$1( */( 0.+.( +./,$)*,,$1&,8( ,*+( $,'(4".4.,*'&18()$(

2&.()*,4&'#"$1&,F!

29

Text 6: Sen. epist. 89, 8 (ed. Reynolds, 1965 (OCT)) g&*)#1($H(/.,'"*,8(2&#15*,(4<*0.,.4<*#( ,'&)*&1(5*"'&'*,( $,,$'( $'(<#$+(4$'$"$'&"8( *00#(4$'$"$'8( '#f

1$/(/./(4&'#5$"&/'(*00#,()*,'"#<*(4.,,$>(/#1(/$+(4<*0.,.4<*#(,*/$(5*"'&'$($,'(/$+(,*/$(4<*0.,.4<*#(

5*"'&,6(!<*0.,.4<*#(,'&)*&1(5*"'&'*,($,'8(,$)(4$"(*4,#1(5*"'&'$1>(/$+(5*"'&,(#&'$1($,,$(,*/$(,'&)*.(

,&*(4.'$,'(/$+(5*"'&'*,(,'&)*&1(,*/$( *4,#6(U./($/*1(2&$1#)1.)&1(*/( **,(2&*(#0*2&*)($H()*,'#/'*(

0.+.(;$"*"$(+./#/'&"(#0*%*($,'(2&*(4$'*'8(#0*%*(2&.)(4$'*'&">(/$+(2&$1#)1.)&1(*'*/$"#(2&#$(#)(&"%$,(

4$")&+&/'( h$H'"#( &"%$,( ,&/'8( ,*+( 5*#$( #)( 5*"'&'$1i( $H'"#( *4,#1F( #)( 5*"'&'$1(5$/*'&"( 4$"( *4,#18(

+.<#$"$/'(*/'$"(,$(4<*0.,.4<*#(5*"'&,2&$6(

30



Leben und Schreiben lassen: Kultur am Hofe Neros

Texte: 1. Sen. apocoloc. 5-7

2. Petr. 83 Text 1: Sen. apocoloc. 5-7 (ed. Buecheler – Heraeus, 1912 (Weidmann)) dIe(g&#$(*/('$""*,(4.,'$#(,*/'(#+'#8(,&4$"5#+&&1($,'("$;$""$6(Z+*'*,($/*1(.4'*1$8(/$+(4$"*+&0&1($,'(

/$( $H+*)#/'(1$1."*#$(2&#$(=#&)*&1(4&%0*+&1( *14"$,,$"*'F( /$1.( ;$0*+*'#'*,( ,&#$(.%0*5*,+*'&"6( @/(

+#$0.(2&#$(#+'#(,*/'8(#&)*'$F(;*)$,(4$/$,(#&+'."$1($"*'6(U&/'*#'&"(@.5*(5$/*,,$(2&$/)#1(%./#$(,'#'f

&"#$8(%$/$(+#/&1>(/$,+*.(2&*)(*00&1(1*/#"*8(#,,*)&$($/*1(+#4&'(1.5$"$>(4$)$1()$H'"&1('"#<$"$6(

g&#$,*,,$( ,$8( +&*&,(/#'*./*,( $,,$'F( "$,4./)*,,$(/$,+*.(2&*)(4$"'&"%#'.( ,./.($'(5.+$( +./;&,#>(/./(

*/'$00$=$"$(,$(0*/=&#1($*&,8(/$+(^"#$+&1($,,$(/$+(S.1#/&1(/$+(&00*&,(=$/'*,(/.'#$6(-&1(@&44*'$"(

C$"+&0$18(2&*('.'&1(."%$1('$""#"&1(4$"$""#5$"#'($'(/.,,$(5*)$%#'&"(.1/$,(/#'*./$,8(*&%$'(*"$($'(

$H40."#"$8(2&."&1(<.1*/&1($,,$'6(-&1(C$"+&0$,(4"*1.(#,4$+'&(,#/$(4$"'&"%#'&,($,'8(&'(2&*($'*#1(

/./(.1/*#(1./,'"#('*1&$"*'6(}'(5*)*'(/.5*(=$/$"*,(;#+*$18(*/,.0*'&1(*/+$,,&18(5.+$1(/&00*&,('$"f

"$,'"*,(#/*1#0*,(,$)(2&#0*,($,,$(1#"*/*,(%$0&*,(,.0$'8("#&+#1($'(*140*+#'#18(4&'#5*'(,*%*('$"'*&1()$f

+*1&1(0#%."$1(5$/*,,$6(V*0*=$/'*&,(*/'&$/'*(5*,&,($,'(2&#,*(<.1.6(3++$,,*'(*'#2&$($'(2&.)(;#+*00*f

1&1(;&*'(^"#$+&0.8(#*'F((

pku(wÄqsy(sÅu(vyÇÉÑy8(wÄqt(pxt(wÄntu(ÖÇÜ(pxáàsu(>(

?0#&)*&,(=#&)$'($,,$(*00*+(4<*0.0.=.,(<.1*/$,8(,4$"#'(;&'&"&1(#0*2&$1(<*,'."**,(,&*,(0.+&16(@'#2&$(

$'(*4,$(C.1$"*+.(5$",&(?#$,#"$1(,$($,,$(,*=/*;*+#/,(#*'F(

âäntÄqsy(ãs(årÉ{y(çysãxu(étáÄysèèt(wrnoèèsy6(

T"#'(#&'$1(,$2&$/,(5$",&,(5$"*."8(#$2&$(C.1$"*+&,F(

êyqo(Çâ(ëíì(wÄnty(êwÉoqxy8(însèo(Çâ(oïpxñu6(

dPe(T'(*14.,&$"#'(C$"+&0*(1*/*1$(5#;".(/*,*(;&*,,$'(*00*+(c$%"*,8(2&#$(;#/.(,&.("$0*+'.(,.0#(+&1(*00.(

5$/$"#'F(+$'$".,(.1/$,()$.,(S.1#$("$0*2&$"#'6([@,'$[( */2&*'([1$"#(1$/)#+*#(/#""#'6(T=.('*%*()*+.8(

2&#$(+&1(*00.('.'(#//*,(5*H*F(A&=&)&/*(/#'&,($,'8(:#"+*(1&/*+*4$1(5*)$,6(g&.)('*%*(/#"".8(#)(,$Hf

'&1()$+*1&1( 0#4*)$1(/#'&,( #(R*$//#8(^#00&,( =$"1#/&,6( @'#2&$( 2&.)(^#00&1( ;#+$"$( .4."'$%#'8(

S.1#1(+$4*'6(C&/+($=.('*%*("$+*4*.(A&=&)&/*(/#'&18(&%*(A*+*/&,(1&0'*,(#//*,("$=/#5*'6(-&(#&'$18(

2&*( 40&"#( 0.+#( +#0+#,'*( 2&#1( &00&,(1&0*.( 4$"4$'&#"*&,8( dA&=&)&/$/,$,e( ,+*"$( )$%$,(1&0'#(1*0*#(

*/'$"(`#/'<&1($'(S<.)#/&1(*/'$"$,,$6[(TH+#/)$,+*'(<.+(0.+.(?0#&)*&,($'(2&#/'.(4.'$,'(1&"1&"$(

*"#,+*'&"6(g&*)()*+$"$'8(/$1.(*/'$00$=$%#'8(*00$(#&'$1(c$%"*1()&+*(*&%$%#'6(*00.(=$,'&(,.0&'#$(1#/&,(

$'(#)(<.+(&/&1(,#'*,( ;*"1#$8(2&.()$+.00#"$(<.1*/$,( ,.0$%#'8( *&,,$"#'( *00*( +.00&1(4"#$+*)*6( dQe(!&f

'#"$,(.1/$,( *00*&,($,,$( 0*%$"'.,F(#)$.(*00&1(/$1.(+&"#%#'6(-&1(C$"+&0$,([#&)*(1$[( */2&*'(['&()$f

,*/$(;#'&#"*6(R$/*,'*(<&+8(&%*(1&"$,(;$""&1(".)&/'6(?*'*&,(1*<*(5$"&18(/$('*%*(#0.=*#,($H+&'*#16[(T'(

2&.('$""*%*0*."($,,$'8('"#=*+&,(;*'($'(#*'F((

31

[$H4".1$(4".4$"$8(,$)$(2&#(=$/*'&,(+0&#,8(

<.+(/$(4$"$14'&,(,'*4*'$(#)('$""#1(#++*)#,>((

<#$+(+0#5#("$=$,(,#$4$(1#+'#5*'(;$".,6(

g&*)(/&/+(4".;#'&(5.+*,(*/+$"'.(,./#,N(

g&#$(4#'"*#8(2&#$(=$/,(1.%*0$($)&H*'(+#4&'N(

T)*,,$"$6(T2&*)$1("$=/#('$"=$1*/*(4$'$/,(

0./=*/2&#("$=*,8(&/)$(#%(C$,4$"*.(1#"*(

@/#+<*#1(#)(&"%$1(/.%*0$(#)5$H*(4$+&,8(

5*)*()&.%&,(*11*/$/,(;0&5**,(*&=&18(

2&.)(!<.$%&,(."'&(,$14$"(.%5$",.(5*)$'8(

&%*(S<.)#/&,(*/=$/,(#1/$(4"#$"#4*).(;0&*'8(

3"#"2&$()&%*'#/,8(2&.(,&.,(+&",&,(#=#'8(

'#+*'&,(2&*$'*,(#)0&*'("*4#,(5#)*,6(

T,'/$(*00#('$00&,(,4*"*'&,(#0'"*H('&*N[((

C#$+(,#'*,(#/*1.,$($'(;."'*'$"8(/*<*0.(1*/&,(1$/'*,(,&#$(/./($,'($'('*1$' ã{Éxó(wnòíôy1(?0#&)*&,(

&'(5*)*'( 5*"&1(5#0$/'$18(.%0*'&,(/&=#"&1( */'$00$H*'( /$1*/$1(S.1#$( ,*%*(4#"$1( ;&*,,$8( *00*+(/./(

<#%$"$(,$(*)$1(="#'*#$F(=#00&1(*/(,&.(,'$"2&*0*/.(40&"*1&1(4.,,$6(@'#2&$(2&#/'&1(*/'$00$=*(4.'&*'8(

<#$+(5*,&,($,'()*+$"$F([T=.('$8(;."'*,,*1$()$."&1(C$"+&0$8(,4$"#5*(1*<*(#);&'&"&1(#4&)(#0*.,8($'(,*(

2&*(#(1$(/.'."$1(4$'*,,$'8('$(;&*(/.1*/#'&"&,8(2&*(1$(.4'*1$(/.,'*6(U#1(,*(1$1."*#("$4$'*,8($=.(

$"#1( 2&*( -*%&"*( #/'$( '$140&1( '&&1( *&,( )*+$%#1( '.'*,( )*$%&,(1$/,$( @&0*.( $'( 3&=&,'.6( -&( ,+*,8(

2&#/'&1(*00*+(1*,$"*#"&1('&0$"*18(+&1(+#&,*)*+.,(#&)*"$1()*$1($'(/.+'$18(*/(2&.,(,*( */+*)*,,$,8(

5#0)$(;."'*,(0*+$'('*%*(5*)$#"*,8(1#0&*,,$,(+0.#+#,(3&=$#$(4&"=#"$F(1&0'.(40&,($=.(,'$"+."*,($H<#&,*6

Text 2: Petr. 83 (ed. Müller, 1995 (BT)) @/(4*/#+.'<$+#1(4$"5$/*(5#"*.(=$/$"$('#%&0#"&1(1*"#%*0$16(U#1($'(b$&H*).,(1#/&,(5*)*(

/./)&1(5$'&,'#'*,(*/*&"*#(5*+'#,8($'(!".'.=$/*,("&)*1$/'#(+&1(*4,*&,(/#'&"#$(5$"*'#'$(+$"f

'#/'*#( /./( ,*/$( 2&.)#1(<.""."$( '"#+'#5*6( @#1( 5$".(34$00*,( 2&#1( d^"#$+*e(1./.+/$1./(

#44$00#/'8($'*#1(#)."#5*6(-#/'#($/*1(,&%'*0*'#'$($H'"$1*'#'$,(*1#=*/&1($"#/'(#)(,*1*0*'&f

)*/$1(4"#$+*,#$8(&'(+"$)$"$,($'*#1(#/*1."&1($,,$(4*+'&"#16(C*/+(#2&*0#(;$"$%#'(+#$0.(,&f

%0*1*,( @)#$&18( *00*/+( +#/)*)&,( CB0#,( "$4$00$%#'( *14".%#1( U#*)#6( V#1/#%#'( 34.00.(

/.H*#,(1#/&,( 0B"#12&$( "$,.0&'#1(1.).(/#'.( ;0."$( <./."#%#'6( @/'$"( 2&.,( d$'*#1e(4*+'.f

"&1( #1#/'*&1(5&0'&,( '#12&#1( */( ,.0*'&)*/$( $H+0#1#5*F( [T"=.( #1."( $'*#1()$.,( '#/=*'6(

@&44*'$"( */( +#$0.( ,&.( /./( */5$/*'( 2&.)( )*0*=$"$'8( ,$)( 4$++#'&"&,( */( '$""*,( /$1*/*( '#1$/(

*/*&"*#1(;$+*'6(CB0#/(UB14<#(4"#$)#'#(*14$"#,,$'(#1."*(,&.8(,*(5$/'&"&1(#)(*/'$")*+'&1(

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32

+*.,&,8(&'(;#+*0$(#44#"$"$'($&1(h$Hi(<#+(/.'#(0*''$"#'."&1($,,$8(2&.,(.)*,,$()*5*'$,(,.0$/'6(

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5$,'*'&,($,Na(!".4'$"(<.+(*4,&16(31."(*/=$/**(/$1*/$1(&/2&#1()*5*'$1(;$+*'6(

g&*(4$0#=.(+"$)*'8(1#=/.(,$(;#$/."$('.00*'>(

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5*0*,(#)&0#'."(4*+'.(*#+$'($%"*&,(.,'".8((

$'(2&*(,.00*+*'#'(/&4'#,8(#)(4"#$1*#(4$++#'F((

Z.0#(4"&*/.,*,(<.""$'(;#+&/)*#(4#//*,8((

#'2&$(*/.4*(0*/=&#()$,$"'#,(*/5.+#'(#"'$,6(

33


Die lateinische Literatur des 1. Jh.s n. Chr. 8. Kollegstunde (07. November 2013)

Plinius und Tacitus: Vom Behagen und Unbehagen in der Kultur

Texte: 1. Tac. ann. 4, 32-33 2. Plin. epist. 6, 20 3. Tac. dial. 34-35

Text 1: Tac. ann. 4, 32-33 (ed. Köstermann, 1952 (BT)) dMLe( !0$"#2&$( $."&1( 2&#$( "$''&0*( 2&#$2&$( "$;$"#1( 4#"5#( ;.",*'#/( $'( 0$5*#(1$1."#'&( 5*)$"*( /./(

/$,+*&,(,&1F(,$)(/$1.(#//#0$,(/.,'".,(+&1(,+"*4'&"#($."&1(+./'$/)$"*'8(2&*(5$'$"$,(4.4&0*(S.1f

#/*("$,(+.14.,&$"$6(*/=$/'*#(*00*(%$00#8($H4&=/#'*./$,(&"%*&18(;&,.,(+#4'.,2&$("$=$,(#&'8(,*(2&#/).(

#)(*/'$"/#(4"#$5$"'$"$/'8()*,+.")*#,(+./,&0&1(#)5$",&1('"*%&/.,8(#="#"*#,(;"&1$/'#"*#,2&$(0$=$,8(

40$%*,($'(.4'*1#'*&1(+$"'#1*/#(0*%$".($="$,,&(1$1."#%#/'F(/.%*,(*/(#"'.($'(*/=0."*&,(0#%.">(*11.f

'#( 2&*44$( #&'(1.)*+$( 0#+$,,*'#( 4#H8(1#$,'#$( &"%*,( "$,8( $'( 4"*/+$4,( 4".;$"$/)*( *14$"*( */+&"*.,&,(

$"#'6(/./('#1$/(,*/$(&,&(;&$"*'( */'".,4*+$"$( *00#(4"*1.(#,4$+'&( 0$5*#($H(2&*,(1#=/#"&1(,#$4$("$f

"&1(1.'&,(."*&/'&"6(

dMMe( U#1( +&/+'#,( /#'*./$,( $'( &"%$,( 4.4&0&,( #&'( 4"*1."$,( #&'( ,*/=&0*( "$=&/'F( )$0$+'#( $H( **,( $'(

+./,h.i+*#'#( "$*( 4&%0*+#$( ;."1#( 0#&)#"*( ;#+*0*&,( 2&#1( $5$/*"$8( 5$0( ,*( $5$/*'8( <#&)( )*&'&"/#( $,,$(

4.'$,'6(*=*'&"(&'(.0*18(40$%$(5#0*)#(5$0(+&1(4#'"$,(4.00$"$/'8(/.,+$/)#(5&0=*(/#'&"#($'(2&*%&,(1.)*,(

'$14$"#/'$"(<#%$"$'&"8(,$/#'&,2&$($'(.4'*1#'*&1(*/=$/*#(2&*(1#H*1$(4$")*)*+$"#/'8(+#00*)*( '$1f

4."&1($'(,#4*$/'$,(+"$)$%#/'&"8(,*+(+./5$",.(,'#'&(/$2&$(#0*#("$(S.1#/#(2&#1(,*(&/&,(*14$"*'$'8(

<#$+(+./2&*"*('"#)*2&$(*/("$1(;&$"*'8(2&*#(4#&+*(4"&)$/'*#(<./$,'#(#%()$'$"*."*%&,8(&'*0*#(#%(/.H**,(

)*,+$"/&/'8(40&"$,(#0*."&1($5$/'*,().+$/'&"6(+$'$"&1(&'(4".;&'&"#8(*'#(1*/*1&1(.%0$+'#'*./*,(#)f

;$"&/'6( /#1( ,*'&,(=$/'*&18(5#"*$'#'$,(4".$0*."&18( +0#"*()&+&1($H*'&,( "$'*/$/'( #+( "$)*/'$="#/'( 0$f

=$/'*&1(#/*1&1F(/.,(,#$5#(*&,,#8(+./'*/&#,(#++&,#'*./$,8(;#00#+$,(#1*+*'*#,8(4$"/*+*$1(*//.+$/'*f

&1($'($#,)$1($H*'**(+#&,#,(+./*&/=*1&,8(.%5*#("$"&1(,*1*0*'&)*/$($'(,#'*$'#'$6('&1(2&.)(#/'*2&*,(

,+"*4'."*%&,("#"&,(.%'"$+'#'."8(/$2&$("$;$"'(+&*&,2&#1(!&/*+#,(S.1#/#,5$(#+*$,( 0#$'*&,($H'&0$"*,F(

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"$)$.6(

Text 2: Plin. epist. 6, 20 (ed. Mynors, 1963 (OCT)) ?6(!A@U@}Z(-3?@-_(Z}_(Z6(

DJE(3*,( '$( #))&+'&1( 0*''$"*,( 2&#,( $H*=$/'*( '*%*( )$(1."'$( #5&/+&0*(1$*( ,+"*4,*8( +&4$"$( +.=/.,+$"$8(

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34

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35

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=/#(/$($4*,'&0#(2&*)$1(5*)$%&/'&"6(R#0$6!

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36

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37



Seneca und das Paradoxe

Texte: 1. Sen. Thyest. 1035-1068 2. Sen. Ag. 978-1012

Text 1: Sen. Thyest. 1035-1068 (ed. Zwierlein, 1986 (OCT))

"#$%&"%&F(C.+($,'()$.,(2&.)(4&)&*'8(<.+($=*'()*$1(

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38

Text 2: Sen. Ag. 978-1012 (ed. Zwierlein, 1986 (OCT))

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39



Statius’ Thebais und die Ästhetik des Grausigen

Texte: 1. Stat. Theb. 8, 716-766 2. Stat. Theb. 12, 810-819 Text 1: Stat. Theb. 8, 716-766 (ed. Klotz – Klinnert, 1973 (BT))

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41



Freud’ und Leid des Epigonen: Silius Italicus und Valerius Flaccus

Texte: 1. Sil. 2, 391-456 2. Val. Flacc. 5, 415-454 3. Verg. Aen. 1, 441-493 4. Verg. Aen. 8, 626-731 5. Plin. epist. 3, 7 6. Mart. 7, 63 Text 1: Sil. 2, 391-456 (ed. Delz, 1987 (BT))

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50


Die lateinische Literatur des 1. Jh.s n. Chr. 12. Kollegstunde (05. Dezember 2013)

Gute Miene zum bösen Spiel: Statius und Martial

Texte: 1. Stat. silv. 1, 1 2. Mart. epigr. 1, 10 3. Mart. 10, 2 4. Mart. 10, 4

Text 1: Stat. silv. 1, 1 (ed. Courtney, 1990 (OCT)) (

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Text 2: Mart. epigr. 1, 10 (ed. Lindsay, 1902 (OCT))

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Text 3: Mart. 10, 2 (ed. Lindsay, 1902 (OCT))

c$,'*/#'#(4"*."8()$+*1*(1*<*(+&"#(0*%$00*(

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Text 4: Mart. 10, 4 (ed. Lindsay, 1902 (OCT))

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!

54

Übersicht über die Kaiser-Foren in Rom: !

55


Die lateinische Literatur des 1. Jh.s n. Chr. 13. Kollegstunde (12. Dezember 2013)

Difficile est saturam non scribere oder: Das Leben als Realsatire?

Texte: 1. Pers. 5, 1-65 2. Iuv. 1, 1 3. Julius Hart, Auf der Fahrt nach Berlin (Ausschnitt) 4. Paul Lindau rez. Uraufführung von G. Hauptmann, Vor Sonnenaufgang

Text 1: Pers. 5, 1-65 (ed. Clausen, 1959 (OCT))

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Text 2: Iuv. 1, 1 (ed. Clausen, 1959 (OCT))

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