Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf /Switzerland / Expanding Horizons Special feature: Can art enlighten science

         

input  

Hans Danuser

S H A D O W S C U L P T U R E  

Sculpture of the shadow volume of an everyday object / Skulptur des Schattenvolumens eines alltäglichen Objektes

     

Shedding light, exploring shadows  

Dialog between – Hans Danuser, Artist and Photographer, Switzerland, and

– Prof. Gerd Folkers, President of the Swiss Science Council (moderation) With scientific reactions from

– Prof. Barbara König, Department of Evolutionary Biology and Environmental Studies, University of Zurich

– Prof. Kevan Martin, Institute of Neuroinformatics, University of Zurich – Prof. Greta Patzke, Department of Chemistry, University of Zurich

c o p y r i g h t by www.hansdanuser.ch

     

input  

Hans Danuser

S H A D O W S C U L P T U R E  

Sculpture of the shadow volume of an everyday object / Skulptur des Schattenvolumens eines alltäglichen Objektes

   

Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf /Switzerland / Expanding Horizons Special feature: Can art enlighten science

 

c o p y r i g h t by www.hansdanuser.ch

     

input  

Hans Danuser

S H A D O W S C U L P T U R E  

Sculpture of the shadow volume of an everyday object / Skulptur des Schattenvolumens eines alltäglichen Objektes

   

Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf /Switzerland / Expanding Horizons Special feature: Can art enlighten science

 

c o p y r i g h t by www.hansdanuser.ch

     

JOURNAL

 

S H A D O W S C U L P T U R E  

Sculpture of the shadow volume of an everyday object / Skulptur des Schattenvolumens eines alltäglichen Objektes

Katrin Füglister Praktikum im Atelier Hans Danuser

   

Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf /Switzerland / Expanding Horizons Special feature: Can art enlighten science

 

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

c o p y r i g h t by www.hansdanuser.ch

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LITERATURE / Literatur   2012 Licht und Schatten und Raum / Ligth and Shadow and Space   Hans Danuser, Input Referat TAGESLICHT IN RAUM UND BILD / DAY-LIGTH in SPACE and IMMAGE am Tageslicht-Award / Day-Ligth Award 2012 an die Architekten Gigon Gyer, 2012   2013 Licht Schatten / Ligth and Shadow   SCHATTEN&LICHT / SHADOW & LIGTH, 2013 Gerd Folkers & Hans Danuser / Naturwissenschaften & Künste Aufbruch zu neuen Anschauungen / Den Einsichten zuliebe den sicheren Boden der naturwissenschaftlichen Weltsicht in Richtung der Künste verlassen.   2015 - 2018 Schatten / Shadow, erwirkt mit Tageslicht / obtaind with Dayligth   Schatten-Skulptur/SHADOW SCULPTURE, 2015 - 2018 Idee Hans Danuser / Realisierung Katrin Füglister (Praktikum Wintersemester 2015/2016) mit Hans Danuser und Atelierteam   2019 Shedding light, exploring shadows 2019 Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf / Switzerland Vergissendes Licht (beleuchten), Schatten erforschen beleuchten

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All rights by Hans Danuser and Fabrikationshalle 2, Zurich

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Hans Danuser Collaboration in and with Science and Research   1996 – 2018 Matographien (Matographs) – The One Million Pound Projekt,, project development with the research divisions of Novartis Basel and Bayer Werke / Agfa Gevaert, Leverkusen; Essays by Jury Steiner “Die geritzte Venus schreiet laut” (The slashed Venus screameth out loud). In Hans Danuser – Delta. exh. cat., Kunsthaus Zürich, 1996; Gerster, Ulrich. In AT, exh. Cat., Nidwaldner Museum, Stans 1997; Jörg Scheller, “Contra Gnosis: A Con-Text on the Role of Research in Hans Danuser’s Work”. In: Hans Danuser - The Darkrooms of Photography. Göttingen 2018 and Gerd Folkers in Hans Danuser – The Mount Fujy, pp 54–65     2007 – 2017 The Last Analog Photograph / Farbe und Fotografie (Color and Photography), project development at the Laboratory of Inorganic Chemistry (LAC), ETH Zurich, with Prof. Reinhard Nesper, Max Broszio, Matthias Herrmann, Florian Wächter, Dipan Kundu et al., section of the working group Landschaft in Bewegung (Landscapes in motion) / Moving Desert, Part III of the Erosion project, work in progress. Publications: “Chemische Färbung von s/w-Fotographien: Untersuchung kolorierter Fotopapiere” (Chemical color reproduction in black-and-white photographs: investigating color photographic paper). Research project of the master’s degree study program for chemistry in collaboration with Hans Danuser, carried out by Max Broszio from Philipps-Universität, Marburg, Germany, at the ETH Zurich Laboratory of Inorganic Chemistry in the group headed by Prof. Reinhard Nesper, Zurich 2008; Kelley Wilder, “Through the Looking-Glass: Hans Danuser’s ’Last Analogue Photograph’” in: Hans Danuser - The Darkrooms of Photography, exh. cat. Bündner Kunstmuseum Chur, Göttingen 2017, pp. 48-56.   2009 – 2014 Hans Danuser Ein colloquium der Dinge (A colloquium of things). Art installation Ein Colloquium der Dinge in the foyer of the old Semper-Sternwarte of ETH Zurich and the Collegium Helveticum. The Laboratory for

Transdisciplinarity of Universität Zürich / ETH Zurich was established at the beginning of the fellows period 2009–2016 by Hans Danuser on the topic of reproducibility and commenced with his appointment as visiting professor at ETH Zurich: investigations from the perspective of art and applying its methodologies, a model and tool for identifying the potential of the topic for a proposed multidisciplinary dialogue. In collaboration with Prof. Dr. Gerd Folkers, director of Collegium Helveticum (2004–2016) and professor of pharmaceutical chemistry at ETH Zurich; Prof. Dr. Johannes Fehr, deputy director of Collegium Helveticum, responsible for the Culture and Humanities Department (2004–2014); Dr. Elvan Kut, member of the executive board of Collegium Helveticum and responsible for the Science Department (2012–2016); as well as the fellows of the period 2009–2016: Prof. Dr. K. W. Axhausen, professor of traffic planning and transport systems at ETH Zurich; Prof. Dr. jur. Andrea Büchler, chair of private law and comparative law at Universität Zürich; Prof. Dr. Alex N. Eberle, professor of pathological biology and vice rector of Universität Basel; Prof. Dr. Andreas Pospischil, director of the Veterinary Pathology Institute at Universität Zürich; Prof. W. Rössler, MD and MPsy, clinic director and director of the Medizinisches Direktorium of Zurich University Hospital of Psychiatry and Center of Social Psychiatry; Prof. Dr. August Schubiger, professor of radiopharmacy at ETH Zurich, head of the Institute of Pharmaceutical Sciences at ETH Zurich, the Paul Scherrer Institute (PSI), and the Clinic and Polyclinic for Nuclear Medicine of Zurich University Hospital; and Prof. Dr. Angelika Steger, professor of computer science at ETH Zurich. Architecture: The former eidgenössische Sternwarte, now ETH Zurich, built in the years from 1862 to 1864 by Gottfried Semper (1862–1864), modified with new design elements by the interior designers Gasser/Derungs. Publication: “Ein Colloquium der Dinge” (A colloquium of things) with essays by Gerd Folkers, Johannes Fehr, Uta Hassler, an introduction by Martin Schmid, and photographs of the space by Ralph Feiner, as well as a complementary video: topic films zuerich, Zurich, 2010.   2008 Entscheidungsfindung (Decision-Taking) in conjunction with The Counting out Rhymes Project, work in progress, Institute of Mathematics of Zurich University with Prof. Andrew D. Barbour.

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2005–2008 Modeling Erosion, Institute for Geotechnical Engineering, ETH Zurich, with Dr. Jan Laue and Prof. Sarah Springman in conjunction with the Erosion series, 2000–2008.   1992 Institutsbilder - Eine Schrift Bild Installation (Institutional photographs – a text-image installation), in collaboration with the Institute of Mathematics, Institute of Pharmacology and Toxicology, and Institute of Physics at Universität Zürich (UZH) as well as the Institute of Pharmaceutical Sciences at ETH Zurich, with the cooperation of the architects Guido Doppler, Burkhart und Partner Architekten, Basel / Zurich; Martin Schmid, “Auf der Suche nach der gemeinsamen Sprache: Verkehrsbereiche der Transdisziplinarität” (Searching for a common language: contact areas of transdisciplinarity). Picture insert “Institutsbilder: Eine Schrift-Bild-Installation an der Universität Zürich-Irchel“ (Institutional photographs: A text-image installation at Universität Zürich-Irchel) by Hans Danuser. In Martin Schmid and Elvan Kut, eds. Heilen / Gesunden: Das andere Arzneibuch (Healing / convalescence: an alternative pharmacopoeia). Zurich: Collegium Helveticum, 2013.   1986 Los Alamos, section of the In Vivo project, 1980–1989. Artist in Residence at the Los Alamos Laboratories, New Mexico, USA.   1974–1976 Marmographien (Marblegraphs), project development at the former Institute of Photographic Chemistry, ETH Zurich, with Prof. Dr. Franz Tomamichel and Prof. Dr. W. F. Berg and Novartis (the former Ciba-Geigy AG) Basel (Ilford).    

Collaboration in the Arts   2017 Schraffuren (Hatchings), three audio stations with Reto Hänny for Hans Danuser’s In Vivo in the exhibition Hans Danuser: Dunkelkammern der Fotografie (Darkrooms of Photography) at the Bündner Kunstmuseum Chur. 1998 1989 –1999 Partituren und Bilder / Zumthor Project (Scores and Images) with the architect Peter Zumthor. Published in conjunction with the exhibition Partituren und Bilder: Architektonische Arbeiten aus dem Atelier Peter Zumthor (Scores and Images: Architectonic Works from Peter Zumthor’s Studio), 1985–1988, at Architekturgalerie Luzern and Haus der Architektur in Graz and Acoustic space Therme Vals, 1988. Edition Hochparterre for the exhibition Zumthor sehen. Bilder von Hans Danuser (Seeing Zumthor. Images by Hans Danuser) at Galerie Luciano Fasciati, 1999. Klangraum Therme Vals (Acoustic space Therme Vals), sound installation with composer Fritz Hauser and publication of a CD with the same name including a booklet with photographs by Hans Danuser of Peter Zumthor’s Therme Vals, 1996.   1997 Bildhauerei. Markus Casanova (Sculpture: Markus Casanova), with Markus Casanova and Beat Stutzer. Baden 1997.   1996 Maeander (Meander), music installation with Fritz Hauser for Hans Danuser’s Frozen Embryo series in the Delta exhibition at the Kunsthaus Zürich. Baden 1996.   1994 Helldunkel: Ein Bilderbuch (Light and Shadow: A Book of Images), with Reto Hänny. Frankfurt am Main 1994.   1993 Hans Danuser: Wildwechsel (Game Paths), with Reto Hänny and Beat Stutzer. Baden 1993.  

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Daylight Academy Annual Conference / 14-15 November 2019 / WSL, Birmensdorf /Switzerland / Expanding Horizons Special feature: Can art enlighten science

      

input  

Hans Danuser S H A D O W S C U L P T U R E

  Sculpture of the shadow volume of an everyday object / Skulptur des Schattenvolumens eines alltäglichen

Objektes      

Shedding l i g h t, exploring s h a d o w s

  Dialog between

– Hans Danuser, Artist and Photographer, Switzerland, and – Prof. Gerd Folkers, President of the Swiss Science Council (moderation)

With scientific reactions from – Prof. Barbara König, Department of Evolutionary Biology and Environmental

Studies, University of Zurich – Prof. Kevan Martin, Institute of Neuroinformatics, University of Zurich

– Prof. Greta Patzke, Department of Chemistry, University of Zurich

c o p y r i g h t by www.hansdanuser.ch