Tragwerksentwurf IV · 2013-09-12 · prof. schwartz Tragwerksentwurf IV 7 „The resistant virtues...

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prof. schwartz Tragwerksentwurf IV 1 Tragwerksentwurf IV

Transcript of Tragwerksentwurf IV · 2013-09-12 · prof. schwartz Tragwerksentwurf IV 7 „The resistant virtues...

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Tragwerksentwurf IV

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Inhalt

1. Tragfähigkeit durch Materialstärke vs. Tragfähigkeit durch geometrische Form

2. Krümmung zur Erzeugung von Steifigkeit: keine, positive und negative Gaußsche Krümmung

3. Kombination und Variation von hyperbolischen Paraboloiden: Schirmstrukturen

4. Kirche «La Milagrosa» von Felix Candela

5. Kirche de Atlantida von Eladio Dieste

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Tragfähigkeit durch Materialstärke

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Tragfähigkeit durch Form

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Model von Heinz Isler zur Demonstration der Tragfähigkeit von doppelt gekrümmten Oberflächen

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„The resistant virtues of the structures that we make depend on their form. It is through their form that

they are stable and not because of an awkward accumulation of materials. There is nothing more noble

and elegant from an intellectual point of view than this, resistance through form“.

Eladio Dieste

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Inhalt

1. Tragfähigkeit durch Materialstärke vs. Tragfähigkeit durch geometrische Form

2. Krümmung zur Erzeugung von Steifigkeit: keine, positive und negative Gaußsche Krümmung

3. Kombination und Variation von hyperbolischen Paraboloiden: Schirmstrukturen

4. Kirche «La Milagrosa» von Felix Candela

5. Kirche de Atlantida von Eladio Dieste

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Hershey Arena, 1936, Pennsylvania, Anton Tedesko

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Little Sports Palace, 1957, Rome, Pier Luigi Nervi

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Kapelle Lomas de Cuernavaca, 1958, Mexiko, Felix Candela

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Kapelle Lomas de Cuernavaca, 1958, Mexiko, Felix Candela

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Negative Gaußsche

Krümmung

Anton Tedesko

Pierluigi Nervi

Keine Gaußsche

Krümmung

Positive Gaußsche

Krümmung

Felix Candela Anton Tedesko

Pierluigi Nervi

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Inhalt

1. Tragfähigkeit durch Materialstärke vs. Tragfähigkeit durch geometrische Form

2. Krümmung zur Erzeugung von Steifigkeit: keine, positive und negative Gaußsche Krümmung

3. Kombination und Variation von hyperbolischen Paraboloiden: Schirmstrukturen

4. Kirche «La Milagrosa» von Felix Candela

5. Kirche de Atlantida von Eladio Dieste

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h

h

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Rio’s Warehouse under construction, 1954, Mexiko, Felix Candela

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Inhalt

1. Tragfähigkeit durch Materialstärke vs. Tragfähigkeit durch geometrische Form

2. Krümmung zur Erzeugung von Steifigkeit: keine, positive und negative Gaußsche Krümmung

3. Kombination und Variation von hyperbolischen Paraboloiden: Schirmstrukturen

4. Kirche «La Milagrosa» von Felix Candela

5. Kirche de Atlantida von Eladio Dieste

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Kirche „la Milagrosa“, 1955, Mexiko City, Felix Candela

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Kirche „la Milagrosa“, 1955, Mexiko City, Felix Candela

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Kirche „la Milagrosa“, 1955, Mexiko City, Felix Candela

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Inhalt

1. Tragfähigkeit durch Materialstärke vs. Tragfähigkeit durch geometrische Form

2. Krümmung zur Erzeugung von Steifigkeit: keine, positive und negative Gaußsche Krümmung

3. Kombination und Variation von hyperbolischen Paraboloiden: Schirmstrukturen

4. Kirche «La Milagrosa» von Felix Candela

5. Kirche de Atlantida von Eladio Dieste

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Regelflächen

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste

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Kirche de Atlantida, 1960, Uruguay, Arch: Eladio Dieste