節目 Programme 日期 Date 時間 Time 場地 Venue

開幕節目 OPening PrOgramme《貝隆夫人》The Song of Eva Perón布宜諾斯艾利斯探戈舞團（阿根廷）

Tango Buenos Aires (Argentina)

16-18/10 7:30pm HKCC/GT

格魯吉亞國家舞蹈團

Georgian National Dance Company Sukhishvili22/10

23/10

24/10

8pm

8pm

8pm

STTH/A

TWTH/A

TMTH/A

《禾．日．水．巷》Hong Kong Episodes張駿豪和林丰與尚米榭．皮爾

Teriver Cheung & Fung Lam with Jean-Michel Pilc

23-24/10 8pm HKCC/ST

《彭德雷茨基與蕭斯達高維契》

Penderecki & Shostakovich 香港小交響樂團 Hong Kong Sinfonietta

24/10 8pm HKCH/CH

安潔莉克．淇祖（貝寧） Angélique Kidjo (Benin)

29/10 8pm HKCC/CH

《打男 2015》Dadan 2015鼓童（日本）Kodo (Japan)

30-31/10 8pm STTH/A

《鼓王群英會XX》Majestic Drums XX香港中樂團 Hong Kong Chinese Orchestra

30/10 8pm HKCC/CH

特浩特吉卜賽樂團（印度）

Dhoad Gypsies from Rajasthan (India)

31/10 8pm HKCH/T

《街舞烈火》Ablaze!Jinjo Crew（韓國 Korea）

6-7/11 8pm KSTNW/A

德州狂迷樂隊（美國）

Los Texmaniacs (USA)

7/11 8pm KTT/A

閉幕節目 ClOsing PrOgramme上海越劇院 Shanghai Yue Opera House

11-14/11

15/11

7:30pm

3pm

HKCC/GT

酋長樂隊（愛爾蘭）

The Chieftains (Ireland)

13/11 8pm HKCH/CH

《管樂悠遊》Bands Around the World香港專業管樂團 Hong Kong Professional Winds

14/11 8pm TWTH/A

《緣移戲劇班》Circle Mirror Transformation香港話劇團 Hong Kong Repertory Theatre

14-22/11( 不包括 except 16/11)

15, 21-22/11

7:45pm

2:45pm

HKCH/T

HKCC/CH 香港文化中心音樂廳 Hong Kong Cultural Centre Concert HallHKCC/gT 香港文化中心大劇院 Hong Kong Cultural Centre Grand TheatreHKCC/sT 香港文化中心劇場 Hong Kong Cultural Centre Studio Theatre HKCH/CH 香港大會堂音樂廳 Hong Kong City Hall Concert HallHKCH/T 香港大會堂劇院 Hong Kong City Hall TheatreKsTnW/a 高山劇場新翼演藝廳 Ko Shan Theatre New Wing AuditoriumKTT/a 葵青劇院演藝廳 Kwai Tsing Theatre AuditoriumsTTH/a 沙田大會堂演奏廳 Sha Tin Town Hall AuditoriumTmTH/a 屯門大會堂演奏廳 Tuen Mun Town Hall AuditoriumTWTH/a 荃灣大會堂演奏廳 Tsuen Wan Town Hall Auditorium

世 界 文 化 藝 術 節 2 0 1 5 ─ 瑰 藝 十 載W o r l d C u lt u r e s F e s t i va l 2 0 1 5 ─ a d e C a d e o F e x q u i s i t e a r t s

演藝節目 S t a g e P e r f o r m a n c e

貝寧 | Benin

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場地規則 H o u S e r u l e S

各位觀眾：

為了令大家對今次演出留下美好印象，在節目開始前，請關掉手提電

話、其他響鬧及發光的裝置。同時請勿在場內飲食或擅自攝影、錄音

或錄影。多謝合作。

Dear Patrons,

in order to make this performance a pleasant experience for the artists and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorised photography, audio and video recordings in the auditorium. Thank you for your co-operation.

歡迎你對所觀看的節目或「世界文化藝術節 2015 ─ 瑰藝十載」發表意見，讓我們在未來安排節目

時，能精益求精！請登入網址 www.worldfestival.gov.hk，在「提供意見」一欄留言。我們非常重

視你的寶貴意見。多謝！

You are welcome to send us your comments on the programme(s) attended or the ‘World Cultures

Festival 2015 – A Decade of Exquisite Arts’ in general to enhance our future programming. Share

your views with us by filling in our ‘Feedback’ form online at www.worldfestival.gov.hk. Your opinion

is much appreciated. Thank you.

場刊回收 r e c y c l i n g o f H o u S e P r o g r a m m e S

閣下若不欲保留本節目場刊，請交到場地入口處，以作循環再用。你亦可到藝術節網頁 www.worldfestival.gov.hk下載電子版場刊。多謝合作。

If you do not wish to keep this house programme, please return it to the admission point after the performance for recycling. You may also download a copy from the festival website at www.worldfestival.gov.hk. Thank you.

如遇特殊情況，主辦機構保留更換演出者及節目的權利。本節目內容並不反映康樂及文化事務署的意見。

The presenter reserves the right to substitute artists and change the programme should unavoidable circumstances make it necessary. The content of this programme does not represent the views of the Leisure and Cultural Services Department.

29.10.2015 ( 四 Thur ) 8pm

香港文化中心音樂廳

Hong Kong Cultural Centre Concert Hall

節目全長約 1小時 30分鐘，不設中場休息。

Programme duration is approximately 1 hour 30 minutes without intermission.

開幕節目 Opening prOgramme

貝寧 | Benin

兩年一度的「世界文化藝術節」轉眼已踏入第十年。

我們特意搜羅世界各地的演藝瑰寶，帶領觀眾跨越疆

界，細味各國深邃的文化與動人的風情。

阿根廷探戈為藝術節揭開序幕；布宜諾斯艾利斯探戈

舞團演出《貝隆夫人》，以濃艷激情的舞姿，演繹阿

根廷國母一生傳奇。壓軸登場的中國越劇表現婉約之

美；上海越劇院除演出經典劇目，還呈獻全新創作的

《甄嬛》和《雙飛翼》。探戈與越劇風格迥異，但同

樣華麗優美，令人嘆為觀止。

今屆精彩節目源源不絕。格魯吉亞國家舞蹈團的演出集靈巧與力量於一身，賞心

悅目；街舞勁旅 Jinjo Crew把韓國文化元素注入西方街舞，創意非凡。六屆格林

美獎得主酋長樂隊演奏傳統愛爾蘭樂曲，帶來雋永率性的即興演出；西非歌后安

潔莉克．淇祖首度來港，以渾厚明亮的歌聲擁抱世界，頌揚大愛精神。香港的藝

團亦會演出音樂和戲劇節目，讓世界文化藝術節添增本地色彩。

除了舞台表演外，藝術節還會舉辦多項延伸活動，透過展覽、導賞、分享會、工

作坊、沙龍講座、徵文活動、戶外演出、街頭舞鬥盛會等不同形式，讓觀眾體會

世界文化的瑰麗丰姿。

「瑰藝十載」精彩可期，就讓我們盡情投入，一同踏上這次藝術之旅。

In celebration of the 10th anniversary of the biennial World Cultures Festival, we have gathered artistic gems across the globe, leading our audience to a world of charming cultures that knows no boundaries.

Tango Buenos Aires kicks off the Festival with The Song of Eva Perón, a spectacular tango performance which portrays the legendary life of the First Lady of Argentina through flamboyant and passionate dancing. Shanghai Yue Opera House will conclude the Festival with its graceful rendition of classical plays and two new productions, Empresses in the Palace and A Poet’s Lament. Tango and Yue opera might seem disparate in style, yet they both exude elegance and gorgeousness which never fail to mesmerise.

The Festival features a strong line-up of exciting programmes. The folk dances of the Georgian National Dance Company Sukhishvili display a perfect mix of agility and strength. Street dance group Jinjo Crew injects cultural elements of Korea to their ingenious dances. Winner of six Grammy Awards, The Chieftains performs classical Irish folk music and impresses the audience with its brilliant improvisation. In her début concert in Hong Kong, African diva Angélique Kidjo celebrates our shared humanity and embraces the world with her powerful and lustrous voice. Concerts and drama featuring Hong Kong arts groups put local flavour into this cross-cultural event.

Apart from stage performances, the Festival also offers an array of extension activities including exhibitions, pre-performance talks, sharing sessions, workshops, salon series talks, writing award scheme, outdoor performances and street dance battle to facilitate the appreciation of world cultures.

I sincerely invite you to be part of the extravaganza and embark on a journey to the world of exquisite arts!

康樂及文化事務署署長

Ms Michelle LIDirector of Leisure and Cultural Services

M e s s a g e獻辭

先為人，然後才為非洲藝人。正正由於我關懷人類福祉，

我希望我的音樂賦予每一個人力量，得以自主，活得自在。

─ 安潔莉克．淇祖

Before being an African artist, I’m a human being. And because I care for every human being, my music is for every human being

to use to empower themselves and to feel good about themselves.─ Angélique Kidjo

淇祖的歌 Some of Kidjo’s songs

演唱曲目及次序以演唱會當晚公佈為準。 Details of the performing songs are announced in the concert.

EBILE

這首歌讚頌女性是人道主義的樑柱。

This song praises women as the anchor of humanity.

BANA

這首歌勸勉大家要重人性輕錢財。

This song urges us to value people over money.

KULUMBU

歌名意指「和平之鴿」。

The title means “The Dove of Peace”.

BATONGA

這個詞彙由淇祖自創，表示她為非

洲女童爭取教育權利的決心，及

後成為她的歌曲及基金會名稱。 Kidjo made up the word “Batonga” as her assertion of the right of education

for girls in Africa, that turned to be the title of her song and Foundation.

SENAMOU

歌名意指「這是愛」。

The title means “This is Love”.

MALAIKA

歌名意指「天使」。

The title means “Angel”.

AWALOLE

歌名意指「我們擁有它」。

The title means “We Own It”.

SHANGO WA

歌名意指「雷電神」，非洲約魯巴 文化中一種雌雄同體的神祗。

Shango is the Yoruba God of Thunder that is both a man and a woman.

BOMBA

歌名意指非洲女性其中一種傳統服裝。

The title refers to the traditional African dress “boubou”.

PATA PATA

歌名意指「觸碰」。

The title means “touch touch”.

AFIRIKA

歌名是「Africa」（非洲）一詞的豐語讀音。

The title shows how “Africa” is pronunced in Fon.

TUMBA

歌名意指康加鼓。

The title means “conga” in Beninese.

54

Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, born 1960, is from the nation of Benin. The BBC included her in its list of the African continent's 50 most iconic figures. The Guardian listed her as one of its Top 100 Most Inspiring Women in the World. She is also the first woman to be listed among The 40 Most Powerful Celebrities In Africa by Forbes magazine. She now resides in New York.

Her musical influences include Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Jimi Hendrix, Miriam Makeba and Carlos Santana. She has collaborated with Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, and the Philharmonic Orchestra of Luxembourg.

By the time she was six, Kidjo was performing with her mother's theatre troupe. As a teenager, she was already making records, with success first on the national radio and then all over West Africa. The continuing political conflicts in Benin led her to relocate to Paris in 1983.

While working various day jobs, she studied music at the CIM, a reputable jazz school in Paris. Dutch jazz-frontman Jasper van't Hof included her as the central star in his successful Afro-Latin-jazz band Pili Pili and soon she engaged herself in a solo career in Paris. She was then discovered by Island Records. This led to a series of

全名安潔莉克．卡帕蘇羅高．軒圖．侯

仙諾．簡祖．曼塔．索卞．淇祖，1960年生於西非的貝寧，現居紐約。她入選

英國廣播公司非洲五十位最具代表性人

物、《衛報》全球百大最具啟發性女性，

更是首位女性入選《福布斯》非洲四十

位最具影響力名人。

她的音樂包含非洲流行音樂、加勒比

祖克樂、剛果倫巴、爵士樂、福音歌

曲、拉丁音樂等風格，並自幼深受 Bella Bellow、James Brown、Nina Simone、Aretha Franklin、Jimi Hendrix、Miriam Makeba 和 Carlos Santana等歌手影響。她曾與 Alicia Keys、Branford Marsalis、Ziggy Marley、Phil ip Glass、Peter Gabriel、Bono和盧森堡愛樂樂團合作。

她六歲已踏上舞台，參與母親的舞台劇

演出，少年時期開始錄製唱片，歌聲傳

遍貝寧及其他西非國家。1983年，她受貝寧持續的政治衝突影響移居巴黎。

在巴黎，她一邊工作，一邊在知名的巴

黎 CIM爵士學校修讀音樂；獲邀加入荷蘭爵士樂佼佼者 Jasper van’t Hof的非洲拉丁爵士樂隊 Pili Pili，並成為樂隊主音。她獨立發展後不久，即被 Island Records發掘。隨後她的專輯經常在各地的世界

音樂排行榜佔據榜首，為她帶來兩個格

林美最佳世界音樂專輯獎及多項提名。

2004年在羅馬舉行的《We are the Future》音樂會中，她與 Oprah Winfrey、Alicia Keys、Andrea Bocelli、Herbie Hancock及其他國際巨星攜手，在四十萬觀眾面

前獻唱。2005年，她在埃塞俄比亞首都亞的斯亞貝巴，出席為慶祝雷鬼鼻祖

Bob Marley六十歲冥壽而舉行的《Africa Unite Live》，亦擔任同期舉行的非洲統一組織（現非洲聯盟）會議的主講嘉賓。

她堅持自己的音樂本源，同時吸收各式

各樣的音樂風格，特別是非洲拉丁美洲

風格如巴西音樂、美國風格的雷鬼和爵

士樂等，是多才多藝的音樂人。

albums that regularly landed her at number one in the international world music charts and harvested her two Grammy Awards for best world music album and several nominations.

In 2004, she performed in Rome at the concert We are the Future in front of 400,000 people, along with Oprah Winfrey, Alicia Keys, Andrea Bocelli, Herbie Hancock and other international stars. In 2005, she appeared at the Africa Unite Live in Addis Ababa, a concert to celebrate the late Bob Marley's 60th birthday, and she was a featured speaker at the conference of African Unity (now African Union) held along with the concert.

She remained faithful to the music of her native region, and yet at the same time adopted a wide array of other styles, especially Afro-American styles like those of Brazil, reggae and jazz from the USA, making her one of the most versatlile artists in contemporary music.

Being such a visible artist, she is frequently approached for good causes, and readily involves herself, like with the Bill and Melinda Gates Foundation, Oxfam’s Fair Trade Campaign, Africa for Women’s Rights and the Seal the Deal climate campaign. As UNICEF Goodwill Ambassador, she travelled to different countries in Africa. In 2007, she established the Batonga Foundation, which seeks to provide secondary and higher education for girls in Africa.

她以自己在音樂上的知名度積極參與各

種慈善公益活動，包括支持比爾及梅琳

達．蓋茨基金會、樂施會公平貿易運動、

非洲女性權益運動，以及聯合國推動各

國簽署氣候變遷協議的「Seal the Deal」運動等，亦以聯合國兒童基金會親善大

使的身份，前往非洲各國訪問。2007年，她成立 Batonga Foundation，致力為非洲女童提供中學或以上教育。

Angélique Kidjo

6 7

Afropop is a general name for African popular music. The term emerged while many parts of Africa were moving towards independence from their former colonisers and were developing identities of their own.

Most contemporary genres of African popular music build on cross-fertilisation between indigenous styles and American blues, jazz, Cuban salsa, rumba, Brazilian samba and Jamaican reggae, hence bringing back musical genres that derived from musical traditions taken from Africa to the Americas by slaves.

Thus to the African audiences, Cuban popular music sounded both familiar and exotic.

A definite breakthrough of Cuban music in Africa was in 1974 when the Fania All Stars performed in Kinshasa, the capital of Zaire, now the Democratic Republic of the Congo, at the 80,000-seat Stadu du Hai, in a festival held on the occasion of the heavyweight boxing match between the legendary Muhammad Ali and George Foreman.

The Senegalese band Orchestra Baobab plays in a basic salsa style with congas and timbales, but with the addition of Wolof and Mandinka instruments and lyrics. However, as a next step Youssou N’Dour bended Senegalese music into the new, spiritual direction that he is known for, the mbalax.

In the early 20th century a different genre called highlife emerged in Ghana. This genre incorporated traditional Ghanaian melodies and harmonies, as well as main rhythmic structures of local music, and married them with jazzy horns and multiple guitars derived from Western music. Also, highlife soon spread over a wide region especially Nigeria.

Nigerian singer and orchestra leader Fela Kuti took highlife as a starting point, adding elements of contemporary Western pop and jazz to create a style that lay the foundation for the so-called Afrobeat style, a combination of highlife with funk.

In the 1960s, Angélique Kidjo’s native country, Dahomey, as Benin then was named, had a vibrant music scene, being on the crossroads of a lot of musical influences, like highlife from Ghana and Nigeria, Congolese rumba, American soul and French popular music.

Another Afropop icon was Miriam Makeba from South Africa, for Kidjo a main musical hero. Coming from the state that still suffered under apartheid (racial segregation and discrimination), many of her songs revolved around the notions of freedom and equality, but musically she developed a particular style.

So Afropop runs through the continent, having many local varieties. These varieties easily defy borders, which often were the borders drawn by colonial powers, and in this continent with its growing self-awareness, easily traveled from one side to the other.

Afropop泛指非洲流行音樂。隨著非洲不同區域陸續脫離殖民地統治，走向獨立並建立自己的身份，這個音樂類型亦開始形成。

大多數當代 Afropop的類型，都由非洲本土音樂與美國的藍調和爵士樂、古巴的薩爾薩和倫巴、巴西的森巴和牙買加的雷鬼等融匯而成。昔日這些由非洲黑奴帶到美

洲而衍生的眾多音樂類型，因著 Afropop的發展，再次回流到其發源地。

故此，古巴流行音樂對於非洲的聽眾來說，既熟悉又陌生。

1974年的一場表演，是古巴音樂在非洲發展的一個里程碑。當年，在扎伊爾（現剛果民主共和國）首都金沙薩舉行了一場由傳奇拳王穆罕默德．阿里對喬治．科曼的

重量級拳賽，著名美國樂隊法尼亞群星獲邀在這場舉世矚目的拳賽開鑼之前表演，

就這樣體育館 Stadu du Hai的八萬名觀眾，都聽到他們的薩爾薩音樂。

另一方面，塞內加爾薩爾薩樂隊寶巴樂團，在古巴樂器康加鼓和天巴鼓之外，還加

入了西非部落沃洛夫和曼丁哥的樂器及歌詞。繼而，著名歌手尤蘇．恩多爾再走出

一大步，從塞內加爾傳統音樂出發，糅合出嶄新的樂種 mbalax。

二十世紀初，另一種新音樂類型 highlife在加納形成。它用爵士號和各種結他，來演奏加納的傳統旋律、和聲，以及節奏結構。Highlife很快在不同地區，尤其是尼日利亞，流行起來。

尼日利亞歌手及樂隊領班費拉．庫蒂以 highlife作起點，加入當代西方流行音樂及爵士樂元素，創作出一種結合 highlife和放克的音樂類型，成為後來 Afrobeat的基礎。

六十年代，安潔莉克．淇祖的祖國達荷美（後更名為貝寧）音樂發展十分蓬勃，各

類型音樂匯聚一起，包括加納和尼日利亞的 highlife、剛果的倫巴、美國的騷靈和法國的流行音樂等，互為影響。

Afropop的另一個代表人物，是南非的美莉音．馬卡貝，她對淇祖的音樂影響深遠。當時南非仍然實施種族隔離政策，她以歌曲歌頌自由與平等，同時，她也建立起別

樹一幟的音樂風格。

現時，Afropop響遍整個非洲大陸，各地風格百花齊放。縱使殖民統治曾帶來隔閡，但隨著自我意識不斷提升，各類型的非洲流行音樂輕易突破地域界限，流傳各地。

A Brief History of Afropop By Neil van der Linden (Programme Consultant)

Afropop 簡史 文：尼爾．雲達連登（節目顧問）

8 9

創作及製作人員 Creative and Production Team

歌手 Vocal 安潔莉克．淇祖 Angélique Kidjo

結他 Guitar 多米尼克．詹姆斯 Dominic James

鼓 Drums 艾德加爾多．亞佑．沙爾卡 Edgardo “Yayo” Serka

低音結他 Bass 班．澤偉林 Ben Zwerin

敲擊樂 Percussion 麥格特．素爾Magatte Sow

巡演經理 / 音響工程師 德力克．威廉斯 Derek Williams

Tour Manager / Sound Engineer

多米尼克．詹姆斯 Dominic James結他 Guitar

多米尼克．詹姆斯是美國享負盛名的唱作歌手，憑其自

成一格的音樂造詣而廣受歡迎。他曾獲頒聯合國工作人員

文娛委員會作家協會優秀獎，以肯定他在音樂、戲劇和電

視範疇的創作成就。跟他合作過的藝人包括安潔莉克．淇

祖、夏奇拉、保羅．西門、史汀、李．史快奇．彼利和邦

喬飛等。

Renowned American singer, songwriter and composer, Dominic James is adored for his particular brand of musical artistry. He has received the Award of Excellence from the United Nations S.R.C. Society of Writers for the works he produced in music, theatre and television. In addition to Angélique Kidjo, his collaborative artists include Shakira, Paul Simon, Sting, Lee “Scratch” Perry and Jon Bon Jovi to name a few.

艾德加爾多．亞佑．沙爾卡 Edgardo “Yayo” Serka鼓 Drums

艾德加爾多．亞佑．沙爾卡生於智利，是最具影響力的拉

丁美洲民謠鼓手之一。他在古巴夏灣拿修讀音樂，並在紐

約擔任職業敲擊樂手超過二十年。他參與灌錄莉拉．唐絲

的墨西哥美國風格民謠專輯，並兩度榮獲拉丁格林美獎及

一項國際格林美獎。

Born in Chile, Edgardo “Yayo” Serka is one of the most influential drummers of Latin American folkloric music. His studied music in Havana, Cuba and based in New York City as a professional percussionist for over twenty years. He won two Latin Grammy Awards and one international Grammy Award for his participation in Lila Downs’ Mexican-American folkloric albums.

班．澤偉林 Ben Zwerin低音結他 Bass

班．澤偉林在巴黎長大，自幼在父親─美籍長號手及爵士

樂評家米克．澤偉林的薰陶下學習音樂。他獲頒獎學金就

讀於伯克利音樂學院，畢業後移居紐約成為監製，並為電

視節目作曲。合作過的藝人包括莉拉．唐絲、克勞蒂雅．

阿庫妮亞、萊諾．盧威克和奧蒂斯．克萊。

Grown up in Paris, Ben Zwerin was introduced to music at a very early age by his American father Mike, a trombonist and jazz critic. After graduating from the Berklee College of Music on scholarship, he moved to New York where he started producing various artists as well as writing music for TV shows. He has collaborated with numerous artists such as Lila Downs, Claudia Acuña, Lionel Loueke and Otis Clay.

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- Fung Lai-chi (Renowned music critic)