PRESS

GOETZ Eselected clippings

GOETZ E PRESS

i-Deal ... mit sissi goetzeDie deutsche Modedesignerin hat unseren neuen Fragebogen über Idealvorstellungen

ausgefüllt.

� � � � �� (mailto:?body=i-Deal ... mit sissi goetze https://i-d.vice.com/de_de/article/my-i-deal-

mit-sissi-goetze-789)

Wir alle haben Idealvorstellungen, seien es die kleinen Details des Alltags oder utopische

Fantasien über die Zukunft. In unserer neuen Serie „i-Deal" lassen wir spannende Persönlichkeiten

aus Deutschland kurz der knallharten Realität entfliehen und über die Szenarien nachdenken, die

ihr Leben vereinfachen. Den Anfang macht Sissi Goetze, Designerin und Gründerin des Labels

GOETZE, das Männermode aus Berlin auf ein neues Niveau gehoben hat. Während des

Shootings für ihr neues Lookbook haben wir ihr zehn kurze Fragen gestellt.

� �(http://i-d.vice.com/de_de)

�

DE Sissi, dein(e) i-Deal ...

... Buch für einen Tag im Bett? ... Buch für einen Tag im Bett? Mein Macbook.

... Zukunftsutopie? ... Zukunftsutopie? Altruismus und Ethik gewinnen. Geld und Arbeit sind Konzepte der

Vergangenheit.

... Kleidungsstück? ... Kleidungsstück? Ich würde euch heute wahrscheinlich etwas Anderes sagen als morgen. Die

Mode. Sie ist unstet. Aber Herrenhemden mag ich sehr.

... Material? ... Material? Baumwoll-Krinkel.

... Guilty Pleasure? ... Guilty Pleasure? Uniqlo.

... Inspiration für deine Mode? ... Inspiration für deine Mode? Bilder von Männern und Jungen, von Ikonen und von

Kleinkriminellen, von Jungpionieren und Tunichtguten—alle gleichzeitig.

... Wort? ... Wort? Synthese.

… Ratschlag, den du bekommen hast und genauso weitergeben w… Ratschlag, den du bekommen hast und genauso weitergeben würdest? rdest? „Always leave

enough space for the balls."

... Eigenschaft, die du dir aneignen willst ? ... Eigenschaft, die du dir aneignen willst ? Tagträumen.

... Diskussionsthema? ... Diskussionsthema? Mode, Sinn und Erfolg.

sissigoetze.com (http://sissigoetze.com/)

Hier geht's zu den anderen Interviews aus unserer Rubrik „i-Deal".Hier geht's zu den anderen Interviews aus unserer Rubrik „i-Deal". (https://i-

d.vice.com/de_de/topic/i-deal)

Credits

GOETZ E PRESS

GOETZ E PRESS

FASHION

ZOO MAGAZINE 2014 NO.4577

BERLIN FASHION DESIGNERS

AUGUSTIN TEBOUL. BLESS. DSTM. HIEN LE. ISABELL DE HILLERIN. KAVIAR GAUCHE. KOSTAS MURKUDIS. LALA BERLIN. MALAIKARAISS. MARINA HOERMANSEDER. MICHAEL MICHALSKY. MICHAELSONTAG. MONGRELS IN COMMON. REALITY STUDIO. SISSI GOETZE.SOPOPULAR. TRES BONJOUR. VLADIMIR KARALEEV

AUGUSTIN TEBOUL

BLESS

www.augustin-teboul.com

bless-service.de

How would you describe your aesthetics? Black, intemporal, rock ’n’ roll, feminine, elegant, dark.What is your design philosophy?Following our intuition, accepting the artistic accident, leaving space for chance. Who or what inspires you? Everyday unexpected coincidences, weirdness, beauty, melancholy…What is the best part of your job?Being able to create.It’s a common belief that the thing that makes Berlin so special is its people. What is it about their personalities that creates such an atmosphere?Most people in Berlin are liberal and open-minded — that makes it very special.Do you have a treasured spot in the city?

What is your design philosophy?BLESS is a visionary substitute to make the near future worth living for. The BLESS vision is outspokenly female – more woman than girl. She’s not an outspoken beauty, but doesn’t go unnoticed. Without a definite age, she could be between her mid-twenties and forties. She hangs around with a special sort of man. She has no nationality and likes the idea of sport. She’s always attracted by temptation and loves change. She lives in the moment and her surroundings are charged by her presence. She tends to be future-orientated. BLESS is a project that presents ideal and artistic values by presenting their products to the public.Who or what inspires you?People who are able to see, think, and behave coherently.How would you describe your aesthetic? Style-free.Berlin has served as a source of inspiration for many an artist, both native and visitor alike. What do you think it is about the city that

moves people so, and in what way has it shaped your own work? In our self-dominated lifetime project, the place where we live does not feel so relevant to our creativity, even though we do feel very European. The fact that Berlin became so popular does fit very well with the fact that we are getting older as a brand, since it seems that so many people are passing through Berlin at any very moment that we no longer need to travel so much.The industry now progresses at such a pace that the requirement to produce something fresh each season must be quite demanding for designers. In what way is your creative practice attuned to such a tall order? The phenomenon “faster, wider, higher” is a typical side-effect of industrialization, so it is not really surprising that, in the fashion industry, the pressure seems to steam along instead of just running at a high speed. But we never did feel differently, even when we initially started with BLESS – the challenge was more in coming up with something unique that only we could do – not the others – instead of trying to jump on the bandwagon. The discovery of the fact that the potential of two designers collaborating with the aim of creating their very own business is accompanied with a certain ability to implement reforms — or at least to build up a very resistive little structure, serving as a playground for ideas, 3D-modelling and the experimentation for marketing concepts. What is the best part of your job?Being able to work together, but being fully independent.Are there any parts of your job that you’d rather avoid?If we could, production.

Tempelhof for its weird light and it’s the only spot in the city where you can see the horizon. It feels a bit like being at the seaside.Has living in Berlin shaped your outlook in any way?We’re a bit more relaxed as the lifestyle here is more laid-back.What is it that attracted you to Berlin?The creative energy of this big city and its underground feeling.

by Rebekka Ayres

FASHION

ZOO MAGAZINE 2014 NO.4577

BERLIN FASHION DESIGNERS

AUGUSTIN TEBOUL. BLESS. DSTM. HIEN LE. ISABELL DE HILLERIN. KAVIAR GAUCHE. KOSTAS MURKUDIS. LALA BERLIN. MALAIKARAISS. MARINA HOERMANSEDER. MICHAEL MICHALSKY. MICHAELSONTAG. MONGRELS IN COMMON. REALITY STUDIO. SISSI GOETZE.SOPOPULAR. TRES BONJOUR. VLADIMIR KARALEEV

AUGUSTIN TEBOUL

BLESS

www.augustin-teboul.com

bless-service.de

How would you describe your aesthetics? Black, intemporal, rock ’n’ roll, feminine, elegant, dark.What is your design philosophy?Following our intuition, accepting the artistic accident, leaving space for chance.Who or what inspires you? Everyday unexpected coincidences, weirdness, beauty, melancholy…What is the best part of your job?Being able to create.It’s a common belief that the thing that makes Berlin so special is its people. What is it about their personalities that creates such an atmosphere?Most people in Berlin are liberal and open-minded — that makes it very special.Do you have a treasured spot in the city?

What is your design philosophy?BLESS is a visionary substitute to make the near future worth living for. The BLESS vision is outspokenly female – more woman than girl. She’s not an outspoken beauty, but doesn’t go unnoticed. Without a definite age, she could be between her mid-twenties and forties. She hangs around with a special sort of man. She has no nationality and likes the idea of sport. She’s always attracted by temptation and loves change. She lives in the moment and her surroundings are charged by her presence. She tends to be future-orientated. BLESS is a project that presents ideal and artistic values by presenting their products to the public.Who or what inspires you?People who are able to see, think, and behave coherently.How would you describe your aesthetic? Style-free.Berlin has served as a source of inspiration for many an artist, both native and visitor alike. What do you think it is about the city that

moves people so, and in what way has it shaped your own work? In our self-dominated lifetime project, the place where we live does not feel so relevant to our creativity, even though we do feel very European. The fact that Berlin became so popular does fit very well with the fact that we are getting older as a brand, since it seems that so many people are passing through Berlin at any very moment that we no longer need to travel so much.The industry now progresses at such a pace that the requirement to produce something fresh each season must be quite demanding for designers. In what way is your creative practice attuned to such a tall order? The phenomenon “faster, wider, higher” is a typical side-effect of industrialization, so it is not really surprising that, in the fashion industry, the pressure seems to steam along instead of just running at a high speed. But we never did feel differently, even when we initially started with BLESS – the challenge was more in coming up with something unique that only we could do – not the others – instead of trying to jump on the bandwagon. The discovery of the fact that the potential of two designers collaborating with the aim of creating their very own business is accompanied with a certain ability to implement reforms — or at least to build up a very resistive little structure, serving as a playground for ideas, 3D-modelling and the experimentation for marketing concepts. What is the best part of your job?Being able to work together, but being fully independent.Are there any parts of your job that you’d rather avoid?If we could, production.

Tempelhof for its weird light and it’s the only spot in the city where you can see the horizon. It feels a bit like being at the seaside.Has living in Berlin shaped your outlook in any way?We’re a bit more relaxed as the lifestyle here is more laid-back.What is it that attracted you to Berlin?The creative energy of this big city and its underground feeling.

by Rebekka Ayres

FASHION

ZOO MAGAZINE 2014 NO.4577

BERLIN FASHION DESIGNERS

AUGUSTIN TEBOUL. BLESS. DSTM. HIEN LE. ISABELL DE HILLERIN. KAVIAR GAUCHE. KOSTAS MURKUDIS. LALA BERLIN. MALAIKARAISS. MARINA HOERMANSEDER. MICHAEL MICHALSKY. MICHAELSONTAG. MONGRELS IN COMMON. REALITY STUDIO. SISSI GOETZE.SOPOPULAR. TRES BONJOUR. VLADIMIR KARALEEV

AUGUSTIN TEBOUL

BLESS

www.augustin-teboul.com

bless-service.de

How would you describe your aesthetics? Black, intemporal, rock ’n’ roll, feminine, elegant, dark.What is your design philosophy?Following our intuition, accepting the artistic accident, leaving space for chance. Who or what inspires you? Everyday unexpected coincidences, weirdness, beauty, melancholy…What is the best part of your job?Being able to create.It’s a common belief that the thing that makes Berlin so special is its people. What is it about their personalities that creates such an atmosphere?Most people in Berlin are liberal and open-minded — that makes it very special.Do you have a treasured spot in the city?

What is your design philosophy?BLESS is a visionary substitute to make the near future worth living for. The BLESS vision is outspokenly female – more woman than girl. She’s not an outspoken beauty, but doesn’t go unnoticed. Without a definite age, she could be between her mid-twenties and forties. She hangs around with a special sort of man. She has no nationality and likes the idea of sport. She’s always attracted by temptation and loves change. She lives in the moment and her surroundings are charged by her presence. She tends to be future-orientated. BLESS is a project that presents ideal and artistic values by presenting their products to the public.Who or what inspires you?People who are able to see, think, and behave coherently.How would you describe your aesthetic? Style-free.Berlin has served as a source of inspiration for many an artist, both native and visitor alike. What do you think it is about the city that

moves people so, and in what way has it shaped your own work? In our self-dominated lifetime project, the place where we live does not feel so relevant to our creativity, even though we do feel very European. The fact that Berlin became so popular does fit very well with the fact that we are getting older as a brand, since it seems that so many people are passing through Berlin at any very moment that we no longer need to travel so much.The industry now progresses at such a pace that the requirement to produce something fresh each season must be quite demanding for designers. In what way is your creative practice attuned to such a tall order? The phenomenon “faster, wider, higher” is a typical side-effect of industrialization, so it is not really surprising that, in the fashion industry, the pressure seems to steam along instead of just running at a high speed. But we never did feel differently, even when we initially started with BLESS – the challenge was more in coming up with something unique that only we could do – not the others – instead of trying to jump on the bandwagon. The discovery of the fact that the potential of two designers collaborating with the aim of creating their very own business is accompanied with a certain ability to implement reforms — or at least to build up a very resistive little structure, serving as a playground for ideas, 3D-modelling and the experimentation for marketing concepts. What is the best part of your job?Being able to work together, but being fully independent.Are there any parts of your job that you’d rather avoid?If we could, production.

Tempelhof for its weird light and it’s the only spot in the city where you can see the horizon. It feels a bit like being at the seaside.Has living in Berlin shaped your outlook in any way?We’re a bit more relaxed as the lifestyle here is more laid-back.What is it that attracted you to Berlin?The creative energy of this big city and its underground feeling.

by Rebekka Ayres

FASHION

ZOO MAGAZINE 2014 NO.4577

BERLIN FASHION DESIGNERS

AUGUSTIN TEBOUL. BLESS. DSTM. HIEN LE. ISABELL DE HILLERIN. KAVIAR GAUCHE. KOSTAS MURKUDIS. LALA BERLIN. MALAIKARAISS. MARINA HOERMANSEDER. MICHAEL MICHALSKY. MICHAELSONTAG. MONGRELS IN COMMON. REALITY STUDIO. SISSI GOETZE.SOPOPULAR. TRES BONJOUR. VLADIMIR KARALEEV

AUGUSTIN TEBOUL

BLESS

www.augustin-teboul.com

bless-service.de

How would you describe your aesthetics? Black, intemporal, rock ’n’ roll, feminine, elegant, dark.What is your design philosophy?Following our intuition, accepting the artistic accident, leaving space for chance.Who or what inspires you? Everyday unexpected coincidences, weirdness, beauty, melancholy…What is the best part of your job?Being able to create.It’s a common belief that the thing that makes Berlin so special is its people. What is it about their personalities that creates such an atmosphere?Most people in Berlin are liberal and open-minded — that makes it very special.Do you have a treasured spot in the city?

What is your design philosophy?BLESS is a visionary substitute to make the near future worth living for. The BLESS vision is outspokenly female – more woman than girl. She’s not an outspoken beauty, but doesn’t go unnoticed. Without a definite age, she could be between her mid-twenties and forties. She hangs around with a special sort of man. She has no nationality and likes the idea of sport. She’s always attracted by temptation and loves change. She lives in the moment and her surroundings are charged by her presence. She tends to be future-orientated. BLESS is a project that presents ideal and artistic values by presenting their products to the public.Who or what inspires you?People who are able to see, think, and behave coherently.How would you describe your aesthetic? Style-free.Berlin has served as a source of inspiration for many an artist, both native and visitor alike. What do you think it is about the city that

moves people so, and in what way has it shaped your own work? In our self-dominated lifetime project, the place where we live does not feel so relevant to our creativity, even though we do feel very European. The fact that Berlin became so popular does fit very well with the fact that we are getting older as a brand, since it seems that so many people are passing through Berlin at any very moment that we no longer need to travel so much.The industry now progresses at such a pace that the requirement to produce something fresh each season must be quite demanding for designers. In what way is your creative practice attuned to such a tall order? The phenomenon “faster, wider, higher” is a typical side-effect of industrialization, so it is not really surprising that, in the fashion industry, the pressure seems to steam along instead of just running at a high speed. But we never did feel differently, even when we initially started with BLESS – the challenge was more in coming up with something unique that only we could do – not the others – instead of trying to jump on the bandwagon. The discovery of the fact that the potential of two designers collaborating with the aim of creating their very own business is accompanied with a certain ability to implement reforms — or at least to build up a very resistive little structure, serving as a playground for ideas, 3D-modelling and the experimentation for marketing concepts. What is the best part of your job?Being able to work together, but being fully independent.Are there any parts of your job that you’d rather avoid?If we could, production.

Tempelhof for its weird light and it’s the only spot in the city where you can see the horizon. It feels a bit like being at the seaside.Has living in Berlin shaped your outlook in any way?We’re a bit more relaxed as the lifestyle here is more laid-back.What is it that attracted you to Berlin?The creative energy of this big city and its underground feeling.

by Rebekka Ayres

ACNE STUDIOSCuadrados, números, sastrería inglesa, detalles técnicos o tejidos como el tweed, la lana o el nylon. Nos volvemos a enamorar de una de las firmas suecas por excelencia. Sobran motivos.

SISSI GOETZEUn juego de texturas, siluetas rígi-das, ácido clean, capas y bolsillos impregnan las telas de SiSSi Goetze esta temporada. Sencillez estética a prueba del paso del tiempo.

MARTIN NIKLAS WIESERDesde una perspectiva antielitis-ta, Wieser huye de la ornamentalidad para crear piezas utilitarias y mi-nimalistas con las que hacemos nues-tro eso de White is the new black.

McQ ALEXANDER MCQUEEN

Mucho negro, denim o futuristas prints. Para

los que ya son sus devotos –y para los que

están a punto de serlo– situarse ante una de

sus colecciones siempre causa el mismo efec-

to: dejarnos perplejos.

NA DI STUDIO

Ojos, lápices, sumas y restas. El

clásico caballero británico y los

profesores universitarios llenan de

inspiración la silueta masculina de

Na Di StuDio con la que volveremos a

ser niños.

McQ ALEXANDER MCQUEEN

Mucho negro, denim o futuristas prints. Para

los que ya son sus devotos –y para los que

están a punto de serlo– situarse ante una de

sus colecciones siempre causa el mismo efec-

to: dejarnos perplejos.

© ROMAN GOEBEL

© ALEXANDRE DE BRABANT

TEN / 45 / MAGTEN / 44 / MAG

ACNE STUDIOSCuadrados, números, sastrería inglesa, detalles técnicos o tejidos como el tweed, la lana o el nylon. Nos volvemos a enamorar de una de las firmas suecas por excelencia. Sobran motivos.

SISSI GOETZEUn juego de texturas, siluetas rígi-das, ácido clean, capas y bolsillos impregnan las telas de SiSSi Goetze esta temporada. Sencillez estética a prueba del paso del tiempo.

MARTIN NIKLAS WIESERDesde una perspectiva antielitis-ta, Wieser huye de la ornamentalidad para crear piezas utilitarias y mi-nimalistas con las que hacemos nues-tro eso de White is the new black.

McQ ALEXANDER MCQUEEN

Mucho negro, denim o futuristas prints. Para

los que ya son sus devotos –y para los que

están a punto de serlo– situarse ante una de

sus colecciones siempre causa el mismo efec-

to: dejarnos perplejos.

NA DI STUDIO

Ojos, lápices, sumas y restas. El

clásico caballero británico y los

profesores universitarios llenan de

inspiración la silueta masculina de

Na Di StuDio con la que volveremos a

ser niños.

McQ ALEXANDER MCQUEEN

Mucho negro, denim o futuristas prints. Para

los que ya son sus devotos –y para los que

están a punto de serlo– situarse ante una de

sus colecciones siempre causa el mismo efec-

to: dejarnos perplejos.

© ROMAN GOEBEL

© ALEXANDRE DE BRABANT

TEN / 45 / MAGTEN / 44 / MAG

THINK TWICE

Especial Moda O/I 2015

Richard KernLa mirada impúdica de uno

de los fotógrafosmás envidiados

TENDENCIASfashionmagwww.tendenciasfashionmag.comNº204. SEPTIEMBRE 2015. ESPAÑA 3€

GERMANY 7,50€

AUSTRIA 6,50€

BELGIUM 5,50€

FRANCE 5€

UK 4,80£ (SP)

PORTUGAL 3,90€

Harvey James y Gediminas

fotografiados por

Pablo Albacete

CLAVES DE TEMPORADA, KEY ITEMS OTOÑALES Y MODA IMPERECEDERA. EN TUS MANOS, UNA RENOVADA GUÍA DE IMPERDIBLES PARA LA ESTACIÓN ENTRANTE.

Verónica EcheguiLa naturalidad tiene

nombre y apellido

GOETZ E PRESS

GOETZ E PRESS

GOETZ E PRESS

GOETZ E PRESS

GOETZ E PRESS126 127

minden ruha all clothes by raf simons

balról jobbra from left to right

minden ruha all clothes by dior homme

ing shirt by kenzo,garbó turtleneck by acne

zakó jacket by umit benan,ing shirt by kris van assche

zakó jacket by sissi goetze,garbó turtleneck by

dries van noten

a poszteren on the poster:zakó jacket by dior homme

GOETZ E PRESS

Backstage

NEW YORKVorhang auf für Altuzarra,

Alexander Wang, Thakoon, Rodarte

DE:EUR 6,50

AT:EUR 7,00

CH:CHF 12,90

UK:£ 6,00

LittLE bLacK jacKEtAnna Bederke inszeniert die Ikone von chaNEL

KOstas MuRKudis Offene Worte des Designers

Luxus Pure Opulenz: statEMENt-schMucK und FEst-RObEN

WiNtERREsidENZENAlpine Hideaways für die Saison

FOtOs VON hEiKO dREhER, sONNY VaNdEVELdE, axL jaNsEN, ZOEY gROssMaN, aNja FRERs,iMMO Fuchs, stEFaN giFtthaLER, ROgER WEiss, sabRiNa thEissEN, bRuNO aLExaNdER

GOETZ E PRESS

GOETZ E PRESS

After graduating in fashion design from HTW Berlin and receiving a MA in mens-wear design from Central Saint Martins College in London, German designer Sissi Goetze is now based in Berlin running her own label.The surgical take on fashion that she alrea-dy presented during her graduate collec-tion continues into her more recent lines, always offering a minimal, modern presen-tation of menswear with youthful, yet so-phisticated elements.On the following pages we present the Sis-si Goetze Spring/Summer 2012 Collection. Staying true to her trademark style, she pre-sents clean lines, a lot of tonal outfits and just an overall sharp take on menswear. Fortunately we found the perfect model to stand in contrast to Sissi's style, highlighting her signature looks of the season.

http://www.sissigoetze.com

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S I S S Y G Ö T Z ePhotography RobERT WunSCH

Photo Assistance STEPHAnIE MEInEStyling AnnA RöHRIg / blossom

Hair & Make up TAn Vuong / basicsRetouch SIMon gEIS / recom

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GOETZ E PRESS