Novelties and Highlights - casamusicaledelrio.it · This piano method by the French music teacher...

2019

E D I T I O M U S I C A B U D A P E S T

EDITIO MUSICA BUDAPESTNovelties and Highlights

Distributed by / Im Vertrieb von

Aber zu Hause hast du ohne Begleitung gespielt, oder?

Ja, bitte!

Ich hab dich gestern spielen gehört. Du warst echt große Klasse!

J Ja… zum ersten Mal in meinem Leben war ich nicht aufgeregt.

Wie hast du das bloß hingekriegt?

Stell dir vor, am Sonntag hab ichs endlich gepackt: ich stand da vor meinen Eltern und spielte ihnen das Stück vor. Das hat so gut geklappt, dass ichs gestern Vormittag direkt nochmal versucht hab. Und als ich gestern rausging auf die Bühne, wars schon total normal, dass ich vor anderen Leuten vorspiele.

Na, gerne! Viel Erfolg beim Konzert!

Danke für die guten Tipps! Ich geh jetzt mal üben.

Immer cool bleiben, mach einfach weiter, als ob nicht passiert wäre! Wenn du selbstsicher spielst, dann fällt dein Fehler gar nicht auf. J

Und was soll ich tun, wenn ich was verpatze?

festliche Kleidung: helles Hemd, dunkle Hose, dunkle Schuhe (Hauptsache nicht verlottert) das Instrument muss sauber sein Bogen und Kolofonium in den Geigenkasten noten (Stimme und Klavierbegleitung) dunkle Schoki (damit dein Magen nicht auf der Bühne knurrt) ein Fläschchen Wasser

Na klar! In meinen Noten gibts ne CD, da ist jedes Stück im Original drauf + für jedes einzeln die Klavierbegleitung. So hab ich mich schnell dran gewöhnt, mit dem Klavier im Ohr zu spielen.

Das klingt gut! Hör mal, nächsten Freitag werde ich vorspielen. Worauf, denkst du, muss ich beim Auftritt achten?

Ich hab ne super Liste dazu, mein Lehrer hat sie zusammengestellt. Soll ich sie eben rüberschicken?

Danke, die werde ich auch benutzen!Aber was soll ich gegen Lampenfieber tun?

Keine Panik! Denk dran, das Publikum freut sich darüber, dass du spielst! Schau ihnen ruhig in die Augen, lächle und verbeuge dich und lass sie klatschen! Keine Eile! Wenn du schon gestimmt hast, schau zu deinem Begleiter und nicke, sobald du bereit bist! Auch während des Spiels kannst du manchmal zu ihm blicken. Am Ende verbeugt ihr euch gemeinsam und genießt den Erfolg!

14935_szolam.indd 32015.03.19. 9:2�:51

Piano 4

Violin 15

Viola 19

Various instruments 20

Violoncello 22

Guitar 27

Flute 28

Recorder 32

Clarinet 33

Chamber music 35

Vocal music 36

Choral music 37

Contents

EDITIO MUSICA BUDAPESTNovelties and Highlights

2019

On the front cover : Prepared piano (2012) ; artwork and photo by Márton Barabás

Editio Musica Budapest

All titles in the catalogue are published by Editio Musica Budapest Zeneműkiadó Ltd., except for those marked as UMPEMB ( Universal Music Publishing Editio Musica Budapest Ltd. )

Foreword

Dear Reader,

In this catalogue we present our new publications for the year 2019 alongside some highlights from our earlier publications. Of course, the latter originally started out as new publications and it’s thanks to the continued interest and support from music teachers, students, and performers like you that they managed to achieve best-seller status. For decades Editio Musica Budapest has strived to uphold the same high standard of commitment, expertise, and enthusiasm in preparing its editions. We introduce our newest scores here in the hopes that years later they may also appear as highlights beside the new publications of tomorrow.

Introduction to Pedaling fills an essential niche in the e isting repertoire b enabling learners to improve their mastery of both the musical function and technique of pedaling.

The Bartók Performing Editions series has further expanded: Bartók’s detailed performance notes and markings for J.S. Bach’s famous work The Well-Tempered Clavier can be seen in two volumes.

The penultimate volume of the New Liszt Edition series for solo piano has arrived, as has the third volume of the Béla Bartók Complete Critical Edition.

Pulling inspiration from Bach, composer Péter Wolf has created 24 character pieces for solo piano entitled Wolf-temperiertes Klavier which span across many colors and moods with a musical aesthetic most characteristic to that of Romanticism.

A Panorama of Songs ulfills a want that has been elt or eca es he series brings a breath of fresh air and new works to the conventional Lied repertoire.

In addition to our new publications, we would like to draw attention to a number of updated, mo erni e publications particular significance is the e pan e an re ise e ition o Zoltán Kodály’s Choral Works for Mixed Voices, which contains newly set, easily-legible scores and six new works which up until now have not appeared within any collection. We are please to o er it in both paperbac an cloth boun ersions

We invite you to read on, discover our new publications, and rediscover our highlights.

László SigraiManaging Director

itio usica u apest enem ia Lt

Commissioned by the music publisher Rózsavölgyi & Co., Béla Bartók and Sándor Reschofsky assembled their Piano Method for beginners, which was first published in 1913. Pianist and composer Reschofsky devised the framework and wrote the exercises for Piano Method, while Bartók composed 48 short performance pieces on the basis of the exercises.

Ever since its appearance, many teachers have made successful use of Piano Method by Reschofsky and Bartók in the early years of instrumental music education. This new edition merges and replaces our earlier ones in Hungarian with German, English, and French (EMBZ4636, EMBZ5220, EMBZ6179).

Béla Bartók – Sándor Reschofsky

Piano Method (1913)

Piano

Grade: Very easyLanguage: English, German, French, HungarianNumber of pages: 136Order no.: EMBZ15072

4

84

Z. 15 072

Fél- és egész hang elmélete Whole tones and semitones [Whole-steps and half-steps]

Halb- und Ganztöne / Notion du ton et du demi-ton

Bármilyen két hang közti távolságot hangtávolságnak hívunk. A legkisebb hangtávolságot két egymáshoz legközelebb eső hang adja; a neve: félhang. Pl.: h – c. Ez egyszersmind két legközelebb fekvő billentyű is. Éppúgy, ha fekete billentyű kö-vetkezik fehér után, vagy fordítva, fehér fekete után, ez a kettő félhangot alkot. Pl.: a – b vagy cisz – d (köztük nincs hang, nincs billentyű). A félhangnál kétszer akkora az egész hang. Itt már átugrunk egy hangot (a zongorán kimaradt egy bil-lentyű). Pl.: c – d (kimaradt a cisz), cisz – disz (kimaradt a d), esz – f (kimaradt az e).

Gyakorlat: Írjon és tanuljon fejből a növendék fél- és egész hangokat.

The distance between any two notes is an interval. The smallest interval is that between two adjacent notes: this is called a semitone [half step], e.g. B – C. These are the two closest piano-keys. In the same way if a black key follows a white, or a white key a black, the two again form a semitone, e.g. A – B flat, or C sharp – D (there is no note, no key between them). A whole tone consists of two semitones; here we skip a note, e.g. when playing C – D, we omit C sharp ; C sharp – D sharp, D is omitted; E flat – F, E is omitted.

Exercise: The pupil should write down and learn whole tones and semitones.

M

E

15072_beliv.indd 84 2017.03.16. 12:04:58


METHODS AND STUDIES

Piano

Charles-Louis Hanon

The Virtuoso Pianist60 Exercises

Ernst von Dohnányi

Essential Finger Exercisesfor obtaining a sure piano technique

5

Grade: Medium, DifficultLanguage: English, German, French, Spanish, Italian, HungarianNumber of pages: 136Order no.: EMBZ7783

“In the following exercises, I have endeavoured to collect material in consensed form, yet as complete as possible, which should help piano students to acquire a reliable technique. They are even all-sufficient for finished pianists to keep in training, and to retain the already acquired technique.”

Ernst von Dohnányi ( Budapest, June 1929)

Grade: Difficult, Very difficultLanguage: English, German, French, HungarianNumber of pages: 52Order no.: EMBZ2652

Z. 7783

59

7783_beliv.indd 59 2017.05.25. 11:42:05

This piano method by the French music teacher Charles-Louis Hanon (1819–1900) appeared in 1874. Almost a century and a half later, it remains among the most popular systems of piano tuition all around the world, and Hanon’s name has become generic for systematic instrumental methods, even in types of popular music.


METHODS AND STUDIES


6PianoMETHODS AND STUDIES

Introduction to PedalingCompiled and edited by Ágnes Lakos

Pedaling is a fundamental part of expressive piano playing. But proper pedaling skills are not easy to acquire. Thus, it is important that piano students become acquainted with the use of the three pedals as early as possible. The stopgap Introduction to Pedaling is a collection of pieces adapted to all levels of manual dexterity, enabling learners to improve their mastery of both the musical function and technique of pedaling. The volume contains both individual and joint studies for the three pedals of modern pianos.

In addition to ten selected pieces from Samuil Maykapar’s Twenty Pedal Preludes (1937), Introduction to Pedaling includes keyboard music from four centuries, ranging from Johann Sebastian Bach to contemporary Hungarian composers. Pupils can thus encounter varying pedal marks from diff erent periods. Of course, not all composers featured in the collection marked pedal-ing ; in such cases, pedal signs were added by the editor. It is a recurrent question of interpretation whether pedals may be used in the music of earlier masters. The sound of the modern piano is far less vibrant and rich in overtones than that of the period instruments — thus, it is not Bach’s music that necessitates pedaling so much as the piano itself.

Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 80Order no.: EMBZ20016

LAKOSIntroduction to Pedaling

Einführung in das PedalspielBevezetés a pedáljátékba

E D I T I O M U S I C A B U DA P E S T . Z. 20 016

Z. 20 016

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simile

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4 3 5

Evening BellsAbendglocken – Esti harangszó

ORBÁN György (*1947)

Legato PedalingPedal mit Nachdruck – Utánnyomott pedál

33 5

2 12

2 2 1 2 4

14

NEW


Johann Sebastian Bach13 Short and Easy Piano Pieces from “Notenbüchlein für Anna Magdalena Bach”

Grade: EasyLanguage: English, German, HungarianNumber of pages: 20Order no.: EMBZ30

The Well-Tempered Clavier I–II

Grade: MediumLanguage: English, German, Hungarian, JapaneseNumber of pages: 148Order no.: EMBZ15079

The Well-Tempered Clavier III–IV

Grade: MediumLanguage: English, German, Hungarian, JapaneseNumber of pages: 188Order no.: EMBZ15080

Domenico ScarlattiSelected Piano Pieces


The Bartók Performing EditionsBartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his fi rst years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions ( including suggestions, commentaries and fi ngerings for the performer ) of several classics of the piano repertoire, altogether more than two thousand pages of music. Bartók’s editing refl ects contemporary ideas about performance, but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.

4

Z. 15 079

1PRELUDIUM

* ) A használt előadási jelek jelentését illetőleg lásd a Függeléket. / See the Appendix for the meaning of the performance markings used. / Für die Bedeutung der angewandten Vortragszeichen siehe Anhang. / 使用されている記号の意味については、「付録」を参照のこと。

© 1908 by Rozsnyai Károly, Budapest; copyright assigned 1950 to Editio Musica Budapest

*)

Johann Sebastian BACH(1685–1750)

( II. 15.)

J.S. BACH

E D I T I O M U S I C A B U D A P E S T Z . 15 079

I-II

Das Wohltemperierte KlavierThe Well-Tempered Clavier平均律クラヴィーア曲集

The Bartók Performing Editions

Bartók Béla instruktív közreadásaiInstruktive Ausgaben von Béla Bartók


Selected Piano PiecesAusgewählte KlavierstückeVálogatott zongoradarabok

D.SCARLATTI



J.S. BACH


Das Wohltemperierte KlavierThe Well-Tempered Clavier



III-IV

平均律クラヴィーア曲集

Notenbüchleinfür Anna Magdalena Bach

13 könnyű kis zongoradarab

13 Short and Easy Piano Pieces13 leichte kleine Klavierstücke

J.S. BACH




7 PianoREPERTOIRE PIECES FOR STUDENTS

NEW

NEW

8Piano

Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 52Order no.: EMBZ14742


György Orbán ( born 1947 ) is among the most frequently performed contemporary Hungarian composers. His style incorporates a characteristic mix of classical, modern, cinematic, and jazz elements. In addition, he claims he “loves splashing about in tonality,” which makes his works accessible to the wider public. Owing to his humor and imagination, he fi nds an easy path to children, as demonstrated by the popularity of his piano works specifi cally intended for beginners.

He composed close to 70 short children’s pieces for Ágnes Lakos’s four-volume Friendly Piano Tutor (EMBZ14749–14756), later published separately as Enchanted Forest (EMBZ14742). The New Bell includes a further 19 piano pieces for beginners.

Among these compositions there are several pieces for three or four hands, which the beginner can play to-gether with the teacher or with another pupil. In these pieces we have marked the learner’s part with a little child’s head. You can listen to all the compositions on our website.

Little pieces for childrenby György Orbán

REPERTOIRE PIECES FOR STUDENTS

György OrbánEnchanted Forest Little piano pieces with CD

György OrbánThe New Bell Little piano pieces

Grade: Easy, MediumLanguage: English, German, French, HungarianNumber of pages: 28Order no.: EMBZ20003


9 PianoREPERTOIRE PIECES FOR STUDENTS

Giraffe PianoEssential Sonatinas for Music Education

Selected and edited by József Sármai

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typi-cally shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favored and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 ones of moderate difficulty.

Lajos Papp (1935–2019)

The Golden Key Sixteen little piano pieces for beginners ( After a story by the brothers Grimm )

The Hungarian composer and piano teacher wrote a number of highly popular educational and performance pieces for children.

This unusual, incomplete story, The Golden Key, has inspired an unusu-al musical work: the young players can make up titles for the last eight pieces, and they are also encouraged to note down their thoughts and feelings inspired by the music, or express them in drawings, in the score.

Volume 1

Grade: Easy Language: English, German, French, HungarianNumber of pages: 44Order no.: EMBZ14967

Volume 2



10Piano


COMPLETE EDITION

Franz Liszt

Piano Concerto in A major(version for piano solo) and other works

Edited by Adrienne Kaczmarczyk

Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of the work’s genesis, but it also holds its own as a work for piano solo. Additionally, the volume contains several shorter works, such as a piano transcrip-tion of Robert Schumann’s Lied Widmung, which shows how original Liszt’s interpretations were, and also two early drafts of the Zweite Elegie dedicated to Lina Ramann (a former pupil of Liszt’s and his fi rst biogra pher). The latter have been published in facsimile.

Supplementary Volume 15 features a detailed preface in German, English and Hungarian, which reveals valuable details on each work. The cloth-bound version also has critical notes in English.

Cloth-bound edition

Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 224Order no.: EMBZ14764A

New Liszt Complete Critical Edition

Paperback edition

Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 216Order no.: EMBZ14764

NEWNEW

Separate Editions from the


11 Piano

E D I T I O M U S I C A B U D A P E S T Z . 3 8 6 8

L I S Z T

F Ü R K L A V I E R · F O R P I A N O S O L O

Valse-ImpromptuPetite valse favorite


Series 1

Series 2

Supplements

www.emb.hu

SEPARATE EDITION FROM THENEW LISZT COMPLETE CRITICAL EDITION

EINZELAUSGABE AUS DERNEUEN KRITISCHEN LISZT-GESAMTAUSGABE

mit Vorwort und kritischem Bericht with preface and critical notes


L I S Z T




Series 1

Series 2

Supplements

www.emb.hu





L I S Z T




Series 1

Series 2

Supplements

www.emb.hu





L I S Z T




Series 1

Series 2

Supplements

www.emb.hu




ISMN 979 0 080 12699 8


L I S Z T


Légendes


Series 1

Series 2

Supplements

www.emb.hu





L I S Z T


2eBallade


Series 1

Series 2

Supplements

www.emb.hu

(Frühfassung und endgültige Fassung)(Early version and definitive version)




IIe Rhapsodie hongroise EMBZ8162

LégendesEMBZ12313

Totentanz Danse macabreEMBZ12718


With preface and critical notes

URTEXT EDITION

2e BalladeEMBZ12699

3 Études de concert3 Caprices poëtiquesEMBZ15071

Après une lecture du DanteEMBZ8189

Consolations ; MadrigalEMBZ12697

Fünf Mephisto-Walzer ;Mephisto-PolkaEMBZ13951

Grandes études de Paganini EMBZ6500

La campanellaEMBZ12913

Liebesträume(3 Notturnos)

EMBZ12707

SonateEMBZ12900

Tre sonetti del PetrarcaEMBZ8183

Valse-Impromptu ;Petite valse favoriteEMBZ3868

Zwei Konzertetüden (1. Waldesrauschen, 2. Gnomenreigen)

Ab irato ; Morceau de salonEMBZ6502

Further volumes

NEW

12Piano


COMPLETE EDITION

Béla Bartók

Works for Piano 1914–1920Edited by László Somfai

The third volume in the Complete Edition contains Bartók’s works for piano solo composed between 1914 and 1920. Bartók’s pianistic oeuvre from the years of World War I span a broadly varied spec-trum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina ) and original pieces for the concert podium (Suite, op. 14), we find Bartók’s audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations.

The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems.

Béla Bartók Complete Critical EditionVolume 38

Grade: DifficultLanguage: English, German, HungarianNumber of pages: 320Order no.: HN 6202

NEW

The Béla Bartók Complete Critical Edition is jointly published by G. Henle Publishers, Munich, and Editio Musica Budapest.

It is distributed wordwide by G. Henle Publishers, except for Hungary, which is exclusively dealt with by Editio Musica Budapest.

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Rumänische Volkstänze · Román népi táncokJocuri poporale române†ti · Romanian Folk Dances*

1. Der Tanz mit dem Stabe · Bot-tánc · Jocul cu bât-* · Stick Dance

BB 68 (1915)

ÿSee Appendix II for the original folk melodies.

@In Bartók’s recording:

Domnului Prof. Ion Bu†itia

* aus / lelohelye / din: Mezoszabad (Maros-Torda) [From Voiniceni (Mure†)]

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Standard edition

Grade: Medium, DifficultLanguage: English, HungarianNumber of pages: 122Order no.: EMBZ15000

Numbered editionOrder no.: EMBZ15000N

Published by UMPEMB

13 Piano

György Kurtág

Zoli Kocsis’s Manuscript BookFacsimile edition with CD

15000_facsimile_belivek.indd 30 2016.01.20. 18:05:16

The manuscript gives a glimpse into Kurtág’s workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág’s handwriting about the composer’s intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score.

The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis’s own personal preface, as well as András Wilheim’s essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued.

This edition has been published for György Kurtág’s 90th birthday in 2016.


CONTEMPORARY MUSIC

14Piano


Péter Wolf

Wolf-temperiertes KlavierPéter Wolf ( a doctoral graduate of the Franz Liszt Academy of Music in Budapest ) has composed a number of large-scale compositions in recent years which have had success at the hands of distin-guished performers ; these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work’s likeness to Bach is not limited to its title — the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. Of the twenty-four character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works.

In the preface to this publication, Wolf off ers the following insights : “I think I managed to fi nd ex-pressive titles. The fi rst piece, Epiclesis ( a prayer for inspiration, patience, and support ), was heard from above : I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I fi nally fi nished inscribing the pitches of Bach’s name, I admit, a little shiver went through me.”

Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz.

Grade: Medium, Diffi cultLanguage: English, HungarianNumber of pages: 128Order no.: EMBZ15087

Published by UMPEMB

P.E.WOLFtemperiertes Klaviertemperiertes KlavierWolflflf-f

E D I T I O M U S I C A B U D A P E S TUniversal Music Publishing Editio Musica Budapest

Z. 15 087

NEW

CONTEMPORARY MUSIC

This series off ers violinists a wide selection of popular works and movements spanning from the works of Bach to present-day compositions. Within the series, we fi nd recently-made transcriptions for violin and piano of well-known pieces. Their degrees of diffi culty range from very easy to extremely diffi cult, thus al-lowing the players to choose appropriate works to suit their technical abilities.

MOMENTSMUSICAUX

RAFF

EDITIO MUSICA BUDAPEST

Cavatinafür Violine und Klavier

Z. 13 745 VIOLINO • 16

BRAHMS, J.

BACH, J. S.

FIBICH, Z.

MONTI, V.

G

BRAHMS, J.

HUBAY, J.

MOZART, W. A.

PIERNÉ, G.

SCHUBERT, F. (von Dresden)

VIVALDI, A.

SCHUBERT, F.

RAFF, J.

RUBINSTEIN, A.

MOMENTS MUSICAUX MOMENTSMUSICAUX

BRAHMS, J.

BACH, J. S.

FIBICH, Z.

MONTI, V.

G

BRAHMS, J.

HUBAY, J.

MOZART, W. A.

PIERNÉ, G.


VIVALDI, A.

SCHUBERT, F.

RAFF, J.

RUBINSTEIN, A.

MOMENTS MUSICAUX

RUBINSTEIN


Das Spinnradfür Violine und Klavier

Z. 13 710 VIOLINO • 18

(The Spinning Wheel • A rokka)

MOMENTSMUSICAUX

BRAHMS, J.

BACH, J. S.

FIBICH, Z.

MONTI, V.

G

BRAHMS, J.

HUBAY, J.

MOZART, W. A.

PIERNÉ, G.


VIVALDI, A.

SCHUBERT, F.

RAFF, J.

RUBINSTEIN, A.

MOMENTS MUSICAUX

MONTI


Czardasper violino e pianoforte

Z. 13 700 VIOLINO • 5

MOMENTSMUSICAUX

SCHUBERT (von Dresden)


Die Biene(Op. 13, No. 9)

für Violine und Klavier

Z. 13 701 VIOLINO • 12

BRAHMS, J.

BACH, J. S.

FIBICH, Z.

MONTI, V.

G

BRAHMS, J.

HUBAY, J.

MOZART, W. A.

PIERNÉ, G.


VIVALDI, A.

SCHUBERT, F.

RAFF, J.

RUBINSTEIN, A.

MOMENTS MUSICAUX

Z. 13 713© Copyright 1990 by Editio Musica BudapestPrinted in Hungary

Transcribed by Joseph JoachimEdited by Györgyi Répássy

VIOLINO

Johannes Brahms(1833–1897)

13713_VIOLINO_szolam.indd 2 2017.03.29. 15:42:55Other popular titles

MOMENTSMUSICAUX

BRAHMS


Ungarischer TanzNr. 5

für Violine und Klavier

Z. 13 713 VIOLINO • 1

BRAHMS, J.

BACH, J. S.

FIBICH, Z.

MONTI, V.

G

BRAHMS, J.

HUBAY, J.

MOZART, W. A.

PIERNÉ, G.


VIVALDI, A.

SCHUBERT, F.

RAFF, J.

RUBINSTEIN, A.

MOMENTS MUSICAUX

Featured: Johannes BrahmsUngarischer Tanz Nr. 5EMBZ13713

MOMENTS MUSICAUXFOR VIOLIN

Edited by Vilmos Tátrai


15 Violin

16


Violin

Frigyes Sándor – Pál Járdányi – Endre Szervánszky

Violin TutorFrigyes Sándor (1905–1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity — in addition to its methodological concept — may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky ; apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes ( Hungarian and other European folk melodies ) graded to suit each level of difficulty, and excerpts representing different periods in the history of music.

Volume I

Grade: Very easyLanguage: English, German, French, HungarianNumber of pages: 52 + 12Order no.: EMBZ8064

METHODS AND STUDIES

Further volumes

Volume II

Grade: EasyLanguage: E, G, F, HNumber of pages: 80 + 20Order no.: EMBZ8065

Volume III

Grade: MediumLanguage: E, G, F, HNumber of pages: 88 + 24Order no.: EMBZ8066

Volume IV/a

Grade: MediumLanguage: E, G, F, HNumber of pages: 60Order no.: EMBZ8067

Volume IV/b

Grade: MediumLanguage: E, G, F, HNumber of pages: 64Order no.: EMBZ8068

Volume V

Grade: DifficultLanguage: E, G, F, HNumber of pages: 96Order no.: EMBZ8069

17


Violin

Let’s Take the Stage ! Easy repertoire pieces for young violinists with CD

Selected, transcribed and edited by András Soós

It’s an unforgettable experience to go on stage for the first time and win applause with your play-ing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dow-land, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms.

The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home eas-ier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included.

Grade: EasyLanguage: English, German, French, HungarianNumber of pages: 24 + 12Order no.: EMBZ14935


Aber zu Hause hast du ohne Begleitung gespielt, oder?

Ja, bitte!

Ich hab dich gestern spielen gehört. Du warst echt große Klasse!

J Ja… zum ersten Mal in meinem Leben war ich nicht aufgeregt.

Wie hast du das bloß hingekriegt?

Stell dir vor, am Sonntag hab ichs endlich gepackt: ich stand da vor meinen Eltern und spielte ihnen das Stück vor. Das hat so gut geklappt, dass ichs gestern Vormittag direkt nochmal versucht hab. Und als ich gestern rausging auf die Bühne, wars schon total normal, dass ich vor anderen Leuten vorspiele.

Na, gerne! Viel Erfolg beim Konzert!

Danke für die guten Tipps! Ich geh jetzt mal üben.

Immer cool bleiben, mach einfach weiter, als ob nicht passiert wäre! Wenn du selbstsicher spielst, dann fällt dein Fehler gar nicht auf. J

Und was soll ich tun, wenn ich was verpatze?

festliche Kleidung: helles Hemd, dunkle Hose, dunkle Schuhe (Hauptsache nicht verlottert) das Instrument muss sauber sein Bogen und Kolofonium in den Geigenkasten noten (Stimme und Klavierbegleitung) dunkle Schoki (damit dein Magen nicht auf der Bühne knurrt) ein Fläschchen Wasser

Na klar! In meinen Noten gibts ne CD, da ist jedes Stück im Original drauf + für jedes einzeln die Klavierbegleitung. So hab ich mich schnell dran gewöhnt, mit dem Klavier im Ohr zu spielen.

Das klingt gut! Hör mal, nächsten Freitag werde ich vorspielen. Worauf, denkst du, muss ich beim Auftritt achten?

Ich hab ne super Liste dazu, mein Lehrer hat sie zusammengestellt. Soll ich sie eben rüberschicken?

Danke, die werde ich auch benutzen!Aber was soll ich gegen Lampenfieber tun?

Keine Panik! Denk dran, das Publikum freut sich darüber, dass du spielst! Schau ihnen ruhig in die Augen, lächle und verbeuge dich und lass sie klatschen! Keine Eile! Wenn du schon gestimmt hast, schau zu deinem Begleiter und nicke, sobald du bereit bist! Auch während des Spiels kannst du manchmal zu ihm blicken. Am Ende verbeugt ihr euch gemeinsam und genießt den Erfolg!

14935_szolam.indd 3 2015.03.19. 9:2�:51

Z . 14 935

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6

John DOWLAND(1563–1626)

1.Song – Lied – Chanson – Dal

© Copyright 2015 by Editio Musica BudapestPrinted in Hungary Z. 14 935

VIOLINO

2.Winter – Der Winter – L’hiver – A tél

Antonio VIVALDI(1678–1741)

CD[ 2 ][ 3 ]

CD[ 4 ][ 5 ]

14935_szolam.indd � 2015.03.19. 9:2�:52

18Violin



Béla Bartók

Duets for Violins

From Bartók’s choral works transcribed by Endre Szervánszky

Z. 6554

8

3.

6554-beliv_Bach.indd 8 2017.01.23. 15:51:59


Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works ( for equal voices ). He was prevented from doing this by his early death. At the request of the Editio Musica Budapest, Endre Szervánszky has undertaken this task in 1971. His arrangements, which we are bringing out in two volumes, offer valuable material both to violin teaching and group music-making.

Bartók Transcriptions for Music Students

19 Viola


Bartók Transcriptions

REPERTOIRE PIECES

Béla Bartók

44 Duets for two violas

From the 44 Violin Duets transcribed and fingering added by Donald Maurice and Claudine Bigelow

Béla Bartók composed his 44 Violin Duets in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathi-an Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The viola transcriptions follow Bartók’s original faithfully.

© Copyright 2016 by Editio Musica Budapest

BARTÓK Béla(1881–1945)

Transcribed byDonald MAURICE and Claudine BIGELOW

14970_beliv.indd 7 2016.03.17. 11:25:32


20

MUSIC FOR BEGINNERS


Music for Beginners was launched 50 years ago in the summer of 1969. The aim was to compile a varied and high-standard repertoire covering music from the ear-liest centuries to contemporary com positions for mu-sic school students to be played in the fi rst 3-4 years of instrument learning. The series has proved extremely successful as is indicated by the fact that 55 volumes have been published. The popularity of Music for Be-ginners has not dimin ished in recent years, and there is demand for the majority of volumes in Hungary and abroad. The secret of the series’ success lies primarily in the selection of compositions. The contents of all volumes have been compiled by accomplished music teachers choosing high-standard works that can easily be played by the given instrument. Outstanding Hun-garian composers have also been asked to write new pieces.

The volumes in the Music for Beginners series current-ly include all the instruments taught in music schools. Moreover, they have been published for various cham-ber music settings as well. The value of the series is increased by the unique, attractive illustrations of

János Kass. They not only appear on the volume cov-ers but are sometimes also featured in the scores.

The renewal of Music for Beginners started on the occasion of the series’ 45th birthday. Yet only the ap-pearance is changing, not the contents. The volumes are receiving new covers preserving János Kass’ draw-ings. Within the series three groups have been formed that are diff erentiated by the color of the covers: vol-umes for solo instruments ( with or without piano ac-companiment ) are RED, those for duos of the same instruments are GREEN, and BLUE signifi es cham-ber music for diff erent instruments. Certain volume titles have also been changed so that they refl ect the multiple scoring options of the pieces included. On the following pages all scoring options are indicated for each volume.

With the renewal of the series we would also like to point out that Music for Beginners can be eff ectively used not only in teaching instruments but in chamber music education as well. Additionally, most of the vol-umes are perfect for at-home music making.

EDIT IO MUSICA BUDAPEST . Z . 8 3

Chamber music series with optional combination of instrumentsKamarazene-sorozat választható hangszerösszeállítással

AD LIBITUM

Quartette für Fortgeschrittene

Quatuors de niveau avancé

Chamber music series with optional combinations of instruments Kammermusikserie mit variabler BesetzungKamarazene-sorozat választható hangszerösszeállítássalSérie de musique de chambre avec instruments au choix

E D I T I O . M U S I C A . B U D A P E S T . Z . 1 4 8 6 4

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8 307 _b or it o.indd 2- 3 2015.02.03. 11:25:3�

Music with Piano AccompanimentMûvek zongorakísérettel

Violoncello Music / Gordonkamuzsika Vol. 1 / 1. kötet (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . 6312 Vol. 2 / 2. kötet (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . 6748 Vol. 3 / 3. kötet (Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14037

Violoncello DuetsGordonkaduók

Violoncello Duets / Gordonkaduók (Pejtsik) Vol. 1 / 1. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8158 Vol. 2 / 2. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14201

Chamber Music with VioloncelloGordonkás kamarazene

Duets for Violin and Violoncello Duók hegedûre és gordonkára (Pejtsik, Vigh) Vol. 1 / 1. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8733 Vol. 2 / 2. kötet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14062

Duets for Clarinet and Bassoon (or Violoncello) Duók klarinétra és fagottra (vagy gordonkára) (Perényi É., Perényi P.) (E, G, F, H) . . . . . . . . . . . . . . . . . . . . . 14361

Volumes with violoncello from the series Music for BeginnersA Kezdõk muzsikája sorozat gordonkás kötetei

Trios for Two Violins and Violoncello Triók két hegedûre és gordonkára (Soós) (E, G, F, H) . . . 14369

Chamber Music for Two Melodic Instruments and Basso Continuo / Kamarazene két dallamhangszerre és basso continuóra (Máriássy) (E, G, F, H) . . . . . . . . . . . . . . . . . . . . . 6915

Trios for Strings or Woodwinds / Triók vonós vagy fafúvós hangszerekre (Máriássy, Vigh) (E, G, F, H) . . . . . . . . . . . . . . 8741

Classical Piano Trios in the first position / Klasszikus zongoratriók az elsõ fekvésben (Pejtsik, Zempléni) . . . . . 14274

Romantic Piano Trios in the first position / Romantikus zongoratriók az elsõ fekvésben (Pejtsik, Zempléni) . . . . . 14339

Classical String Trios in the first position / Klasszikus vonóstriók az elsõ fekvésben (Pejtsik, Vigh) . . . . . . . . . . . 14603Romantic String Trios in the first position / Romantikus

triómuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . . . . . 14589Classical String Quartets in the first position / Klasszikus

kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14109Romantic String Quartets in the first position / Romantikus

kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14161Music for Piano Quartet in the first position / Zongorás

kvartettmuzsika az elsõ fekvésben (Pejtsik, Vigh) . . . . . . 14253

EDIT IO MUSICA BUDAPEST . Z .6748

Violoncello MusicVioloncellomusik Musique de violoncelle

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Wind TriosBläsertrios Trios à vent

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21


Volumes of the series

SOLOS ( with piano accompaniment )

Piano Music (Szávai, Veszprémi)Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ5910Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6982Vol. 1 ( French, Italitan ) . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6731Vol. 2 ( French, Italitan ) . . . . . . . . . . . . . . . . . . . . . . . . EMBZ12619

Accordion Music (Ernyei) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14373Violin Music (Lenkei)

Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6311Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6749

Viola Music (Bartha, Loy) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14155Violoncello Music

Vol. 1 (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6312Vol. 2 (Lengyel, Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6748Vol. 3 (Pejtsik) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14037

Guitar Music (Vereczkey) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8110Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13867

Recorder MusicVol. 1 for descant recorder (Czidra) . . . . . . . . . . . . . . . EMBZ7888Vol. 2 for treble recorder (Malina, Bloch) . . . . . . . . . . EMBZ14095

Flute Music (Bántai, Kovács) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6587Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8732

Oboe Music (Szeszler) . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6925Clarinet Music

Vol. 1 (Kuszing) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6851Vol. 2 (Kuszing, Máriássy) . . . . . . . . . . . . . . . . . . . . . . . EMBZ7919

Music for Alto or Tenor Saxophone(Kraszna) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14251

Music for Trumpet or Cornet (Borst, Bogár) . . . . . . . . EMBZ6625Horn Music (Kovács, Ónozó) . . . . . . . . . . . . . . . . . . . . . . . EMBZ6902Percussion Music (for melodic instruments)

(Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13379

DUETS FOR THE SAME INSTRUMENTS

Piano Duet Music (Váczi) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ6723Violin Duets (Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8307Violoncello Duets (Pejtsik)

Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8158Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14201

Guitar Duets (Mosóczi) . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8805Duets for Descant Recorders

with piano accompaniment (Malina) . . . . . . . . . . . . . . EMBZ14063Duets for Treble Recorders (Malina) . . . . . . . . . . . . . EMBZ14140

Duets for Descant and Treble Recorderswith piano accompaniment (Malina, Mezei) . . . . . . . . EMBZ14189

Flute Duets (Csupor)Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8498Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14043

Oboe Duets (Szeszler, Székely) . . . . . . . . . . . . . . . . . . . . EMBZ8294Clarinet Duets (Máriássy, Puskás) . . . . . . . . . . . . . . . . . EMBZ8499Saxophone Duets (Perényi É., Perényi P.) . . . . . . . . . . . EMBZ14334Trumpet Duets (Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . EMBZ14731Percussion Music in Pairs (Zempléni) . . . . . . . . . . . . . EMBZ14287

CHAMBER MUSIC

Duets for Violin and Viola (Vigh) . . . . . . . . . . . . . . . . EMBZ13430Duets for Violin and Violoncello (Pejtsik, Vigh)

Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8733Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14062

Duets for Clarinet and Bassoon or Other Instruments(Perényi É., Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14361

Duets for Trumpet and Baritoneor Other Wind Instruments (Perényi É., Perényi P.) . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14374

Chamber Music for Two Melodic Instruments and Basso continuo (Máriássy) . . . . . . . . . . . . . . . . EMBZ6915

Trios for Two Violins and Violoncello(Soós) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14369

Classical String Trios in the fi rst position (Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14603

Romantic String Trios in the fi rst position (Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14589

Classical Piano Trios in the fi rst position (Pejtsik, Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14274

Romantic Piano Trios in the fi rst position (Pejtsik, Zempléni) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14339

Trios for Strings or Woodwinds(Máriássy, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ8741

Wind Trios (Horváth) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ13781Classical String Quartets in the fi rst position

(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14109Romantic String Quartets in the fi rst position

(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14161Music for Piano Quartet in the fi rst position

(Pejtsik, Vigh) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14253Quartets for Clarinets or Other Instruments

(Perényi É., Perényi P., Fricsovszky) Vol. 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14442Vol. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMBZ14462

( with piano accompaniment )

Various instruments

22Violoncello


Árpád Pejtsik

Violoncello ABC This is one of the most successful volumes in the series. Árpád Pejtsik’s ABC does not seek to alter or influence teachers’ ideas about methodology, it simply offers colourful, attractive musical material, clearly grouped, which enables teachers to use the pieces in whatever order they wish.

The musical material consists of children’s songs, folk songs and duets and pieces with piano accom-paniment ranging from musical memories of the Middle Ages to music of the present century. The duets are intended to enable pupil and teacher to make music together regularly; the cello trios at the end of the volume allow learners to play chamber music together.

Grade: Very easyLanguage: English, German, HungarianNumber of pages: 116Order no.: EMBZ14177

Violoncello Method 2 It is a continuation of the Violoncello ABC. The basic principle remains unchanged: in addition to the most necessary minimum of technical studies, it offers varied, attractive musical material, grouped in a clear, comprehensible manner. The various chapters contain both simpler and more demanding works, so the teacher can select teaching material to suit students’ abilities. Many of the pieces are in two parts or have piano accompaniment, so that by making music together, teacher and pupil can make lessons a musical experience rather than a duty.


METHODS AND STUDIES

ABC Series

23 Violoncello


REPERTOIRE PIECES

Béla Bartók

33 Duets for two violoncellos

From the 44 Violin Duets transcribed and fingering added by Árpád Pejtsik

Béla Bartók composed his 44 Violin Duets in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Car-pathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The transcription follows Bartók's original faithfully. The publication includes fingerings added by the editor.

?

?44

44

œ4

f, marc.

Moderatamente mosso, q = 116

œ œ œ0

Ó 2f

œ4 œ œ œ

#1

œ œ œ œ

.4 œ4

œ4simile

œ œ œ0

œ œ œ œ

œ4 œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œb œ

?

?

7

∑

.4 œ2 œ

œ≥4

Fœ œ œ

1

œ2 œ#

4

œ4 œ œ œ

œ0 œ1 œ#3 œ œ

œ œ œ œ

2 œ œ≥4

œ0

œ4

œ4 œ œ œ

w# 3

œ4 œ œ œ

.3 œ œ

?

?

13

œ œ œ œ

2

œ œ4

œ0

œ4

Œ œP œ

œ

w1

wÓ 4p

Ó

0 4

œ≥4pœ œ œ

w1

œ4 œ œ œ

œ œ4 œ0 œ 1

?

?

19 œ œ œ œ

œ œ4

œ0

œ4

œ4 œ œ œ0

w1

œ4 œ œ œ

œ œ4

œ0

œ4

1

œ œ œ œ poco rit.

œ œ œ œ

w

œ œ œ œœ œ œ œ

ww1

(attacca ad lib.)(52")

?

?42

42œ0

f

Allegro non troppo, q = 120

œ1

œ1

œ2

∑

.œ4 jœ

≥0

f

.œ jœ

œ œœ1

œ œ œœ œ œ

.œ4 jœ

.œ jœ4

œ œ4œ3

œ1

.œ4 Jœœ0 Œ

œ œ œ

?

?

9

œ0 œ1 œ#1 œ2

œ Œ

.œ4Jœ#

Œ œ≥4

.œ4Jœ#

œ œ1

œ1 œ# œ œ

2

.œ4Jœ#

œ œ4

.œ4 Jœ4

œ4

œ

œ#3 œ1

œ œ1

œ

œ0 Œ

œ4

œ4

œ3

œ1

6

3(orig. 6)

4(orig. 9)

Hungarian song (1) – Ungarisches Lied (1) – Chanson hongroise (1)Magyar nóta (1)

Play song – Spiel-Lied – Jeu – Játék

?

?44

44

œ4

f, marc.

Moderatamente mosso, q = 116

œ œ œ0

Ó 2f

œ4 œ œ œ

#1

œ œ œ œ

.4 œ4

œ4simile

œ œ œ0

œ œ œ œ

œ4 œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œb œ

?

?

7

∑

.4 œ2 œ

œ≥4

Fœ œ œ

1

œ2 œ#

4

œ4 œ œ œ

œ0 œ1 œ#3 œ œ

œ œ œ œ

2 œ œ≥4

œ0

œ4

œ4 œ œ œ

w# 3

œ4 œ œ œ

.3 œ œ

?

?

13

œ œ œ œ

2

œ œ4

œ0

œ4

Œ œP œ

œ

w1

wÓ 4p

Ó

0 4

œ≥4pœ œ œ

w1

œ4 œ œ œ

œ œ4 œ0 œ 1

?

?

19 œ œ œ œ

œ œ4

œ0

œ4

œ4 œ œ œ0

w1

œ4 œ œ œ

œ œ4

œ0

œ4

1

œ œ œ œ poco rit.

œ œ œ œ

w

œ œ œ œœ œ œ œ

ww1


?

?42

42œ0

f

Allegro non troppo, q = 120

œ1

œ1

œ2

∑

.œ4 jœ

≥0

f

.œ jœ

œ œœ1

œ œ œœ œ œ

.œ4 jœ

.œ jœ4

œ œ4œ3

œ1

.œ4 Jœœ0 Œ

œ œ œ

?

?

9

œ0 œ1 œ#1 œ2

œ Œ

.œ4Jœ#

Œ œ≥4

.œ4Jœ#

œ œ1

œ1 œ# œ œ

2

.œ4Jœ#

œ œ4

.œ4 Jœ4

œ4

œ

œ#3 œ1

œ œ1

œ

œ0 Œ

œ4

œ4

œ3

œ1

6

3(orig. 6)

4(orig. 9)

Hungarian song (1) – Ungarisches Lied (1) – Chanson hongroise (1)Magyar nóta (1)

Play song – Spiel-Lied – Jeu – Játék

?

?

17 œ0 œ1 œ#1 œ2

œ œ œ

.œ4Jœ#

œ jœ ‰

.œ4Jœ#

œ#≥1

œ2

œ1

œ#3

œ1 œ# œ œ

4

.œ4Jœ#

‰ œ0 œ1 œ#3

.œ4Jœ4

œ#3 œ1

.œ Jœ>œ11 ‰ Jœ>

œn œ

?

?

25 œ# œœ ‰ Jœ>

œ ‰ jœ>œn œ

œ œœ ‰ jœ>

∑

œb œb

œ0

menof œ1

œ1

œ2

Œ jœ ‰

.œ4 jœ

œmenof

œ

.œ jœœ œ

œ1

œ œ œœ œ œ

?

?

33 .œ4 jœœ œ œ

.œ jœ4

œ œ1œ3

œ1

œ4 ‰ Jœ4

0

œ œ œœ œ œ

∑

∑

∑

œœ Œ(40")

?

?44

44

œ≥f

Risoluto, q = 92–104

œ

Ó œ≥fœ

œ œ

œ œ

œ œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ œ

œ œ

œ œ œ œ œ

œpiùfœ

œ œ œpiùfœ# œ

??

7 œ œ

œ# œ œ

œ œ œ œ œ

œ# œ œ

œ œ œ œ œ œ

œ œ œ œ œ# œ

œ œ

. œ# œ

w

œ œ œ# œ œ∑

œ≥Fœ

.F œ

?

?

14 œ œ

. œ

œ œ œ œ œ

œ œ œ œ œ œ

œ œ poco rit.

. œ œ

. œ

œ œ œ œ œ

w

œ œ œ œ œ

wpwp


7

Z. 14 961

5(orig. 4)

Summer solstice song – Sommer-Sonnwendlied – Chant de la nuit de la Saint-JeanSzentivánéji

14961_belivek.indd 6 2016.02.16. 13:25:37


Bartók Transcriptions

CHAMBER MUSIC

24Violoncellos


?

??

?

#

##

#

c

cc

c

Vlc. I

Vlc. II

Vlc. III

Vlc. IV

p

p

p

Sehr langsam

pizz. ad. lib.

pizz. ad. lib.

jœ ‰ jœ ‰ jœ ‰ jœsimile

‰

∑≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œn œ œ

6 66 6

≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ6 6

6 6

jœ ‰ jœ ‰ jœ ‰ jœ ‰

∑≈ œ œ œ œ œ ≈ œ œ œb œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ

6 6 66

≈ œ œ œ œ œ ≈ œb œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ6 6 6 6

?

?

?

?

#

#

#

#simile

simile

3jœ ‰ jœ ‰ jœ ‰ jœ ‰

.œP

œ œ . .œJœ

≈ œ œ œ œ œ ≈ œ# œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ6 6

≈ œ œ œ œ œ ≈ œ œ# œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ6 6

jœ ‰ jœ ‰ jœ ‰ jœ ‰

œ Œ . .œ œ œ œ œ œ œ

≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ

≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ

?

?

?

?

#

#

#

#

5jœ ‰ jœ ‰ jœ ‰ jœ ‰

œ ‰ Jœ .œ œ œ œ œ œ œ#

≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ# œ œ œ œ ≈ œ œ œ œ œ

≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ# œ œ œ ≈ œ œ œ œ œ

jœ ‰ jœ ‰ jœ# ‰ jœ ‰

œ .œ# œ .œn œ œ≥ œ œ œ œ œ3 3

≈ œ œ œ œ œ ≈ œ œ œ# œ œ ≈ œ œn œ œ œ ≈ œ œ œ œ œ

≈ œ# œ œ œ œ ≈ œ œ œ œ œ ≈ œn œ œ œ œ ≈ œ œ œ œ œ

Z. 20 002

Franz SCHUBERT(1797–1828)

© Copyright 2018 by Editio Musica BudapestPrinted in Hungary

Ave Maria

17 kotet_partitura.indd 2 2018.03.19. 13:53:36

The extensive range of the cello makes it possible for three or four cellos played in different registers to create the sound of genuine chamber music.

At first this possibility was utilized by cellist-composers, but in the 19th century transcriptions for several cellos began to be produced, a tradition continued by the editor of this chamber music series, the cello teacher Árpád Pejtsik, known worldwide for his pedagogical publications. (Most of the transcriptions in the volumes of this series are his own work.) Since the register of the cello corresponds roughly to that of the singing voice, from low bass to coloratura soprano, many of the pieces are transcriptions of choral works.

Works have been selected from widely differing periods of music history, the editor’s aim being to provide a collection of colourful, varied material for cellists to play. Some of the cello parts are easy to play, so that less proficient players can also take part in the shared music-making.

for 4 violoncellos

17

Z. 20 002

Ave Maria Schubert, Liszt, Verdi,

Rachmaninoff

FOR VIOLONCELLOSEdited by Árpád Pejtsik

25 Violoncellos


Volume 1 ( for 4 violoncellos ) . . . . . . . . . . . . . . . EMBZ14306

De Swert, Gesualdo, Kossovits, Tchaikovsky


J. S. Bach, Goltermann, Pachelbel, Tchaikovsky


Boccherini, Grieg, J. Werner


Elgar, J. Haydn, W. A. Mozart, Purcell


Boccherini, W. A. Mozart, Schein


Dotzauer, J. Haydn, Schubert, Telemann


Bréval, Chopin, W. A. Mozart, Vivaldi


Dvořák, J. Haydn, Goltermann, Lyadov, Tchaikovsky


Dvořák, Goltermann, Schubert

Volume 10 ( for 4 violoncellos ) . . . . . . . . . . . . . . EMBZ14694

Beethoven–Böckmann, Dvořák, J. Haydn,

W. A. Mozart, Schubert


Chorea Hungarica, Saltus Hungaricus, Beethoven,

Dotzauer, Gabrielli, J. Haydn, Schubert


Beethoven, Berlioz, Mendelssohn, Wagner–Jacobowsky


Chopin, Liszt, Schumann, Tchaikovsky


Brahms, Debussy, Dvořák, Schubert


Liszt, Mozart, Grützmacher, Fitzenhagen


Bach, Beethoven, Brahms


Schubert, Liszt, Verdi, Rachmaninoff

Volumes of the series

This series contains 30 popular and well-known short masterpieces and transcrip-tions. An admitted aim of the the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be per-formed with piano accompaniment.

Violoncello

MOMENTSMUSICAUX

MENDELSSOHN-BARTHOLDY, F.

FAURÉ, G.

SCHUMANN, R.

SAINT-SAËNS, C.

SCHUBERT, F.

TCHAIKOVSKY, P. I.

RUBINSTEIN, A.

GOENS, D. van

GRANADOS, E.

CHABRAN, F.

MARIE, G.

OFFENBACH, J.

PARADIS, M. T. von

ROSSINI, G.

BACH, J. S.

SCHUBERT, F.

RIMSKY-KORSAKOV, N.

LEE, S.

BRAHMS, J.

BOCCHERINI, L.

TARTINI, G.

LECLAIR, J.- M.

POPPER, D.

MASSENET, J.

ELGAR, E.

SCHUBERT, F.

MASSENET, J.

GOUNOD, Ch.

VECSEY F.

GOLTERMANN, G.

MOMENTS MUSICAUX

MENDELSSOHN


Lied ohne Worte(Op. 109)

für Violoncello und Klavier

Z. 13 582 VIOLONCELLO •

MOMENTSMUSICAUX

MASSENET


Thaïs(Méditation)


pour violoncelle et piano


FAURÉ, G.

SCHUMANN, R.

SAINT-SAËNS, C.

SCHUBERT, F.

TCHAIKOVSKY, P. I.

RUBINSTEIN, A.

GOENS, D. van

GRANADOS, E.

CHABRAN, F.

MARIE, G.

OFFENBACH, J.

PARADIS, M. T. von

ROSSINI, G.

BACH, J. S.

SCHUBERT, F.

RIMSKY-KORSAKOV, N.

LEE, S.

BRAHMS, J.

BOCCHERINI, L.

TARTINI, G.

LECLAIR, J.- M.

POPPER, D.

MASSENET, J.

ELGAR, E.

SCHUBERT, F.

MASSENET, J.

GOUNOD, Ch.

VECSEY F.

GOLTERMANN, G.

MOMENTS MUSICAUXMOMENTSMUSICAUX

BOCCHERINI


Menuettoper violoncello e pianoforte



FAURÉ, G.

SCHUMANN, R.

SAINT-SAËNS, C.

SCHUBERT, F.

TCHAIKOVSKY, P. I.

RUBINSTEIN, A.

GOENS, D. van

GRANADOS, E.

CHABRAN, F.

MARIE, G.

OFFENBACH, J.

PARADIS, M. T. von

ROSSINI, G.

BACH, J. S.

SCHUBERT, F.

RIMSKY-KORSAKOV, N.

LEE, S.

BRAHMS, J.

BOCCHERINI, L.

TARTINI, G.

LECLAIR, J.- M.

POPPER, D.

MASSENET, J.

ELGAR, E.

SCHUBERT, F.

MASSENET, J.

GOUNOD, Ch.

VECSEY F.

GOLTERMANN, G.

MOMENTS MUSICAUX MOMENTSMUSICAUX

GOLTERMANN


Capricciofür Violoncello und Klavier



FAURÉ, G.

SCHUMANN, R.

SAINT-SAËNS, C.

SCHUBERT, F.

TCHAIKOVSKY, P. I.

RUBINSTEIN, A.

GOENS, D. van

GRANADOS, E.

CHABRAN, F.

MARIE, G.

OFFENBACH, J.

PARADIS, M. T. von

ROSSINI, G.

BACH, J. S.

SCHUBERT, F.

RIMSKY-KORSAKOV, N.

LEE, S.

BRAHMS, J.

BOCCHERINI, L.

TARTINI, G.

LECLAIR, J.- M.

POPPER, D.

MASSENET, J.

ELGAR, E.

SCHUBERT, F.

MASSENET, J.

GOUNOD, Ch.

VECSEY F.

GOLTERMANN, G.

MOMENTS MUSICAUX


Other popular titles

MOMENTSMUSICAUX

TCHAIKOVSKY


Nocturne(Op. 19, No. 4)

pour violoncelle et piano

Z. 13 593 VIOLONCELLO • 6


FAURÉ, G.

SCHUMANN, R.

SAINT-SAËNS, C.

SCHUBERT, F.

TCHAIKOVSKY, P. I.

RUBINSTEIN, A.

GOENS, D. van

GRANADOS, E.

CHABRAN, F.

MARIE, G.

OFFENBACH, J.

PARADIS, M. T. von

ROSSINI, G.

BACH, J. S.

SCHUBERT, F.

RIMSKY-KORSAKOV, N.

LEE, S.

BRAHMS, J.

BOCCHERINI, L.

TARTINI, G.

LECLAIR, J.- M.

POPPER, D.

MASSENET, J.

ELGAR, E.

SCHUBERT, F.

MASSENET, J.

GOUNOD, Ch.

VECSEY F.

GOLTERMANN, G.

MOMENTS MUSICAUX

Pyotr Il’yich Tchaikovsky(1840–1893)

© Copyright 1988 by Editio Musica BudapestPrinted in Hungary Z. 13 593

VIOLONCELLO

Transcribed by W. FitzenhagenEdited by Árpád Pejtsik

13593_vlc_szolam.indd 2 2018.01.15. 16:49:00

Featured: Pyotr Il’yich TchaikovskyNocturneEMBZ13593

MOMENTS MUSICAUXFOR VIOLONCELLO

Edited by Árpád Pejtsik

26

27

Erzsébet Nagy – Miklós Mosóczi

Guitar Tutor I–III

The first three volumes of this guitar tutor have been completely revised. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor.

We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods.

In volumes I and II of the tutor we have given Hungarian folk songs and children’s songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, so the works provide a musical experi-ence almost immediately.

Volume I

Grade: Very easyLanguage: English, German, HungarianNumber of pages: 68Order no.: EMBZ8418

Volume II


Volume III

Grade: MediumLanguage: English, German, HungarianNumber of pages: 80Order no.: EMBZ12281

GuitarMETHODS AND STUDIES


Revised

28


METHODS AND STUDIES

Flute

Selected Studies for FlutesEdited by Vilmos Bántai and Gábor Kovács

The three volumes contain 176 studies by 25 composers. The selection was made according to tech-nical usefulness and musical value. The studies follow in order of the grade of difficulty and are grouped around certain problems. All three volumes can be applied as supplementary material to any flute tutor. Their use should be determined by the progress of the student and not by the class he attends. We recommend the first volume (EMBZ8591) for beginners, the second (EMBZ8592) one for advanced students on the lower level, the third (EMBZ8593) for intermediate students.

Volume I


Volume II


Volume III


Zoltán JeneyFlute Tutor“In this flute tutor we have tried to allocate the musical and technical content in such a way as to make the path of development smooth and obstacle-free for beginners. Our aim is that the begin-ner should first play on his instrument in his musical native language, that of Hungarian folk music. For this reason the majority of the exercises are folk melodies or compositions created in the spirit of folk song. In addition to Hungarian folk music, the volume also contains folk music from other countries, and classical music. Of etudes in the traditional sense of the word we have included only as much as was absolutely essential...” Zoltán Jeney

Volume I

Grade: EasyLanguage: German, HungarianNumber of pages: 100Order no.: EMBZ5457

Volume II

Grade: MediumLanguage: German, HungarianNumber of pages: 88Order no.: EMBZ5458

Music Lesson

29


METHODS AND STUDIES

Flute

Vilmos Bántai – Gábor Kovács

Scale Tutor for FluteSupplement to the Flute Tutor by Zoltán Jeney

Volume I

Grade: EasyLanguage: German, HungarianNumber of pages: 50Order no.: EMBZ8233

Volume II

Grade: MediumLanguage: German, HungarianNumber of pages: 124Order no.: EMBZ8625

Giuseppe Gariboldi

30 Easy and Progressive Studies for Flute The ‘30 Easy and Progressive Studies for flute’ by the Italian composer and flute virtuoso Giuseppe Gariboldi (1833–1905) are among the stand-ard works for flute teaching.


Music Lesson

30


Béla Bartók

13 Easy Pieces C

Transcribed by Vilmos Bántai and Éva Bántainé Sipos

This album contains arrangements of piano pieces written by Béla Bartók (1881–1945) in his youth for piano pupils ( Ten Easy Piano Pieces, For Children, The First Term at the Piano ). Most are arrangements of Hungarian or Slovak folk songs, while the rest are based on the com-poser’s own melodies. A piano accompaniment for each piece and a full performance by noted Hungarian musicians is provided on the accompa-nying CD to facilitate practice at home and help in developing a suitably styled performance of Bartók’s music.



Trios for Flutes Transcribed and edited by László Zempléni

The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children’s and Female Choruses, 44 Duets and Mikrokosmos.



FluteREPERTOIRE PIECES FOR STUDENTS

Quartets for Flutes Transcribed and edited by László Zempléni

This volume consists of 16 pieces. In nine, the bottom part is set for alto flute. The transcriptions are from the same sources as those in the volume Trios for Flutes.

31


FluteREPERTOIRE PIECES FOR STUDENTS

Zoltán Kodály

Children’s Dances

Arranged by Vilmos Bántai and Éva Bántai-Sipos

Zoltán Kodály composed few works for piano solo ; between 1918 and the end of World War II, he wrote none. He even refused the request of Universal Edition in 1934, which would have commis-sioned him to write easy pedagogical studies for piano. It is, however, not impossible that this approach inspired his educational piano compositions in 1945 and 1946. The twelve-piece cycle of Children’s Dances was not written for novice pianists. The melodies of the pieces reflect the char-acteristics of Hungarian folk dance tunes, while their setting even evokes the sound of original folk instruments commonly used for accompaniment.

Vilmos Bántai and Éva Bántai-Sipos selected eight of the Children’s Dances to transcribe for flute and piano. In these transcriptions, recommended for the primary music school students, the flute is undoubtedly featured as a melodic instrument accompanied by the piano, which sometimes plays a supporting role and other times shares equal significance with the flute.

Z. 15 069

KODÁLY Zoltán(1882–1967)

1. (orig.: 1.)

© Copyright by Boosey and Hawkes Music Publishers Ltd., LondonArrangement © Copyright 1980 by Editio Musica Budapest

Children’s Dances – Kindertänze – Gyermektáncok

D.C. No.1.al Fine

FINEattaca ad lib.

2. (orig.: 2.)

Arranged by BÁNTAI Vilmos, B. SIPOS Éva

© Boosey and Hawkes Music Publishers Ltd., LondonArrangement © 1980 by Universal Music Publishing Editio Musica Budapest Z. 15 069

EDITIO MUSICA BUDAPESTZ. 15 069

KODÁLY

Children’s Dancesfor flute and piano

Kindertänze für Flöte und Klavier

GyermektáncokFuvolára és zongorára

(BÁNTAI – SIPOS)

EDITIO MUSICA BUDAPEST Universal Music Publishing Editio Musica Budapest

Z. 15 069

Grade: Easy, MediumLanguage: English, German, HungarianNumber of pages: 16+8Order no.: EMBZ15069

Published by UMPEMBIn preparation

NEW

32


RecorderREPERTOIRE PIECES FOR STUDENTS

Béla Bartók

Duets for recorders from the Children’s and Female Choruses

Transcribed and edited by Márton Kerékfy

The Children’s and Female Choruses were composed in a single burst of creative activity at the ze-nith of Bartók’s career, in the summer of 1935, between such masterpieces as the String Quartet No. 5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer’s own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idio-matically but faithfully for descant and treble recorders, respectively.

Duets for Treble Recorders


Duets for Descant Recorders



33 ClarinetMETHODS AND STUDIES

Volume 1


Volume 2


Béla Kovács

I Learn to Play the Clarinet“The two volumes of I Learn to Play the Clarinet (EMBZ12282 and EMBZ13291) have been written for beginners and contain the material for the first 3-4 years. It has been avoided to arrange the material according to yearly divisions for several reasons. On one hand the rate of progress depends on the pupil’s aptness, diligence, age and musical pre-education, so a strictly handled curriculum could be either too small or too great a task for the pupil. On the other hand by using this method it may be easier achieved that quality replace quantity.” Béla Kovács


34


© Copyright 2018 by Universal Music Publishing Editio Musica BudapestPrinted in Hungary Z. 15100

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Állandó álmokPersistent Dreams

VAJDA Gergely(*1973)

klarinétra / for Clarinet in Bb

Hommage à Salvador Dalí

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© 2018 by Universal Music Publishing Editio Musica Budapest

Gergely Vajda

Persistent Dreamsfor solo clarinet

“I wrote my solo clarinet piece Persistent Dreams in 1991 before my ‘Opus 1’ Lightshadow-trem-bling, inspired by Salvador Dalí’s painting La persistència de la memòria. The musical equivalent of the infamous melting clocks is like a convolvulus made of notes moving between various overtone systems, interrupted here and there by short chromatic outbreaks. Although it recurs in various forms, in its variations it portrays the immutability and persistence of time and memory.”

Gergely Vajda

Grade: Diffi cultLanguage: English, German, HungarianNumber of pages: 12Order no.: EMBZ15100

Published by UMPEMB

Clarinet

EMB Contemporary Music

NEW

CONTEMPORARY MUSIC

35Chamber music

Chamber music series with optional combination of instruments






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Basso (ad lib.) – Violoncello / Fagotto / Eufonio

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Trios de niveau avancéFortgeschrittene avancéFortgeschritteneTrios de niveau avancéTrios de niveau

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E D I T I OE D I T I OE D I T I OE D I T I O . M U S I C AM U S I C AM U S I C A

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M U S I C AM U S I C AM U S I C A

d u o s t r i o s

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The volumes in this new series contain duos, trios and quartets, their degree of diffi culty ranging from easy through intermediate to advanced. Every piece is a transcription or an arrangement, since in editing the volumes our primary concern was to provide a collection of valuable and interesting compositions,

as freely variable as possible as regards instrumen-tation, for music school students and also for adults who make music for their own pleasure. The range and pitch of the parts enable the works to be per-formed on any required or possible combination of the given instruments.



Karácsonyi muzsika

Music for ChristmasWeihnachtsmusik

arácsonyi muzsikaWeihnachtsmusik

arácsonyi muzsikaMusique pour Noël.

AD LIBITUM

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FAM

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Music for Christmas EMBZ14946

Easy Trios EMBZ14848Intermediate Level Trios EMBZ14861Advanced Level Trios EMBZ14863






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Easy Duos EMBZ14859Intermediate Level Duos EMBZ14860Advanced Level Duos EMBZ14862

DUOS

TRIOS






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Quatuors de niveau Quartette

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Kvartettek középhaladóknakMittelschwere

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QUARTETS

FAMILY EDITION

The series is complemented by two volumes ( family edition ), which are recommended by the editor not only to be performed in music schools but also for family music making at home.

Music for Celebration EMBZ14963

Edited by András Soós, László Zempléni

35

Editio Musica BudapestEditio Musica Budapest

Vocal music

A Panorama of SongsEasy songs of four centuries in six languages

A Panorama of Songs fi lls a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly off ering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs.

The three volumes of the series are arranged by level of diffi culty, and all of them are available for high and low voices (“a” volumes for high voices, “b” volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included.

The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

36


EDITIO MUSICA BUDAPEST Z. 20 006

Volume 1/a for high voice

1/a kötet magas hangra

Z. 20006 A PA

NO

RA

MA

OF SO

NG

S • DA

LPAN

OR

ÁM

A Volum

e 1/a • 1/a kötet

A Panorama of SongsEasy songs of four centuries in six languages

A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, this series seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. Bringing a breath of fresh air and new works to the conventional Lied repertoire, A Panorama of Songs �lls a want. Using the means of modern technology it also provides immense help in learning and performing the songs.

�e volumes of the series are arranged by level of di�culty, and all of them are available for high and low voices. Each volume includes all six languages (English,

French, German, Italian, Russian, and Spanish) and presents a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration. Ornamenta-tion suggestions for the performance of the Baroque works are also included.

�e printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. �e website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

Dr. Katalin Hegedüs Gönczy is répétiteur at the Pál Járdányi Music School in Budapest.

DalpanorámaNégy évszázad könnyű dalai hat nyelven

A hiánypótló sorozat hat európai nyelv dalaiból válogatva, a 16. századtól a 20. század közepéig vala-mennyi zenei korszakot felölelve segíti a kezdő fokon oktató magánének tanárokat, korrepetitorokat, valamint – legfőképp – az énekelni vágyókat. Új darabokkal frissíti fel és bővíti ki az általánosan ismert dalrepertoárt, emellett – a modern technika eszközeit is felhasználva – egyedülálló segítséget nyújt a dalok megtanulásához és előadásához.

A sorozat kötetei nehézségi sorrend szerint követik egymást, és mindegyik elérhető magas és mély hangfekvésben egyaránt. Mindben megtalálható mind a hat nyelv (angol, francia, német, olasz, orosz, spanyol), és mindegyik teljes keresztmetszetet ad a kora barokk stílustól a 20. századig. A dalok értelmezését a szövegek angol és magyar nyelvű nyersfordítása segíti, a cirill betűk olvasását pedig fonetikus átírás könnyíti. A barokk művek előadásához díszítési javaslatokat is közölnek a kiadványok.

A nyomtatott kötetekhez további hasznos, a tanulás folyamatát segítő anyagok csatlakoznak a www.emb.hu/downloads oldalon. Az online felületen meg lehet hallgatni az összes dal zongorakíséretét, valamint az összes eredeti szöveget anyanyelvűek tolmácsolásában. A hat nyelv alapvető kiejtési szabályai ugyanitt szintén letölthetők.

Dr. Hegedüs Gönczy Katalin a budapesti Járdányi Pál Zeneiskola korrepetitora.

Volumes of the series • A sorozat kötetei

Volume 1/a for high voice • 1/a kötet magas hangra Z. 20006Volume 1/b for low voice • 1/b kötet mély hangra Z. 20011Volume 2/a for high voice • 2/a kötet magas hangra Z. 20007Volume 2/b for low voice • 2/b kötet mély hangra Z. 20012Volume 3/a for high voice • 3/a kötet magas hangra Z. 20008Volume 3/b for low voice • 3/b kötet mély hangra Z. 20013

A Panorama of SongsDalpanoráma

HEGEDÜS GÖNCZY

NEW

Further volumes in preparation:

Volume 2a for high voice EMBZ20007Volume 2b for low voice EMBZ20012Volume 3a for high voice EMBZ20008Volume 3b for low voice EMBZ20013

Volume 1a for high voice

Grade: Easy, MediumLanguage: English, French, German, Hungarian, Russian, SpanishNumber of pages: 96Order no.: EMBZ20006

Volume 1b for low voice

Grade: Easy, MediumLanguage: English, French, German, Hungarian, Russian, SpanishNumber of pages: 96Order no.: EMBZ20011


Choral music37

Choral works by contemporary composers

Tímea DragonySonnet CIXby William Shakespearefor female choir

Language: English Number of pages: 12Order no.: EMBZ15092

Ákos ZarándyA sötétség vidám dalaiból for female choir

Language: HungarianNumber of pages: 12Order no.: EMBZ15091

Works commissioned by the Municipality of Debrecen for the 28th Béla Bartók International Choir Competition in 2018

Balázs Kecskés D.Allelujafor mixed choir

Language: Latin Number of pages: 16Order no.: EMBZ15094

Judit VargaA Wreathfor mixed choir

Language: English Number of pages: 20Order no.: EMBZ15093

All titles published by UMPEMB

NEW

KODÁLYCHORAL WORKS FOR MIXED VOICESEdited by Péter Erdei

This volume of Kodály’s works for mixed choir is an extended and revised edition that contains a total of 52 compositions, seven of which have never before appeared in previous collections. This is the most complete and most authentic edition to be published thus far ; it has been edited based on uni-orm principles contains eas to rea fi rst rate musical scores an inclu es

an informative Epilogue.

Cloth-bound edition

Language: original, HungarianNumber of pages: 404Order no.: EMBZ6725A

Paperback edition

Language: original, HungarianNumber of pages: 404Order no.: EMBZ6725

Two additional volumes of Kodály’s choral works are available:

Choral Works for Children’s and Female Voices EMBZ6724Choral Works for Male Voices EMBZ6726

Published by UMPEMB

NEW NEW


38Choral music

39


Choral music

New separate editions from the revised edition of CHORAL WORKS FOR MIXED VOICES by Zoltán Kodály

MISEREREAz 50. zsoltár része — Part of Psalm 50

KETTŐS KARRA FOR DOUBLE CHOIR

KODÁLY

EDITIO MUSICA BUDAPESTUniversal Music Publishing Editio Musica Budapest

Z. 14 166

14166_Miserere_umpemb.indd 1 2019.02.25. 11:05:11

MisererePart of Psalm 50 for double choirLanguage: LatinNumber of pages: 24Order no.: EMBZ14166

NEW

Further works:

Adoration (HB, E) EMBZ15115Adventi ének / O come, o come, Emmanuel

(Advent Hymn) (L, H) EMBZ7154Akik mindig elkésnek / Too Late (H) EMBZ12226A magyar nemzet / The Hungarian Nation (H)

EMBZ14969A magyarokhoz / Song of Faith (H) EMBZ3973An Ode for Music / Óda a Muzsikához (E, H) EMBZ13589A szabadság himnusza / La Marseillaise (H) EMBZ3405Az éneklő ifjúsághoz / To the Singing Youth

( for mixed boys’ choir) (H) EMBZ5263Balassi Bálint elfelejtett éneke / O My Nation’s Grieving

(H) EMBZ12225

Békesség-óhajtás – 1801. esztendő / An Invocation to Peace –

The Year 1801 (H) EMBZ1586Cohors Generosa ( for mixed boys’ choir) (L, H) EMBZ2973Első áldozás / First Communion (H) EMBZ15067Ének Szent István királyhoz / Hymn to King Stephen

(for small mixed choir) (H) EMBZ12223Esti dal / Evening Song (H) EMBZ2975Fölszállott a páva / The Peacock (H) EMBZ3435Gömöri dal / A Song from Gömör (H) EMBZ14598Horatii Carmen II. 10. – A szép énekszó múzsájához /

To the Muse of Song (L, H) EMBZ4212János köszöntő / Greeting on St. John’s Day

( for mixed boys’ choir) (H) EMBZ12221Jelige / Epigraph (for small mixed choir) (SAB) (H) EMBZ2984Jelige / Epigraph (for large mixed choir) (SATB) (H) EMBZ3011Jézus és a kufárok / Jesus and the Traders (H) EMBZ12222Jövel, Szentlélek Úristen / Come, Holy Spirit (H) EMBZ15105Liszt Ferenchez / An Ode to Ferenc Liszt (H) EMBZ12468Magyarország címere / The Arms of Hungary (H) EMBZ13571Media vita in morte sumus (L, H) EMBZ8394Miatyánk / The Lord’s Prayer (H) EMBZ15104Mohács (H) EMBZ5017Molnár Anna / Anna Molnár (H) EMBZ4039Napének / Hymn of the Sun (H) EMBZ15116Öregek / The Aged (H) EMBZ3243Salló Pista / Pista Salló (H) EMBZ15101Semmit ne bánkódjál / Do not Grieve (H) EMBZ15102Sík Sándor Te Deuma / The Te Deum of Sándor Sík (H) EMBZ14490Sirató ének / Lament (H) EMBZ12155Székely keserves / Transylvanian Lament (H) EMBZ2980Szép könyörgés / Beseeching (H) EMBZ14599Túrót eszik a cigány / See the Gypsies (H) EMBZ3603Zrínyi szózata / Zrínyi’s Hymn (H/L) EMBZ2233

E = English H = HungarianHB = Hebrew L = Latin

All titles published by UMPEMB

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Novelties and Highlights - casamusicaledelrio.it · This piano method by the French music teacher...

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