Die folgenden alphabetisch geordneten Stücke sind das Ergebnis von mehr als 45 Jahren Sammelarbeit. Ich habe mich entschlossen, diese Sammlung auch anderen Musikern zugänglich zu machen und sie deshalb hier veröffentlicht. Einen Großteil hat unser Pianist Georg Haselbek beigesteuert, dem ich hiermit danke. H. Thiel In dieser Datei sind zwei Sammlungen mit jeweils einem Verzeichnis zusammengeführt und für den Einsatz auf einem Tablet eingerichtet. Um zu einem Stück zu gehen:

1. Den Inhaltsverzeichnisbereich, z.B. Af - Di der gewünschten Sammlung anklicken 2. Auf der geöffneten Seite des Inhaltsverzeichnisses den gesuchten Titel anklicken 3. Mit dem grünen Home-Button zurück zu dieser Seite springen

Teil 1 Teil 2 Gesamtinhalt(nur zur Information)

2

2

Inhalt

After Tonight 7

After You’ve Gone 8

Ain’t Misbehavin’ 9

Ain’t She Sweet (Bb) 10

Ain’t She Sweet (G) (Jazz Rebells) 12

A Kiss To Build A Dream On 14

All Of Me (Bb) 15

All Of Me (C) 16

All Of Me (F) (Jazz Rebells) 17

Am I Blue 18

Angry 19

Anywhere Sweety Goes (I’ll Be There) 21

Anywhere Sweetie Goes (Lyrics) 22

At The Jazzbandball 23

Avalon (F) 24

Baby, Won’t You Please Come Home 25

Bei Mir Bist Du Schoen 26

Big Butter And Egg Man (F) 27

Big Butter And Egg Man (Lyrics) 28

Black And Blue (Gm) 29

Black And Blue (Am) 30

Black Bottom Stomp 31

Black Snake Blues 33

Black Snake Blues (Lyrics) 34

Blue Moon 35

Blues Stampede 36

Body And Soul 38

Blue Monk 39

Blues My Naughty Sweetie Gives To Me 40

Bourbon Street Parade 41

Breeze 42

Cabaret 43

Cakewalking Babies From Home 44

Candy Lips 46

Cannonball Blues 47

Charleston (F) 48

Charleston (Bb) (Jazz Rebells) 49

Charleston voc. Julia(F) (Jazz Rebells) 51

Charmaine 53

Chattanooga Stomp 54

Chicago Breakdown 56

Chimes Blues 58

China Boy 59

Chinatown(My Chinatown) 60

Coal Cart Blues 61

Crazy Rhythm (F) 63

Cushion Foot Stomp Eb 64

CUSHION FOOT STOMP – andere Version 66

(The) Darktown Strutter’s Ball 68

Dead Man Blues 69

Decatur Street Tutti 70

Dinah 72

3

3

Down Among The Sheltering Palms 73

Do You Know What It Means, To Miss New Orleans 74

Doctor Jazz 75

East St. Louis Toodle – Oo (Jazz Rebells) 76

Easy Come, Easy Go Blues 79

Easy Come, Easy Go Blues (Lyrics) 81

Easy Rider 82

Edna 83

Everybody Loves My Baby (Dm/F) 84

Everybody Loves My Baby (Fm/Ab) 85

Exactly Like You 86

Farewell Blues 87

Fidgety Feet 88

Five Foot Two, Eyes Of You 90

Forty And Tight (Bb) 91

Forty And Tight (Eb) 92

47th Street Stomp 93

Gatemouth (Eb) 94

Geri 95

Gisela (Hallo, kleines Fräulein) 96

Ham Gravy 97

Happy Feet (Jazz Rebells) 98

Hello Lola 100

He Wouldn’t Stop Doin’ It 101

Honeysuckle Rose (F) 102

Honeysuckle Rose (C) (Jazz Rebells) 103

I Can’t Beat You Doin’ What You’re Doin’ Me 105

I Can’t Beat You Doin’ What You’re Doin’ Me (Lyrics) 106

I Can’t Dance (Bb) 107

I Can’t Dance (C) (Jazz Rebells) 108

I Can't Dance, I Got Ants in My Pants (Lyrics) 109

I Can’t Give You Anything But Love (F) 112

I Can’t Give You Anything But Love (C) 113

Ice Cream 114

I’m Beginning To See The Light 115

I Cover The Waterfront 116

If We Never Meet Again 117

If You Wanna Be My Sugar Papa (You Gotta Be Sweet To Me) 118

I Lost my Gal from Memphis Lyrics 119

I Lost my Gal from Memphis Dm 120

I Lost my Gal from Memphis Em 121

I’m Confessin’ That I Love You 122

I’m Crazy ‘bout My Baby (Eb) 123

I’m Going Hunting 124

I’m Gonna Sit Right Down And Write Myself A Letter (Eb) 125

I’m Gonna Sit Right Down And Write Myself A Letter (C) 126

I'm Gonna Take My Bimbo Back To The Bamboo Isle 127

I’m In The Mood For Love 128

(Back Home Again In) Indiana 129

In The Shade Of The Old Appletree 130

It Don’t Mean A Thing (If It Ain’t Got That Swing) (Jazz Rebells) 131

I’ve Found A New Baby 132

It’s Tight Like That 133

It's Tight Like That (Lyrics) 134

4

4

Jackass Blues 136

Ja-Da 137

(The) Jazz Me Blues 138

(The) Jazz Me Blues (Lyrics) 139

King Joe 140

(Oh,) Lady Be Good 141

La Vie En Rose 142

Lazy River 143

Limehouse Blues 144

Lina Blues 145

Lina Blues (Lyrics) 146

Little White Lies 147

Livin’ High 148

Loveable 149

Loveable Lyrics 150

Lullaby Of Birdland 151

Mabel’s Dream 152

Mack The Knife F + C + Bb 153

Mack The Knife (Lyrics) 154

Make Me A Pallet On The (Your) Floor 155

Mama Don’t Allow It 156

Mama’s Gone Goodbye (F) 157

Mama's Gone, Goodbye (Bb) + Lyrics 158

Mandy, Make Up Your Mind 160

Margie 162

Memories Of You 163

(The) Memphis Blues 164

Minnie The Moocher (Jazz Rebells) 165

Minnie The Moocher (Lyrics) 167

(The) Minor Drag 168

Mobile Blues 169

Moonglow (Bb) 170

(The) Morning After Blues 171

Muscrat Ramble 172

My Baby 173

My Melancholy Baby 174

Nagasaki 176

Never Had A Reason To Believe In You ( + Lyrics) 177

New Orleans 178

Nobody’s Sweetheart Now 179

Nuages 180

Oh Baby 181

On A Slow Boat To China 183

Once Or Twice (Lyrics) 184

Once Or Twice 185

On The Sunny Side Of The Street (C) 186

On The Sunny Side Of The Street (F) (Jazz Rebells) 187

On Treasure Island 188

Oriental Man 189

Original Dixieland One Step (Ab) 191

Papa De Da Da 193

Papa De Da Da (Lyrics) 194

(Home In) Pasadena (Bb) 195

(Home In) Pasadena (C) 196

5

5

Pennies From Heaven (C) 197

Perdido Street Blues 198

Piggly Wiggly 200

Potato Head Blues 201

Puttin’ On The Ritz (Jazz Rebells) 203

Red Roses For A Blue Lady 204

Rhythm King (F) 205

Rosetta 206

Royal Garden Blues 207

San 208

Satin Doll (C) 209

Satin Doll (F) (Jazz Rebells) 210

Saturday Night Function 212

Sau Sha Stomp 213

Savoy Blues 214

September In The Rain 215

(The) Sheik Of Araby 216

(The) Sheik Of Araby (Jazz Rebells) 217

Shine 219

Sidewalk Blues 220

Sidewalk Blues Version zwei 222

Somebody Stole My Gal (Eb) 224

Somebody Stole My Gal (F) 225

Somebody Stole My Gal (Lyrics) 226

Someday Sweetheart 227

Someday Sweetheart - leichtere Version 228

Someday Sweetheart (Lyrics) 229

Some Of These Days (F) 230

St. James Infirmary 231

St. Louis Blues 232

Stomp Your Stuff 233

Sunday 234

Sweet Georgia Brown 235

Sweet Sue(- Just You) 236

S’Wonderful 237

Take Your Black Bottom Outside 238

Tampeekoe 239

That Rhythm Man 241

That Rhythm Man (Lyrics) 242

The Lady Is A Tramp 243

The World Is Waiting For The Sunrise 244

Tiger Rag 245

Tin Roof Blues 247

Tis Autumn 248

Tishomingo Blues 249

Too Busy 250

Too Busy (Lyrics) 251

Wa Wa Wa 252

Wabash Blues 253

Wabash Blues (Lyrics) 255

Way Down Yonder In New Orleans 256

Wednesday Evening Blues 257

What You Want Me To Do 258

What You Want Me To Do (Lyrics) 259

6

6

When Day Is Done 260

When Erastus Plays His Old Kazoo (F) 261

When Erastus Plays His Old Kazoo (Bb) 262

When My Dreamboat Comes Home 263

When You're Smiling 264

Wild Cat Blues (C) 265

Wild Cat Blues (Bb) 266

Wild Cat Blues (C) 267

Willie The Weeper 269

Wochenend’ und Sonnenschein 270

Wolverine Blues 271

Yes Sir, That’s My Baby (Jazz Rebells) 272

Yearning 273

You Ain’t Too Old 274

You’re Bound To Look Like A Monkey When You Get Old + Lyrics 275

Zaz Zuh Zaz (Jazz Rebells) 276

Zaz Zuh Zaz (Lyrics) 277

3

Inhalt

Transponier-Tabelle ..................................................................................................................... 10

Tuba Akkorde :Grifftabelle ........................................................................................................... 10

Akkorde ........................................................................................................................................ 11

After You’ve Gone B ................................................................................................................. 12

After You’ve Gone Eb ............................................................................................................... 12

Ain’t Misbehavin Eb .................................................................................................................... 13

Ain’t she sweet F ........................................................................................................................ 13

Ain’t she sweet B ....................................................................................................................... 13

Alexander’s Ragtime Band B ..................................................................................................... 14

All of me B ................................................................................................................................ 14

Alligator Hop B / Eb ................................................................................................................... 15

Apex Blues B ............................................................................................................................ 16

At the Jazzbandball ...................................................................................................................... 16

Avalon F .................................................................................................................................... 17

Baby Won’t You Please Come Home F ...................................................................................... 17

Basin Street Blues B .................................................................................................................. 18

Beale Street Blues B ................................................................................................................. 18

Bei mir biste schön gm .............................................................................................................. 19

Bel Ami F * ................................................................................................................................. 19

Bill Baily B .................................................................................................................................. 19

Black And Blue............................................................................................................................. 20

Blueberry Hill F ......................................................................................................................... 20

Blueberry Hill B .......................................................................................................................... 20

Blues F, B, Eb, G ........................................................................................................................ 21

Blues My Naughty Sweety Gives To Me B ................................................................................ 22

Blues Stampede B / Eb ............................................................................................................. 23

Bonanza B ................................................................................................................................. 24

Bourbon Street Parade Ab ........................................................................................................ 24

Brüder zur Sonne zur Freiheit B................................................................................................. 24

BSC-Song F ............................................................................................................................... 25

Burgundy Street Blues C ............................................................................................................ 25

Buddy’s Habits B ........................................................................................................................ 26

Bugle Call Rag B ......................................................................................................................... 27

Bye, Bye Blackbird F .................................................................................................................. 27

Bye Bye Blues C ........................................................................................................................ 28

By The Beautiful Sea Eb ............................................................................................................. 28

4

C.C.Rider F ................................................................................................................................ 29

Cake Walking Babies From Home B ........................................................................................... 29

Camp Meeting Blues Eb ............................................................................................................... 30

Canal Street Blues F .................................................................................................................. 30

Caravan ........................................................................................................................................ 31

Careless Love F ......................................................................................................................... 31

Carry Me Back To Old Virginia F ................................................................................................. 31

C’ est Si Bon B ........................................................................................................................... 32

Champs Elysees C ..................................................................................................................... 32

Chicago Rhythm F....................................................................................................................... 33

Chicago Buzz Eb ........................................................................................................................ 33

Chimes Blues Eb ........................................................................................................................ 34

Chinaboy F ................................................................................................................................. 34

Chinatown Eb ........................................................................................................................... 34

Ciribiribin Eb .............................................................................................................................. 36

Clarinet Marmalade F ................................................................................................................. 36

Come Back Sweet Papa B ......................................................................................................... 38

Cornet Chop Suey Eb .................................................................................................................. 39

Creole Jazz B ............................................................................................................................ 40

Creole Love Call B ..................................................................................................................... 40

Cushion Foot Stomp Eb .............................................................................................................. 41

Dallas Blues B .............................................................................................................................. 42

Dans le Rues d’Antibes B ........................................................................................................... 43

Dardanella C .............................................................................................................................. 44

Darktown Strutters Ball B ........................................................................................................... 44

Davenport Blues Eb ..................................................................................................................... 45

Day By Day G ............................................................................................................................. 45

Deep Henderson F/Db ................................................................................................................ 46

Dinah Ab ..................................................................................................................................... 47

Dinah F ....................................................................................................................................... 47

Down By The Riverside F .......................................................................................................... 48

Do You Know What It Means C .................................................................................................. 48

Dream A Little Dream Of Me G .................................................................................................. 48

Dreamin‘ The Hours Away F ...................................................................................................... 50

Drop That Sack Ab ...................................................................................................................... 51

Dr. Jazz Eb ................................................................................................................................ 52

Eh La Bas F ............................................................................................................................... 52

5

Everybody Loves My Baby F ...................................................................................................... 52

Exactly Like You C .................................................................................................................... 53

Eccentric C ................................................................................................................................. 53

Farewell Blues B ....................................................................................................................... 54

Fidgety Feet Ab .......................................................................................................................... 54

Flat Foot Eb ................................................................................................................................. 55

Flat Foot Floogee B .................................................................................................................... 55

Forty And Tight ............................................................................................................................ 55

Fräulein, Pardon B .................................................................................................................... 56

Friendless Blues Eb ..................................................................................................................... 56

Gatemouth Eb ............................................................................................................................ 56

Georgia Bo Bo F ........................................................................................................................ 58

Georgia On My Mind F ............................................................................................................... 58

Georgia Swing Ab ....................................................................................................................... 59

Gigolo * ........................................................................................................................................ 60

Go Down Moses fm .................................................................................................................... 60

Good Night Ladies B ................................................................................................................... 61

Good Night Ladies F ................................................................................................................... 61

Goody Goody C ........................................................................................................................ 61

Gut Bucket Blues C .................................................................................................................... 62

Halleluja F ................................................................................................................................. 62

Hallo, kleines Fräulein B ............................................................................................................ 62

Happy Days are here again B ..................................................................................................... 63

Happy Days are here again C ..................................................................................................... 63

Hello, Dolly B ............................................................................................................................. 64

High Society Eb ........................................................................................................................... 65

Hindustan B ............................................................................................................................... 67

Honeysuckle Rose B ................................................................................................................... 68

I Can’t Give You Anything . . . F ................................................................................................... 68

I Can’t Give You Anything . . . Ab ................................................................................................. 69

If I Had You B............................................................................................................................ 69

I Must Have It B .......................................................................................................................... 70

Indiana F .................................................................................................................................... 72

It’s A Long Way To Tipparary B ................................................................................................. 72

Isle Of Capri F / B ...................................................................................................................... 73

It’s Tight Like That Ab ................................................................................................................. 73

I’ve Found A New Baby dm ........................................................................................................ 73

6

I Want A Big Butter And Egg Man ................................................................................................ 74

I Wish I Could . . . Sister Kate Eb ................................................................................................ 74

Jackass Blues B ......................................................................................................................... 74

If I Had You B ............................................................................................................................ 76

Jada F ........................................................................................................................................ 76

Jazz Me Blues Eb ........................................................................................................................ 76

Jogo Rhythm B ........................................................................................................................... 77

Just A Closer Walk With Thee B ................................................................................................. 78

Klarinettenmuckel B,F,Eb ............................................................................................................ 78

Lady Be Good G ........................................................................................................................ 79

Lambeth Walk F .......................................................................................................................... 79

Lazy River F ............................................................................................................................... 79

Lina Blues B ................................................................................................................................ 81

Lonesome Road F ...................................................................................................................... 81

Long, Deep And Wide Eb ............................................................................................................ 82

Mac The Knife B .......................................................................................................................... 84

Mac The Knife C ......................................................................................................................... 84

Marchand de Poissons C ........................................................................................................... 84

Marchand de Poissons F ............................................................................................................ 85

March of the Siamese Children .................................................................................................... 86

Margie F ..................................................................................................................................... 87

Marie B ...................................................................................................................................... 87

Marie Ab .................................................................................................................................... 87

Martinique C ............................................................................................................................... 88

Memories F ................................................................................................................................. 88

Midnight In Moskow cm .............................................................................................................. 88

Misty Eb ....................................................................................................................................... 89

Mood Indigo B ............................................................................................................................ 89

Moonglow Eb .............................................................................................................................. 89

Moulin à Café B .......................................................................................................................... 90

Muscrat Ramble B ...................................................................................................................... 91

My Bonnie Is Over The Ocean B ................................................................................................ 91

New Orleans Function Ab/B ........................................................................................................ 92

New Orleans Wiggles B/Eb ......................................................................................................... 93

Olga B ........................................................................................................................................ 94

Old Rugged Cross B ................................................................................................................... 94

Onions C ..................................................................................................................................... 95

7

On The Street Where You Live B ............................................................................................... 95

On the sunny side of the street B ............................................................................................... 95

On the sunny side of the street C............................................................................................... 96

On Treasure Island B ................................................................................................................. 96

Original Dixieland Onestep Ab ................................................................................................... 97

Ory’s Creole Trombone B .......................................................................................................... 98

Over In The Gloryland B ............................................................................................................ 99

Over The Waves B ...................................................................................................................... 99

Panama Rag Eb / Ab................................................................................................................. 100

Papa De Dada Eb ..................................................................................................................... 101

Perdido B .................................................................................................................................. 101

Perdido Street Blues F ............................................................................................................. 102

Petersburger Marsch Eb / B / Ab ................................................................................................ 103

Petite Fleur gm.......................................................................................................................... 104

Piggly-Wiggly B ....................................................................................................................... 105

Please Don’t Talk About Me .. Eb ............................................................................................... 106

Red River Valley F .................................................................................................................. 106

Red Sails In The Sunset F ...................................................................................................... 106

Rent Party Blues B .................................................................................................................... 107

Roses Of Picardy B ................................................................................................................... 107

Rosetta F ................................................................................................................................. 108

Royal Garden Blues B ............................................................................................................ 108

San Antonio Rose B .................................................................................................................. 109

Satin Doll C .............................................................................................................................. 109

Savoy Blues G ......................................................................................................................... 110

Schwarze Augen / Katjuscha dm .............................................................................................. 110

Schwarze Augen / Katjuscha gm .............................................................................................. 110

Sentimental Journey F ............................................................................................................. 111

She’s Crying For Me Ab ........................................................................................................... 112

Shine Eb .................................................................................................................................... 112

Snake Rag Ab ......................................................................................................................... 114

Si tu vois ma mere (Lonesome) B ............................................................................................. 115

Sobbin‘ Blues F ....................................................................................................................... 116

Someday Sweetheart Ab ......................................................................................................... 117

Some of these Days F .............................................................................................................. 118

South Eb ................................................................................................................................... 119

St. Louis Blues F / fm ................................................................................................................. 119

8

St. James Infirmary dm .............................................................................................................. 119

St. Phillip Street Breakdown B ................................................................................................ 121

Struttin‘ With Some Barbeque Ab .............................................................................................. 121

Dippermouth Blues Eb .............................................................................................................. 122

Sugar Foot Strut Eb ................................................................................................................... 123

Summerset B ........................................................................................................................... 123

Summerset G ........................................................................................................................... 124

Swanee River C ........................................................................................................................ 124

Sweet Georgia Brown Ab ........................................................................................................... 124

Sweet Mumtaz dm..................................................................................................................... 126

Sweet Lorraine F ....................................................................................................................... 128

Sweet Substitute Eb ? ............................................................................................................. 128

Sweet Sue B .......................................................................................................................... 129

Terrible Blues C ....................................................................................................................... 129

Texas Moaner Blues Eb ............................................................................................................ 131

That’s A Plenty B ...................................................................................................................... 132

The Preacher F ......................................................................................................................... 132

The Sheik Of Araby B ................................................................................................................ 133

The World Is Waiting For Sunrise B .......................................................................................... 133

There’ll Be Some Changes Made B .......................................................................................... 133

Tiger Rag Ab ............................................................................................................................. 135

Till We Meet Again F ................................................................................................................ 136

Tin Roof Blues B ...................................................................................................................... 136

Tishomingo Blues G ................................................................................................................. 136

Trouble in Mind F ..................................................................................................................... 136

Undecided B ............................................................................................................................. 138

Way Down Yonder In New Orleans F ....................................................................................... 138

Weary Blues F / B ..................................................................................................................... 139

When Erastus Plays His Old Kazoo Ab ..................................................................................... 142

When I’ts Sleepy Time Down South G ...................................................................................... 142

When I Take My Sugar To Tea F ............................................................................................ 144

When My Dreamboat Comes Home B ..................................................................................... 144

When you’re smiling B ............................................................................................................... 144

Whispering Eb............................................................................................................................ 145

Whistling Rufus Eb / Ab .............................................................................................................. 145

White Christmas C ................................................................................................................... 146

White Cliffs Of Dover B ............................................................................................................. 146

9

Wild Cat Blues C ...................................................................................................................... 147

Willie The Weeper B ................................................................................................................ 148

Winter Wonderland Eb .............................................................................................................. 148

Wolverine Blues Eb .................................................................................................................. 149

Worn Out Blues Ab .................................................................................................................. 150

Yes Sir, That’s My Baby Eb ...................................................................................................... 150

You Always Hurt The One You Love * ....................................................................................... 151

You Are My Real Sweetheart F............................................................................................... 151

You Are My Sunshine F ........................................................................................................... 152

Your Feet’s Too Big ................................................................................................................... 152

7

7

After Tonight (Farrell)

_________________________________________ Verse:

F Am | Cm D7 | G7 C7 | F C7 | F Am | Cm D7 | G7 | C7 | F Am | Cm D7 | G7 C7 | F | (2./5.)

C Dm | C C0 | G7 | C7 | Chorus:

F Am | D7 | G7 | ./. | C7 | C7 D7 | G7 Bbm | F C7 | F Am | D7 | G7 | ./. | C7 | C7 D7 |G7-BbmC7 | F | 2.

F7 | ./. |Dm D(m)maj7| Cm D7 | G7 | ./. | C7... | .... | F Am | D7 | G7 | ./. | C7 | C7 D | G7 C7 | F C7 ||

8

8

After You’ve Gone

(Creamer/Layton)

_________________________________________ Einleitung:

Bb - Gm | Cm - F7 | Bb - Gm | Cm - F7 | D7 | Gm | C7 | F7 | Bb - Gm | Cm - F7 | Bb7 | Eb | 3.

Eb - Db0 | Bb - G7 | C7 - F7 | Bb./.7 || Chorus:

Eb | Ebm | Bb | G7 | C7 | F7 | Bb | (Bb Bb7) | Eb | Ebm | Bb | G7 | Cm G7 | Cm Ebm | Bb D7 | Gm Bb0 | 3.

Bb | F7 |BbBb7Bb0Ebm6| Bb ./.7 || (BbBb7EbEbm)

9

9

Ain’t Misbehavin’

(Razaf/Waller/Brooks)

__________________________________________ 3. 2./5.

Eb Bb0 |Fm Eb0 | Eb G7 | Ab Abm | Eb Gb7 | Fm Bb7 | G7 C7 | F7 Bb7 | Eb Bb0

3. | Fm Eb0 | Eb G7 | Ab Abm | Eb Gb7 | Fm Bb7 | Eb Ab7 | Eb G7 || Cm | Ab7 | F7 | C7 | Bb Gm | Cm F7 | Bb7 C7 | F7 Bb7 | 3.

Eb Bb0 | Fm Eb0 | Eb ./.7 | Ab Abm | Eb Gb7 |Fm Bb7 | Eb Ab7 | Eb Bb7 || |Schluss: Bb5+ 2. | Eb ./.7 | Ab ./.m | Eb Bb7 |EbBb5+Eb7-||

10

10

Ain’t She Sweet (Bb)

(J. Yellen/M. Ager)

__________________________________________ Intro: 6. 5. 6. ||Bb ./.0 | F7 | Bb ./.0 | F7 | | Bb D7 | G7 | C7 F7 | Bb || Verse:

||Bb | F7 | Bb | ./. | |Gm | D7 | Gm | ./. | |F7 | ./. | Bb | G7 | 3.

|F | Dm | Gm7 C7 | F7 || Fortsetzung Ain’t She Sweet nächste Seite!!

11

11

Fortsetzung Ain’t She Sweet (Bb) Chorus:

(Gm6)

|| Bb6 Bb0 | Cm7 F7 | Bb6 Bb0 | Cm7 F7 | | Bb D7 | G7 | C7 F7 | Bb - F7 | |Bb6 Bb0 | Cm7 F7 | Bb6 Bb0 | Cm7 F7 | | Bb D7 | G7 | C7 F7 | Bb - Bb7 | | Eb | ./.7 | Bb | Bb ./.7 | | Eb | ./.7 | C | F7 | | Bb6 Bb0 | Cm7 F7 | Bb6 Bb0 | Cm7 F7 | | Bb D7 | G7 | C7 F7 | Bb || Ablauf: Intro: Letzte 8 Takte d. Chorus 1 x Verse: 16 Takte Chorusse: 32 Takte

12

12

Ain’t She Sweet (G) (Jazz Rebells) (J. Yellen/M. Ager)

__________________________________________ Intro:

1||C7 | ./. | G | ./. | / / | C7 | ./. | A7 || | D7 || || Chorus, Band + vocal:

3./6. 3./6.

2|| G G#0 | D7 | G G#0 | D7 |

| G B7 | E7 | A7 D7 | G | 3./6. 3./6.

| G G#0 | D7 | G G#0 | D7 |

| G B7 | E7 | A7 D7 | G G7 | | C | C7 | G | G G7 | | C | C7 | G | D7 |

3./6. 3./6.

| G G#0 | D7 | G G#0 | D7 | ⊕

| G B7 | E7 | A7 D7 | G || Bridge

3|| A7 | ./. | D7 | ./. || 4|| Chorus Tanz + Solist wie 2 Fortsetzung Ain’t She Sweet (G) (Jazz Rebells) nächste Seite!!

13

13

Fortsetzung Ain’t She Sweet (G) (Jazz Rebells) Bridge

5|| A7 | ./. | D7 | ./. || �|| ½ Chorus Tanz + tutti ½ Chorus Tanz + Voc + Band

� to Coda ⊕|| �|| A9 | ./. | D7 | ./. | Coda 3. ♩♪

| G G7 | C7 Eb9 | D⊕ | G || ||

14

14

A Kiss To Build A Dream On (Louis Armstrong)

__________________________________________ C G5+ | C C0 | G7 G0 | G7 | G7 G0 | G7 | C Am | Dm G7 | C G5+ | C C0 | G7 G0 | G7 | G7 G0 | G7 | C Fm | C | Fm Bb7 | Eb Db0 | Fm Bb7 | Eb | Fm G7 | Cm | D7 | G7 | C G5+ | C C0 | G7 G0 | G7 | G7 G0 | G7 | C | Dm G7 | Schluss: | C Fm | C ||

15

15

All Of Me (Bb) (Simons/Marks)

___________________________________________ Bb | ./. | D7 | ./. | 3.

G7 | G7 | Cm7 | ./. | D7 | ./. | Gm | ./. | C7 | ./. | Cm7 | F7 | Bb | ./. | D7 | ./. | G | ./.7 | Cm | ./. | 5.

Eb | ./. m | Bb - Dm7 | G7 | C7 | F7 | Bb | Cm7 - F7 || Schluss: Bb

16

16

All Of Me (C)

(Simons/Marks)

__________________________________________ C | ./. | E7 | ./. | 5.

A7 | ./. | Dm7 | ./. |

5. (wie Gm7

)

E7 | ./. | Am7 | ./. | D7 | ./. | Dm7 | G7 | C | ./. | E7 | ./. | A7 | ./. | Dm | ./. | 2./4.

F | Fm | Cmaj Em7 | A7 | D7 | G7 | C6 (Am7) | Dm7 G7 || Schluss: C6 ||

17

17

All Of Me (F) (Jazz Rebells)

(Simons, Marks)

___________________________________________ Intro 3. 3./6. 5. 2.

1|| Bb6 | B0 | Fmaj7 | D9 |

| G7 | Gm7 C7 | F | C7 || Chorus voc

2|| F | ./. | A7 | ./. | D7 | ./. | Gm | ./. | A7 | ./. | Dm | ./. | 3.

G7 | ./. | Gm7 | C7 | F | ./. | A7 | ./. | D7 | ./. | Gm | ./. | 3. 4. 5.

Bb6 | B0 | Fmaj Am7 | D9 | � 3.

G7 | Gm7 C7 | F Gb6 | Gm7 C7 ||

3 Chorus Steptanz wie 2

4 Chorus Soli: 8 T. ten, 8 T. tbn, 16 T. acc.

5 ½ Chorus Band, ½ Chorus Voc to Coda!

5. 2.

�Coda: F6 | C9 F7 ||

18

18

Am I Blue

(Harry Akst/Grant Clarke)

___________________________________________ Verse: 3. 4. 3. F | F7 | Bb0/Db7C7 | F C7 | 4. 5. 8.

F | Dm | Am / F#0B7 | Am // F#0 | Gm | Gm7 C7 | F Dm | G7 // Gm7 | F | F7 | Bb G7 | C7 || Chorus:

F | ./. | C7 | ./. | F D7 | G7 C7 | F | C7 | F | ./. | C7 | ./. | F D7 | G7 C7 | F Bbm | F | Am | ./. | E7 | ./. | E7 | ./. | Am F7 | Gm7 C7 | F | ./. | C7 | ./. | F D7 | G7 C7 | F | C7 | Schluss:| F6 ||

19

19

Angry

(Medium/Cassard/Brunis)

__________________________________________ Chorus: Breaks nur bei den Soli!

G | ./. | A7 | ./. | D7 | ./. | G | ./.7 | C | Cm | G | E7 | A7 | ./. | D7 | (D7) | G7 | ./. | ./. | ./. | C | ./. | Eb7 | (./.) | G | ./. | A7 | ./. | D7 | ./. | G | ./. || Verse: Kamm + Banjo!

G | ./. | A7 | ./. | D7 | ./. | G | ./. | B7 | ./. | Em | ./. | A7 | ./. | D7 | (D7) || Seite 1 - Fortsetzung Angry Seite 2!

20

20

Fortsetzung: Angry Seite 2 Schluss - Chorus in Bb:

Bb | ./. | C7 | ./. | F7 | ./. | Bb | ./.7 | Eb | ./. m | Bb | G7 | C7 | ./. | F7 | (F7) | Gegenschlag!

Bb7 | ./. | ./. | ./. | Eb | ./. | Gb7 | (./.) | Bb | ./. | C7 | ./. | F7 | ./. | Bb | (F7) ./. || Langer Schluss! Reihenfolge: Chorus, Verse, Chorusse¦¦ Schluss ⇒ Chorus in Bb

21

21

Anywhere Sweety Goes (I’ll Be There) (Williams-Waller)

_________________________________________ Chorus:

F7 | ./. | F7 | ./. | 4.

Bb | Eb7 | Bb | Bb – B0 | F7 | ./. | F7 | ./. | Bb | Eb7 | Bb | Bb | G7 | ./. | G7 | ./. | 3./6.

Cm | G7 | Cm | Cm - E0 | F7 | ./. | F7 | ./. | C7 | F7 | Bb | Bb || Verse:

Bb | ./. | Bb | Bb | F7 | ./. | Bb | ./. | 2../5.

Bb | ./. | F | F - Gb0 | C7 | C7 | F7 | F7 ||

22

22

Anywhere Sweetie Goes (Lyrics)

Anywhere Sweetie goes I want the world to know I’ll be there. Down on the avenue If she goes steppin’ to I’ll be there. Mama, don’t you cheat no time As you will always find Me on the swear. Anywhere Sweetie goes I want the world to know I’ll be there.

23

23

At The Jazzbandball

(La Rocca/Shields)

___________________________________________ Verse:

Gm | ./. | ./. | ./. | F7 | Bb G7 | C7 | F7 - D7 | Gm | ./. | ./. | ./. | 3.

C7 | ./. | Ebm6 | F7 || (=Cm7/5b) Chorus:

G7 | ./. | C7 | ./. | F7 | ./. | Bb | ./. | G7 | ./. | C7 | ./. | Eb ./.m | Bb G7 | C7 F7 | Bb || Schluss: Auf Zuruf - Verse, Chorus! Langer Schluss!

24

24

Avalon (F)

(Vincent Rose, Al Jolson, Buddy de Silva 1920)

___________________________________________ C7 | Gm7 | C7 | Gm7 C7 | F | F C7 | F | ./. | C7 Gm7 | ./. | C7 | Gm7 C7 | F | F C7 | F | F F E Eb | D7 | ./. | ./. | ./. | Gm | ./. | Bbm6 | Bbm6 B0 | F | ./. | D7 | ./. | Gm7 | C7 | F | ./. ||

25

25

Baby, Won’t You Please Come Home

(C. Warfields - C. Williams)

____________________________________________ Verse:

| F - F0 | C7 | F - F0 | C7 | | F - A7 | Dm | G7 | C7 | | F - F0 | C7 | F7 | Bb | | G7 | C - Bb0 | G7 - Bbm | C7 | Chorus:

| F - A7 | D7 | G7 | G7 | | A7 | Dm - Fm | C - G7 | C7 | | F - A7 | D7 | Bb | A7 | Schluss: Basssolo!!

| Bb - F0 | F - D7 | G7 - C7 | F - D7 | Dann alle! | G7 - C7 | F ||

26

26

Bei Mir Bist Du Schoen

(Sholom Secunda/Jacob Jacobs)

_____________________________________________ Verse:

| Dm | Gm | Dm | Gm | | Dm | Gm | Bb7 | A7 | | Dm | Gm | Dm | Gm | | Dm | Gm | Bb7 | A7 || Chorus:

| Dm | ./. | ./. | ./. | | A7 | ./. | Dm | Bb7 A7 | | Dm | ./. | ./. | ./. | | A7 | ./. | Dm | ./. | | Gm | ./. | Dm | ./. | 2./5.

| Gm | Gm Bb | A7 A0 | A7 | | Dm | ./. | ./. | ./. | | A7 | ./. | Dm Gm | Dm ||

27

27

Big Butter And Egg Man (F)

(Percy/Venable/Louis Armstrong 1926)

_____________________________________________ | F | ./. | G7 | ./. | | C7 | ./. | F | ./. | | F | Ab0 | Gm7 | C7 | | G7 | C7 | F Ab0 | Gm7 C7

| | F7 | F7 | Bb | Bb | | D7 | ./. | G7 | C7 | | F | ./. | G7 | ./. | | Gm7 | C7 | F | C7 | Schluss: | F ||

28

28

Big Butter And Egg Man (Lyrics)

(Percy/Venable/Louis Armstrong 1926)

_____________________________________________ May Alix: I want my butter and egg man, From 'way out in the west. 'Cause I'm getting tired of working all day; I want somebody who wants me to play; Pretty clothes have never been mine, But if my dream comes true, The sun is going to shine; 'Cause I want my butter and egg man; Don't some great big butter and egg man want me? Louis Armstrong: Here, here, Now, mama, I'm your big butter and egg man! But I'm different, honey, 'Cause I'm from 'way down in the south! Now listen, baby, I'll buy you all the pretty things that you think you need As long as I can keep this cornet up to my mouth; Oh, I'll play you a little minor in G, Now, if you'll stay and sit there, baby, I'll even hit high C! 'Cause I'm your big butter and egg man, Come here, baby, kiss me, Big butter and egg man from 'way down south! May Alix: Pretty clothes have never been mine, But if my dream comes true, Something's going to change!

29

29

Black And Blue (Gm) (Waller-Brooks-Razaf 1929)

____________________________________________ 3. 3./ 6.

|| Gm | Cm7 | Gm | C7 Bb0 | 5.

| Dm7 G7 | Cm7 F7 | Bb | D7 |

3./ 6.

| Gm | Cm7 | Gm | C7 Bb0 | 5.

| Dm7 G7 | Cm7 F7 | Bb Ebm | Bb Bb7 | | Gb | Gb | Bb | Bb7 | | Gb | Gb | Eb | D7 | 3. 3./ 6.

| Gm | Cm7 | Gm | C7 Bb0 | // / /

| Dm7 G7 |Cm7/F#7F7| Bb Ebm | Bb D7 | Schluss: Bb ||

30

30

Black And Blue (Am)

(Waller-Brooks-Razaf 1929)

___________________________________________ 5. 2./ 5.

|| Am | Dm7 | Am | D7 Eb0 | 4.

|Em7 A7 | Dm7 G7 | C | E7 |

2./ 5.

| Am | Dm7 | Am | D7 Eb0 | 4.

| Em7 A7 | Dm7 G7 | C Fm | C C7 | | Ab | Ab | C | C7 | | Ab | Ab | F | E7 | 5. 2./ 5.

| Am | Dm7 | Am | D7 Eb0 | // / /

| Em7 A7 |Dm7/Ab7G7| C Fm | C E7 | 5. (wie Gm7 3.)

Schluss: C6 ||

31

31

Black Bottom Stomp

(Ferdinand Jelly Roll Morton 1926)

___________________________________________ Intro

| Bb | F7 | Bb |C7F7BbBb | | Bb | F7 | Bb |C7F7BbBb || 1 | Gm | Eb0 | G7 | G7 | |CmG7G7Cm | Bb F7 |BbBb0Bb0Bb0| F7 | | Gm | Eb0 | G7 | G7 | |CmG7G7Cm | Bb F7 | Bb | Bb D7 || 1+stops

| Gm - - - | - - - - | G7 - - - | - - - - | |CmG7G7Cm | Bb F7 |BbBb0Bb0Bb0| F7 | | Gm - - - | - - - - | G7 - - - | - - - - | |CmG7G7Cm | Bb F7 | Bb | Bb D7 || Weiter nächste Seite!

32

32

Fortsetzung Black Bottom Stomp

1+rundown

| Gm | Eb0 | G7 | G7 | |CmG7G7Cm | Bb F7 | BbBb0Bb0Bb0| F7 | | Gm | Eb0 | G7 | G7 | |CmG7G7Cm | Bb F7 | Bb7A7Ab7G7 |Gb7F7Bb7Bb7 | Mod

| Bb0 Bb | Bb0 Bb | Bb7 Bb0 | Bb7 | 2 | Bb7 | Bb7 | Eb | Eb | | Bb7 | Bb7 | Eb - - - | - - - - | | Bb7 | Bb7 | Eb | Eb | | C7 | C7 | Fm | C0 | | Eb | Bb7 | Eb | Eb ||

33

33

Black Snake Blues

(Spivey-Johnson)

____________________________________________ Intro:

| C | G7 | C | G7 | Chorus:

| C | F7 | C | C7 | 3.

| F7 | F7 | C - G7 | C - G0 | 3. 3.

| G7 | G7 | C – G0 | G7 G0 - G7 | Schluss: | C - G7 | C G7 - C || Tuba Thema + Schluss Thema

Seite 34

34

Black Snake Blues (Lyrics) Transcribed from vocals by Maude Mills, recorded June, 1927. From Fats Waller 1926-1927: Chronological Classics 674.

____________________________________________ 'Cause my left eye is jumping, And my flesh begins to crawl, I said my left eye is jumping, And my flesh begins to crawl, You can bet my last dollar There's another mule kickin' in my stall. Oh, I ain't gonna tell you no more, I said oh, I ain't gonna teil you no more, Stay away from my window, Don't you knock at my door. I'd rather be a catfish swimming in the deep blue, Lodged beneath a submarine, behind a floating boat, I'd rather be a catfish, Swimming in the deep blue sea, Than to stay in Texas, let 'em try to mistreat me. Oh, I ain't gonna tell you no more, I said oh, I ain't gonna tell you no more, Stay away from my window, Don't you knock at my door. It's a mean black snake that's carried me this gate, Taught me my mistake, treated me hard to take, It's a mean black snake that's doing me this way. If I ever go back south, I'm going back there to stay.

Seite 35

35

Blue Moon

(Rodgers/Hart)

___________________________________________ 5. 2. 3.

| F Dm7 | Gm7 C7 | F Dm7 | Gm7 C7 | 5. 2.

| F Dm7 | Gm7 C7 | F Dm7 | Gm7 C7 | | F Dm7 | Gm7 C7 | F Dm7 | Gm7 C7 | | F Dm7 | Gm7 C7 | F Bb | F || | Gm7 C7 | F | Gm7 C7 | F |

6.

| Bbm7Eb7 | Ab | C G7 | Gm7 C7 | | F Dm7 | Gm7 C7 | F Dm7 | Gm7 C7 | | F Dm7 | Gm7 C7 | F Bb | F ||

Seite 36

36

Blues Stampede Bb / Eb

(Irving Mills) Intro:

| - - - - | - - - - | - Bb7 - - | Verse 1:

| Bb7 | ./. | Eb | ./. | 2./5./8.

| Bb7 | ./. | Eb - Eb - | A0 - A0 - | | Bb7 | ./. | Eb | ./. | | Bb7 | ./. | Eb - Eb - | - A0 A0 - | Verse 2:

|: Bb | Bb | Gb | Gb | | F7 | Bb | F7 | Bb :| 4x! Chorus (pno):

| Bb7 | ./. | Eb | ./. | | Bb7 | ./. | Eb | A0 | | Bb7 | ./. | Eb | ./.7 | ≙ Cm7

| Ab7 | Eb6 C7 | F7 Bb7 | Eb A0 | Fortsetzung Blues Stampede nächste Seite!

Seite 37

37

Fortsetzung Blues Stampede Chorus (andere)

| Bb7 | ./. | Eb | ./. | | Bb7 | ./. | Eb | A0 | | Bb7 | ./. | Eb | ./. | | Bb7 | ./. | Eb | A0 | Langer Schluss

Seite 38

38

Body And Soul

(Green/Heyman/Scur/Eyton)

____________________________________________

A: 8. 4. 3./6.

Ebm | Ab9 Ab+ | Db Ab+ | Fm7 E0 | Ebm | Ab7 F7 |BbmEb7EbmAb7| Db Bb7 | Ebm | Ab9 Ab+ | Db Ab+ | Fm7 E0 | Ebm | Ab7 F7 |BbmEb7EbmAb7| Db A7 || B: 2. 4. 5.

7. 6. 4.

D Em7 | D Gm7 |F#m7B7Em7A7| D | 2.

7. 2./5. 2./5.

Dm7 G9 | C Eb0 | Dm7 G7 | C7B7-Bb7 | A: 1. 4. 5. 3./6.

Ebm | Ab9 Ab+ | Db Ab+ | Fm7 E0 | Ebm | Ab7 F7 |BbmEb7EbmAb7| Db Bb7 ||:

Seite 39

39

Blue Monk

(Th. Monk)

___________________________________________ || Bb | Eb7 | Bb F7 | B7 | 6.

| Eb | E0 | Bb F7 | Bb | | F7 | ./. | Bb Eb | Bb F7 | 3. /(Gm7)

Schluss: | Bb6 ||

Seite 40

40

Blues My Naughty Sweetie Gives To Me (C. McCarron)

____________________________________________ || Gm | ./. | ./. | ./. | | Cm | ./. | ./. | ./. | | D7 | ./. | Gm | ./. | | A7 | ./. | D7 | ./. | | Gm | ./. | ./. | ./. | | Cm | ./. | D7 | ./. | Schlussbreaks: wbd!

| G7 | ./. | C7 | ./. | | F7 | ./. | Bb | D7 | Langer Schluss:| Bb ||

Seite 41

41

Bourbon Street Parade (Paul Barbarin)

____________________________________________

(F) | (F) | (F) | (F) | F | ./. | F | ./. | F | F | Gm | Gm |

Gm | C7 | Gm | C

7 |

Gm | C7 |F Gb0 | Gm C7 |

F | F | F | F | F | F7 | Bb | ./. | Bb | Bb0 | F | D7 |

Gm | C7 | F | F ||

Seite 42

42

Breeze

(B.McDonald/J.Hanley)

____________________________________________ Eb | ./. | Bb7 | ./. | Bb7 | ./. | Eb | ./.7 |

2./5.

Ab | Ab Gb0 | Eb | C7 | 2.

F7 | ./. | Bb7 | ./.b+ | Eb | ./. | Bb7 | ./. | Bb7 | ./. | G7 | ./. | Ab | Eb | Ab Abm | Eb | Eb | F7 Bb7 | Eb | Bb7 || Schluss auf Eb!

Seite 43

43

Cabaret (John Kander/Fred Ebb)

___________________________________________ 2. 2.

|| G | D+ | G | D+ | 3.

G | Gmaj | G7 | Dm G7 | 2./5.

C | Db0 | Bm | E7 | Am | D7 | G | Am D7 | G | D+ | G | D+ | G | Gmaj | G7 | Dm G7 | C | Db0 | Bm | E7 | Am | D7 | G | G | Cm(6) | ./. | G | G | 4.

Em Emmaj | Em7 A7 | D7 | ./. | G | D+ | G | D+ | G | Gmaj | G7 | Dm G7 | C | Db0 | Bm | E7 | Am | D7 | G | D+ ||

Seite 44

44

Cakewalking Babies From Home (Cl. Williams/Smith/Troy)

____________________________________________ Chorus:

F7 | ./. | ./. | ./. | Bb | ./. | G7 | ./. | C7 | ./. | ./. | ./. | ./. | ./. | Gb7 | F7 | F7 | ./. | ./. | ./. | Bb | ./. | Gm | Bb7 | Eb | ./. | ./. | ./.m | 1./4./

7.

Bb | ./. | ./. | B0 | F7 | F7 | ./. | ./. | C7 | F7 | Bb | ./. || Kurzer Schluss!

Seite 45

45

Fortsetzung Chorus Cakewalking Babies nächste Seite!! Fortsetzung Cakewalking Babies!! Verse:

Bb | ./. | ./. | ./. | Bb | ./. | C7 | F7 | D7 | Gm | D7 | Gm | C7 | ./. | Gb7 | F7 || Chorus - Verse - Chorusse!

Seite 46

46

Candy Lips

(Jackson/Lauria)

___________________________________________ Chorus: Beginn - Solo Jeff!

Bb | ./. | D7 | ./. | 4.

Gm | ./. | D7 | F0 | Cm | Ebm | Bb | G7 | A7 | ./. | Dm | F7 | Bb | ./. | D7 | ./. | Gm | ./. | D7 | F0 | Cm | Ebm | Bb | G7 | C7 | F7 | Bb | F7 | Überleitung Verse: | Bb7 | Schluss auf | Bb || |Langer Schluss! Verse: 4.

Eb | ./. | Bb | Bb - F0 | F7 | ./. | Bb | Bb7 | Eb | ./. | Bb | Bb . Bb | F | C7 | F | F7 || ⇒ Chorus - dann nur noch Chorus!

Seite 47

47

Cannonball Blues (Ferdinand “Jelly Roll” Morton/Marty Bloon/Charlie Rider 1924)

___________________________________________ Intro

| Eb | B7 - - - | Bb7 Bb0 |Bb7Bb0Bb7Bb7|

� | Eb - - - | - - - - | Eb - - - | - - - |

| Ab - - - | - - - - | Eb | Eb Bb0 |

| Bb7 | F7 Bb7 |EbEb7Eb0Abm| Eb Bb7 |

� | Eb | Eb | Eb | Eb7 | | Ab | Ab | Eb | Eb | | Bb7 | Bb7 | Eb | Eb | Mod

| Eb | Eb0 | Eb7 Eb0 | Eb7 |

� | Ab | Ab | Ab | Ab7 |

| Db | Db Dbm | Ab | F7 |

| Bb7 | Eb7 | Ab Db | Ab (G7 ) | play � once in C, twice in Ab coda

| Ab7 G7 | Gb7 F7 |BbmF7BbmF0 |AbEb7AbAb |

Seite 48

48

Charleston (F) (James P. Johnson)

____________________________________________ Verse: 2. 2./5. 2.

|| Dm Dmaj7 | Dm7 Dm6 | Bb A7 | Dm | 2. 2./5. 2.

| Dm Dmaj7 | Dm7 Dm6 | E7 | A7 | | C7 | F | A7 | Dm | 2./5. 2./5.

| C Eb0 | G7 A7 | Dm7 G7 | C7 || Chorus:

|| F | A7 | D7 | ./. | 1./4./7.

| G7 | C7 | F Ab0 | C7 | | F | A7 | D7 | ./. | | Am | E7 | A | C7 | | F | A7 | D7 | ./. | 1./4./7.

| G7 | C7 | F Ab0 | C7 | | F | F7 | Bb | Bbm | 1./4./7.

| F Ab0 | Gm C7 | F | ./. ||

Seite 49

49

Charleston (Bb) (Jazz Rebells) (James P. Johnson)

____________________________________________ Intro

1 / / / o / / / o 2./5./8.

|| Bb7 | || | Eb0 | || | / / / o 3.(Gm7) / / o o

| Bb6 | || | Bb | || || Verse

2 7.

|| Gm Gmmaj7 | Gm7 Gm6 | Am7 D7 | Gm | 7.

| Gm Gmmaj7 | Gm7 Gm6 | Eb7 | D7 |

| F7 | Bb | D7 | Gm | 1./4./7. 3./6./9.

| F Ab0 | C7 Gb0 | C7 C7 | F7 || Chorus

3|| Bb | D7 | G7 | ./. | 3./6./9.

| C7 | F7 | Bb Db0 | F7 |

| Bb | D7 | G7 | ./. |

| Dm | A7 | D7 | F7 |

| Bb | D7 | G7 | ./. | 3./6./9.

| C7 | F7 | Bb Db0 | F7 | 3.

| Bb | Bb7 | Eb | Ebm6 |

| Bb6 | F7 �| Bb | Bb (D7) || Fortsetzung Charleston (Bb) (Jazz Rebells) nächste Seite!

Seite 50

50

Fortsetzung Charleston (Bb) (Jazz Rebells)

4 || Verse voc wie 2

5 || Chorus voc wie 3

� || 1 Chorus Bläsersolo + Charleston-Tanz (wie 3)

� || Solo Acc. 3 x 8 Takte + Charleston-Tanz (wie 3)

6 Takte Tutti + Tanz � ⊕

� || ⊕ Coda: tacet tacet

|| Bb | Cm | || | Bb | || |

Seite 51

51

Charleston voc. Julia(F) (Jazz Rebells) (James P. Johnson)

____________________________________________ Intro 1 / / / o / / / o (Gm7)

|| F7 | || | Bb6 | || | / / / o / / o o

| F6 | || | F | || || Verse

2 2. 2./5. 2. 4.

|| Dm Dmaj7 | Dm7 Dm6 | Em7 A7 | Dm | 2. 2./5. 2.

| Dm Dmaj7 | Dm7 Dm6 | Bb7 | A7 |

| C7 | F | A7 | Dm | 2./5./8. 1./4./7.

| C Eb0 | G7 Db0 | G7 | C7 ||

Chorus

3|| F | A7 | D7 | ./. | 1./4./7.

| G7 | C7 | F Ab0 | C7 |

| F | A7 | D7 | ./. |

| Am | E7 | A7 | C7 |

| F | A7 | D7 | ./. | 1./4./7.

| G7 | C7 | F Ab0 | C7 |

| F | F7 | Bb | Bbm6 | 1./4./7.

| F Ab0 | Gm C7 | F | ./. || Fortsetzung Charleston (F) voc. Julia(F) (Jazz Rebbels) nächste Seite!

Seite 52

52

Fortsetzung Charleston (F) voc. Julia(F) (Jazz Rebbels)

4 || Verse voc wie 2

5 || Chorus voc wie 3

� || 1 Chorus Bläsersolo + Charleston-Tanz (wie 3)

� || Solo Acc. 3 x 8 Takte + Charleston-Tanz (wie 3)

6 Takte Tutti + Tanz � ⊕

� || ⊕ Coda:

|| F | Gm | || | F | || |

Seite 53

53

Charmaine

(Ernö Rapée/Lew Pollack)

____________________________________________ Eb | ./. | ./. | ./. | 3. 5.

Eb | Eb E0 | Fm7 | Bb7 | Bb7 | ./. | Fm7 | Bb7 | 2.

Bb7 | Bb5+ | Eb | ./. | Eb | ./. | Bbm | C7 | Fm | C7 | Fm | ./. | Ab | Abm | Eb | C7 | F7 | Bb7 | Eb | ./. ||

Seite 54

54

Chattanooga Stomp

(King Oliver , Alphonse Picou 1924)

____________________________________________ Intro

| Bb - - - | - - - - |F7Ab7CmAb7| F7 - F7 - || 1| Bb | Bb7 | Eb Bb0 | Bb - - - | | Bb | Bb G7 | C7 | F7 | | Bb | Bb7 | Eb Bb0 | Bb - - - | | Bb Bb0 | Bb G7 | C7 F7 | Bb || 2| Bb | Bb F0 | F7 | Bb | | Bb | Bb F0 | F7 | Bb | | Bb | Bb F0 | F7 | Bb | | Bb | Bb F0 | F7 | Bb || Back to 1 once

3| Eb | Bb7 | Eb | Eb7 | | Ab | Abm | Eb | Eb | | Bb7 | Bb7 | Eb | Eb Ebm | | Bb | F7 | Bb7 - - - | - - - - | Fortsetzung nächste Seite!

Seite 55

55

Fortsetzung Chattanooga Stomp

| Eb | Bb7 | Eb | Eb7 | | Ab | Abm | Eb | Eb | | Bb7 | Bb7 | Eb | C7 | | F7 | Bb7 | Eb | Eb ||

Seite 56

56

Chicago Breakdown

(Ferdinand “Jelly Roll” Morton 1924)

____________________________________________ Intro

| Gb0 | Gb0 | Ab0 | Ab0 | |Bbm./../.Gb7| Ab0 | Gb0 | Gb7 F7 || 1| Bb | C7 F7 | Bb | C7 F7 | | Bb7 | Eb | D7 G7 | C7 F7 | | Bb | C7 F7 | Bb7 | Eb | | Eb Gb7 | Bb G7 | Cm7 F7 | Bb || 2| C7 | F7 | Bb - - - | - - - - | | F7 | F7 | Bb | Bb | | C7 | F7 | Bb - - - | Bb7 - - - | | Eb Bb0 | Bb Bb0 | F7 | Bb || back to 1 once, then intro once, then 1

3| F7 | Bb7 | Eb | Eb | | Bb7 | Bb7 | Eb | Eb C7 | Weiter nächste Seite!

Seite 57

57

Fortsetzung Chicago Breakdown

| F7 | Bb7 | Eb | Eb Bb0 | | Bb G7 | C7 F7 | Bb7 | Bb7 | | F7 | Bb7 | Eb | Eb | | Bb7 | Bb7 | Eb | Eb7 | | Ab | C0 | Eb G7 | C7 | | F7 | Bb7 | Eb Ab | Eb ||

Seite 58

58

Chimes Blues

(King Oliver 1923)

____________________________________________ Intro

| Bb - - - | - - - - | F7F7C7F0 | F7 - F7 - || 1

|Bb | Bb F | Bb | Bb7 | |Eb | Eb Bb0 | Bb D7 | G7 | | C7 | F7 | Bb Eb | Bb || 2

|Bb | Bb | Bb | Bb7 | |Eb | Eb Ebm | Bb D7 | G7 | | C7 | F7 | Bb Eb | Bb || 3

|Bb | Gb7 | Bb | Bb7 | |Eb | Bb0 | Bb D7 | G7 | | C7 | F7 | Bb Eb | Bb || Coda

| - - - - | - Eb Bb - ||

Seite 59

59

China Boy

(Winfree/Boutelje)

____________________________________________ F | ./. | ./. | ./. | F | ./. | D7 | ./. | G7 | ./. | ./. | ./. | Bbm | ./. | F | Eb7 | Ab | Eb7 | Ab | ./. | Ab | Eb7 | Ab | C7 | 4.

*F | ./. | D0 | ./. | F | C7 | F | ./. || ½ Solo Stulle u. Schorsch! *Schlussbreaks Bass, Waschbrett!

Seite 60

60

Chinatown(My Chinatown)

(Jean Schwartz)

____________________________________________ Bb | ./. | ./. | ./. | Bb | Bb ./.0 | F7 | F7 | D7 | ./. | Gm | Gm | 3.

C7 | ./. | Cm7(Eb6) | F7 |

Bb | ./. | ./. | ./. | Bb | ./.7 | Eb | ./. | Eb | ./.m | Bb | G7 | C7 | F7 | Bb | F7 | Schluss auf Bb ||

Seite 61

61

Coal Cart Blues

(Armstrong/Hardin)

____________________________________________ Einleitung: (Schorsch)

Eb | ./. | F7 Bb7 | Eb //. ||

Blues in Eb:

Eb | ./. | ./. | Eb7 | Ab | ./. | Eb | ./. | Eb | Bb7 | Eb ... | .... |: 2.: Eb | Eb7 | Mittelteil:

Ab | ./. | Eb | ./. | (2.)

Bb7 | ./. | Eb Eb0 | Eb Eb7 | Ab | ./. | Eb | ./. | (2.)

Ab Eb0 | Eb C7 | F7 Bb7 | Eb C7 | F7 Bb7 | Eb Eb7 ||: Seite 1 - Fortsetzung Seite 2!

Seite 62

62

Fortsetzung Coal Cart Blues - Seite 2

Chorus: 1. mal - breaks u. am Schlussbreaks!

Ab | ./. | ./. | ./. | Ab | Eb7 | Bb7 | Bbm Eb7 | Ab | ./. | ./.7 | Db | --- breaks ---------> / - - -6 Schläge leer - - - / / - - - 6 Schläge leer - - - /

(1./4.)

Db | Ab0 | Ab | Bb7 Eb7 | _____________________1 |

Ab | ./. | Bb7 Eb7 | Ab ||: __________________________________________2 |Schluss:|

Bb7 Eb7 | Ab F7 | Bb7 Eb7 | Ab ||

Seite 63

63

Crazy Rhythm (F)

(I. Caesar, J. Meyer, R. Wolfe Kahn)

____________________________________________ Chorus:

| F | ./. | ./. | ./. | 3. 4.

| Gm7 | C7 | F Dm | Gm C+ | | F | ./. | ./. | ./. | | Gm7 | C7 | F Bb | F | 3.

| Cm7 | F7 | Bb | ./. | 2. 2./5.

| Bbm6 | ./. | F Dm7 | G7 C7 | | F | ./. | G7 | ./. | | Gm7 | C7 | F | F ||

Seite 64

64

Cushion Foot Stomp Eb

(Clarence Williams 1927)

____________________________________________ Intro:

1

| - / / / | / - / - | - / / / | / - / - | | Bb+ | ./. | Eb6 | ./. | | - / / / | / - / - | - / / / | / - / - | | B0 | ./. | B7 | ./. | | Eb | ./. | ./. | Eb7 | | Ab | Abm | Eb | ./. | | B7 | ./. | Eb Ab | Eb || 2| Eb | ./. | ./. | ./. | | Eb | ./. | Eb7 | ./. | | Ab | ./. | ./. | Abm | | Eb | ./. | C7 | ./. | | F7 | ./. | Abm | ./. | | Eb | B7 | Eb B7 | Eb || Interlude

| Bbm7 - C7 - | Gbm6 – F7 | Bb7 – B0 - | Bb7 - Bb7 - | | C - B - | C - B - | A - Ab - | A - A - ||

Seite 65

65

Fortsetzung Cushion Foot Stomp

3|: C7 | ./. | F7 | ./. | | Bb7 | ./. | Eb - - - | - - - - | | C7 | ./. | F7 | ./. | | Bb7 | ./. | Eb - - - | ./. :| Intro – cl + Kämme - cl + Kämme –

� tu-Solo + Kämme - cl + Kämme –

cl + Kämme – Interlude – 1 - 4

� voc - � cl (2. Break tu) - � Kamm – � Kamm -� bj (wb) Stop –

� Band - fine: | - - - - | - - - - | - - - - | - Bb Eb - | Andere Version folgt nächste Seite!

Seite 66

66

CUSHION FOOT STOMP – andere Version (Clarence Williams 1927)

____________________________________________ 1| Eb | ./. | ./. | Eb7 | | Ab | Ab | Eb | ./. | | Bb7 | ./. | Eb Ab | Eb Bb7 | | Eb | ./. | ./. | Eb7 | | Ab | Ab | Eb | ./. | | Bb7 | ./. | Eb Ab | Eb Bb7 || 2| Eb | ./. | ./. | Eb | | Eb | ./. | ./. | Eb7 | | Ab | ./. | ./. | Abm | | Eb | ./. | C7 | C7 | | F7 | ./. | Abm | Bb7 | | Eb | Bb | Eb | Bb7 | | Eb | ./. | ./. | Eb7 | | Ab | ./. | Eb | Eb | | Bb7 | ./. | Eb Ab | Eb Bb7 || Fortsetzung nächste Seite!

Seite 67

67

Fortsetzung Cushion Foot Stomp – andere Version

3| C7 | ./. | F7 | ./. | | Bb7 | ./. | Eb - - - | - - - - | | C7 | ./. | F7 | ./. | | Bb7 | Eb7 | Ab A | Bb B | Ending last time this four:

| Bb | Eb7 | Ab - - - | Ab - Ab - ||

Seite 68

68

(The) Darktown Strutter’s Ball

(Brooks)

_____________________________________________ Chorus:

Bb | ./. | C7 | ./. | F7 | ./. | Bb | F7 | Bb | ./. | C7 | ./. | 3.

Eb | E0 | Bb | G7 |

C7 | F7 | Bb | F7 || Verse:

Bb | F7 | Bb | F7 | D7 | Gm | C7 | F7 | Bb | F7 | D7 | Gm | F | F D7 | Gm C7 | F7 || Chorus, Verse, Chorusse

Seite 69

69

Dead Man Blues

(Ferdinand Jelly Roll Morton 1926)

____________________________________________ Intro

| Gm | Gm Cm | Gm | D7 | | Gm | Gm D7 | Gm Cm | Gm F7 || Chorus

| Bb | Bb | Bb | Bb7 | | Eb | Eb | Bb D7 | G7 | | C7 | C7 F7 | Bb F7 | Bb || Coda back to the intro 8 bars

Seite 70

70

Decatur Street Tutti

(Jabbo Smith)

____________________________________________ Intro:

C (7.) | ./. | Bb (5.) | ./. | Ab (3.) | ./. | Gb (1.) | G7 . . . || 1. Solo-Chorus: Nur Banjo + Solo Michl

Chorus:

' ... .... ' ... …. C | G7 | C | ./. | play --------------------------------------------------------------------------------------------------|

C | A7 | D7 | ./. | ' ... .... ' ... .... G7 | ./. | C | ./. | (4.) play --------------------------------------------------------------------------------------------------|

Em | B7 | Em | G7 | Seite 1 - Fortsetzung Seite 2!

Seite 71

71

Fortsetzung: Decatur Street Tutti Seite 2

' ... .... ' ... .... C | G7 | C | ./. |

play --------------------------------------------------------------------------------------------------|

C | A7 | D7 | ./. | play --------------------------------------------------------------------------------------------------|

Schluss: / /2./5. / /

F | Eb0 | C | A7 | play ------------------------------------------- '... . | D7 | G7 | C | G7 | oder: | C ... | ... || Langer Schluss: | C | ./. ||:

Seite 72

72

Dinah

(Lewis/Young/Akst)

_____________________________________________ | F | ./. | ./. | ./. | C7 | ./. | F | C7 | F | ./. | ./. | ./. | C7 | ./. | F | ./. | 2. 2.

Dm |Dm(maj) | Dm7 | G7 C7 | 2.

Dm Dm7 | G7 | C7 | ./. | F | ./. | ./. | ./. | C7 | ./. | F | ./. ||

Seite 73

73

Down Among The Sheltering Palms

(Olman, Abe/Brockman, James)

____________________________________________ Intro:

| F | ./. | ./. | D7 | | G7 | C7 | F | C7 || Chorus:

| F | ./. | ./. | D7 | | G7 | ./. | ./. | ./. | | C7 | ./. | ./. | ./. | | Dm | D7 | G7 | C7 | | F7 | ./. | Bb | ./. | | D7 | ./. | G7 | C7 | | F | ./. | ./. | D7 | | G7 | C7 | F | C7 | Schluss: | F ||

Seite 74

74

Do You Know What It Means, To Miss New Orleans

(L. Alter/E. DeLonge)

____________________________________________ 3. 5. 4.

C G5+ | C F9 | Em7 Am7 | D7 | 2./5. /// /

F C0 | C A7 | Dm7 Ab7 | G7 | 5.

C G5+ | C F9 | Em7 | D7 | F C0 | C A7 | Dm7 G7 | C6 |

5.

Bbm Eb7 | Ab A0 | Bbm Eb7 | Ab | 5.

Am D7 | G Em7 | Am D7 | Fm6 G7 | C G5+ | C F9 | Em7 Am7 | D7 | F C0 | C A7 | Dm7 G7 | C | 5.

Schluss: | C6/Am7 ||

Seite 75

75

Doctor Jazz

(Melrose/Oliver)

____________________________________________ Eb | Bb7 | Eb | ./. | Eb | Bb7 | Eb | ./.7 | Ab | ./. | Eb | C7 | F7 | ./. | Bb7 | ./. | Eb | Bb7 | Eb7 | ./. | Ab | ./. | G7 | ./. | C7 | ./. | F7 | ./. | Eb | Bb7 | Eb | Bb7 | Schluss auf Eb ||

Seite 76

76

East St. Louis Toodle – Oo (Jazz Rebells)

(D. Ellington – B. Miley)

____________________________________________ Version f. Burlesque-Show 1./4./7.

1|| Cm | D0 | Cm | D0 |

| Cm | D0 | Cm Ab |G7FmCmD0|| 2|| Cm | D0 | Cm | D0 |

| Cm | D0 | Cm Ab |G7FmCmD0|

| Cm | D0 | Cm | D0 | �

| Cm | D0 | Cm B0(1./4./7.) |Bbm7 Eb7 |

| Ab | Eb7 | Ab | Abm | ┌───────────────────────────┐ 10. �Break

| Eb Bbm6 | C7 | B7 Bbm7 Ab7 | A7 Ab7 G7 |

| Cm | D0 | Cm | D0 | 2. / / / / / /

| Cm | D0 |Cm Dm7/5- Cm | E0 (3./6./9.) ||

�|| Bb7 | ./. | Eb | ./. |

| Bb7 | ./. | Eb | ./. |

| Bb7 | ./. | Eb | ./.7 |

| Ab A0 | Eb C7 | F7 Bb7 | Eb C7 | | F7 Bb7 | Eb D0 || Fortsetzung East St. Louis Toodle – Oo (Jazz Rebells) nächste Seite!

Seite 77

77

Fortsetzung East St. Louis Toodle – Oo (Jazz Rebells) 1./4./7.

|| Cm | D0 | Cm | D0 |

| Cm | D0 | Cm Ab |G7FmCmD0|

| Cm | D0 | Cm | D0 | / / / / / / 1./4./7.

| Cm | D0 |Cm Dm7/5- Cm | E0 ||

�|| Bb7 | ./. | Eb | ./. | Break ┌───────────────────────────┐

| Bb7 | ./. | Eb | Eb0 |

| Bb7 | ./. | Eb | ./.7 |

| Ab A0 | Eb C7 | F7 Bb7 | Eb C7 | / / / 1./4./7.

| F7 Bb7 | Eb E0 ||

�|| Bb7 | ./. | Eb | ./. | Break 2./5./8. ┌───────────────────────────┐

| Bb7 | ./. | Eb | Eb0 |

| Bb7 | ./. | Eb | ./. | 1./4./7.

| Ab A0 | Eb C7 | F7 Bb7 | Eb C7 | Break ┌─────────────┐

| F7 Bb7 | EbFmCmD0 || Ito

�|| Cm | D0 | Cm | D0 |

| Cm | D0 |Cm Fm | Cm || � Intro ? Verse II clt solo � Coda tbn ? � Verse tbn ? � Chorus sopran � Chorus sopran � Chorus saxes Fortsetzung Burlesque-Show (Teil 2) nächste Seite!

Seite 78

78

Fortsetzung Burlesque-Show (Teil 2)

Burlesque-Show (Teil 2) (Last Call)

Intro

|| Bb | ./. | ./. | ./. || Dr?? Chorus 1/2/3 (Solo Tever/Chorus 1+2 notiert, Chorus 3 ad lib)

.$.:|| Bb | ./. | ./. | ./. |

| Eb7 | ./. | Bb | ./. |

| Cm7 | F7 || Bb | ./. ||: ⊕ Chorus 4

|| Bb | Eb7 | Bb | ./.7 |

| Eb7 | ./. | Bb | ./. |

| Cm7 | F7 | Bb | ./. || D.S. al Coda Chorus 1+2 wie oben (2 Blues-Chorusse, 2nd time to Coda)

⊕ Coda

♩ ♫ ♩10.

|| Bb | Bb F7 Bb9 ||

Seite 79

79

Easy Come, Easy Go Blues

(Roy Bergere)

____________________________________________ Intro:

| Bb7 | ./. | ./. | ./. | 2./5./7.

| Eb C° | ./. | F7 | ./. | Chorus:

| Bb7 | ./. | ./. | ./. |

| F D7 | G7 | ./. | C7 |

| Bb7 | ./. | Bb | A7 | / - - -Break / - - -Break 2./5./7.

| D7 | ./. | G7 | Ab° |

| Bb7 | F D7 | Db7 | C7 F | Verse 1: / - - -Break

| F | F G7 | C7 | F | / - - -Break

| F | F D7 | G7 | C7 |

| A7 | Dm | A7 | Dm |

| G7 | C A7 | D7 G7 | C7 | 1x Chorus Band, 1x Chorus mit Breaks wbd Fortsetzung Easy Come, Easy Go Blues nächste Seite!

Seite 80

80

Fortsetzung Easy Come, Easy Go Blues Verse 2:

| Dm | Gm7 | Dm A7 | Dm |

| Dm | Gm7 | Dm A7 | Dm |

| Dm | Gm7 | Dm A7 | Dm |

| Dm | Gm7 | Dm A7 | Dm F7 | 1x Chorus pno, 1x Chorus Band Coda:

| F | wbd | F | wbd |

| F | F | F | wbd ||

Seite 81

81

Easy Come, Easy Go Blues (Lyrics)

(Roy Bergere)

____________________________________________

Some folks the're always crying Crying their mean old blues Not Me, you never even see me frown. Some folks just walk around tryin' Tryin' hard love to loose, But I felt let it come the better let it burn I'm the happiest gal in the town Easy come easy go Nothing ever worries me, Care for none, eyes of stone Don't know misery. If my man be trouble, Or if he don't I'll get someone to love me anytime you want Easy come easy go Right from my head to my shoes Don't wanna be no skinny vamp or nothing like that Daddy always knows just where his sweet Mama's at I'm overflowin' with those easy come, easy go blues. He'll swallows me up, when he's lovin; hear what I've said Believe me I go out to lick him 'most everyday I'm overflowin' with those easy come, easy go blues.

Seite 82

82

Easy Rider

(Roger McGuinn)

____________________________________________ | F7 | F7 | F7 | F7 | | Bb7 | Bb7 | F | F | | A7 | A7 | Dm | Dm | | G7 | G7 | C7 | C7 | | F7 | F7 | F7 | F7 | | Bb7 | Bb7 | A7 | A7 | | D7 | D7 | G7 | Do | |C7 | C7 | F | F ||

Seite 83

83

Edna

(Oliver - Nelson)

____________________________________________ Verse: Thema - Basssax!

Eb | ./. | ./. | ./. | G7 | Cm | G7 | Cm Bb7 | Eb | ./. | ./. | ./. | Break!

C7 | F7 | ./. | Bb7--- || Chorus:

Banjo-break: 10. Eb.|Ab.|Bb7.|Bb7.|

Eb | Bb7 | Eb... | .... | Tuba-break!

Eb | Bb7 | Eb... | .... | G7 | ./. | Cm | ./. | Break-Solo!

F7 | ./. | Bb7... | .... | Kamm-break!

Eb | Bb7 | Eb... | .... | Washboard-break!

Eb | Bb7 | Eb... | .... | C7 | ./. | F7 | F7 Bb7 | Eb | Bb7 | Eb | Ab7 Bb7 || Langer Schluss auf Eb!! 3x (2x wiederholen!) Chorus, Verse, Chorusse (Soli)

Seite 84

84

Everybody Loves My Baby (Dm/F)

(J. Palmer/Sp. Williams)

____________________________________________ Verse:

:|| Dm | A7 | Dm Bb7 | A7 | 5.

| Dm Dm7 | Bb7 | Dm Bb7 | A7 ||: Chorus:

|| Dm | ./. | ./. | ./. | | G7 | C7 | F | A7 | | Dm | ./. | ./. | ./. | | A | E7 | A | C7 | | F | ./. | ./. | ./. | | G7 | ./. | ./. | C7 A7 | | Dm | ./. | ./. | ./. | | G7 | C7 | F | A7 ||

Seite 85

85

Everybody Loves My Baby (Fm/Ab)

(J. Palmer/Sp. Williams)

____________________________________________ Verse:

:|| Fm | C7 | Fm Db7 | C7 | 5.

| Fm Fm7 | Db7 | Fm Db7 | C7 ||: Chorus:

|| Fm | ./. | ./. | ./. | | Bb7 | Eb7 | Ab | C7 | | Fm | ./. | ./. | ./. | | C | G7 | C | Eb7 | | Ab7 | ./. | ./. | ./. | | Bb7 | ./. | ./. | Eb7 C7 | | Fm | ./. | ./. | ./. | | Bb7 | Eb7 | Ab | C7 | Schluss auf Ab ||

Seite 86

86

Exactly Like You

(McHugh - Fields 1930)

____________________________________________ C | ./. | D7 | ./. |

4. 3. 2. 2. 2. 5. 5. 4.

G7 C#0 | Dm7 G7 | C Am7 | Dm7 G7 | C | ./. | D7 | ./. | 4. 3. 2.

G7 C#0 | Dm7 G7 | C F | C C7 | 5. 5. 4. 5.

F6 | Fm6 | C | Am7 | 5. 5. 4. 3. 2.wie Ebm7

Dm7 | Fm6 | Em7 Eb0 | Dm7 G7 | C | ./. | D7 | ./. | 4. 3. 2. 2. 2. 2. 2.

G7 C#0 | Dm7 G7 | C F | C ||

Seite 87

87

Farewell Blues

(Schoebel/Mares/Rapollo)

___________________________________________ Verse:

D7 | ./. | Gm | F0 | F | C7 | F | ./. || Chorus:

F | C7 | F | ./. |: D7 | ./. | Gm | F0 | F | C7 | F | ./. ||

Seite 88

88

Fidgety Feet

(La Rocca/Shields/Ragas)

____________________________________________ | F | ./. | ./.7 | ./. || ||: Bb | ./. | Eb | Bb ... | Bb | ./. | C7 | F7 | Bb | ./. | Eb | Bb | Bb... | .... | C7 F7 | Bb ||: ||: EbEb.. | G7G7.. | AbAb.. | Eb/ₒEb/ₒ. | Bb7 | Eb | F7 | Bb7 | EbEb.. | G7G7.. | AbAb.. | Eb/ₒEb/ₒ. | Bb7 | Eb | F7 Bb7 | Eb Eb7 ||: Seite 1 - Fortsetzung Seite 2!

Seite 89

89

Fortsetzung Fidgety Feet: Seite 2

Chorus:

Ab | Eb7 | Ab | ./. | Eb | ./.7 | Ab | ./.7 | Db | ./. | Ab | F7 | Bb7 | ./. | Eb7 | ./. | Ab | Eb7 | Ab | ./.7 | Db | ./. | C7 | ./. | (4.)

Db | D0 | Ab | F7 | Bb7 | Eb7 | Ab | ./. || Langer Schluss!

Seite 90

90

Five Foot Two, Eyes Of You

(Henderson/Lewis/Young)

_____________________________________________ | C | E7 | A7 | ./. | 3.

| D7 | G7 G+ | C | D7 G7 | | C | E7 | A7 | ./. | | D7 | G7 | C F | C || | E7 | ./. | A7 | ./. | | D7 | ./. | G7 | ./. | | C | E7 | A7 | ./. | 3.

| D7 | G7 G+ | C Fm | C ||

Seite 91

91

Forty And Tight (Bb)

(F. Melrose)

____________________________________________ | C7 | F7 | Bb | ./. | | C7 | F7 | Bb | ./. | | D7 | ./. | Gm | ./. | | F | C7 | F7 | ./. | | C7 | F7 | Bb | ./. | | Bb7 | ./. | Eb | ./. | / - - - / 3./6. / /

| Eb | E0 | Bb | G7 | / | C7 | F7 | Bb | ./. || Langer Schluss!!

1. Alle | Break 1. Solo: Einstiegsbreak 2. Mitch + Banjo, Tuba Schlussbreaks

Seite 92

92

Forty And Tight (Eb)

(F. Melrose)

____________________________________________ | F7 | Bb7 | Eb | ./. | | F7 | Bb 7 | Eb | ./. | | G7 | ./. | Cm | ./. | | Bb | F7 | Bb7 | ./. | | F7 | Bb7 | Eb | ./. | | Eb7 | ./. | Ab | ./. | / - - - Break | Ab | Eb0 | Eb | C7 | | F7 | Bb7 | Eb | ./. || Langer Schluss!!

1. Alle | Break 1. Solo: Einstiegsbreak 2. Mitch + Banjo, Tuba Schlussbreaks

Seite 93

93

47th Street Stomp (Jimmy Blythe)

____________________________________________ Intro

| F | F | C7 | C7 | Chorus

| F | F | G7 | G7 | | C7 | C7 | F | F | | A7 | A7 | Dm | Dm | | G7 | G7 | C7 | C7 | | F | F | G7 | G7 | | C7 | C7 | A7 | A7 | | D7 | D7 | G7 | G7 | | C7 | C7 | F | F ||

Seite 94

94

Gatemouth (Eb) (Louis Armstrong)

____________________________________________ Chorus

| Bb7 | ./. | Eb | ./. | Nur bei Soli

| Bb7 | ./. | Eb - - - | - - - - | | Bb7 | ./. | Eb | ./.7 | 2./5./8.

| Ab Eb0 | Eb C7 | F7 Bb7 | Eb || Verse

| Eb | ./. | ./. | ./. | | G7 | Cm | F7 | Bb7 | | Eb | ./. | Eb | ./. | | Ab Eb0 | Eb C7 | F7 Bb7 | Eb || kurzer Schluss!!

1 Chorus - 2 Verse - 1 Chorus cl Stoptime | 1-2-3-4 | 1 - - - | 1 Chorus Michl 1 Chorus Jeff 1 Chorus Piano *1 Chorus “bamm, bamm bamm” Mitch Sopran 1 Chorus Band

Seite 95

95

Geri

(Gründer-Gölling-Thiel)

____________________________________________ F | ./. | ./. | ./. | F | ./. | C7 | ./. | C7 | ./. | ./. | ./. | C7 | ./. | F | ./. | F | ./. | ./. | ./. | F | ./.7 | Bb | ./. | Bb | ./.m | F | D7 | G7 | C7 | F | ./. ||

Seite 96

96

Gisela (Hallo, kleines Fräulein)

(Öldorp)

____________________________________________ G7 | ./. | ./. | ./. | C7 | ./. | ./. | ./. | F7 | ./. | ./. | ./. | Bb | ./.0 | Cm | F7 | G7 | ./. | ./. | ./. | C7 | ./. | ./. | ./. | Eb | ./.m | Bb | G7 | C7 | F7 | Bb | ./. ||

Seite 97

97

Ham Gravy

(Peer)

____________________________________________ Intro:

Eb Bb0 | Bb G7 | C7 - F7 | Bb | Verse:

Bb | F7 | Bb | F7 | G7 | Cm | C7 | F7 | Bb | F7 | Bb | F7 | G7 | Cm | C7 | F7 | Chorus 1: Wie Chorus von „At The Jazzband Ball“ 3x

G7 | G7 | C7 | C7 | F7 | F7 | Bb Break

| ./. | G7 | G7 | C7 | C7 | Eb Bb0 | Bb G7 | C7 - F7 | Bb | Schluss :| C7 - F7 | Bb G7 | | C7 - F7 | Bb || ▲2x Chorus 2 Blueschorus: 4x

Eb | Eb | Eb | Eb7 | Ab | Ab | Eb | Eb | Bb7 | Bb7 | Eb - Ab | Eb ||

Seite 98

98

Happy Feet (Jazz Rebells)

(J. Yellen – M. Ager) Intro 2. 10. 5. 2./6.

|| G9 | Bbm6 | F6 | D+ |

| G7 | C7 | F | F A7 ||

1Chorus Band

|| Dm | ./. | Bb7 | ./. |

| Dm | ./. | D7 | ./. |

| G9 | ./. | C7 | ./. | 5. 1.

| F6 | Bbm7 | E7 | Bb7 A7 | | Dm | ./. | Bb7 | ./. | | Dm | ./. | D7 | ./. | 10. 5.

| G9 | Bbm6 | F6 | D+ |

| G7 | C7 | F | F A7 ||

2Verse Voc. 5.

|| Dm | A7 | Cm6 | D7 | 4. 1.

| Em7 A7 | Dm | Bbm7 E7 | A7 |

| Dm | A7 | E7 | A | 1./4./7. 4.

| E7 | A A#0 | E7 Em7 | A7 ||

3||Chorus Voc. wie1! Fortsetzung Happy Feet (Jazz Rebells) nächste Seite!

Seite 99

99

Fortsetzung Happy Feet (Jazz Rebells)

4||Chorus Steptanz – nur Bläser u. drums

5||Chorus für Soli – wie 1 � ½ Chorus Voc.

|| Dm | ./. | Bb7 | ./. |

| Dm | ./. | D7 | ./. | 7. 10. 5. 2./6.

| G9 | Bbm6 | F6 | D+ |

| G7 | C7 | F | F ||

Seite 100

100

Hello Lola

(McKenzie)

__________________________________________ Intro: (Klarinette)

F ... | F7 | Bb7 | . . . . || Chorus:

F | ./.7 | Bb7 | ./. | C7 | ./. | F | C7 | F | ./.7 | Bb7 | ./. | C7 | ./. | F | ./. | Am | E7 | Am | D7 | 4.

C | Ab7 - G7 | C7 | C+ | F | ./.7 | Bb7 | ./. | C7 | ./. | F | C7 | Schluss : | F || 2./5.

oder: | F6=Dm7 ||

Seite 101

101

He Wouldn’t Stop Doin’ It

(Hill/Williams)

____________________________________________ Intro: (clt)

Cm ... | Ab7... | Cm ... | G7 ... || Chorus:

Cm G7 | ./. | ./. | Cm Eb7 | (3./6.)

Ab7 | ./. | Eb | Eb E0 | (3./6.)

Bb7 E0 | F7 Bb7 | Eb Ab7 | Eb G7 | Schluss: Eb || oder: Eb6 ||

Seite 102

102

Honeysuckle Rose (F) (Razaf/Waller)

_____________________________________________ Gm C7 | Gm C7 | Gm C7 | G7 C7 |

5.

F Dm | Gm C7 | F Gm | Am Gb0 | Gm C7 | Gm C7 | Gm C7 | G7 C7 | F Dm | Gm C7 | F Bb7 | F | 2. 3. 4. 5. 2. 3. 3. 2.

F7 Eb6 | Ab0 F7 | Bb Cm | Db0 Bb | 5. 3. 4. 3. 2.

G7 F6 | Bb0 G7 | C7 Gm7 | Eb0 C7 | Gm C7 | Gm C7 | Gm C7 | G7 C7 | 5. 1./4.

F Dm | Gm C7 | F F6 | F F0 ||

Seite 103

103

Honeysuckle Rose (C) (Jazz Rebells)

(Razaf/Waller)

____________________________________________ Intro – Slow!

||Dm G7 | Dm G7 | Dm G7 | D7 G7 |Thema 3./6./9. Acc.!

|C Am | Dm G7 | C Dm | Em C#0 || 1 Voc. || Dm G7 | Dm G7 | Dm G7 | D7 G7 | |C Am | Dm G7 | C Dm | Em C#0 | | Dm G7 | Dm G7 | Dm G7 | D7 G7 | |C Am | Dm G7 | C F7 | C | 2./5./8.

| C7 Gm7 | Eb0 C7 | F | C7 F | 1./5./7.

| D7 Am7 | F0 D7 | G7 | D7 G7 | | Dm G7 | Dm G7 | Dm G7 | D7 G7 | |C Am | Dm G7 | C F7 | C || 4

2||├─────┤|| drums – Solo � neues Tempo! bzw. einzählen Julia! Fortsetzung Honeysuckle Rose (C) (Jazz Rebells) nächste Seite!

Seite 104

104

Fortsetzung Honeysuckle Rose (C) (Jazz Rebells) Medium Tempo

3 voc.

||Dm G7 | Dm G7 | Dm G7 | D7 G7 | 3./6./9.

|C Am | Dm G7 | C Dm | Em C#0 | | Dm G7 | Dm G7 | Dm G7 | D7 G7 | |C Am | Dm G7 | C F7 | C | 2./5./8.

| C7 Gm7 | Eb0 C7 | F | C7 F | 1./5./7. | D7 Am7 | F0 D7 | G7 | D7 G7 | | Dm G7 | Dm G7 | Dm G7 | D7 G7 | 3./6./9. |C Am | Dm G7 | C Dm | Em C#0 || 4|| Chorus Steptanz wie 3 5|| Chorus für Soli wie 3 �|| ½ Chorus = 16 Takte für Solo

½ Chorus Voc. + Tutti wie 1! (Schluss)

Seite 105

105

I Can’t Beat You Doin’ What You’re Doin’ Me

(Piron-Williams)

____________________________________________ Chorus:

C | C | A7 | A7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | 2./5.

C | Eb0 | G7 | G7 | C7 | C7 | F | F | A7 | A7 | Dm | Dm - G7 | 3.

C – G+ | C | A7 | A7 | D7 | G7 | C | C || Kurzer Schluss Waschbrett auf 2/4

Seite 106

106

I Can’t Beat You Doin’ What You’re Doin’ Me (Lyrics)

I can’t beat you doin’ What you’re doin’ me, Stiff, stiff, stiff from now on Is got to be You’ve been goin’ out callin’ Most every day But I haven’t been lonesome a minute Since you went away. I tried to treat you right, You wouldn’t have my bet Now I’ve made my call And I stand in pad. I can’t beat you doin’ What you’re doin’ me, Just wait as you will see.

Seite 107

107

I Can’t Dance (Bb) (C. Williams/C. Gains)

_____________________________________________ ||Bb | ./. | G7 | ./. | |C7 | F7 | Bb | F7 | |Bb | ./. | G7 | ./. | |C7 | F7 | Bb | ./. | |Bb7 | ./. | Eb | ./. | |C7 | ./. | F7 | ./. | |Bb | ./. | G7 | ./. | |C7 | F7 | Bb | ./. ||

Seite 108

108

I Can’t Dance (C) (Jazz Rebells) (C. Williams/C. Gains)

_____________________________________________ 1 ||C | ./. | A7 | ./. | 2.

|D7 | Dm7 G7 | C | G+ | |C | ./. | A7 | ./. | 5.

|D7 | Dm7 G7 | C | ./. | |C7 | ./. | F | ./. | |D7 | ./. |� G7 | ./. | |Bb | ./. | G7 | ./. | |C | ./. | A7 | ./. | ┌──────┐ |D7 | Dm7 G7 | C | G7 || 2 Chorus Voc. 3 Solo ten.

4 Chorus Voc. Break bei �

5 Solo 1. alt

� Chorus Voc.

� Tutti

� Tutti, Break bei � ┌──────┐ Schluss: | C | Ab7 C ||

Seite 109

109

I Can't Dance, I Got Ants in My Pants (Lyrics) (Charlie Gaines and Clarence Williams) Transcribed from Clarence Williams and his Orchestra, vocal by Louis Jordan, Clarence Williams, Charlie Gaines, recorded March 23, 1934. From Louis Jordan and His Tympany Five, 1934-1940; The Chronogical Classics, 636. Now, let's go walking, Let's go walking, Out the park, Out the park I'm not responsible I'm not responsible What I do after a dark! What I do after a dark! Now, let's go walking, Let's go walking, Out the park, Out the park I'm not responsible I'm not responsible What I do after a dark! What I do after a dark! Forgive me, miss, Forgive me, miss, I must insist I must insist You can't resist, You can't resist, If you feel like this! If you fee I like this! 'Cause I can't dance, I can't dance, I got ants in my pants, Got ants in my pants, Now, I can't dance, I can't dance, Got ants in my pants! Got ants in my pants! Now, let's get a penthouse, Let's get a penthouse, And go to town, And go to town, I want some pettin',

Seite 110

110

I want some pettin' That'll bring me down! That'll bring me down! Now, let's get a penthouse, Now, let's get a penthouse, And go to town, And go to town, I want some pettin', I want some pettin' That'll bring me down! That'll bring me down! [Scatting] Now, I can't dance, Now, I can't dance, Got ants in my pants, Got ants in my pants, Now, I can't dance, Now, I can't dance, Got ants in my pants! Got ants in my pants! Now, let's go riding, Let's go riding, Ain't gonna carry you far, Where you gonna take me? Now, you'll fix the blow-out, I'll fix the blow-out, And I'll drive the car! And you'll drive the car! Boy, let's go riding, Where you goin'? Ain't gonna carry you far, You're gonna take me from where? You'll fix the blow-out, I'll fix the blow-out, And I'll drive the car! And you'll drive the car! But, you gotta have gas, You gotta have gas, If you wanna go fast, If you wanna go fast,

Seite 111

111

Ain't got no gas, Then you got a dead motor, dead car! Now, I can't dance, You can't dance? I got ants in my pants, Ha, ha! Now, I can't dance, Now, you can't dance, I got ants in my pants! Ants in your pants! Transcribed from vocals by Taft Jordan with Chick Webb and His Orchestra, recorded May 9, 1934, From Chick Webb and His Orchestra, 1929-1934, Chronological Classics 502. Oh baby, let's have a party, Let's have a party, Let's all begin; Let's all begin; You bring the women, You bring the women. And I'll bring the gin. I'll bring the gin. Let's go for a ride, Let's go for a ride, Ain't going far, Ain't going far, You fix the blow-out, You fix the blow-out, Boy, and I'll drive the car. I'll drive the car. Oh, zaz-zoo-zoo, Oh, zaz-zoo-zoo, Oh, zoo-zaz, Oh, zoo-zaz, Oh, zaz-zoo, Oh, zaz-zoo, [Scatting]

Seite 112

112

I Can’t Give You Anything But Love (F) (Fields/McHugh)

____________________________________________

(1./4.)

F | ./.0 | Gm7 | C7 | F | ./.0 | Gm7 | C7 | 3. /// / 1./5./9.

F | Cm7 F7 | Bb F+ | Bb | 5.

G7 | Dm7 G7 | C7 | Gm7 C7 | F | ./.0 | Gm | C7 | F | ./.7 | Bb | ./. | (1./4.)

Bb | F0 | F | D7 | Gm | G7 C7 | F F0 | Gm7 C7 | Schluss: | F ||

Seite 113

113

I Can’t Give You Anything But Love (C) (Fields/McHugh)

____________________________________________

(2./5.) (2./5.)

C | Eb0 | Dm7 | G7 |

(2./5.) (2./5.)

C | Eb0 | Dm7 | G7 | 3. /// /4.

C7 | Gm7 C7 | F C+ | F | 5.

D7 | Am7 D7 | G7 | Dm7 G7 |

(2./5.)

C | Eb0 | Dm | G7 | C7 | C7 | F6 | ./. | (2./5.)

F | F#0 | C | A7 | Dm | D7 G7 | C C#0 | Dm G7 | Schluss: | C | ./. ||

Seite 114

114

Ice Cream

(Robinson)

__________________________________________ Bb | ./. | ./. | ./. | F7 | ./. | Bb | ./. | Bb | ./. | ./. | ./. | F7 | ./. | Bb | ./. | Eb | ./. | Bb | ./. | C7 | ./. | F7 | ./. | Bb | ./. | ./. | ./. | F7 | ./. | Bb | ./. ||:

Seite 115

115

I’m Beginning To See The Light (D. Ellington, J. Hodges, H. James, D. George)

____________________________________________ :|| Bb F7 | Bb | ./. | Gb7 | 5.

Bb F7 | Fm6 G7 | C7 F7 | Bb | | Bb F7 | Bb | ./. | Gb7 | 5.

Bb F7 | Fm6 G7 | C7 F7 | Bb || 1.

D(9) | ./. | Db(9) | ./. | 2.

C(9)(7) | ./. | Gb7 | F7 | Bb F7 | Bb | ./. | Gb7 | 5.

Bb F7 | Fm6 G7 | C7 F7 | Bb ||

Seite 116

116

I Cover The Waterfront

(Johnny Green,Edward Heyman 1933)

____________________________________________ 4. 1. 5. 3./6./9.

||: Bbm Eb7 | Ebm7 Ab7 | Db Ebm7 | Fm7 Bb0 | Ebm7 | Ab7 | Db Bbm | Ebm F7 | 4.

Bbm Eb7 | Ebm7 Ab7 | Db Ebm7 | Fm7 Bb0 | 1. 2.

Ebm7 | Ab7 | Db6 | Gbm7 Db | 1.

Ebm7 Ab7 | Db6 Bbm7 | Ebm7 Ab7 | Db6 Bbm7 | Fm7 Bb7 | Eb6 Cm7 | Fm7 Bb7 | Ebm7 Ab7 | Bbm Eb7 | Ebm7 Ab7 | Db Ebm7 | Fm7 Bb0 | Ebm7 | Ab7 | Db6 Gbm | Db F7 :||

Seite 117

117

If We Never Meet Again (James Washington, Timothy Mosley, Michael Busbee)

_______________________________________________ 1./4.

||: Ab | F0 | Bbm7 | Bbm7 | 1. 1. Eb7 C0 | Bbm7 Eb7 | Ab6 F0 | Bbm7 Eb7 | 1.

Ab | F0 | Bbm7 | Bbm7 | 3.

Eb7 C0 | Bbm7 Eb7 | Ebm6 | F7 | 3.

Ebm6 | Gb7 F7 | Bbm F7 | Bbm | 2.

Bbm | Dbm6 | E7 | Eb7 | Ab | F0 | Bbm7 | Bbm7 |

= Fm7

(5.)

Eb7 C0 | Bbm7 Eb7 | Ab6 F0 | Bbm7 Eb7 :||

Seite 118

118

If You Wanna Be My Sugar Papa (You Gotta Be Sweet To Me) (A.Wayne-Irving Mills-Bob Schaffer)

_______________________________________________

||: F | D7 | G7 C7 | FC7FF | | F | Bb | F | F | | C7 | ./. | F | C7 | | F | Bb | F | F | | F7 | Bb | Bb | F | | F | ./. | D7 | G7 C7 | | F D7 | G7 C7 | F | F | | F | ./. | ./. | ./. | | A7 | D7 | G7 | C7 | | F | ./. | ./.7 | Bb | | F | F D7 | G7 C7 | F ||

Seite 119

119

I Lost my Gal from Memphis Lyrics (Charles Tobias-Peter DeRose)

Transcribed from Andy Kirk and his Twelve Clouds of Joy, vocal by Billy Massey; recorded April 29, 1930. From Andy Kirk and his Twelve Clouds of Joy 1929-1931; The Chronogical Classics 655.

I lost my gal from Memphis, She's gone to Caroline; I know just who she went with, A dear old pal of mine.

I ought to hop a choo-choo, I know I ought to go, I'd love to find my baby, But my funds are awful low.

My gal, why did she leave me? Sweet gal, I'm missing her so!

Oh, there ain't no gal in Memphis As good as her around, I've lost my gal from Memphis, That's why I feel lowdown.

Seite 120

120

I Lost my Gal from Memphis Dm (Charles Tobias-Peter DeRose)

_______________________________________________

||: Dm | ./. | ./. | A7 | | A7 | ./. | ./. | Dm | | Dm | ./. | ./. | A7 | | A7 | ./. | ./. | Dm | | F | ./. | D7 | ./. | | Gm | ./. | A7 | ./. | | Dm | ./. | ./. | A7 | | A7 | ./. | ./. | Dm ||

Seite 121

121

I Lost my Gal from Memphis Em (Charles Tobias-Peter DeRose)

_______________________________________________

||: Em | ./. | ./. | B7 | | B7 | ./. | ./. | Em | | Em | ./. | ./. | B7 | | B7 | ./. | ./. | Em | | G | ./. | E7 | ./. | | Am | ./. | B7 | ./. | | Em | ./. | ./. | B7 | | B7 | ./. | ./. | Em ||

Seite 122

122

I’m Confessin’ That I Love You (Dougherty/Reynolds)

____________________________________________

3.

Ab Eb5+ | Ab Eb5+ |AbAbG7Gb7 | F7 | Bb7 | Eb7 | Ab F0 | Bbm Eb7 | Ab Eb5+ |Ab Eb5+ |AbAbG7Gb7 | F7 | Bb7 | Eb7 | Ab | ./. | 4.

Ab7 Ebm | Ab7Ab5+ | Db Ab5+ | Db | = Ab6

5.

Bb7 Fm7 | Bb7 | Eb7 Bbm |Eb7Eb5+ | Ab Eb5+ |Ab Eb5+ |AbAbG7Gb7 | F7 | Bb7 | Eb7 | Ab | Eb7 | 5. =Fm

7

Schluss: | Ab Eb7 | Ab Eb7 Ab6 ||

Seite 123

123

I’m Crazy ‘bout My Baby (Eb)

(Waller/Hill 1931)

_____________________________________________ Anfang: Cm | -------, Cm|G

7|Cm|G

7|Cm|G

7|------

Verse:

|Cm | D7 G7 | Cm | Cm Bb7 | 2. 2. 3. 4.

|Eb Bb7 | Eb Ab7 | G7 F6(Dm

7)| Bb0 G7 |

|Cm | D7 G7 | Cm | Cm Ebm | |Bb Ebm | Bb F7 | Bb | Bb7 || 5. Chorus: 3.

:||Fm7 | Bb7 | Ebmaj | C7 | |Fm | Bb7 | Fm Bb7 | Eb ||: |Eb7 | ./. | Ab | ./. | |F7 | ./. | Bb7 . . . | . . . . | |Fm7 | Bb7 | Ebmaj | C7 | |Fm | Bb7 | Fm Bb7 | Eb ||

Seite 124

124

I’m Going Hunting

(J.C. Johnson-Th. Fats Waller)

_____________________________________________ Intro

| Bb Bb - - | - - - - | F7 F7 - - | - - - - | | F7 | ./. | F7 - - - | - - - - | Verse

| Bb | Gb7 | Bb F7 | Bb | | F7 | ./. | C7 | F7 |

1./4./7

.

| F - C7/GAb0 | F D7 | Gm C7 | F7 ||

Chorus

| Bb | F7 | Bb | G7 | | C7 | F | C7 | F7 | | F7 | ./. | Bb | ./. | 2./5./8.

| F7 Db7 | F Gb0 | Gm C7 | F7 | | Bb | F7 | Bb | ./. | | Bb7 | ./. | ./. | Eb | 3./6./9.

| Eb | E0 | Bb/F | G7 | | Bb | F7 | C7 F7 |Coda Bb || Coda: 8 Takte wbd, im 8.Takt | Bb

7 |

Seite 125

125

I’m Gonna Sit Right Down And Write Myself A Letter (Eb)

(Young/Ahlert)

____________________________________________ Anfang: Nur Gitarre + Kamm

2. 3.

|Eb | Eb Bb+ | Ebmaj | ./. | |Eb | G7 | Ab C7 | Fm | 4. 3.

|Ab | Bb7 | Ebmaj | Db7 C7 | 3. 2. 1. 5.

|Eb6(Cm

7) F7 | Eb6

(Cm7

) F7| Bb7 | Fm7 Bb7 | |Eb | Eb Bb+ | Ebmaj | ./. | |Eb | G7 | Ab C7 | Fm | |Ab | Abm | Eb Bbm | C7 |

5. 5. 7

. 3. 3. 1. 1.

|F7 | Fm7 Bb7 | Eb Bb0 | Fm7 Bb7 | 3.

Schluss: | Eb6 ||

Seite 126

126

I’m Gonna Sit Right Down And Write Myself A Letter (C)

(Young/Ahlert)

____________________________________________ Anfang: Nur Gitarre + Kamm

3. 2.

| C | C G+ | Cmaj7 | ./. | | C6 | E7 | F A7 | Dm | | F | G7 | C | Bb7 A7 | 5.

| Am D7 | ./. | G7 | Dm7 G7 | | C | C G+ | Cmaj7 | ./. | | C6 | E7 | F A7 | Dm | | F | F Fm | C Gm | A7 | | D7 | Dm7 G7 | C Bb0 | Dm7 G7 || 5.

Schluss: | C6 ||

Seite 127

127

I'm Gonna Take My Bimbo Back To The Bamboo Isle

(Cl. Williams)

____________________________________________

| Bb | Bb | G7 | G7 | | C7 | F7 | Bb | F7 | | Bb | Bb | G7 | G7 | | C7 | F7 | Bb | Bb | | D7 | D7 | Gm | Gm | | C7 | C7 | F7 | F7 | | Bb | Bb | G7 | G7 | | C7 | F7 | Bb | Bb ||

Seite 128

128

I’m In The Mood For Love

(Jimmy McHugh, Dorothy Fields)

____________________________________________ 5.wie Gm

7 5.

:||C Am7 | Dm7 G7 | Dm7 G7 | C | 4./

7.(wie Dm

7) 2./5.

Em7 Eb0 | Dm7 G7 | Dm7 G7 | C C+ | 5.wie Gm

7 5.

|C Am7 | Dm7 G7 | Dm7 G7 | C | 4./

7.(wie Dm

7) 2./5.

Em7 Eb0 | Dm7 G7 | Dm7 G7 | C || Dm7 G7 | C A7 | Dm7 G7 | C | 5. 1.

Am(6) B7 | Em | Cm6 D7 | Dm G7 | C Am7 | Dm7 G7 | Dm7 G7 | C | 4. 2./5.

Em7 Eb0 | Dm7 | Dm7 G7 | C ||

Seite 129

129

(Back Home Again In) Indiana

(Hanley-McDonald - 1917

)

____________________________________________ Erster und letzter Chorus!

/ o / o | / o o o | F - (Eb) | D7 | G7 | ./. | C7 | ./. | F | ./.7 |

4.

Bb | Bb B0 | F | D7 | G7 | ./. | C7 | ./. | F | D7 | G7 | ./. | A7 | ./. | Dm | Db7 | F | A7 | Dm | B0 | F | C7 | F | ./. ||

Seite 130

130

In The Shade Of The Old Appletree

(Harry Williams / Egbert Van Alstyne)

__________________________________________ Eb | Ab | Eb | ./. | Eb | Bb7 | Eb | ./. | Bb7 | ./. | Eb | ./. | F7 | ./. | Bb7 | ./. | Eb | Ab | Eb | ./. | Eb | Bb7 | Eb | ./. | Bb7 | ./ | Eb | Ab | Eb | Fm Bb7 | Eb | ./. ||

Seite 131

131

It Don’t Mean A Thing (If It Ain’t Got That Swing) (Jazz Rebells) (Ellington)

_____________________________________________ 1 Intro 2. 5.

||Dm6 | Bb9 | Dm6 | Bb9 ||

2 Voc. ||Dm | ./. | Bb7 A7 | Dm | |G7 | C7 | F | F A7 | |Dm | ./. | Bb7 A7 | Dm | |G7 | C7 | F | ./. | |F7 | ./. | Bb | ./. | |G7 | ./. | C7 | Bb7 A7 | |Dm | ./. | Bb7 A7 | Dm | |G7 | C7 | F | ./. || ||3 1 Chorus Scat-Voc. wie 2

||4 1 Chorus Soli (2 Bläser) wie 2

||5 Chorus Steptanz wie 2

||� 1 Chorus drum Solo (tacet!)

||� Chorus Voc + tutti wie 2 Coda: Play 3x last 4 bars (mf – p – f)

Seite 132

132

I’ve Found A New Baby

(Palmer/S. Williams)

_____________________________________________ |Dm | Bb7 A7 | Dm | D7 | |G7 | C7 | F G7 | A7 | |Dm | Bb7 A7 | Dm | D7 | |G7 | C7 | F | ./. | |A7 | ./. | Dm | ./. | |G7 | ./. | C7 Bb7 | A7 | |Dm | Bb7 A7 | Dm | D7 | |G7 | C7 | F | Bb7 A7 | Schluss: | F ||

Seite 133

133

It’s Tight Like That

(Dorsey, Whittaker)

_____________________________________________ | Bb | Bb | Bb | Bb7 | | Eb7 | Eb7 | Bb | Bb | | F7 |F7 | Bb | Bb || | Ab | Ab | Ab | Ab7 | | Db | Db | Ab | Ab | | Eb7 | Eb7 | Ab | Ab ||

Seite 134

134

It's Tight Like That (Lyrics)

(Dorsey, Whittaker)

_____________________________________________ Transcribed from McKinney's Cotton Pickers, vocals by George Thomas and Dave Wilborn; recorded 11/23/1928, From McKinney's Cotton Pickers 1928-1929. Chronological Classics 609.

Listen here, folks, I'm gonna sing a little song, Don't get mad, I don't mean no wrong; You know, it's tight like that! Aw, it's tight like that! You hear me talkin' to you, I mean, it's tight like that! If you see my gal, tell her to hurry home, I ain't had no sleep since she's been gone; You know, it's tight like that! I mean it's tight like that! You hear me talkin' to you, I mean, it's tight like that! Uncle Bill came home, 'bout half past ten, Couldn't find the key so he couldn't get in; Aw, it's tight like that! I mean, it's tight like that! You hear me talkin' to you, I mean, it's tight like that! [Scatting] Tight like that! [Scatting] Oh, it's tight like that! [Scatting] Oh, it's ready like that! [Scatting] Oh, it's tight like that! [Scatting] Oh, it's tight like that! Oh, it's tight like what? Oh, it's tight like this! Now, look a-here, folks, I'm gonna sing a little song, I hope you don't get mad, 'cause I don't mean no wrong, 'Cause it's tight like that! Yes, sir,

Seite 135

135

'Cause it's tight like that! Yes, sir, mmmm, 'Cause it's tight like that! When you see a spider goin' up the wall, He's goin' up there to get his ashes hauled, 'Cause it's tight like that! Yes, sir, 'Cause it's tight like that! Yes, sir, mmmm, 'Cause it's tight like that! Gonna roll my britches up above my knees, Gonna strut my stuff with whoever I please, 'Cause it's tight like that! Yes, sir, 'Cause it's tight like that! Yes, sir, mmmm, 'Cause it's tight like that! My baby says she likes her lovin' done Early in the morning before the rising sun, 'Cause it's tight like that! Yes, sir, 'Cause it's tight like that! Yes, sir, mmmm, 'Cause it's tight like that! Transcribed from vocals by Zack Whyte's Chocolate Beau Brummels, recorded February 26,1929,

From Richmond Rarities: Recorded in Richmond, Indiana, 1927

-33: Jazz Oracle, BDW 8008.

Seite 136

136

Jackass Blues (Stitzel/Kassel/Herman)

____________________________________________ Einleitung: (Anfang: Mich Tuba F --- Bb)

Kämme

| ---- | ---- | C7 | F7 | |Bb | ./. | ./. | ./.7 | |Eb | ./.7 | ./.7 | Bb | |(F7) F7 F7 . |(F7) F7 F7 | Bb Eb |Bb Eb Bb Bb|| Blues in Bb:

|Bb7 | ./. | ./. | ./. | |Eb7 | ./. | Bb | ./. | |F7 | ./. | Bb Eb7 | Bb F7 || Letzter Verse- Thema:

|Bb | ./. | ./. | ./.7 | |Eb | ./.7 | ./.7 | Bb | |(F7) F7 F7. | (F7) F7 F7 | Bb Eb |Bb Eb Bb Bb || |3x wiederholen!|

Seite 137

137

Ja-Da (Bob Carleton)

____________________________________________ | F | D7 | G7 C7 | F | | F | D7 | G7 | C7 | | F F0 | Gm C7 | F F0 | Gm C7 | |F | D7 | G7 C7 | F || Langer Schluss:

| F D7 | G7 C7 | F ||

Seite 138

138

(The) Jazz Me Blues (Delaney)

____________________________________________ Verse:

:|| Eb | ./. | ./. | F7 Bb7 | Eb | ./. | Ab | Bb7 Eb ||: Überleitung: 3.

Bb7 | Db0 | Bb7 | ./. || Chorus:

C7 | ./. | F7 | ./. | Bb7 | ./. | Eb | .... | C7 | ./. | F7 | ./. | Eb..Eb | G7.. G7 | C7 | ./. | F7 | Bb7 | Eb | ./. ||

Seite 139

139

(The) Jazz Me Blues (Lyrics) _______________________________________________ Transcribed from Lillyn Brown and Her Jazz-Bo Syncopaters, recorded May 9,1921, From The Complete Works of Esther Bigeou, Lillyn Brown, Alberta Brown & the Remaining Titles of Ada Brown in Chronological Order (1921-1928). Document Records DOCD-5489. Down in Louisiana in that sunny clime, They play a class of music that is super fine, And it makes no difference if it's rain or shine, You can hear that jazzin' music playin' all the time. It sounds so peculiar 'cause it's really queer, How its sweet vibrations seems to fill the air, Then to you the whole world seems to be in rhyme; You'll want nothin' else but jazzin', jazzin' all the time. Every one that I ever came to spy, hear them loudly cry: Oh, jazz me! Come on, Professor, and jazz me! Jazz me! You know I like my dancing both day and night, And if I don't get my jazzin', I don't feel right, Now if it's ragtime, take a lick, play it in jazz time, Jazz time! Don't want it fast, don't want it slow; Take your time, Professor, play it sweet and low! I got those doggone, low-down jazz-me jazz-me blues! Jazz me! Come on, Professor, and jazz me! Jazz me! You know I like my dancing both day and night, And if I don't get my jazzin', I don't feel right, Now if it's ragtime, take a lick, play it in jazz time, Jazz time! Don't want it fast, don't want it slow; Take your time, Professor, play it sweet and low! I got those doggone, low-down jazz-me, jazz-me blues!

Seite 140

140

King Joe (B. Scott)

____________________________________________ Intro:

:|| Bb | ./. | Gb7 | F7 ||: Chorus:

| Bb | ./. | Eb | Eb Ebm | | Bb | Eb Ebm | Bb | Bb7 | | G7 | ./. | C7 | ./. | | A7 | A7 | A7 | Dm | | G7 | G7 | C7 | ./. | | F7 | F7 | Bb | Bb | | Bb0 | Bb0 | Bb | G7 | | C7 | F7 | Bb | Bb ||

Seite 141

141

(Oh,) Lady Be Good

(Gershwin)

____________________________________________ 2./5

F | Bb7 | F | F F#0 | 3.

Gm7 | C7 | F | C7 | F | Bb7 | F | F F#0 | 3.

Gm7 | C7 | F | F7 | Bb | B0 | F | ./. | 2. 2.

DmDmmajC# |Dm7CG7B | C7 | ./. | F | Bb7 | F | F F#0 | Gm7 | C7 | F | C7 | Schluss auf: | F || 5.

oder: | F6 || Kurzer Schluss!!

Seite 142

142

La Vie En Rose

(Louis Guglielmi, Edith Piaf)

__________________________________________ 3. /// /1./4.

|| F | Fmaj7 F6 | F Ab0 | Gm C7 | 5. 3.

Gm C7 | C7 | Gm C7 |F F#0 Gm7C7 | 3.

| F |Fmaj7 F6 | F F7 | Bb Bb6 | Bbm | F | G7 | Gm7 C7 | /// /1./4.

F | Fmaj7 Ab0 | Gm7 C7 | F ||

Seite 143

143

Lazy River

(Hoagy Carmichael and Sidney Arodin 1930)

_____________________________________________ D7 | ./. | G7 | ./. | C7 | ./. | F C7 | F F7 E7 Eb7 | D7 | ./. | G7 | ./. | Bb F0 | F D7 | G7 C7 | F D7 | G7 C7 |F F7 E7 Eb7| Schluss | F ||

Seite 144

144

Limehouse Blues

(Braham/D. Furber)

_____________________________________________ Db7 | ./. | ./. | ./. | Bb7 | ./. | ./. | ./. | Ab | ./. | C7 | Fm | Bb7 | ./. | Eb7 | ./. | Db7 | ./. | ./. | ./. | Bb7 | ./. | ./. | ./. | Ab | F7 | Bbm | ./. | Dbm | Eb7 | Ab | ./. ||

Seite 145

145

Lina Blues (Jabbo Smith)

_____________________________________________ Intro: Synkope |~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Synkope| | Bb | F+ | Bb | F+ | | Eb9/(7) - - - | - - - - | Db9/(7) - - - | F7 | Verse:

| Bb F+ | Bb F+ | Bb | G7 | | C7 | F7 | Bb Bo | Cm7 F7 | | Bb F+ | Bb F+ | Bb | F | Break

| C7 | ./. | F7 | ./. | Chorus:

| Bb | ./. | F+ | ./. | | Bb | ./. | G7 | ./. | | F7 | ./. | Bb | G7 | Break

| C7 | ./. | F7 | ./. | | Bb | ./. | F+ | ./. | | Bb | ./. | Eb | ./. | | Eb | E0 | Bb7 | G7 | Einstiegsbreak f. Soli

| C7 | F7 | Bb | F+ | Kurzer Schluss: | Bb | ./. |

Seite 146

146

Lina Blues (Lyrics)

I'm always thinking of my Lina

And I wonder if she always think of me

To me, she's a blessing

But she always keep me guessing

She's like a lot of fellers

Always going to fortune tellers

I guess no matter what I'm doing

If I'm messing around, 'cause I'm ruined

She's like Maggie when she gets her gin

Fix my head with a rolling pin

That's what, she thinks about me

Seite 147

147

Little White Lies (Higgins, Brian Thomas / Arnold, Florence / Scott, Toby Le Messurier / Hector, Wayne Anthony / Yuill, Annie Rose Shirley Munro / Rappak, Roman)

_____________________________________________ 3. wie Dm6 3.

:|| Bb | Ebm6 | Bb | Ebm6 | 1./4. 3.

Bb B0 | Cm7 | F7 | Bb | 3. wie Dm6 3.

| Bb | Ebm6 | Bb | Ebm6 | 1./4. 3.

Bb B0 | Cm7 | F7 | Bb || D | A7 | D | A7 C7 | F | C7 | F Gb7 | F7 | 3. wie Cm

7 3.

Bb | Eb6 | Bb | Ebm6 | 1./4. 3.

Bb B0 | Cm7 | F7 | Bb ||

Seite 148

148

Livin’ High (Belledna/ Pinkard)

____________________________________________ Verse:

Bb F7 | ./. | ./. | Bb | Bb F7 | Bb | F7 | ./. | Bb F7 | Bb | D ./.7 | Eb7 | Bb | F7 | Bb Eb | Bb |: Chorus: (nach Chorus immer 1x Verse!)

Bb | Eb | Bb | ./. | Bb | ./. | F7 | ./. | Bb F7 | Bb | D ./.7 | Eb | Bb | F7 | Bb Eb | Bb || Schluss: 2x Verse!

Seite 149

149

Loveable (Leroy Holmes; Richard A. Whiting; Seymour Simons)

____________________________________________ Verse

| Bb | Bb | Bb | Bb | | F7 | F7 | Bb | Bb | | Bb | Bb | Bb | Bb | | C7 | C7 | F7 | F7 || Chorus

| Bb | Bb | Bb | Bb | | C7 | C7 | C7 | C7 | | Cm | F7 | D7 | Gm | | C7 | C7 | F7 | F7 | | Bb | Bb | Bb | Bb | | C7 | C7 | Ebm | Ebm | | Bb | G7 | C7 | C7 | | Ebm | C7 F7 | Bb | Bb ||

Seite 150

150

Loveable Lyrics (Holmes, Whiting, Simons)

______________________________________________

Transcribed from vocals by Bing Crosby, with the Paul Whiteman Orchestra, n.d., From Bix "n" Bing with the Paul Whiteman Orchestra, Academy Sound and Vision, CD AJA 5005.

Lovable! There's no use talking, You're so lovable! When we go walking I throw out my chest, Say, you're the best; Others just imitate Kisses that you create!

Lovable! You got a way of pettin' That just drives me wild! Say! Heaven above-able, Made you so lovable, Love me, lovable child!

Seite 151

151

Lullaby Of Birdland (George Shearing)

___________________________________________ 5. 5. 6.

Fm Dm7/5b | G7 C7 | Fm Dm7/5b | Bbm7 Eb7 | 1./5.

Ab Fm7 | Bbm7 Eb7 | Ab | Db7 C7 | Fm Dm7/5b | G7 C7 | Fm Dm7/5b | Bbm7 Eb7 | 1./5.

Ab Fm7 | Bbm7 Eb7 | Ab Eb7 | Ab || 1./5. 1./6. 1.

F9- | Bbm7 | Dbm6 Eb7 | Ab | 1./5.

F9- | Bbm7 | Dbm6 Eb7 | Ab C7 | 5. 1./6.

Fm Dm7/5b | G7 C7 | Fm Dm7/5b | Bbm7 Eb7 | 1./5.

Ab Fm7 |Bbm7 Eb7 | Ab Eb7 | Ab ||

Seite 152

152

Mabel’s Dream (I. Smith)

____________________________________________ Intro:

:|| Eb Bb7| Eb Eb7 | Ab A0 | Bb7 ' . Bb7 ' || 1 :|| Eb Bb7 | Eb Eb7 | Ab Eb | F7 Bb7 | | Eb Bb7 | Eb Eb7 | Ab Eb | F7 Bb7 Eb./. ||: 4. Break Break

2 :||Eb7./.Eb0Abm6|Eb - - -| Eb G7 | Cm - - - | 1

| Ab | Eb C7 | F7 | Bb7 ||: 2

| F7 Bb7 | Eb || Modulation: Break Break || Ab7 | G7 - - - | Gb7 | F7 - - - | | Eb | Fm | G7 | Cm Eb7 || Chorus: /// / | Ab Eb7 | Ab Ab7 | Db D0 | Ab Eb7 | | Ab Eb7 | Ab F7 | Bb7 | Eb7 | | Ab Eb7 | Ab Ab7 | Db | C7 | | Db D0 | Ab F7 | Bb7 Eb7 | Ab ||

Seite 153

153

Mack The Knife F + C + Bb

(K. Weill/B Brecht/Marc Blitztzein)

____________________________________________ F:

F6 | ./. | Gm7 | ./. | C7 | ./, | F6 | ./. | Dm | ./. | Cm | ./. | C7 | ./. | F6 | ./. || C: 5.

C6 | ./. | Dm7 | ./. | G7 | ./. | C6 | ./. | Am | ./. | Dm | ./. | G7 | ./. | C6 | ./. | Schluss:

G | G7 | C6 | ./. || Bb:

Gm | ./. | Cm7 | ./. | F7 | ./. | Bb | ./. | Bb | ./. | Cm7 | ./. | F7 | ./. | Bb | ./. ||

Seite 154

154

Mack The Knife (Lyrics)

(K. Weill)

____________________________________________ 1. Oh the shark bites with his teeth dear, And he shows them, pearly white. Just a jack-knife has old Mack Heath babe, And he keeps it outta sight. 2. You know when that shark bites with his teeth, babe, Scarlet billows start to spread, Fancy gloves, though, wears Mack Heath babe, So there's never, never a trace of red. 3. Now on the sidewalk, oh on Sunday morning (don't ya know) Lies a body, just oozin' life, Yeah, someone's sneakin' 'round the corner, Could that someone be Mack the Knife? 4. There's a tugboat down by the river, (don't 'cha know?) With a cement bag, just-a droopin' on down. Oh, that cement is just for the weight, dear, Five'll get ya ten ol' Mackie's back in town. 5. Now you heard about Louie Miller, He disappeared, babe, after drawin' out, All his hard earned cash. And now Mack he spends just like a sailor, Could it be our boy's done somethin' rash? 6. Now Jenny Diver, oh, Sookey Tawdry, Polly Peachum and old Lucy Brown, Oh the line forms on the right, babe, Now that old Mackie's back in town. REPEAT 6th VERSE and ADD: C Now that old Mackie's Back!

Seite 155

155

Make Me A Pallet On The (Your) Floor (Traditional/W.C.Handy)

_____________________________________________ || Eb7 | ./. | Bb | ./.7 | | Eb7 | ./. | Bb | ./. | 3.

| Bb | D7 | Gm | E0 | | Bb G7 | C7 F7 | Bb | ./. ||

Seite 156

156

Mama Don’t Allow It (Ch.Davenport)

____________________________________________ Bb | ./. | ./. | ./. | Bb | ./. | F7 | ./. | Bb | ./.7 | Eb | ./.m | Bb | F7 | Bb | ./. ||

Seite 157

157

Mama’s Gone Goodbye (F) (Peter Bocage/ A. J. Piron - 1924)

____________________________________________ Chorus:

|| F | ./. | Db7 | ./. | | C7 | ./. | F | F7 | | Bb | Bbm | F | D7 | | G7 | ./. | C7 | ./. | | F | ./. | Db7 | ./. | | C7 | ./. | A7 | ./. | | D7 | ./. | G7 | B0 | | F | Db7 C7 | F | ./. ||

Seite 158

158

Mama's Gone, Goodbye (Bb) + Lyrics Words and Music by Peter Bocage and A. J. Piron - 1924

Verse:

Gm Eb7 D7

Gm F9

Gm Eb7 D7

Gm

A7 D A7

D

Gm Eb7 D7

Gm - Eb7 D7

G7

C7 F Gm

C7

F7

Chorus:

Bb - Gb7 -

F7 Gb7 F7

Bb - Cm6 Ddim

Eb6 Ebm6 Bb G7

C7 - Gb7

F7 -

C7 F7

Bb - Gb7 -

F7 - D7

-

F#7 G7

F#7 G7 C7

- G7 Gb7 F7

Bb Gb7 F7

Bb - (F7

to chorus)

8-beat intro. Play 4-beats for each cell, reading from left to right. _______

Verse:

I've been itch -ing might -y long, to sing to you this lit -tle song, It's the sep -a -ra -tion blues, and I'm of -f'ring no ex -cuse.

You have been might -y mean, to this sweet prec -ious queen, And some -day you'll re -a -lize, what you're los -ing in this prize:

Chorus:

Seite 159

159

Fare thee well, Ma -ma's gone, good -bye, No use to cry, no use to sigh.

For years you've dogged me 'round, now's the time to let you know what's on my mind, I'm goin' a -way, Don't ask me to stay,

Fare thee well, I've been to school, Learned a brand new rule, I ain't no fool!

I'm goin' to get a man to treat me right, one who'll stay home ev -'ry night, Fare thee well, Ma -ma's gone, good -bye.

Seite 160

160

Mandy, Make Up Your Mind (Clarke/Turk/Meyer/Johnston)

____________________________________________ Einleitung: (Nur Jeff Solo)

. . . . | G7 | C7 | F | 1./4.

F Ab0 | C7 | ./. | F | F D7 | G7 | C7 | F | Fm | C | G7 | C7 | | ./. || Seite 1 - Fortsetzung Seite 2!

Seite 161

161

Fortsetzung: Mandy, Make Up Your Mind Seite 2

Chorus: (9 Schläge nach 1. Durchgang)

F - Bb7 | F - Bb7 | F - D7 | D7 | G7 | ./. | ./. | ./. | C7 | ./. | ./. | ./. | F | Ab0 | Gm | C7 | F - Bb7 | F - Bb7 | F - D7 | D7 | G7 | ./. | ./. | ./. | Gm | Bb - A7 | D7 | ./. | G7 | C7 | F | ./. ||

Seite 162

162

Margie (C. Conrad/J. R. Robinson)

___________________________________________ F | ./. | ./. | ./.7 | Bb | ./. | ./. | ./.m | F | ./. | D7 | ./. | G7 | ./. | C7 | ./. | F | ./. | ./. | ./.7 | Bb7 | ./. | A7 | ./. | F | ./. | ./. | D7 | Gm | C7 | F | ./. ||

Seite 163

163

Memories Of You (Eubie Blake)

___________________________________________ 3. wie Cm

7 3./6. 5. 2./5. 3. 5.

|Eb6 E0 | Fm7 F#0 | Gm Cm7 | F7 Fm7 | ˜ 3. 3. 2. 3.

Eb Cm7 | Gm7 C9 | F7 Bb9 | Eb Bb7 | 3. wie Cm

7 3./6. 5. 2./5. 3. 5.

|Eb6 E0 | Fm7 F#0 | Gm Cm7 | F7 Fm7 | ˜ 3. 3. 2. 3.

Eb Cm7 | Gm7 C9 | F7 Bb9 | Eb G7 || 5. /// /

Cm | Fm | Cm Cm7 | F9 G7 | 5. 2./5.

Cm | F9 | Bb7 Eb0 | Fm Bb7 | 3. 3./6. 5. 2./5. 3. 5.

Eb6 E0 | Fm7 F#0 | Gm Cm7 | F7 Fm7 | 3. 3. 2. 3. Eb Cm7 | Gm7 C9 | F7 Bb9 | Eb ||

Seite 164

164

(The) Memphis Blues

(Handy-Norton 1910)

____________________________________________ Intro: 4. | ---- || C7 | G7 C7 | FF7F0Bbm | |F / / / || 1 4.

| F | F7 | Bb Bbm | F B0 | | Bb7 | ./. | F | ./. | | C7 | G7 C7 | F | ./. || 2A: | C7 | ./. | F | ./. | | C7 | ./. | A7 | ./. || B: | D7 | ./. | G7 | ./. | | C7 | ./. | F | ./. | | C7 | G7 C7 |F F7 F0Bbm | F || 3Blues in Bb (Type A)

Seite 165

165

Minnie The Moocher (Jazz Rebells)

(Cab Calloway, Clarence Gaskill, Irving Mills)

____________________________________________ Intro 1// / / / /// // / / ||Gm-CmGm| Cm Gm | Gm - Cm D7 | Gm |

// / / / /// // / / / / // |Gm-CmGm| Cm Gm | Gm - Cm Gm | Eb7 D7-Gm || Bridge

2 || Gm | Eb7 D7 | Gm | Eb7 D7 || Chorus Voc.

3 || Gm | ./. | Cm | D7-Gm | / / // | Gm | ./. | Cm | Eb7 D7-Gm | | Gm | ./. | ./. | ./. | | Gm | ./. | ./. | ./. || Chorus Voc.

4 || Gm | ./. | Cm | D7-Gm | / / // | Gm | ./. | Cm | Eb7 D7-Gm | / / // | Gm | Eb7 D7-Gm | Showed her how to kick the gong around!

| Gm | ./. | ./. | ./. | | Gm | ./. | ./. | ./. || Fortsetzung Minnie The Moocher (Jazz Rebells) nächste Seite!

Seite 166

166

Fortsetzung Minnie The Moocher (Jazz Rebells)

5|| Band 8 Takte wie 1 �|| Chorus Voc wie 3 �|| Chorus Voc wie 3 �|| Band 8 Takte wie 1 Schluss vit.!

Seite 167

167

Minnie The Moocher (Lyrics)

(CAB CALLOWAY, CLARENCE GASKILL, IRVING MILLS)

____________________________________________

Folks, here's a story 'bout Minnie the Moocher She was a red-hot hoochie-coocher She was the roughest, toughest frail But Minnie had a heart as big as a whale

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) Hee-dee-hee-dee-hee-dee-hee (hee-dee-hee-dee-hee-dee-hee) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y)

She messed around with a bloke named Smokey She loved him though was cokey He took her down to Chinatown And he showed her how to kick the gong around

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y) Oh-oh-oh-oh (oh-oh-oh-oh)

She had a dream about the King of Sweden He gave her things that she was needin' He gave her a home built of gold and steel A diamond car with a p-la-ti-num wheel

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Ho-dee-ho-dee-ho-dee ho (ho-dee-ho-dee-ho-dee ho) Skip-de-diddly-skip-de-diddly-diddly-oh (skip-de-diddly-skip-de-diddly-diddly-oh) Bour'rrigy-bour'rrigy-bour'rrigy-oh (bour'rrigy-bour'rrigy-bour'rrigy-oh)

He gave her his townhouse and his racing horses Each meal she ate was a dozen courses She had a million dollars worth of nickels and dimes She sat around and counted them all a million times

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y) Whoa-a-a-a-ah (whoa-a-a-a-ah)

Poor Min, poor Min, poor Min

Seite 168

168

(The) Minor Drag

(Fats Waller)

_______________________________________________ intro1111122122end Intro Klavier:

|| Cm | Fm | Cm | Fm | | G7 | G7 | Cm G7 | Cm G7 | | Cm | Cm ||

① | Cm | ./. | ./. | Cm G7 | | Cm | ./. | D7 | G7 | | C7 | C7 | Fm | Fm G7 | | Cm | Fm6 | Cm - Ab7 G7 | Cm G7 || | Cm Bb7 ||

② | Eb | Eb | Eb | Eb | | Eb | Eb | F7 | Bb7 | | Eb | Eb | Eb | Eb | | Bb7 | Bb7 | Eb | Eb Bb7 ||

| Eb G7 || Langer Schluss auf Eb

Seite 169

169

Mobile Blues (Rose-Short)

____________________________________________

1 | Eb7 | Eb7 | Eb7 | Eb7 | | Ab7 | Eb Bb7 | Eb | Eb | | Bb7 | Bb7 | Eb Ab | Eb |

2 | Eb |Bb7 B7 | Eb | C7 || | F7 | Bb7 | Eb | Eb | | Eb | Bb7 B7 | Eb | C7 | | F7 | Bb7 | Eb | Eb7 | | Ab | Db Ab | Eb | Eb | | Ab | Db Ab | Eb | Bb7 | | Eb | Bb7 B7 | Eb | C7 | | F7 | Bb7 | Eb | Eb ||

3 | Ab7 | G7 | C7 | F7 | | Co | C7 | D7 | Gm Bb7 | | Ab7 | G7 | C7 | F7 | | Co | C7 | F7 Bb7 | Eb ||

Seite 170

170

Moonglow (Bb) (Will Hudson, Irving Mills, Eddie DeLange)

_____________________________________________ :|| Eb | Ebm | Bb | C7 | 3. 3./6.

Cm7 | F7 | Bb Bb0 | Cm Bb0 Bb / | :|| Eb | Ebm | Bb | C7 | 3. 3./6.

Cm7 | F7 | Bb Bb0 | Cm Bb0 Bb / ||

7

.

Bb7 |Bb7/A7 Ab7| G7 | ./. | C7 | ./. | F7 Gb7 | F7 Bb7 | Eb | Ebm | Bb | C7 | 3.

Cm7 | F7 | Bb Bb0 |Eb Bb || Schluss: |3 mal

Seite 171

171

(The) Morning After Blues (R. McKenzie/E. Lang)

____________________________________________ Chorus - Verse, dann nur Chorus! Chorus:

F A7 | Dm A7 | D7 | ./. | G7 | C7 | F | C7 | F A7 | Dm A7 | D7 | ./. | G7 | C7 | F | ./. | Db7 | ./. | F | ./. | Db7 | ./. | C7 - - - | - - - - | F A7 | Dm A7 | D7 | ./. | G7 | C7 | F | ./. || Verse:

F | ./. | G C7 | F | F | ./. | G7 | C7 | A7 | Dm | G C7 | F | A7 | Dm | G7 | C7 - - - || Langer Schluss:

Seite 172

172

Muscrat Ramble

(Ory)

____________________________________________ Bb | F7 | ./. | Bb | Bb | Dm | A7 | Dm F7 | Bb | F7 | ./. | Bb Bb7 | G7 | Cm | F7 | Bb |: Eb7 C7 | F7 | Bb | Bb | F7 | F7 | Bb | Bb | Eb7 C7 | F7 | Bb | Bb7 | G7 | Cm | F7 | Bb ||

Seite 173

173

My Baby (Jimmy Blythe/Slaughter)

____________________________________________ Einleitung:

C7 | ./. | F7 | ./. | Bb7 | ./. | Fm Bb7 | Eb ./. ./. . || Verse: 2 x

Eb Bb0 | Bb7 | Eb Bb0 | Bb7 | G7 | Cm | F7 | Bb7 ||: Chorus: 1. Solo - Banjo, Bass, Kamm

Eb | C7 | F7 | ./. | Bb7 | ./. | Eb Ab | Eb Bb7 | Eb | C7 | F7 | ./. | Bb7 | ./. | G7 ... | .... | C7 | ./. | F7 | ./. | Bb7 | ./. | Fm Bb7 | Eb ||

Seite 174

174

My Melancholy Baby (Burnett-Norton 1911)

____________________________________________ A: Chorus || Eb | ./. | C7 | C7 | | Fm | Fm - C7 | Fm - C7 | Fm | B: | Bb7 | ./. | F7 | Bb7 | | Eb | F7 | Bb7 | ./. | A: | Eb | ./. | C7 | C7 | | Fm | Fm - C7 | Fm - C7 | Fm | C: 2./5.

| Ab | A0 | Eb | C7 | 5.

| Fm7 | Bb7 | Eb | Bb7 | My Melancholy Baby - Seite 1 - Forts. Seite 2

Seite 175

175

My Melancholy Baby - Seite 2 - Forts. v. Seite 1

Verse:

| Eb | B7 | Eb | B7 | 2./5.

| Eb | ./. | Eb Gb0 | Bb7 | | Fm | C7 | Fm | C7 | | F7 | F7 | Bb7 | Bb7 | | Eb | B7 | Eb | B7 | 2./5.

| Eb | ./. | Eb Gb0 | Bb7 | | F7 | ./. | Bb7 | G7 | | C7 | F7 | Bb7 | ./. ||

Seite 176

176

Nagasaki

(H. Warren/M. Dixon)

__________________________________________ 1. (1.)

Bb B0 | F7 | Bb B0 | F7 | Bb Bb7 | Eb Ebm | Bb F7 | Bb F7 | Bb B0 | F7 | Bb B0 | F7 | Bb ./.7 | Eb ./.m | Bb F7 | Bb ./.7 | Eb | ./.m | Bb | ./.7 | Eb | ./.m | Bb B0 | F7 | Bb B0 | F7 | Bb B0 | F7 | Bb ./.7 | Eb ./.m | Bb F7 | Bb F7 ||

Seite 177

177

Never Had A Reason To Believe In You ( + Lyrics)

(Red McKenzie / Billings)

_______________________________________ I never had a reason to believe in you, If you don't change, I'll have to find someone new, All I ever get of you is just refuse, I'm sick and tired, honey, what's the use. Each night your hat is in a new flat, The way you run around, it ain't tight like that, You put me on the spot 'til I get old, Then I'll hold back a stale jelly roll. All because we always had a different view, I never had a reason to believe in you, a reason to believe in you. || F - F0 | C7 | F - F0 | C7 | | F7 | Bb | G7 | C7 | | F | F7 | Bb | A7 | | D7 | ./. | G7 | C7 | | F | D7 | G7 - C7 | F - D7 | | G7 - C7 | F ||

Seite 178

178

New Orleans

(Carmichael)

____________________________________________ Gm A7 | D7 G7 | C7 F7 | Bb D7 | Gm A7 | D7 G7 | C7 F7 | Bb | D7 Eb7 | D7 | Gm A7 | D7 | Gm A7 | D7 G7 | C7 F7 | Bb D7 | Schluss:| Bb ||

Seite 179

179

Nobody’s Sweetheart Now

(Kahn/Erdman/Meyers/Schoebel)

______________________________________________ 1.

Eb |Eb Bbm7| C7 | ./. | F7 | ./. | ./. | ./. | G7 | ./. | Cm | ./. | 5.

F7 | ./. | Fm7 | Bb7 | 6.

Eb |Eb Bbm7| C7 | ./. | F7 | ./. | ./. | ./. | Ab | ./. | ./.m | ./. | Eb | ./. | F7 | Bb7 | 6.

Eb |Eb Bbm7| C7 | ./. | Fm | Bb7 | Eb || Bb7 || ____________¦ Schluss Vor Solo: break! Gesang: nach 1. Solo (ohne Einstiegsbreak!)

Seite 180

180

Nuages

(Dj. Reinhardt)

____________________________________________ 3. 1. 4.

Eb9 | D9- | G6 | ./. |: B7 Am | B7 | Em B7 | Em | A7 Bb7 | A7 | D7 | D7 --- | 3. 1. 4.

Eb9 | D9- | G6 | ./. | 1. 6.(wie D9-)

Ab9 | G9- | C6 | ./. | 4.

Cm | ./. | ./. | G6 --- | 3. 1. 4.

Eb9 | D9- | G6 | G6--- ||

Seite 181

181

Oh Baby

(De Sylva/Donaldson/Owen Murphy)

_____________________________________________ (Vorspiel:)

Bb ’ ’ | A7 ’ ’ | F7 ... | . . . . || Teil A:

Bb | F7 | ./. | Bb | Bb | F7 | F7 | F7 | Bb | F7 | ./. | Bb | Bb Bbm | F D7 | Gm C7 | F7 || Seite 1 - Fortsetzung Seite 2!

Seite 182

182

Fortsetzung: Oh Baby - Seite 2

Teil B:

Bb | A7 | F7 | G7 | C7 | F7 | Bb | F7 | Bb | A7 | F7 | G7 | C7 | ./. | F7 | ./. | Bb | A7 | D7 | G7 | Cm | ./. | ./. | F7 | Bb | A7 | F7 | G7 | C7 | F7 | Bb | F7 | Schluss: | Bb ||

Seite 183

183

On A Slow Boat To China

(Frank Henry Loesser 1948)

___________________________________________ | Bb | F0 | Cm | Bb0

(G0) | Bb | D7 | Eb | G7 | Cm | Bb0

(E0) | Bb | G7 |

1. 5.

C7 | ./. | F7 | F+ | Bb | F0 | Cm | Bb0

(G0) | Bb | D7 | Eb G7 | Cm | Eb | Ebm | Bb | G7 | C7 | F7 | Bb | F7 ||

Seite 184

184

Once Or Twice (Lyrics)

(J. Cobb) Transcribed from Andy Kirk and his Twelve Clouds of Joy, vocal by Billy Massey; recorded May 1, 1930. From Andy Kirk and his Twelve Clouds of Joy 1929-1931; The Chronogical Classics 655.

A You can do it nice You won't have to do it but once or twice; In advance you can always chance That once or twice.

B It's a crying shame to have the name Of trying to do it four or five times; Take my advice, do it once or twice, And you'll be feeling mighty fine.

A You can love her nice, You won't have to do it but once or twice, A kiss from the soul and story told About once or twice.

C Of course, you know you'll need a red hot flat, A beautiful girl, and it's tight like that, But you won't have to do it but once or twice.

Spoken: Oh, do it!

Seite 185

185

Once Or Twice

(J. Cobb)

___________________________________________ | Eb | Eb | Bb7 | Bb7 | | Bb7 | Bb7 | Eb | Eb | | G7 | G7 | Cm G7 | Cm | | F7 | F7 | Bb7 - - - | - - - - | | Eb | Eb | Bb7 | Bb7 | | Bb7 | Bb7 | Eb | Eb | 2./5.

| Eb7 | Eb7 | Ab | A0 |

3./6. 1.(Gm7

)/5.(Dm7

)

| Eb Gb0 | Fm7 Bb7 | Eb | Bb7 ||

Kurzer Schluss: | Eb ||

Seite 186

186

On The Sunny Side Of The Street (C)

(Fields/McHugh)

_____________________________________________ C | E7 | F | G7 F0 | 5. 5.

Am7 | D7 | Dm7 - G7 | C G7 | C | E7 | F | G7 F0 | 5. 5.

Am7 | D7 | Dm7 - G7 | C | 3.

C7 - Gm7 | C7 | F C7 | F | 5. 3. 5.

D7 - Am7 | D7 | G Bb0 | Dm7 - G7 | C | E7 | F | G7 F0 | 5. 5.

Am7 | D7 | Dm7 - G7 | C | | C6 || c6

= Am7

5.!

Seite 187

187

On The Sunny Side Of The Street (F) (Jazz Rebells) (Fields/McHugh)

_____________________________________________ Intro

1 2. 3.

|| F | D9 | Gm7 - C7 | F C7 || Chorus Voc.

2 3./6.

|| F | A7 | Bb | C7 Db0 | 5. 3.

| Dm7 | G7 | Gm7 - C7 | F | 3./6.

| F | A7 | Bb | C7 Db0 | 5. 3.

| Dm7 | G7 | Gm7 - C7 | F | 3.

| F7 Cm7 | F7 | Bb F7 | Bb |

5. 3./5. 3.

| G7 - Dm7 | G7 | C7 Gb0 | Gm7 - C7 | 3./6.

| F | A7 | Bb | C7 Db0 | 5. � 3.

| Dm7 | G7 | Gm7 - C7 | F C7 || 3|| Chorus Steptanz wie 2

4|| Chorus Soli wie 2 16 Takte ten, 8 T. tbn, 8 T. acc.

5|| Chorus Voc. wie 2 � to Coda

�

�|| Gm7 - C7| F C - F ||

Seite 188

188

On Treasure Island (Joe Burke)

____________________________________________ || Eb | ./. | F7 | ./. | | Bb7 | ./. | Eb | ./. | | Eb | ./. | F7 | ./. | | Bb7 | ./. | Eb | ./. | | Abm(6) | ./. | Eb | ./. | | Abm(6) | Abm(6) F7 | Bb7 Bb0 | Bb7 | | Eb | ./. | F7 | ./. | | Bb7 | ./. | Eb | ./. ||

Seite 189

189

Oriental Man (Jimmy Blythe)

____________________________________________ Einleitung:

(1./4.)

| Bb7 | F0 | F | D7 | | G7 | C7 | F Bb7 | F || Verse:

| Dm | ./. | ./. | A7 | | Gm | Dm | Bb7 | A7 | | Dm A7 | ./. | ./. | Bb A7 | | Dm G7 | C7 || Seite 1 - Fortsetzung Seite 2!

Seite 190

190

Fortsetzung: Oriental Man - Seite 2

Chorus:

| F | ./. | C7 | ./. | | C7 | ./. | F | ./. | | A7 | ./. | Dm | ./. | | G7 | ./. | C7 | ./. | | F | ./. | C7 | ./. | | C7 | ./. | A7 | ./. | | Bb7 | F0 | F | D7 | | G7 | C7 | F Bb7 | F ||

Seite 191

191

Original Dixieland One Step (Ab) (Nick LaRocca)

____________________________________________ Anfang

| BbBb - - | BbBb - - | F7 - - - | - - - - | | F7 | Bb | F7 | Bb ||: Überleitung

| Bb7 - - - | - - - - | Mittelteil

| Eb | Eb | Bb7 | Bb7 | | Eb | Eb | Bb7 - - - | - - - - | | Eb | Eb | Ab | Eb C7 | | F7 Bb7 | Eb Eb7 || Fortsetzung Original Dixieland One Step nächste Seite!

Seite 192

192

Fortsetzung Original Dixieland One Step Chorus:

| Ab | Ab | C7 | C7 | | F7 | ./. | Bb7 | ./. | | Eb7 | ./. | Ab | ./. | | Cm | G7 | Cm | Eb7 | | Ab | Ab | C7 | C7 | | F7 | ./. | Bb7 | ./. | | Db | Dbm | Ab | F7 | | Bb7 | Eb7 | Ab | ./. ||

Seite 193

193

Papa De Da Da (Cl. u. Sp. Williams)

_____________________________________________ Intro:

|| Ab | Gm | Fm | F7 Bb7 | | Bb7 Bb0 | Bb7 | F7 Bb7 | Eb || Verse:

|| F7 Bb7 | Eb | F7 Bb7 | Eb Eb7 | | Ab Eb | Ab Eb | F7 Bb7 | F7 Bb7 | | F7 Bb7 | Eb | F7 Bb7 | Eb Eb7 | | Ab Eb | Ab Eb | F7 | Bb7 || Chorus:

|| Bb7 | ./. | Eb | ./. | | Bb7 | ./. | F7 | Bb7 | | Bb7 | ./. | Eb | ./.7 | | Ab | Gm | Fm | F7 Bb7 | | Bb7 Bb0 | Bb7 | F7 Bb7 | Eb ||

Seite 194

194

Papa De Da Da (Lyrics)

Papa De Da Da He’s a lady’s man Papa De Da Da Sweetest in the land Papa De Da Da Watch him clap his hands He can play piano grand Papa De Da Da He can play the blues Papa De Da Da Spreads the latest news He’s neat and keen Just what I mean Likes all the girls In New Orleans Papa De, Da, Da-Da-Da He’s the hottest man in town.

Seite 195

195

(Home In) Pasadena (Bb) (Harry Warren)

____________________________________________ Verse:

Db | Db Ab7 | Db | Fm | Db | Db Ab7 | Db | A7 Ab7 | Db | Db Ab7 | Db | Db7 | F | F C7 | F | Ab7 | 5. 3. 4./

7.

Db7 | Db7 C7 | F7 Cm7 | Ab0 F7 |

Chorus:

Bb | ./. | Dm | Dm Bb7 | Eb | ./. | G7 | ./. | 3.

Cm | Ebm6 | Bb | Bb7 | A7 | ./. | D | F7 | Bb | ./. | Dm | Dm Bb7 | Eb | ./. | D7 | ./. | 3./6. // / /

Eb | Eb E0 | Bb A Ab | G7 | C7 | F7 | Bb | ./. F7 | | Bb6

(3.) ||

Seite 196

196

(Home In) Pasadena (C) (Harry Warren)

___________________________________________ Verse:

Eb | Eb Bb7 | Eb | Gm | Eb | Eb Bb7 | Eb | B7 Bb7 | Eb | Eb Bb7 | Eb | Eb7 | G | G D7 | G | Bb7 | 2. 2. 3. 4.

Eb7 | Eb7 D7 | G7 Dm7 | Bb0(Db0) G7 |

Chorus:

C | ./. | Em | Em C7 | F | ./. | A7 | ./. | 5.

Dm | Fm6(Dm

7/b5) | C | C7 | B7 | ./. | E | G7 | C | ./. | Em | Em C7 | F | ./. | E7 | ./. | 2./5. // / /

F | F F#0 | C B Bb | A7 | D7 | G7 | C | ./. G7 | | C6

= Am7

(5.!) ||

Seite 197

197

Pennies From Heaven (C) (Arthur Johnston)

_____________________________________________ 5. 4. 2./5. 5.

:||C Dm7 | Em7 Eb0 | Dm7 | G7 | C Dm7 | Em7 Eb0 | Dm7 | G7 || C7 | ./. | F | A7 | D7 | ./. | G7 | ./. | C Dm7 | Em7 Eb0 | Dm7 | G7 | C | ./.7 | F | ./. | 3. 2.

Dm7 | Fm | Cmaj7 | A7(9) | Dm7 | D7 G7 | C | ./. ||

Seite 198

198

Perdido Street Blues (Armstrong/Hardin)

____________________________________________ Intro:

/ / / / |Dm - - - | - - - Dm | Gm - - - | - - - Gm | / | A7 - - - | - - - - || | Dm | ./. | ./. | ./. | Verse:

| Dm | ./. | ./. | ./. | | ./. | ./. | A7 | ./. | | Dm | ./. | ./. | ./. | | Dm | A7 | Dm | C7 || Chorus I clt-Solo (2x)

|| F | ./. | ./. | ./.7 | | Bb7 | ./. | F | ./. | | G7 | C7 | F | ./. || Chorus II pno-Solo Blues in F

Seite 199

199

Fortsetzung Perdido Street Blues

Chorus III tbn-Solo(Kamm)

|| F | Bb7 | F | ./.7 | 1.

| Bb7 | Bbm7 | F | ./. | | C7 | G7 C7 | F - Bb7 | F - C7 || Schlußchorus (alle)

|| F | Bb7 | F | ./.7 | 6.

| Bb7 | Bbm7 | F | ./. | | C7 | G7 C7 | F - Bb7 | F - C7 || Schluss (clt):

| F | ./. | ./. | ./.

Seite 200

200

Piggly Wiggly (J. Cobb) Verse:

| Eb Bb7 | Eb | Eb Bb7 | Eb | | Ab Abm | Eb C7 | F7 | Bb7 | | Eb Bb7 | Eb | Eb7 | Ab | | F7 | Bb | F7 | Bb7 | Chorus:

| Eb | Ab7 | Eb | Ab7 | | Eb | Ab7 | F7 | Bb7 | | G7 | G7 | Cm G7 | Cm | | F7 | F7 | Bb7 - - - | - - - - | | Eb | Ab7 | Eb | Ab7 | | Eb | Ab7 | G7 | G7 | | C7 | C7 | F7 | F7 | | Bb7 | Bb7 | Bb7 | Eb ||

Seite 201

201

Potato Head Blues (Armstrong)

A | Eb7 | Eb7 | Ab | ./. | | Fm | C7 | F7 | ./. | | F7 | F7 | Bb7 | ./. || B | Eb | C0 | F7 | Bb7 | | Eb9 | Eb7 | Ab | ./. | | Fm7 | C0 | Eb | C7 | | F7 | Bb7 | Eb - - - | - - - - || C | Eb6 | Eb6 | Eb6 Eb+ | Fm | | Fm | Fm | F7 | Bb7 | | Eb6 Eb0 | Eb6 | Eb7 | Ab6 | | F7 | Bb | Cm F7 | Bb7 || Bridge

| - - - - | - - - - | D | Eb - - - | - - - - | Fm - - - | - - - - | | Eb7 - - - | - - - - | Ab - - - | - - - - | Fortsetzung Potato Head Blues nächste Seite!

Seite 202

202

Fortsetzung Potato Head Blues E | Fm7 - - - | - - - - | C7 - - - | - - - - | | F7 - - - | - - - - | Bb7 - - - | - - - - | | Eb - - - | - - - - | Fm7 - - - | - - - - | | Eb7 - - - | - - - - | Ab - - - | - - - - || F | Ab - - - | - - - - | Ebmaj7 - - - | ./. | | F7 - - - | - - - - | Eb - - - | - - - - || G | Eb | A#0 | Fm7 | Bb7 | | Eb7 | Eb7 | Ab | Ab || H | Ab6 | Abm A#0 | Eb | C7 | | F7 | Fm7 Eb | Eb | Eb ||

Seite 203

203

Puttin’ On The Ritz (Jazz Rebells) (Irving Berlin) Intro 1 tacet 1 1

|| || | || | || | G7 || Verse Voc.

1 2./5./7. 2. 2./5./7. || C Eb0 | Dm7 G7 | C Eb0 | Dm7 G7 | 2./5./7. 3./6./9. 5.

| Eb0 Gb0 | Fm7 Bb7 | Eb0 Gb0 | Fm7 Bb7 |

/ tacet / tacet

| G || | || | G || | || |

| Em | A7 | D7 | G7 || Chorus Voc.

2 1. 5.

|| Cm | Cmmaj7 | Cm7 | Cm6 G7 |

| G7 | ./. | Cm | Ab7 G7 |

| Cm | Cmmaj7 | Cm7 | Cm6 G7 |

| G7 | ./. | Cm | Ab7 G7-Cm |

.$. 5.

|| Fm6 | Gm7 Cm7 | Fm | Bb7 | 3. 5. 2./5./8.

| Eb6 | Fm7 Bb7 | Eb0 | Ab7 G7 | 1. 5.

| Cm | Cmmaj7 | Cm7 | Cm6 G7 | �

| G7 | ./. | Cm | Cm G7 ||

3|| Chorus Step + Solo wie 2

4|| ½ Chorus Solo ½ Chorus Voc. + tutti � to Coda Coda:

�| Cm | ./. ||

Seite 204

204

Red Roses For A Blue Lady (Sid Tepper and Roy C. Bennett (alias Roy Brodsky)

_____________________________________________ 3.

:||Cmaj7 | ./. | B7 | ./. | |Cmaj7 | ./. | B7 | ./. | 2.

E7 | ./. | A9 | ./. | 5. 4. 5. (wie Gm

7)

Dm7 | G7 | Em7 | Am7 | 5. 3./6. 5.

D7 | ./. | Dm7 C#0 | Dm7 G7 | Cmaj7 | ./. | B7 | ./. | 2.

E7 | ./. | A9 | ./. | 5. 3. (wie A9) 3.

Dm7 | Bb9 | Cmaj7 | Am9 | 5. 2./5.

Dm7 D#0 | C G7 | C | ./. ||

Seite 205

205

Rhythm King (F) (Trent-Hoover)

_____________________________________________ Verse:

| Dm C7 | F A7 | Dm C7 | F | | Fm | Fm C7 | F | F A7 | 2./5./8.

| Dm C7 | F A7 | Dm C7 | F F#0 | | C | G7 | C7 | C7 || Chorus

| F | F | Bb7 | Bb7 | | C7 | Db7 C7 | F | C7 | | F | F | Bb7 | Bb7 | | C7 | Db7 C7 | F | F | | A7 | A7 | D7 | D7 | | G7 | G7 | C7 | C7 | | F | F | Bb7 | Bb7 | | C7 | Db7 C7 | F | C7 | Schluss: | F ||

Seite 206

206

Rosetta (Hines-Wodde 1933)

_____________________________________________ A:

(4.)

F | C+ | F | D7 | 5.

G7 | C7 | F6 | C7 | A:

F | C+ | F | D7 | G7 | C7 | F Bb | F E7 | B: Zum Schluss: piano begleiten! 5.

Am | E7 | Am | Fm6 | C | G7 | C7 | C+ | A:

F | C+ | F | D7 | G7 | C7 | F Bb | F C+ | Schluss: | F6 ||

Seite 207

207

Royal Garden Blues (Williams)

____________________________________________ Teil A:

F C7 | F C7 | F C7 | F ./. 7 | F C7 | F C7 | F C7 | F ./. 7 | Bb7 | ./. | ./. | ./. | C7 | ./. | F | F Bb7 || Teil B:

F | F . . . | F . . . | F7 . . . || Teil C:

Bb7 | ./. | F | F | C7 | ./. | F Bb7 | F || Teil B: 1x

Teil D: Blues in Bb - Wechsel auf G

7!

Seite 208

208

San (McPhail/Michels)

____________________________________________ C | Ab7 | C | Ab7 | C Am | D7 G7 | C F7 | C G 7 | C | Ab7 | C | Ab7

C Am | D7 | G7 Dm7 | G7 | C | C7 | F | Ab7 | C | C7 | F | Ab7 | C | Ab7 | C | A7 | D7 | Dm G7 | C F7 | C ||

Seite 209

209

Satin Doll (C) (Duke Ellington & Billy Strayhorn)

______________________________________________

5. 4.

|Dm7 G7 | ./. | Em7 A7 | ./. |

5. wie Gm

7 4. 1. 5. 4.

| Am7 D7 | Abm7 Db7 | Cmaj7 Dm7 | Em7 A7 | 5. 4.

|Dm7 G7 | ./. | Em7 A7 | ./. | 5. wie Gm

7 4. 1. 5. 4.

| Am7 D7 | Abm7 Db7 | Cmaj7 Dm7 | Em7 A7 || |Dm7 G7 | ./. | Em7 A7 | ./. | 5. wie Gm

7 4.

| Am7 D7 | Abm7 Db7 | C F | C | 3. 3. 5. 3.

| Gm7 C7 | ./. | F Gm7 | Am7 Gm7-F | 5. 5. 7.

| Am7 D7 | ./. | Dm7 G | Gm6 A7 | 5. 4.

| Dm7 G7 | ./. | Em7 A7 | ./. | 5. 4.

| Am7 D7 | Abm7 Db7 | C | ./. | Schluss | C6

(3. wie Dm7) ||

Seite 210

210

Satin Doll (F) (Jazz Rebells) (Duke Ellington & Billy Strayhorn)

______________________________________________ Intro 4

1|| ├─────┤|| Chorus Voc.

2 3. || Gm7 C7 | Gm7 C7 | Am7 D7 | Am7 D7 | 2. 1. 6. 5.

| Dm7 G7 | Dbm7 Gb9 | F6 | Gb0 |

| Gm7 C7 | ./. | Am7 D7 | ./. | 2. 1. 6. 5.

| Dm7 G7 | Dbm7 Gb9 | F6 | ./. | | Cm7 F7 | ./. | Bb | ./. |

| Dm7 G7 | Dm7 G7 | C7 | ./. |

��to Coda

| Gm7 C7 | ./. | Am7 D7 | Am7 D7 | | Dm7 G7 | Dbm7 Gb9 | F | D7 || Fortsetzung Satin Doll (F) (Jazz Rebells) nächste Seite!

Seite 211

211

Fortsetzung Satin Doll (F) (Jazz Rebells) Steptanz

3 || Gm7 C7 | Gm7 C7 | Am7 D7 | Am7 D7 | 2. 1. 6. / Break

| Dm7 G7 | Dbm7 Gb9 | F├─────┤ | ├─────┤ |

| Gm7 C7 | ./. | Am7 D7 | ./. | / Break

| Dm7 G7 | Dbm7 Gb7 | F ├─────┤ | ├─────┤ | / Break

| Cm7 F7 | ./. | Bb├─────┤ | ├─────┤ | / Break

| Dm7 G7 | Dm7 G7 | C7├─────┤

| ├─────┤ | | Gm7 C7 | ./. | Am7 D7 | Am7 D7 | / Break

| Dm7 G7 | Dbm7 Gb7 | F ├─────┤ | ├─────┤ || 4|| ½ Chorus tutti wie 2 8 Takte Solo clt. Weiter im Chorus � to Coda

� 5|| Dm7 G7 | Dbm7 Gb9 | F6 | ./. | Coda

| Dm7 G7 | Dbm7 Gb9 | F6 | ./. | / Break o o o / ∩∩

| Dm7 G7 | Dbm7 Gb9 | F ├─────┤ | F | F ||

Seite 212

212

Saturday Night Function (Ellington)

_____________________________________________ Einleitung:

Eb Ab | Eb Ab | Eb Bb7 | Eb | Eb | F7 | Bb7 | ./. | Eb Ab | Eb | Ab | B7 (H7

) | Eb Ab | Eb Bb7 | Eb Ab | Eb Bb7 ||: Chorus:

Eb | Ab | Eb | ./.7 | Ab | ./.m | Eb | C7 | F7 | Bb7 | Eb Ab | Eb Bb7 || Ablauf: Einleitung - Chorusse. Schluss: Einleitung

Seite 213

213

Sau Sha Stomp (Jabbo Smith)

____________________________________________ Intro:

Cm | ./. | Fm | ./. | Cm | ./. | Ab7 | G7 break- - - || Verse:

Cm | ./. | ./. | ./. | G7 | ./. | Cm | Ab7 G7 | Cm | ./. | ./. | ./. | Bb | ./. | F7 | Bb7 || Chorus:

Eb | Bb7 | Eb | Ab | Bb7 | ./. | Eb | Bb7 | Eb | Bb7 | Eb | Ab | Bb | F7 | Bb7 | ./. | Fm | ./. | ./. | ./. | Abm6 | ./. | ./. | Bb7 | Eb | Bb7 | Eb | Ab | Eb | Bb7 | Eb | Bb7 ||

Seite 214

214

Savoy Blues (Kid Ory)

_____________________________________________ F C7 | ./. | ./. | C7 F | F C7 | ./. | ./. | C7 F | Bb F7 | ./. | ./. | F7 Bb | F C7 | ./. | F . . . || Blues in F-||

Zwischenspiel:

F | C7 | F | C7 || Chorus: Blues in F - ||:

-Sofortiger Wechsel auf Bb7

!

Seite 215

215

September In The Rain (Harry Warren/Al Dubin)

______________________________________________ 3. 2.

Eb Bb+ | Eb6 Eb7 | Ab | ./. | 1.

Db9 | ./. Bb7 | Eb Cm | F7 Bb7 | 2. 3.

Eb Bb+ | Eb6 Eb7 | Ab | ./. |

1. 4.

Db9 |./. Bb7 | Eb Abm6 | Eb |

3.

Bbm Eb7 | ./. | Ab Eb+ | Ab |

3./6.

Cm F7 | ./. | Bb7 Bb0 | Bb7 | 2 . 3. 5.

Eb Bb+ | Eb6 Eb7 | Ab6 | ./. |

1. 4.

Db9 | ./. Bb7 | Eb Abm6 | Eb Bb 7 ||

Seite 216

216

(The) Sheik Of Araby (H. Smith - F. Wheeler- T. Snyder)

Verse: 3.

:||Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm | :||Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm | 3.

Ebm6 | ./. | ./. | ./. | F | Bbm | F | Gb7 F7 | 3.

Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm | 3 . (wie Dm7)

F | C7 | F7 Cm7 | F7 || Chorus: 4. 3. Bb | Bb B0 | Cm7 | F7 | 3.

Cm7 | F7 | Bb | ./. | 5. 3. 3.

Dm7 | Db0 | Cm7 | F7 | 3.

Cm7 | F7 | Bb Gm | C7 F7 | 4. 3.

Bb | Bb B0 | Cm7 | F7 | 3.

Cm7 | F7 | D7 | D7 | G7 | ./. | C7 | ./. | 1./5.

F7 | F7 | Bb | F+ ||

Seite 217

217

(The) Sheik Of Araby (Jazz Rebells) (H. Smith - F. Wheeler- T. Snyder) Intro

1|| Bb7 | ./. | Eb7 | ./. | 3./6./9.

| Ab7 | ./. | Db7 Ebm | E0 F7 || Verse: 3.

2||Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm |

|Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm | 3.

| Ebm6 | ./. | ./. | ./. |

| F | Bbm | F7 | ./. | 3.

| Bbm Gb7 | C7 F7 | Bbm Ebm6 | Bbm | 3.

| F | C7 | F7 Cm7 | F7 || Chorus: 3. 1./4./7. 3. 3|| Bb6 | B0 | Cm7 | F7 | 3.

| Cm7 | F7 | Bb | ./. | 5. 3./6./9. 3.

| Dm7 | Db0 | Cm7 | F7 | 3. 3. 1./4./7.

| Cm7 | F7 | Bb6 B0 | Cm7 F7 | 3. 1./4./7.

| Bb6 | B0 | Cm7 | F7 | 3.

| Cm7 | F7 | D7 | D7 |

| G7 | ./. | C7 | ./. |

| F7 | Cm7 F7 | Bb Db0 | Cm7 F7 || Fortsetzung (The) Sheik Of Araby (Jazz Rebells) nächste Seite! Fortsetzung (The) Sheik Of Araby (Jazz Rebells)

Seite 218

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4|| Chorus Voc. wie 3 5|| Chorus Soli wie 3 �|| letztes Solo Acc. wie 3 Bridge

�|| Ebm | Cb7 | Cb7 Bb7 | Ebm |

| Bb B0 | Cm7 F7 | Bb7 Fm7 | Bb7 || 3. 3./6./9. 5.

�|| Eb6 | E0 | Fm7 | Bb7 |

| Fm7 | Bb7 | Eb | ./. | 2./7/8.

| Gm7 | Gb0 | Fm7 | Bb7 |

| Fm7 | Bb7 | Eb6 E0 | Fm7 Bb7 |

| Eb6 | E0 | Fm7 | Bb7 |

| Fm7 | Bb7 | G7 | G7 | dr dr dr dr

| ├───┤ | ├───┤ | ├───┤ | ├───┤ |

| Bb7 | Fm7 Bb7 | Eb | Bb7 Eb6 ||

Seite 219

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Shine (Dabny - Mack - Brown - 1924)

__________________________________________ 2./5.

|| Eb | Eb Gb0 | Bb7 | ./. | || Eb | Eb Gb0 | Bb7 | ./. | || G7 | G7 | Cm | ./. | || F7 | F7 | Bb7 | ./. | || Eb | Eb Gb0 | Bb7 | ./. | || G7 | ./. | Cm G7 | Cm Eb7 | 5.

|| Ab6 | ./. | Eb | C7 | 5. wie Ab6

|| Fm7 | Bb7 | Eb | Eb Bb7 | | Eb6 ||

Seite 220

220

Sidewalk Blues (Morton)

____________________________________________ andere Version nächste Seite vamp:intro:1212333end

vamp piano | Eb | Eb | intro

| Eb -3- | --4--- | Eb -3- | --4- | | Ab -3- | --4-- |Bb7Db7FmDb7 |Bb7- Bb7 - | 1 off | Eb | Eb | Eb | Eb7 | | Ab | Ab Abm | Eb G7 | C7 || Beats 4.

| F7 | Bb7 |EbEb7EboAbm6 | Eb Bb7 | 2

|EbEb7EboAbm6|Eb'AbAbm | Eb |E7F7Gb7G7 | | Ab | Ebo | Eb G7 | C7 | | F7 | Bb7 |EbEb7EboAbm6| Eb Bb7 | Modualtion

| Eb7 | Eb7 |Eb7 Bb7 | Eb7 | 3

| Ab | C7 C+ | F7 | F7 | |Bb7 | Eb7 | Ab Ebo | Eb7 | Fortsetzung nächste Seite!

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Fortsetzung Sidewalk Blues 1.

| Ab |Ab6 Ab7 | Cm | Cm | | G7 | G7 | Cm | Eb7 * || 3.

| Ab | C7 C+ | F7 | F7 | | Bb7 | Eb7 Bbo | Fm | Ab7 | | Db | Abo | Ab C7 | F7 | | Bb7 | Eb7 | Ab Db | Ab || * = break on first chorus Ending

| --4-- | -Eb7 Ab- | --4-- | -Eb7 Ab- | | --4-- | -Eb7 Ab- ||

Seite 222

222

Sidewalk Blues Version zwei (Morton)

___________________________________________ | Eb | Eb | 1 | Eb - - - | Eb - - - | Eb - - - | Eb - - - | | Ab - - - | Ab - - - | Bb7 | Bb7 || 2 | Eb | Eb | Eb | Eb7 | | Ab | Ab | Eb | C7 | | F7 | Bb7 | Eb | Eb | | | | Bb7 | Bb7 || 3 | Eb | Eb | Eb | Eb7 | | Ab | Eb0 | Eb G7 | C7 | | F | Bb7 | Eb Bb7 | Eb Bb7 | 4 |Eb7DDbC | Bb Ab G F | Eb | Eb | Use either of these two

| Eb | Eb | Eb7 | Eb7 | Weiter nächste Seite!

Seite 223

223

Fortsetzung Sidewalk Blues Version zwei

5

| Ab | G F# | F7 | F7 | | Bb7 | Eb7 | Ab | Eb7 | | Ab | Ab | Cm | Cm | | G7 | G7 | Cm | Eb7 | | Ab | G F# | F7 | F7 | | Bb7 | Eb | Fm | Ab7 | | Db | Db | Ab | F7 | | Bb7 | Eb7 | Ab | Ab ||

Seite 224

224

Somebody Stole My Gal (Eb) (Leo Wood 1918)

___________________________________________ A 2./5.

Eb | Eb Gbo | Bb7 | Bb7 |

Bb7 | Bb7 Bb+7 | Eb | ./. | B C7 | ./. | F7 | ./. | F7 | ./. | Bb7 | Bb7 | A’ Eb | Eb Gbo | Bb7 | Bb7 | Bb7 | Bb7 Ab7 | G7 | G7 Bb7 | C Eb | Eb | Eb7 | Eb7 | Ab | Ab | Abm | Abm | D Eb | Eb | F7 | F7 | Bb7 | Bb7 | Eb | ./. ||

Seite 225

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Somebody Stole My Gal (F) (Leo Wood 1918)

___________________________________________ 1./4./

7.

F | F Abo | C7 | C7 | 2.

C7 | C7#5(C7+) | F | ./. | D7 | ./. | G7 | ./. | G7 | ./. | C7 | C7#5 | F | F Abo | C7 | C7 | C7 | C7 Bb7 | A7 | A7 C7 | F | F | F7 | F7 | Bb | Bb | Bbm | ./. | F | ./. | G7 | G7 | C7 | ./. | F | ./. ||

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Somebody Stole My Gal (Lyrics) (Leo Wood 1918)

____________________________________________

(" * " = dim) Gee, but I'm lonesome, lonesome and blue! I've found out something I never knew. I know now what it means to be sad, For I've lost the best gal I ever had. She only left yesterday, Somebody stole her away....

| F | F Ab* | Gm7 | C

7 |

Somebody stole my gal,

| C7 | Gm

7 C

7#5 | F | F |

Somebody stole my pal!

| D7 | D

7 | G

7 | G

7 |

Somebody came and took her away,

| G7 | G

7 | C

7 | G

7 C

7#5 |

She didn't even say she was leavin'!

| F | F Ab* | Gm7 | C

7 |

The kisses I love so,

| C7 | C

7 Bb

7 | A

7 C

7 |

He's getting now, I know...And...

| F | F | F7 |

Gee! I know that she

| F7 | Bb |

Would come to me | Bb | Bbm | If she could see,

| Bbm | F | F | G7 | G

7 |

Her broken hearted lonesome pal,

| C7 | C

7 | F | F |

Somebody stole my gal! Angels they say are only above. I know that's wrong because my old love, Sure is an angel, take it from me, And she's all the angel I want to see. Maybe she'll come back some day, All I can do now is pray.... (repeat chorus)

Seite 227

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Someday Sweetheart (Spikes-Spikes)

_____________________________________________ Verse

| F | Db9 | F | D7 | |Gm | D7 | Gm D7 | Gm G7'' | | C7 | C7 | F | F | |Am | E7 | Am Co | C7 || Chorus

| F C+ | F |F7 | D7 | | G7 | C7 | F Fo |Gm7 C7 | | F C+ | F | Am F7 | Am | | E7 | E7 | Am | C7 | | F7 | F7 | Bb | Bb | |G7 | G7 | C7 | C7 | | F C+ | F | F7 | D7 | |G7 | C7 | F Bb | F || Leichtere Version nächste Seite!

Seite 228

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Someday Sweetheart - leichtere Version Verse

| F | C#7 | F | F7 | |Gm | D7 | Gm | Gm | | C7 | C7 | F | F | |Am | E7 | Am | C7 || Chorus

| F | F | Am | D7 | | G7 | C7 | F | C7 | | F | F | Am | Am | | E7 | E7 | Am | C7 | | F7 | F7 | Bb | Bb | |G7 | G7 | C7 | C7 | | F | F | F | D7 | |G7 | C7 | F | F ||

Seite 229

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Someday Sweetheart (Lyrics) Someday, sweetheart, You may be sorry For what you've done To my poor heart; And you may regret Those vows that you've broken, And the things that you did to me That made us drift apart. Oh, you're happy now, And you can't see how Those weary blues Will ever come to you; But as you sow, So shall you reap, dear; And what you reap Will gonna make you weep, Someday, sweetheart! Someday, sweetheart, Oh you're gonna be sorry, oh yes1 For what you done To my poor heart; And you may regret Those vows that you've broken, oh-oh-oh-oh! And the things that you did to me That made us drift apart. Oh, you're happy now, And you can't see how Those weary blues Ever gonna come to you; But as you sow-ho-ho, So shall you reap, And what you reap Is gonna make you weep, Someday! Come on baby, Have a heart! Don't you tell me That we have to part. You know I've loved you >From the start, You'll rue the day, And blue is the day You break my heart.

Seite 230

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Some Of These Days (F) (Brooks)

___________________________________________ A7 | ./. | Dm | ./. | A7 | ./. | Dm | ./. | D7 | ./. | Gm | ./. | G7 | ./. | C | ./.7 | F | ./.7 | Bb | ./. | D7 | ./. | Gm | ./. | Bb | F0 | F | D7 | G7 | C7 | F | ./. ||

Seite 231

231

St. James Infirmary (Redman)

___________________________________________ Fm C7 | Fm | Fm Bbm | C7 | Fm C7 | Fm | Db7 C7 | Fm ||

Seite 232

232

St. Louis Blues (W.C. Handy)

___________________________________________ Intro (1mal)

| Fm | ./. | C7 | ./. | 1

| C7 | ./. | Fm | ./. :|

2

| Fm G7 | C7 | Chorus

Blues in F Auf Zeichen → Intro → Schluss Moll

Seite 233

233

Stomp Your Stuff (J. Blythe)

___________________________________________ Intro: (p, bjo, wbd.)

| Cm | ./. | Fm | ./. | Break!

| G7 | ./. | F7 | Bb7--- || Verse: Tutti

|| Eb | ./. | C7 | ./. | F7 | ./. | ./. | ./. | Bb7 | ./. | Eb | Cm | F7 | ./. | Bb7 | ./. | Eb | ./. | C7 | ./. | F7 | ./. | ./. | ./. | 2.

Ab | ./. | A0 | ./. | Eb Gb | ./. | F7 | Bb7 | Eb | ./. | C7 | ./. | Fm | Bb7 | Eb | Bb7 ||

Seite 234

234

Sunday (Miller/Cohen/Stein/Krueger)

___________________________________________ Verse:

2./5. 2.

C | Cdim/0 | Dm6 | Am | Am | Em | Am | Dm F | C | B7 | ./. | Em | 2. 2. wie D6

≙F6 3./7.

Am | D6 | Bm Bm7 | Dm7 G+ | Chorus:

C | ./. Cdim/0 | G7 | A7 | D7 | G7 G+ | C | ./. - D7 G7 | C | ./. Cdim/0 | G7 | A7 | D7 | G7 | C | ./. | E7 | ./. | A7 | ./. | D7 | ./. | G7 | ./. - D7 G7 | C | ./. Cdim/0 | G7 | A7 | D7 | G7 G+ | C | (D7 G7 to chorus) |

Seite 235

235

Sweet Georgia Brown (Casey/Pinkard/Bernie)

____________________________________________ F7 | ./. | ./. | ./. | Bb7 | ./. | ./. | ./. | Eb7 | ./. | ./. | ./. | Ab | G7 | Ab | ./. | F7 | ./. | ./. | ./. | Bb7 | ./. | ./. | ./. | Fm | C7 | Fm | C7 | Ab | F7 | Bb7 Eb7 | Ab ||

Seite 236

236

Sweet Sue(- Just You) (Harris/Young)

____________________________________________ F7 | ./. | ./. | ./. | Bb | ./. | ./. | ./. | F7 | ./. | ./. | ./. | Bb | ./. | ./. | ./. | Bb | Dm | Fm | G7 | Cm | ./. | Ebm | ./. | F7 | ./. | ./. | ./. | Bb | ./. | ./. | ./. ||

Seite 237

237

S’Wonderful (George Gershwin)

____________________________________________ 3. 3./6.

| Eb6 | ./. | E0 | ./. | 5. 3. 5.

Fm7 | Bb7 | Eb Cm7 | Fm7 Bb7 | 3./6.

| Eb6 | ./. | E0 | ./. | 5. wie Dm

7(2.) 3. 5.

Fm7 | Bb7 | Eb6 | Am7 D7 || 4.

G Em7 | Am7 D7 | G Em7 | Am7 D7 |

G7 | C7 | F7 | Bb7 | 2./5.

Eb6 | ./. | Gb0 | ./. | 3.

Fm7 | Bb7 | Eb6 | ./. ||

Seite 238

238

Take Your Black Bottom Outside (Williams-Green)

___________________________________________ Chorus:

Bb | Bb | F7 | Bb | Bb | Bb | C7 | F7 | Cm - G7 | Cm | Cm - G7 | Cm | C7 | F | F | C7 F7 | Bb7 | Bb7 | Bb7 |Eb G7 Cm Cm| Eb - - - | Ebm - - - | Bb - - - | G7 - - - | Cm G7 Cm Cm| Bb - G7| C7 F7 | Bb | Schluss | C7 F7 | Bb G7 | | C7 F7 | Bb || Verse:

Bb | ./. | Bb - Ebm | Bb - F | Bb | ./. | F - C7 | F7 | Bb7 | A7 | A7 | Bb | Bb- Bbm | F | C7 | F7 | Bb7 | Bb7 | C7 | F7 | Ablauf: Chorus, Verse, Chorusse

Seite 239

239

Tampeekoe (Panico/Schoebel/Melrose)

_____________________________________________ 1223mod4444

1 | F | F | G7 | G7 | | C7 | C7 | F -3- | F -3- | | F | F | G7 | G7 | | Bb | Bb Bbm | F | F C7 | | F | F D7 | G7 C7 |F |

2 | F | F | F | F7 | | Bb | Eb7 | F | F | | C7 | C7 | F Bbm | F C7 ||

3 | F | F | G7 | G7 | | C7 | C7 | F -3- | F -3- | | F | F | G7 | G7 | | Bb | Bb Bbm | F | F C7 | | F | F D7 | G7 C7 | F D7 | Fortsetzung nächste Seite!

Seite 240

240

Fortsetzung Tampeekoe

| G7 C7 | F || mod | F Bb7 |Eb7 Ab7 || 4 | Db | Db | Db |Db7 | |Gb | Gb | Db | Db | | Ab7 | Ab7 | Db | Db ||

Seite 241

241

That Rhythm Man (Andy Razaf / Fats Waller / Harry Brooks)

_____________________________________________ | C | A7 | D7 G7 | C | | C | A7 | D7 | G7 | | C | C7 | F | Fm | | C | A7 | D7 G7 | C || Patter

| C | Am7 | Dm7 G7 | C | | C | Am7 | Dm7 | G7 | | C | C7 | F | Fm | | C | Am7 | Dm7 G7 | C ||

Seite 242

242

That Rhythm Man (Lyrics) (Andy Razaf / Fats Waller / Harry Brooks)

_____________________________________________ Now the tress all sway to rhythm And the children play to rhythm All the birdies flap their wings in rhythm too Oh, the breezes float to rhythm And the rivers flow to rhythm Ev'ry flower nods in rhythm all day through Now the trees all sway to rhythm And the children play to rhythm All the birdies flap their wings in rhythm too Oh, the breezes float to rhythm And the rivers flow to rhythm Ev'ry flower nods in rhythm all day through Ev'ry dance and ev'ry melody Acts according to this recipe Ev'rybody walks to rhythm Ev'rybody talks to rhythm Seems like the world can do without that rhythm man Bob-bee-doh-bob-bee-doh-doh Bib-bee-doh-bee-bo-bee-dee-doh Bob-bee-doh-bo-bob-bob-bee-doh

(Transcribed from the Billy Cotton/Nat Gonella/

Sam Browne recording by Mel Priddle - July 2007

)

Seite 243

243

The Lady Is A Tramp (Richard Rodgers)

___________________________________________

3. 2.

| C | Ebm7 | Dm7 | G7 | | C | Ebm7 | Dm7 | G7 | 2. 5.

| C | C9 | F | Fm6 | 4.

| C C+ | F G7 | C | G7 | | C | C9 | F | Fm6 | 4.

| C C+ | F G7 | C | C || 4. 5.

| F | G7 | Em7 | Am7 | 2.

| Dm7 | G7 | C A7 | D7 G7 | 3. 2.

| C | Ebm7 | Dm7 | E7 | | Am | D7 G7 | C | ./. ||

Seite 244

244

The World Is Waiting For The Sunrise (Ernest Seitz-Eugene Lockhart)

___________________________________________ Bb | ./. | Bb0 | ./. | Bb | ./. | D7 | ./. | Eb | Bb0 | Bb | G7 | C7 | ./. | F7... | - | Bb | ./. | Bb0 | ./. | Bb | ./. | D7 | ./. | Eb | Bb0 | Bb | G7 | C7 | F7 | Bb | ./. ||

Seite 245

245

Tiger Rag (La Rocca)

___________________________________________ Bb | ./. | Bb F7 | Bb | Bb | ./. | ./. | Bb F7 | Bb | ./. | Bb F7 | Bb | Bb | ./. | Bb F7 | Bb | C7 | F | C7 | F | C7 | F | C7 | F7 | Bb | ./. | Bb F7 | Bb | Bb | ./. | Bb F7 | Bb | Eb | ./. | ./. . . . | . . . . | Eb | ./. | Bb7 . . . | . . . . | Bb7 | ./. | Eb | ./. | Bb7 | ./. | Eb | . . . . | Bb7 | ./. | Eb | ./. | Ab Gm | Fm F | Bb7 | Eb7 || Tiger Rag Seite 1: Fortsetzung Seite 2

Seite 246

246

Fortsetzung - Tiger Rag: Seite 2

Chorus:

Ab | ./. | ./. | ./. | Ab | ./. | Eb | ./. | Eb | ./. | ./. | ./ . | Eb | ./. | Ab . . . | . . . . | Ab | ./. | ./. | ./. | Ab | ./.7 | Db | ./. | Db | ./.m | Ab | F7 | Bb7 | Eb7 | Ab | ./. | |Schluss:

| Ab Db | F0 Eb ||

Seite 247

247

Tin Roof Blues (New Orleans Rhythm Kings/ Melrose)

____________________________________________ Bb | F7 | Bb | ./.7 | Eb | ./. | Bb | ./. | F7 | ./. | Bb | ./. |: Bb7 | ./. | ./. | ./. | Eb7 | ./. | Bb7 | G7 | C7 | F7 | Bb | ./. || 2x BbBb

7B0F

7|BbBb

7Ebm6F#7|

Seite 248

248

Tis Autumn (Henry Nemo)

_____________________________________________ .5.

Fm7 | Bb+ D7 | Eb Gm | C7 | 4.

Fm Abm6 | Eb F7 | Fm7 Bb7 | Eb ||: 5.

Bbm7 Eb7 | Bbm7 Eb7 | Ab Eb+ | Ab6 | 3. 5.

Cm7 F7 | Cm7 F7 | Bb7 | F9 Bb7 | Fm7 | Bb+ D7 | Eb Gm | C7 | Fm Abm6 | Eb F7 | Fm7 Bb7 | Eb ||

Seite 249

249

Tishomingo Blues (Spencer Williams)

____________________________________________ || F F7 | Bb | F | F7 | | Bb | ./. | F | ./. | | C7 | ./. | F | F Fm | | C | G7 | C | C7 | | F F7 | Bb | F | F7 | | Bb | ./. | A7 | ./. | | F | A7 | Dm | Db7 | | F | C7 | F C7 | F ||

Seite 250

250

Too Busy (Miller - Cohn)

_____________________________________________ || Bb | F7 F+ | Bb Bb7 | Eb Ebm | 3.

| Bb Db0 | F7 | Bb | F7 | | Bb | F7 F+ | Bb Bb7 | Eb Ebm | 3.

| Bb Db0 | F7 | Bb | ./. | | D7 | ./. | Gm | ./. | | D7 | ./. | Gm | F7 | | Bb | F7 F+ | Bb Bb7 | Eb Ebm | 3.

| Bb Db0 | F7 | Bb | F7 | |Schluss: | Bb ||

Seite 251

251

Too Busy (Lyrics) (Miller - Cohn)

____________________________________________ Why do you keep avoiding me I confess it's annoying me Honestly it's so aggravating Won't you tell me just what to do When I ask for a kiss or two You say no not now dear Somehow dear You're always too busy for my loving Too busy for my petting That is all that I've been getting from you What's more and I'm not lying I noticed you've been trying Hard to shake me And it's making me blue I can't understand your actions But I'll get my satisfaction Don't you worry just you wait and see dear Wait til you want me honey Then it won't be so funny When I say that I'm too busy for you

Seite 252

252

Wa Wa Wa (Schaefer/H. Darewski)

____________________________________________ Verse:

Gm | D7 | ./. | Gm | G7 | Cm | F7 | Bb | Gm | D7 | ./. | Gm | C7 | ./. | F7 | ./. || Chorus:

Bb | F7 | Bb | F7 | D7 | Gm | C7 | F7 | Bb | F7 | D7 | Gm Bb7 | / | / | / - - - | - - - - | Eb | ./. | Bb | G7 | | Break - - - | - - - - | C7 | F7 | Bb Ebm | Bb || Kurzer Schluss auf Bb!! Chorus, Verse, Chorusse (Soli)

Schlusschorus: Breaks ab Eb!!

Seite 253

253

Wabash Blues (Meinken-Ringle 1921)

_____________________________________________ Verse:

| Bb D7 | Gm Bb | C7 F7 | Bb F7 | | Bb D7 | Gm Bb | C7 | F7 | | (Bb) | (Bb7) | (Eb) | (Gb7) | 2.

| Bb Bb0/ F7 | Bb G7 | C9(7) F7 | Bb || Fortsetzung Wabash Blues nächste Seite!!

Seite 254

254

Fortsetzung Wabash Blues Chorus:

| Bb7 | ./. | Eb | Eb Bb0 | | Bb7 | ./. | Eb | Eb7 | | Ab | ./. | Eb | ./. | | B7 | ./. | Bb7 | ./. | | Bb7 | ./. | Eb | Eb Bb0 | | Bb7 | ./. | Eb | Eb7 | | Ab | ./. | Eb | Eb Bb0 | | Bb7 | ./. | Eb | ./. ||

Seite 255

255

Wabash Blues (Lyrics) (Dave Ringle & Fred Meinken) Nearly broken hearted since the day that I once started from my Wabash home, Indiana's sweet and it's a place that's hard to beat but then I longed to roam, My old homestead I now can see, I had a girl as sweet as could be, Now every day I'm so lonesome it's misery. chor: Oh, those Wabash Blues' I know I got my dues, A lonesome soul am I, I feel that I could die. Candle light that gleams, haunts me in my dreams I'll pack my walking shoes - to lose those Wabash Blues. I am just a mourner for each little nook and corner that I used to know, No more will I linger 'cause I see a warning finger pointing where to go There's no reason why I should stay, I'll take a hint and beat it away, Old memories bring recollections the while I say: PATTER CHORUS Through the sycamore the candle light is burning bright Memory brings the scent of new-mown hay to me each night I am starting for that spot no need to ask me when I'll be leaving hoofprints t'ward the old home road again. 'Xpect to see the moonshine on the Wabash any night Seems that such a picture's bound to turn me to the right Making up my mind to see that home so far away But until that happens here's the best that I can say: lyrics by Dave Ringle & music by Fred Meinken Copyright 1921, Leo Feist, Inc.

Seite 256

256

Way Down Yonder In New Orleans (Dixon/Chalton)

____________________________________________ C7 | ./. | F | ./. | C7 | ./. | F | ./. | C7 | ./. | F | ./. | F7 | ./. | Bb | ./. | G7 | ./. | C7 . . . | . . . . | F | F0 | F | Db7 | 2.

F | C7 | F Bb | F C0 || Kurzer Schluss: | F || Tempo: flott!!

Seite 257

257

Wednesday Evening Blues Gründer/Göling/Thiel)

___________________________________________ | F | A7 | D7 | ./. | | G7 | C7 | F | C7 | | F | A7 | D7 | ./. | | G7 | ./. | C7 | ./. | | F ... | F7 . . . | Bb . . . | Bb7 . . . | | F | A7 | D7 | ./. | | G7 | C7 | F | C7 | |Schluss: | F ||

Seite 258

258

What You Want Me To Do (King Oliver)

___________________________________________ Intro:

| A7 -3- | -3- A7 | Ab7 -3- | -3- Ab7 | | G7 -3- | -3- F7 | Bb7 -3- | --4-- | Verse:

| Eb ... | Eb | Eb | Eb’’ Eb7 | | Ab ... | Ab’’ Ab | Eb | Eb’’ C0 | |Bb7C0Bb7C0| Bb7 | Eb -3- | --4-- | Chorus:

| Eb ... | Eb Ab |Eb ’ D7 Db7 | C7 | | F7 ... | Bb7 | Eb Eb0 | Fm Bb7 | | Eb ... | Eb Ab |Eb ’ D7 Db7 | C7 | | F7 ... | Bb7 | Eb Ab | Eb ||

Seite 259

259

What You Want Me To Do (Lyrics) (King Oliver)

___________________________________________ I've been loved I don't feel clever One mans weakness Is another mans pleasure I got no feelings I got no heart Can't make no sense out of this But I got to somehow What you want me to do What you want me to say How you need me to be? I can be that way What you want me to do What you want me to say How you need me to be? 'Cause I can do that... When I feel tender Like I've been lost Put myself together 'Cause paid my cost to be the boss I ain't sleepin' I ain't slept I see what you see here But in this life You give what you get

Seite 260

260

When Day Is Done (De Silva/Katscher)

_____________________________________________ 3./6. 3. wie Fm

7 1./4. 3.

|| Bb | Db0 | Cm7 B0 | Cm7 F7 | 3./6. 3. wie Fm

7 1./4. 3.

|| Bb | Db0 | Cm7 B0 | Cm7 F7 | 3. 4.

F7 | Cm7 F7 | Bbmaj7 | ./. | Bb | G7 | C7 | ./. | 1./5. 3.

F7 | F+ | Bb G7 | Cm7 F7 | 3./6. 3. 1./4. 3.

Bb | Db0 | Cm7 B0 | Cm7 F7 | 3.

F7 | Cm7 F7 | D7 | ./. | 5. 6. wie Bb maj7 1.

Fm7 Bb | ./. | Ebmaj7 | Ab7(9) | 3.

Bb F#7 | Cm7 F7 | Bb | ./. ||

Seite 261

261

When Erastus Plays His Old Kazoo (F) (Spier, Coslow, Fain)

_____________________________________________

| F | F | F | F | | C7 | C7 | F | C7 | | F | F | F | F | | C7 | C7 | F | F | | A7 | A7 | D7 | D7 | | G7 | G7 | C7 - - - | - - - - | | F | F | F | F | | C7 | C7 | F | C7 | | F ||

Seite 262

262

When Erastus Plays His Old Kazoo (Bb) (Spier, Coslow, Fain)

_____________________________________________ | Bb | ./. | ./. | ./. | | F7 | F7 | Bb | F7 | | Bb | ./. | ./. | ./. | | F7 | ./. | Bb | ./. | | D7 | D7 | G7 | G7 | | C7 | C7 | F7 - - - | - - - - | | Bb | Bb | Bb | Bb | | F7 | F7 | F7 | F7 | | Bb ||

Seite 263

263

When My Dreamboat Comes Home (Cliff Friend)

____________________________________________ || Ab | Ab Eb7 | Ab | ./. | | Ab | Ab Db | Ab | ./. | | Ab | Ab7 | Db | ./. | | Bb7 | ./. | Eb7 | ./. | | Ab | Ab Eb7 | Ab | ./. | | Ab | Ab Db | Ab | ./. | | Ab | Ab7 | Db | ./. | 1.

| Bb |Bbm7 Eb7 | Ab | ./. ||

Seite 264

264

When You're Smiling (J. Goodwin, M. Fisher)

____________________________________________ Bb | Bb | Dm | Dm | G7 | G7 | Cm | Cm | 3. 3.

Cm | Cmaj7 | Cm7 | Cm7 | F7 | F+ | Bb | Bb | Bb7 | Bb7 | Eb | Eb | C7 | C7 | F7 | F7 | Bb | Bb | G7 | G7 | Cm7 | F7 | Bb | Bb || Schluss: | Bb6 |

Seite 265

265

Wild Cat Blues (C) (Thomas ‘Fats‘ Waller / Clarence Williams 1923)

____________________________________________ A 4x | C | ./. | ./. | ./. | | G7 | ./. | C | ./. | B | C | G7 | C | G7 | | C | Em | B7 | G7 | | C | G7 | C | G7 | | C7 | F | G7 | C | A 2x C | F | ./. | ./. | ./. | | F | ./. | E7 | Am C7 | | F | ./. | ./. | ./. | | D7 | Gm | C7 | F | D | Dm E7 | A7 Dm | ----… | ---- …. | | Dm E7 | A7 Dm | ----… | ----…. | | Dm E7 | A7 Dm | Dm | ./. | | D7 | Gm | C7 | F |

C Ein Mal, dann ⊕

|⊕ Dm E7 | A7 Dm | Dm | ./. | Dm6|| Schluss

Seite 266

266

Wild Cat Blues (Bb) (Thomas ‘Fats‘ Waller / Clarence Williams 1923)

____________________________________________ A 4x Bb | ./. | ./. | ./. |

F7 | ./. | Bb | ./. | B Bb | F7 | Bb | F7 | Bb | Dm | A7 | F7 | Bb | F7 | Bb | F7 | Bb7 | Eb | F7 | Bb | A 2x C Eb | ./. | ./. | ./. | Eb | ./. | D7 | Gm Bb7 | Eb | ./. | ./. | ./. | C7 | Fm | Bb7 | Eb | D Cm D7 | G7 Cm | ----… | ---- …. | Cm D7 | G7 Cm | ----… | ----…. | Cm D7 | G7 Cm | Cm | ./. | C7 | Fm | Bb7 | Eb |

C Ein Mal, dann ⊕ 1.

⊕ Cm D7 | G7 Cm | Cm | ./. | Cm6|| Schluss

Seite 267

267

Wild Cat Blues (C) (Thomas ‘Fats‘ Waller / Clarence Williams 1923) A x 4 times

| C E7 | Am G7 | C | C C#0 | | G7 | ./. | C | ./. | B x 2 times

| C C#0 | G7 | C C#0 | G7 | | C | Em | B7 | Em G7 | | C C#0 | G7 | C C#0 | G7 | | C C7 | F Fm | D7 G7 | C | A x 2 times

| C E7 | Am G7 | C | C C#0 | | G7 | ./. | C | ./. | C x once

| F Bb | F Bb | F Bb | F C7 | | F Bb | F Bb | E7 | Am C7 | | F Bb | F Bb | F Bb | F A7 | | D7 | Gm | G7 C7 | F | with breaks

| Dm - Dm - | Dm - Dm - | Dm - - - | - - - - | | Dm - Dm - | Dm - Dm - | A7 - - - | - - - - | | Dm - Dm - | Dm - Dm - | Dm - - - | - - - - | Fortsetzung nächste Seite!

Seite 268

268

Fortsetzung Wild Cat Blues (C)

| D7 | Gm | C | F | C x once

| F | F | F | F | | F | F | Am E7 | Am C7 | | F | F | F | F | | D7 | Gm | C7 | F | with breaks to finish

| Dm - Dm - | Dm - Dm - | Dm - - - | - - - - | | Dm - Dm - | Dm - Dm - | Dm - - - | finish |

Seite 269

269

Willie The Weeper (Melrose/Bloom/Rymal)

_____________________________________________ Verse:

| Gm D7 | Gm | D7 | ./. | | Gm | Cm | Gm D7 | Gm ||: Chorus: Anfang - gleich Solo Jeff! Two-beat, soft, 4/4 auf 2 betonen!

| F7 | ./. | Bb | ./. |: | G7 | ./. | Cm | Bb0 | | F7 | ./. | Bb | ./. || Bei Überleitung auf Verse: | D7 | Folge: Chorus (solo), 2 x verse, chorusse. Schluss: Auf Kommando verse, chorus. Langer Schluss!!

Seite 270

270

Wochenend’ und Sonnenschein (Ager Milton)

____________________________________________ | Bb | ./. | ./. | ./. |: | F | ./. | ./. | ./. | | Bb | Eb | Bb | ./. |: | D | A | D | ./. | | F | C | F | ./.7 | | Bb | ./. | ./. | ./. |: | F | ./. | ./. | ./. | | Bb | Eb | Bb | ./. ||

Seite 271

271

Wolverine Blues (B. Spikes/Morton/J. Spikes)

____________________________________________ Mit Clarinette!! Verse:

|Bb Bb0 | F7 | Bb Bb0 | F7 | | Bb | F | C7 | F7 | |Bb Bb0 | F7 | Bb Bb0 | F7 | |Bb ./.7 | Eb ./.m | Bb F7 | Bb ||: Übergang (Schorsch!):

(|Bb B | C Db | F7 | . . . . ||) Chorus: (1./4.)

| Bb | F0 | F7 | ./. | | Bb | F0 | F7 | ./. | | Bb | ./.7 | Eb7 | ./. | | C7 | ./. | F7 | ./. | (1./4.)

| Bb | F0 | F7 | ./. | | Bb | ./.7 | Eb | ./. | | Eb | ./.m | Bb | G7 | | Cm | F7 | Bb | . . . | . . . . || | :Schluss

Seite 272

272

Yes Sir, That’s My Baby (Jazz Rebells) (Walter Donaldson/Gus Kahn)

____________________________________________ Intro

1 2./5./8. 5.

|| C | Eb0 | Dm7 | G7 || Vocal 3./6./9.

2| C | C C#0 | G7 | ./. | | G7 | ./. | C | ./. | | C | C C#0 | G7 | ./. | | G7 | ./. | C | ./. | | C7 | ./. | F | ./. | | D7 | ./. | G7 | ./. | �| C | C C#0 | G7 | ./. | | G7 | ./. | C | ./. ||

3|| Chorus Tanz + Solist wie2 4|| Chorus Tanz + Tutti, dabei die letzten 8 Takte ab�: / o o o / o / o / o o o / o / o

�| C | C C#0 | G7 | Dm7 C#0 | / o o o / o / o / o o o

| G7 | ./. | C | ├────┤ ||

5|| Chorus Tanz + ½ Acc

wie 2 ½ Tutti

Seite 273

273

Yearning (Joseph A. Burke)

_____________________________________________ Verse:

F | F | C7 | C7 | Dm | Dm | A7 | A7 D7 | Gm | D7 | Gm | Gm | G7 | G7 | C7 | C7 | Chorus:

F | Bb7 | F | Gm | F...C7 | F C7 | F | F | F | Bb7 | F | F Bb | F...C7 | F C7 | F | F | Am | Am | E7 | E7 | E7 | E7 | Am | C7 | F | Bb7 | F | F Bb | F...C7 | F C7 | F | F | | (Dm C

7 to chorus) |

Seite 274

274

You Ain’t Too Old (Hill-Williams)

_____________________________________________ Chorus:

F | Bb7 | F | Bb7 | F | C7 | F | F7 | Bb | Bb | F | D7 | G7 | C7 | F | F || Come on here you cats! Let’s everybody get ready scat; Oh no brother, you can’t tell me that you ain’t too old! Scat ⇒

Seite 275

275

You’re Bound To Look Like A Monkey When You Get Old + Lyrics (Hill-Williams)

____________________________________________ Chorus:

F | Bb7 | F | Bb7 C7 | F | C7 | F | F7 | Bb | Bb | F | D7 | G7 | C7 | F | C7 | Schluss: | F || I can tell by your hair You got Monkey in you somewhere And you`re bound to look like a Monkey when you get old When you get old, when you grow old You`re bound to look like a Monkey when you get old. I can tell by your feet, You don`t get nothing to eat And you`re bound to look like a Monkey when you get old When you get old, when you grow old You`re bound to look like a Monkey when you get old. I can tell by your hand You`re a born Monkey Man And you`re bound to look like a Monkey when you get old When you get old, when you grow old You`re bound to look like a Monkey when you get old. I can tell by your knees You`ve been climbing coconut trees And you`re bound to look like a Monkey when you get old When you get old, when you grow old You`re bound to look like a Monkey when you get old.

Seite 276

276

Zaz Zuh Zaz (Jazz Rebells) (Calloway, Cab/White, Harry A.)

____________________________________________ Intro

1|| Cm | Cm G7 | Cm | Cm G7 |

| Ab7 | ./. | Cm | Cm G7 |

| Cm | Cm G7 || Voc.

2|| Cm G7 | Cm G7 | Cm | D7 G7 | | C7 | Fm | G7 | Ab7 G7- Cm | | Cm | ./. | Ab7 | ./. | | Cm | ./. | Fm G7- Cm | Fm G7-Cm ||

3|| Chorus Voc. wie 2 Solo Chorus 1. Alt/Ten

4|| Cm | ./. | ./. | ./. |

| Cm | ./. | ./. | ./. ||

5|| Chorus Voc. wie 2

�|| Chorus Voc. wie 2 tutti

�|| Cm | ./. | Ab7 | ./. |

| Cm | ./. | Ab7 G7- Cm | Ab7 G7- Cm || . .

�|| Fm | Cm |

Seite 277

277

Zaz Zuh Zaz (Lyrics)

Now, here's a very entrancing phrase It will put you in a daze To me it don't mean a thing But it's got a very peculiar swing

Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay

Now, zaz, zuh, zaz was handed down From a bloke down in Chinatown It seems his name was Smoky Joe And he used to hi, de, hi, de, ho

Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay

When Smoky Joe came into town And he kicked the gong around Any place that he would go Minnie the Moocher she was sure to go

With her zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay

It makes no difference where you go There's one thing that they sure do know There's no need for them to be blue For the zaz, suh, zaz will always see them through

Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay Zaz, zuh, zaz, zuh, zaz Zaz, zuh, zaz, zuh, zay

Songwriters CALLOWAY, CAB/WHITE, HARRY A. /

1

Harmonien Harmonien Kpl.doc Harald Thiel Klaus Kappel Kirchstraße 20b 28844 Weyhe-Leeste � 0421 803774 klaus.kappel@arcor.de

2

Die deutsche Notenbezeichnung ( B <-> Bb ) ist aus praktischen Erwägungen wegen der Zeichenbreite gewählt, nicht aus weltanschaulichen oder prinzipiellen Gründen. Verbesserungsvorschläge, Ergänzungen oder Kritik sind jederzeit erwünscht! Leerseiten sind zur Positionierung von Noten zu den passenden Harmonien eingefügt. Einfügen von Noten Capella: Export Word: Einfügen aus Zwischenablage Formatieren Kopieren Photopaint: Neu Einfügen aus Zwischenablage Speichern als Windows BitMap Seitenformat: Breite 21cm; Höhe 22cm

12

After You’ve Gone B J.Turner Layton / Henry Creamer 1918 Verse:

B C7F7 B C7F7 D7 gm C7 F7

B C7F7 B7 Eb EbEo BG7 C7F7 BB5+

Chorus:

Eb ebm B G7 C7 F7 B B7

Eb ebm B G7 cmG7 cmeb

m B D7 gm Eo

B F7 B ./.

After You’ve Gone Eb Verse:

Eb F7 B7 Eb F7 B7 G7 cm F7 B7

Eb F7 B7 Eb7 Ab AbAbo Eb C7 F7 B7 B B7

Chorus:

Ab abm Eb C7 F7 B7 Eb Eb7

Ab abm Eb C7 fm C

7 fmabm Eb G7 cmCo

Eb B7 Eb ./.

13

Ain’t Misbehavin Eb Thomas ‘Fats‘ Waller / Harry Brooks / Andy Razaf 1929

Verse: rotes Buch!

Eb cm fm7 B7 Eb Eb7 Ab ab

m Eb Gb7 fm7 B7 G7 C7 F7 B7

Eb cm fm

7 B7 Eb Eb7 Ab abm Eb Gb7 fm

7 B7 Eb Ab Eb G7

cm Ab7 F7 C7 B G7 cm7 F7 B C7 F7 B7

Eb cm fm

7 B7 Eb Eb7 Ab abm Eb Gb7 fm

7 B7 Eb Ab Eb Ain’t she sweet F Wilton Ager / Jack Yellen 1927

A: F Db7 C7 F Db7 C7 F A7 D7 G7 C7 F B:

B7 . / . F . / . G7 . / . C7 . / . A – A – B – A Ain’t she sweet B

A: B Gb7 F7 B Gb7 F7 B D7 G7 C7 F7 B B:

Eb7 . / . B . / . C7 . / . F7 . / . A – A – B – A

14

Alexander’s Ragtime Band B Irving Berlin 1911

Intro: (ohne Rhythmus) F F7 B H° F D7 gm

7 C7 F Verse:

C . / . F G7 C . / . D G7

C . / . F G7 C C7 F F#° C G7 C C7

Chorus: F . / . G7 C7 F F7 B . / . . / . . / .

F . / . dm . / . G7 . / . C7 . / .

F . / . G7 C7 F F7 B . / . . / . . / .

F F7 B H° F D7 gm7 C7 F

All of me B Gerald Marks / Seymour Simons 1931

B . / . D7 . / . G7 . / . cm . / . D7 . / . gm . / . C7 . / . F7 . / . B . / . D7 . / . G7 . / . cm . / . Eb eb

m B G7 C7 F7 B . / .

15

Alligator Hop B / Eb 118

Intro: 1 2 3 | B ./. F7 B B -

A: l: F7 ./. B ./. F7 ./. B ./.

F7 ./. B B B - - - - - - - - - C7 F7 B :l B:

Eb ./. ./. ./. Eb ./. F7 - - - B7 - - - Eb ./. ./. Eb Eb - - - - - - - - - F B7 Eb

NOTS Intro 2x A 1x B 2x A Coda 1x B tb (ohne Break) 2x B Band CODA

16

Apex Blues B Jimmy Noone / Joe Poston / Earl Hines 1928 112

Chorus:

B ./. ./. B7 Eb ./. B ./.

C7 F7 B Eb B (F7)

Soli + Riff:

B Eb7 B B7 Eb ebm B G7

C7 F7 B Eb B (F7) At the Jazzbandball Nick La Rocca / Larry Shields /Johnny Mercer 1918

A:

gm ./. ./. ./. F7 B7 C7 F7 D7

gm ./. ./. ./. C7 ./. ./. F7

B:

G7 ./. C7 ./. F7 ./. B (D7)

G7 ./. C7 ./. Eb Eo B G7 C7 F7 B

Schluß + Eb Eo B G7 C7 F7 B (B7)

17

Avalon F Vincent Rose, Al Jolson, Buddy de Silva 1920

C7 gm7 C7 gm

7 C7 F F C7 F ./.

C7 gm7 C7 gm

7 C7 gm7 C7 F F C7 F F F E Eb

D7 ./. ./. ./. gm ./. bm6 bm

6 Ho

F ./. D7 ./. gm7 C7 F ./.

Baby Won’t You Please Come Home F Charles Warfields, Clarence Williams 1915

Verse:

F Abo C7 F Abo C7 F A7 D7 G7 C7

F Abo C7 F7 B D7 G7 C C#o G7 b5 C7

Chorus:

F A7 D7 G7 ./. C7 C#o dm C G7 C7

F A7 D7 B A7 B Ho F D7 G7 C7 F D7

G7 C7 F

18

Basin Street Blues B Spencer Williams 1928

Intro:

---- B C#o

---- B F75+ B B7 Eb Gb7 (B) (F7 B) cm7 em

7

Chorus: B D7 G7 ./. C7 F7 B Ho cm

7 F7

B D7 G7 ./. C7 F7 B Eb B Beale Street Blues B W.C.Handy 1916

A:

B ./. cmG7 c

F C7 F7 B B7 Eb Gb7 B B F7 B

B ./. cmG7 c

F C7 F7 B B7 Eb Gb7 B BF7BB7

B:

Eb Ab7 B7 Eb Eb7 Ab Ab7 B7 Eb ./.

B7 fm7 B7 Eb ./.

19

Bei mir biste schön gm Sholum Seslnda /Saul Chaplin / Sammy Camn 1937

Intro:

l: gm Eb D7 gm Eb D7 gm cm Eb7 D7 :l Chorus:

gm ./. ./. ./. D7 ./. gm F Eb D7

gm ./. ./. ./. D7 ./. gm cm gm

cm ./. gm ./. cm cm Eb D7 Do D7

gm ./. ./. ./. D7 ./. gm cm gm Bel Ami F *

Bill Baily B Hughie Cannon 1902

B ./. ./. ./. B ./. F7 ./.

F7 ./. ./. ./. F7 ./. B ./.

B ./. ./. ./. B B7 Eb ./.

Eb ebm B G7 C7 F7 B ./.

20

Black And Blue Traditional

am dm7 am D7 D#o em

7 A7 dm7 G7 C E7

am dm7 am D7 D#o em

7 A7 dm7

C fm C C7 Ab7 G7

Ab ./. C C7 Ab ./. F E7

am dm7 am D7 D#o em

7 A7 dm7

C fm C (E7) Ab7 G7

Blueberry Hill F Vincent Rose / Al Lewis / Larry Stock 1940

B ./. F ./. C7 ./. F F7

B ./. F ./. C7 ./. F bm F C7

F F C7 F F7 E7 am E7 A C7 F7

B ./. F ./. C7 ./. F bm F Blueberry Hill B Vincent Rose / Al Lewis / Larry Stock 1940

Eb ./. B ./. F7 ./. B B7

Eb ./. B ./. F7 ./. B ebm B F7

B B F7 B B7 A7 dm A7 dm A

7 F F7

B7

Eb ./. B ./. F7 ./. B ebm B

21

Blues F, B, Eb, G

F B7 F F7 B bm F D7

G7 C7 F B F

B Eb7 B B7 Eb eb

m B G7

C7 F7 B Eb B

Eb Ab7 Eb Eb7 Ab ab

m Eb C7

F7 B7 Eb Ab Eb

G C7 G G7 C cm G E7

A7 D7 G C G

22

Blues My Naughty Sweety Gives To Me B Arthur N. Bwanstone/Chrs.M.McCarron/Carey Morgan

gm gm D7 gm gm G

7 cm cm G7 cm cm cm

7

D7 ./. gm ./. A7 ./. D D7

gm gm D7 gm gm G

7 cm ./. D7 ./.

G7 ./. C7 ./. F7 ./. B ( D7 )

23

Blues Stampede B / Eb

Intro:

- - - - - - - - B7- B7-

Verse 1:

|:-B7-B7 ./. - Eb - Eb ./. - B7- B7 ./. Eb - Eb - Ho-Ho-:|

Verse 2: →→→→→→→→→→→→→ →→→→→→→→→→→→→→

|: B ./. Gb ./. B F7 B F7 :|

Chorus:

B7 ./. Eb ./. B7 ./. Eb - - - - - - -

B7 ./. Eb ./. B7 ./. Eb ./.

die beiden letzten Chorusse: Ab Ebo Eb C7 F7 B7 Eb

Schluß F7 B7 Eb

NOTS Intro Verse 1 2 x Verse 2 Chorusse : Klarinette,Cornet,Posaune, Piano (ohne Break), nach p Verse 2 Chorusse mit anderem Schluß, 1. Banjo Break, Schluß

24

Bonanza B

B ./. ./. ./. F7 ./. ./. B

Eb ./. ./. ./. B7 ./. ./. Eb

1 2 3 - 1 2 3 - 1 2 3 - 1 2 3 - 1 2 3 - 1 2 3 -

B Eb B F7 B Eb B F7

B ./. ./. ./. F7 ./. ./. B Bourbon Street Parade Ab Traditional oder Paul Barbarin 1951

Ab ./. ./. ./. Ab ./. Eb7 ./. Eb7 ./. ./. ./. Eb7 ./. Ab ./.

Ab ./. ./. ./. Ab Ab 7 Db ./.

Db dbm Ab F7 B7 Eb7 Ab ./.

Brüder zur Sonne zur Freiheit B

|: B ./. ./. B B7 l: Eb B Eb F7 B :l

25

BSC-Song F Bourbon Skiffle Company

F ./. ./. ./. F ./. C7 ./.

gm ./. dm ./. B ./. C7 ./.

B C7 F ./.

This is the Bourbon Skiffle Company, always happy, happy as can be, with love to music and love to you, always happy, sure that’s true. This is the Bourbon Skiffle Company.

Burgundy Street Blues C George Lewis 80

1 2 3 - 1 2 3 -

C F C C7 F ./. C A7

D7 G7 C F C (G7)

26

Buddy’s Habits B Arnett Nelson / Charley Straight 1923 200

Intro:

F7 - - - Fo - - - F7 - - - F7- F7 -

Verse 1:

l: B D7 gm B7 Eb G7 F7 B F7 ./. B F7

B D7 gm B7 Eb G7 F7 B Eb Ho B G7 C7 F7 B B - :l

Verse 2:

F7 F7 - - B B - - F7 F7- - F7 B - - - - - - -

F7 F7 - - B B - - B - - B B7 - -B7 Eb -- Eb Ho - - -

F7 F7 - - C7 F7 B B -

Bridge: B7- - B7 Ho- - - B7 Ho B7- - - Chorus:

Eb B7 Eb Eb7 Ab ./. Eb ./.

Eb B7 Eb cm F7 ./. B7 - - - - - - -

Eb B7 Eb ./. Ab ./. G7 ./.

Ab Ebo Eb C7 F7 B7 Eb ./.

27

Bugle Call Rag B Elmer Schoebel /Jack Pettis / Billy Meyers 1922

B Bugle Call B7 Eb ./. B ./.

F7 ./. B Eb B

Eb ./. B G7 C7 F7 B B7

Eb ./. B G7 C7 F7 B Eb B Bye, Bye Blackbird F Ray Henderson /Mort Dixon 1926

F ./. gm7 C7 F F Abo gm

7 C7 C7

gm gm7M gm

7 C7 gm7 C7 F dm

7 gm7 C7

F7 ./. am7 D7 gm

7 ./. gm7 C7

F fm7 am

7 D7 gm gm7 C7 F ./.

28

Bye Bye Blues C Bert Lown / Chauncey Gray / Fred Hamm / Dave Bennet 1930

C ./. Ab7 ./. C em7 A7 ./.

D7 ./. G7 ./. C Ebo dm7 G7 dm

7 G7

C ./. Ab7 ./. C em7 A7 ./.

D7 ./. G7 ./. C Ab7 C ./. By The Beautiful Sea Eb

Harry Carrol / Harold A. Atteridge 1914

B7 ./. ./. ./. Eb ./. ./. ./.

Eb ./. Eb Eo B7 B7 Eo B7 Eb B7

B7 ./. ./. ./. Eb ./. ./. Eb Eb7

Ab Ao gm gm7 C7 F7 B7 Eb ./.

29

C.C.Rider F Ma Rainy 1924 Verse:

F F Fo F F Fo F F C7 F F F Fo F G7 C7

F F Fo F G7 C7

Chorus: Blues in F (Type A)

Cake Walking Babies From Home B Chris Smith / Henry Troy /Clarence Williams 1924 112

Chorus:

F7 ./. ./. ./. B ./. G7 ./.

C7 ./. ./. ./. ./. ./. Gb7 F7

F7 ./. ./. ./. B B D7 gm B7

Eb ./. ./. Eo B ./. ./. B Ho

F7 ./. ./. ./. C7 F7 B ./. Verse:

B ./. ./. ./. gm ./. C7 F7

D7 gm D7 gm C7 ./. Gb7 F7

30

Camp Meeting Blues Eb

Joe “King” Oliver 1923 ?

Eb ./. ./. Eb7 Ab ./. Eb ./.

Eb B7 Eb Ab Eb

Canal Street Blues F Joe ‘King‘ Oliver, Louis Armstrong 1927 184

Intro:

F7 l l l B l l l bm l l l F7 l F7 l

Chorus: (Blues in F)

F B7 F F7 B bm F D7

G7 C7 F ./.

31

Caravan Juan Tizol / Duke Ellington / Irving Mills 1936

C7 C#o C7 C#o C7 C#o C7 C#o

C7 C#o C7 C#o fm ./. ./. ./.

F7 ./. ./. ./. B7 ./. ./. ./.

Eb7 ./. ./. ./. Ab ./. C7 ./. Careless Love F W.C.Handy 1921

F C7 F bm F F D7 G7 C7

F F7 B bm F C7 F F7B bm F Carry Me Back To Old Virginia F James A.Bland 1878

F A7 B F F F D7 G7 C7

F A7 B F F F D7 G7 C7 F

C7 ./. F ,/. am dm G7 C7

F A7 B F F F D7 G7 C7 F

32

C’ est Si Bon B Henri Betti – Andre Hornez - Jerry Seelen 1947

cm7 F7 B dm

7 Dbo cm7 F7 B F 5+ B Ho

cm7 F7 B dm

7 Dbo cm7 F7 B eb

m B Db7

Gb B7 H Db7 Gb ./. gm7 C7 cm

7 F7 dm

7 dbm

7

cm7 F7 B dm

7 Dbo cm7 F7 cm

7 G7

cm ebm B dm

7 gm7 cm

7 F7 B ebm B

Champs Elysees C M.Wisch / M.Deighan

Intro:

l: dm G7 C am dm G7 C :l

A:

C G am C7 F C D7 G7 C G am C7 F C F G7 C

B:

l: C E7 am C7 F C D F7 C E7 am C7 F C F G C :l

C:

l: dm G7 C am dm G7 C :l

33

Chicago Rhythm F

F ./. G7 ./. C7 ./. F G7 C7

F ./. G7 ./. C7 ./. F B7 F

dm A7 dm dm A7 dm G7 ./. C7 ./.

F ./. G7 ./. C7 ./. F B7 F

NOTS Chicago Buzz Eb

Johnny Dodds

Intro: 1 2 3 - 1 2 3 -

1 - 3 -

Eb - Ebo - B7 B7-B7- Verse1:

|: Eb ./. ./. ./. F7 ./. ./. ./.

B7 ./. Eb Ebo ι ι ι –

B7 - ι ι ι –

B7 - Eb B7 Eb :| Verse2:

|: Ab ./. Eb ./. B7 ./. Eb ./. :| Chorus:

Ab ./. Eb ./. B7 ./. Eb ./. nur letzte beiden Chorusse (nach Soli)

Ab ./. Eb ./. Eb--Eb Eb--Eb Ab--Ab Eb--Eb

Eb C7 F7 B7 Eb 1 - - 4 1 - - 4 1 - - 4 1 - - 4

Intro – Verse1 – 2x Verse2 - Chorusse

34

Chimes Blues Eb Joe „King“ Oliver 1923 152

Intro:

Eb Eb B7- B7- Chorus:

Eb H7 Eb Eb7 Ab Ebo Eb C7

F7 B7 Eb / Ab Eb CODA:

- - - - -Ab Eb-

❘

Chinaboy F Phil Boutelje / Dick Winfree 1922

F ./. ./. ./. F ./. D7 ./.

G7 ./. ./. ./. bm gm7/ C7 F Eb7

Ab Eb7 Ab ./. Ab Eb7 Ab C7

F ./. Fo ./. F C7 F ./. Chinatown Eb

Jean Schwartz / William Jerome 1910

Eb ./. ./. ./. ./. ./. B7 ./.

G7 ./. cm ./. F7 ./. B7 ./.

Eb ./. ./. ./. Eb7 ./. Ab ./.

Ab abm Eb C7 F7 Bb Eb ./.

35

36

Ciribiribin Eb

A.Pestalozze, Rudolph Thaler, J.Lawrence 1909

Eb ./. ./. ./. ./. ./. B7 ./.

B7 ./. ./. ./. fm7 B7 Eb ./.

Eb ./. ./. ./. ./. Eb+ Ab ./.

Ab Ebo Eb C7 F7 B7 Eb ./. Clarinet Marmalade F Larry Shields / Henry Ragas 1917

Intro: F A7 D7 ./. G7 C7 F ./.

Verse: F E7 F F7 B bm F A7

B bm F D7 G7 ./. C7 ./.

F E7 F F7 B bm F A7

B bm F D7 G7 C7 F ./. Interlude 1:

C7 ./. ./. ./. Chorus:

F A7 D7 ./. G7 C7 F ./.

F A7 D7 ./. G7 C7 F ./. Interlude 2:

dm ./. ./. ./. gm ./. ./. ./.

C7 ./. ./. ./.

37

38

Come Back Sweet Papa B Luis Russel, Paul Barbarin 1926 ? 176

Intro: iii| iii| iii| |iii

B - - - - - G7 - - - - - C7 - - F7

Chorus:

B G7 C7 ./. F7 ./. B D7

G7 ./. ./. ./. C7 ./. F7 - - - - - - -

B G7 C7 ./. F7 ./. D7 ./.

G7 - - - - - -G7 C7 - - - - - -Ho B gm C7 F7 B - - - - - - -

fine B gm C7 F7 B - - - - - - -

- - - - B - B - Verse:

|: B Gb F7 B Gb F7 � B G7 C7 F7 :|

� C7 F C7 F7

Intro

Chorus Sax, Chorus Band, Verse Chorus Piano (16), Band (Breaks)

39

Cornet Chop Suey Eb

Louis Armstrong 1926 ? 184.

Intro: �� � -

- - - - - - - - - - - - abmB7-

Verse 1:

Eb B7 Eb ./. fm7 B7 Eb cm fm B7

Eb B7 Eb ./. F7 ./. ./. B7

Chorus: cl + p ohne Breaks

|: Eb Eb7 Ab abm Eb ./. Eb C7 F7 - - - B7 - - -

Eb Eb7 Ab abm Eb gm- D7- gm ❘

Eb7❘ D7- D7- gm B

7

Eb Eb7 Ab abm Eb C7 - - - - - - C7 F7- - - - - - B7

Eb Eb7 Ab Eb Ab Abo Eb C7 F B7 Eb :|

cl + p ohne Breaks letzter Chorus: Eb Eb -

Verse 2: Stoptime nach cl

|: Eb- - -

Eb- - - cm- - - B7- - - Eb - - - Ab- - - Eb - - - F7B7Eb-❘ :|

Coda:

- - - - Eb - - - - - - Eb - - - - - - - - - - - - - - - - ebm

NOTS

40

Creole Jazz B

A: B ./. F7 ./. ./. ./. ./. B

B B7 Eb Ho B F7 B B(F7)

B: F7 ./. B ./. F7 ./. B ./.

F7 ./. B ./. F7 ./. B ./. Creole Love Call B Duke Ellington / Buber Miley / Rudy Jackson 1927

B ./. B7 ./. Eb ./. ./. B

F7 cm7 F7 B Eb B

Blues in B

41

Cushion Foot Stomp Eb

Clarence Williams 1937 208 Intro:

� І І І І � І � � І І І І � І � � І І І І � І � � І І І І � І �

B+ ./. Eb6 ./. Ho ./. B7 ./. �(Blues in Eb)

Eb ./. ./. Eb7 Ab abm Eb ./.

B7 ./. Eb Ab Eb �

Eb ./. ./. ./. ./. ./. Eb7 ./.

Ab ./. ./. abm Eb ./. C7 ./.

F7 ./. abm ./. Eb B7 Eb B7 Eb

Interlude bm

7- C7- gbm

6- F7- B7 - Ho - B7 - B7 - C- H - C- H - A - Ab- A - A -

� |: C7 ./. F7 ./. B7 ./. Eb - - - - - - -

C7 ./. F7 ./. B7 ./. Eb ./. :| Intro – � cl + tp/tb - � cl + tp/tb – � tu-Solo + tp - cl + tp – � cl + tp/tb – Interlude – 1 - 4 � voc - � cl (2. Break tu) - � tp – � tb -� bj (wb) Stop – � Band - fine: | - - - - | - - - - | - - - - | - B Eb - |

42

Dallas Blues B Ted Snyder – Harry B. Smit – Francis Wheeler 1922

B F7 B B7 Eb ./. B ./.

F7 ./. B ./.

B F7 B9 F7 B F7

B B7 Eb7 ./. B ./. B9 F7

F7 Eb7 B ./.

43

Dans le Rues d’Antibes B Sidney Bechet 1952

Intro:

F l l l F l l l Fl/ cm7 C7l l l A:

F C7 F ./. F C7 F F7 D7

gm gm7 C7 F A7 dm G7 ./. gm7 C7

F C7 F ./. F C7 F F7 D7

gm gm7 C7 F A7 dm G7 G7 C7 F ./. Interlude:

dml l l dml l l dmlA7l dml l l C l l l C l l l C lG7l C l l l

C ./. C7 ./.

Zurück zu A: , dann Modulation: B ./. ./. ./. B:

B ./. ./. ./. ./. ./. ./. ./.

D7 ./. gm ./. C7 ./. cm7 F7

B ./. ./. ./. ./. ./. ./. ./.

D7 ./. gm ./. C7 C7/ F7 B ./.

44

Dardanella C Felix Bernard / Johnny S. Black / Fred Fisher 1919

Verse:

C ./. ./. ./. G7 ./. C ./.

C ./. ./. ./. G7 ./. C ./.

Ab Eb7 Ab ./. G D7 fm6 G7

Chorus:

C ./. G7 C C ./. G7 C

F F F#o C A7 D7 ./. G7 ./.

C ./. G7 C F ./. E7 ./.

A7 ./. D7 D#o C ./. G7 C

Darktown Strutters Ball B Shelton Brooks 1915

Verse: B F7 B F7 F F D7 gm

7 C7 F7 bm

B F7 D7 gm F F D7 gm7 C7 F F7

Chorus: B B (G7) C7 ./. F7 ./. B Ho cm

7 F7

B B (G7) C7 ./. Eb ebm B D7 G7

C7 F7 B B F7

45

Davenport Blues Eb

Bix Beiderbecke 1925

Verse: Eb Eb Eb7 Ab ./. Eb cm F7 B7

Eb Eb Eb7 Ab ./. Eb Eb Eb Eb Eb

Chorus: Eb Ab Eb B7 Eb ./. Eb Ab Eb B7 Eb Eb7

Ab ./. Eb C7 F7 ./. B7 ./.

Eb Ab Eb B7 Eb Eb7 Ab ./. G7 ./.

Eb G7 cm C7 F7 B7 Eb ./. Day By Day G Paul Weston / Alex Stordahl / Sammy Cahn 1945

am7 D7 am

7 D7 G (C9) bm7 E7

am B7 em em7 A7 ./. am

7 D9b G#o

am7 D7 am

7 D7 G (C9) bm7b5 E7

am7 D7 G dm

6 E7 am7 am

7 D7 G ./.

46

Deep Henderson F/Db

Fred Rose 1926 192. in Arbeit

Intro:

(F) E+ (F) Db7 G7 bm6 C7- - - - - - -

�

F B7 B7 F B7 B7 F B7 B7 C7 F -B - E+

F B7 B7 F B7 B7 F B7 B7 C7 F C7- F - - -

D7 ./. G7 ./. C7 ./. F C7

F B7 B7 F B7 B7 F B7 B7 C7 F C7 F - - - �

FB7Fobm F FB7Fobm F7 B7 B7 C7 F C7

FB7Fobm F FB7Fobm F7 B7 B7 C7 F C7 F �

D7 ./. G C GEb7D7Db7 C7 ./. F G7 E+

FB7Fobm F FB7Fobm F7 B7 B7 C7 F C7

Modulation: ? �

|: Db7 Gb7 Db7 Gb7 Db7 Gb7 Db ./. :|

Db H Gb A7 Db H Gb7 A7

Db7 Gb7 Db7 Gb7 Db7 Gb7 Db- - - - - - -

Db- - -

47

Dinah Ab Harry Akst / Sam M. Lewis / Joe Young 1925

Verse: Ab ./. Eb7 ./. Ab cm fm fm

7 B7 Eb7

Ab ./. cm Ab9 Eb cm7 fm fm

7 B7 Eb7

Chorus: Ab ./. ./. ./. Eb7 ./. Ab Ao bm

7 Eb7

Ab ./. ./. ./. Eb7 ./. Ab Db Ab C7

fm fm7 ./. B7 Eb7 fm fm

7 B7 Eb7 bm7 Eb7

Ab ./. ./. ./. Eb7 ./. Ab Ao Ab

Dinah F Harry Akst / Sam M. Lewis / Joe Young 1925 192

Verse: F ./. C7 ./. F am dm dm

7 G7 C7

F ./. am F9 C am7 dm dm

7 G7 C7

Chorus: F ./. ./. ./. C7 ./. F F#o gm

7 C7

F ./. ./. ./. C7 ./. F B F A7

dm dm7 ./. G7 C7 dm dm

7 G7 C7 gm7 C7

F ./. ./. ./. C7 ./. F F#o F

48

Down By The Riverside F Traditional

F ./. ./. F F7 B ./. ./. F

F ./. ./. ./. C7 ./. F F7

B ./. F ./. C7 ./. F F7

B ./. F ./. C7 ./. F F

Do You Know What It Means C Louis Alter / Eddie de Lange 1945

C G7 5+ C F9 em7 am

7 D7 (9) F F#o cm7 A7 dm

7 Ab7 G7

C G7 5+ C F9 em7 am

7 D7 (9) F F#o cm7 A7 dm

7 G7 C6

bm7 Eb7 Ab Ao bm

7 Eb7 Ab am7 D7 G em

7 am7 D7 dm

7 G7

C G7 5+ C F9 em7 am

7 D7 (9) F F#o cm7 A7 D7 G7 C

Dream A Little Dream Of Me G Johnny Mercer 1944

G Eb7

D7 G E7

am7 F9 G

A7 am

7 D7 bm

7 E7

G Eb7

D7 G E7

am7 F9 G em

7 G C7

bm7 E7 A9 b D7 F7 B7

Eb cm

7 fm

7 B7

Eb cm

7 fm

7 B7

Eb cm

7 fm

7 B7 Eb7 D7

G Eb7 G E7 am7 F9 G em

7 G

49

D7 bm7 E7 A9 b D7

50

Dreamin‘ The Hours Away F 200

Intro: 1 - 3 -

dm ./. dm A7 C7- C7-

Chorus:

F ./. C7 ./. dm ./. A7 ./.

B Fo F D7 G7 ./. C7 ./.

F ./. C7 ./. dm ./. A7 ./.

B Fo F D7 G7 C7 F ./. vorletzter Chorus: Charleston Breaks

Verse: Synkope Synkope

dm ./. gm ./. C7 ./. F A7

dm ./. gm ./. G7 ./ C7 ./. Intro - Chorus Band - Verse

Chorus Sopran Sax - Chorus Cornet – Chorus Posaune Verse Chorus Band mit Charleston Breaks Band mit Schluß

51

Drop That Sack Ab

Armstrong – Holley 1926 176.

1. Chorus

Ab ./. Eb7 ./. Ab Ab F7 B7 Eb7

1 - - 4 1 - - 4 1 - - 4 1 - 3 4

Ab ./. Eb7 ./. Ab -- Ab Ab -- Ab Ab -- Ab B7 - Eb7

Ab

Ab F7

B7 Eb7

Ab I-----------------------------------------------------I * bj syncopiert Auftakt

2. Chorus

Ab

./.

Eb7

./. - 2 - 4 - Ab -Ab

- 2 - 4 Ab - F7

- 2 - 4 - B7 - B7

- 2 - 4 -Eb7 -Eb7

- 2 - 4 - Ab -Ab

- 2 - 4 - Ab -Ab

- 2 - 4 -Eb7 -Eb7

- 2 - 4 -Eb7 -Eb7

1 - - -

Ab - - - 1 - - -

Ab - - - 1 - - -

Ab - - - 1 - 3 -

B7 - Eb7

- 2 - 4 - Ab -Ab

- 2 - 4 Ab - F7

- 2 - 4 - Eb7 -Ab

Ab I------------------------------------------------------------I ( ab 2. Chorus)

* piano 1 2 3 4

B7 Eb7

* letzter Chorus Band Auftakt tb

- - - -

52

Dr. Jazz Eb

Joe ‘King‘ Oliver / Walter Melrose 1927

Eb Eb B7 Eb ./. Eb Eb B7 Eb Eb7

Ab abm Eb C7 F7 ./. B7 ./.

Eb Eb B7 Eb Eb7 Ab ./. G7 G

C7 ./. F7 ./. B7 ./. Eb ./. Eh La Bas F trad. Creole Song

� F ./. ./. ./. C7 ./. F ./.

� Rhumba F ./. ./. C7 C7 ./. ./. F

Everybody Loves My Baby F Spencer Williams / Jack Palmer 1924 176

Chorus: A dm ./. ./. dm D7 G7 C7 F A7

A1 dm ./. ./. dm Ebo A E7 A7 C7

B F ./. ./. ./. G7 ./. ./. C7- - - A dm ./. ./. dm D7 G7 C7 F - - - ./.

fine G7 C7 F F F - Verse: nur 1. Chorus; immer A dm A7 dm B7 A7 dmdm

7 B7 dm B7 A7

53

A dm A7 dm B7 A7 dmdm

7 B7 dm B7 A7

NOTS Exactly Like You C Jimmy Mc Hugh – Dorothy Fields 1930

C ./. D9 ./. G7 C#o dm7 G7 C am

7 dm7 G7

C ./. D9 ./. G7 C#o dm7 G7 C F C C7

F6 fm6 C C7 F6 fm

6 em7 Ebo dm

7 G7

C ./. D9 ./. G7 C#o dm7 G7 C am

7 C Eccentric C J.Russel Robinson 1912 Rag

Intro:

( F ./. ) G7 C7 F �

C ./. D7 ./. G7 ./. ( C ./. )

C ./. D7 ./. G7 ./. C F C �

C ./. F F#o C C ./. em B7 em em7

A7 ./. dm dm A7

C ./. D7 G7 C dm

�

( F ./. ) G7 C7 F ( F ./. ) G7 C7

A7 ./. ./. A7 C7 ( F ./. ) G7 C7 F

54

Farewell Blues B Elmar Schoebel / Leon Rapallo / Paul Mares 1922

B F7 B ./. B F7 B ./.

G7 ./. cm Ho B F7 B ./. Fidgety Feet Ab

Nick La Rocca / Larry Shields 1918

Intro:

( F ./. ./. ./. ) �

B B7 Eb B B ./. C7 F7

B B7 Eb B ( B ./. ) F7 B �

Eb _

G7 _

Ab _

Eb _

B7 Eb F7 B7

Eb _

G7 _

Ab _

Eb _

B7 Eb C7 F7 B7 Eb

�

Ab Db Ab ./. Eb7 ./. Ab ./.

Db dbm Ab fm B7 ./. Eb7 ./.

Ab Db Ab ./. Db ./. C7 ./.

Db Do Ab F7 B7 Eb7 Ab ./.

55

Flat Foot Eb

Verse:

Eb ./. cm ./. Eb ./. B7 ./.

fm ./. Eb C7 F7 ./. B7 ./. Chorus:

Eb ./. B7 ./. B7 ./. Eb ./.

G7 ./. cm ./. F7 ./. B7- - - - - - -

Eb ./. B7 ./. B7 ./. Eb Eb7

Ab Ebo Eb C7 F7 B7 Eb ./. Break nur bei Soli Flat Foot Floogee B Slim Gaillard – Slim Steward – Bud Green 1938

A F dm7 gm

7 C7 F dm7 gm

7 C7 F F7 B Ho F Abo gm7G#0 FF

B F7 ./. B ./. G7 ./. C7 gm7 C7

AABA Forty And Tight Frank Melrose 1929 ?

Intro: C7- - - F7- - - B - - - - - - -

C7 F7 B ./. C7 F7 B ./.

D7 ./. gm ./. F C7 F - - - - - - -

56

C7 F7 B ./. B7 ./. Eb ./.

Eb Ho B G7 C7 F7 B ./. Fräulein, Pardon B

B ./. F7 ./. F7 ./. B ./.

B ./. F ./. C7 ./. F7 ./.

B ./. F7 ./. F7 ./. gm ./.

ebm ./. B ./. F7 ./. B ./.

Friendless Blues Eb

W.C.Handy / Mercedes Gilbert – 1926

Eb B7 Eb Eb7 Ab ./. Eb ./.

B7 ./. Eb ./. Gatemouth Eb Lil Armstrong 1926 ? 168.

Chorus: nur bei Soli

B7 ./. Eb ./. B7 ./. Eb- - - - - - -

B7 ./. Eb Eb7 Ab Ebo Eb C7 F7 B7 Eb

Verse:

Eb ./. ./. ./. G7 cm F7 B7

Eb ./. ./. ./. Ab Ebo Eb C7 F7 B7 Eb

57

1 Chorus - 2 Verse - 1 Chorus cl Stoptime | 1-2-3-4 | 1 - - - | 1 Chorus tb - 1 Chorus Sax 1 Chorus tp - 1 Chors bj - 1 Chorus Band (Tuba Break) 1 Chorus Band – doppelter Schluß

58

Georgia Bo Bo F Thomas ‚Fats’ Waller, Joe Trent 1926

Verse:

F B F bm7 F Abo C7 F C7 F gm

7 F bm7 am E

7 am C7

F B F bm7 F Abo C7 F C G7 C A7 D7 G7 C C7

Chorus:

F F C7 F F7 B ./. F F

G7 C7 F G7 C7 F letzter Chorus:

G7 C7 F G7 C7 F Verse – 3 Chorus – Verse – letzter Chorus Georgia On My Mind F Hoagy Carmichael / Stuart Gorrell / Reginals Conelly 1930

Verse:

|: F A7 D7 G7 C7 F A7 dm dm7 G7 C7 FC7 5+:|

Chorus:

F A7 dm dm7 B bm

6 F7M E7 gm7 C7 F F#o gm

7C75+

F A7 dm dm7 B bm

6 F7M E7 gm7 C7 F bm F A7

dm gm dm B7 dm gm dm7 G7 dm gm dm

7 E7 am F#o gm

7 C7

F A7 dm dm7 B bm

6 F7M E7 gm7 C7 F bm F

59

Georgia Swing Ab

Santo Pecora, J.R.Morton 1928 108

Intro:

- H H Ab Ab - H H Ab Ab tb co

Verse:

fm Db C7 fm Db C7 BB F BB FC BB FC Db C7

fm Db C7 BB GF Eb HL

1.Chorus:

Ab Ab HL Ab Ab EL Eb7 B HL Ab Ab HL

Ab Ab HL Ab Ab HL Eb7 B HL Ab AbEbFG

Chorus:

|: Ab ./. ./. ./. Eb ./. Ab ./. :|

letzter Chorus: Eb F G

Ab ./. ./. ./. Eb ./. Ab ./.

Ab F Eb C H Eb Ab |

NOTS Intro – Verse – 1.Chorus(tutti) – 2x cl – 1x co –1x tb – 1 x p (ohne Tuba) � Eb F G letzter Chorus

60

Gigolo * Leonello Casucci / Irving Caesar 1929

Go Down Moses fm

Traditional

fm C7 fm B7 fm C7 fm fm C7 fm B7 fm C7 fm

fm bm fm C Ab7 Db6 fm bm7 fm C7 fm

61

Good Night Ladies B Komponist

A: B ./. ./. ./. B ./. F7 ./.

B B7 Eb ebm B F7 B ./.

B: l: B ./. F7 B B ./. F7 B :l

Good Night Ladies F

A:

F ./. ./. ./. F ./. C7 ./. F F7 B bm F C7 F ./.

B:

l: F ./. C7 F F ./. C7 F :l Goody Goody C Matty Malneck / Johnny Mercer 1935

C C G7 5+ C ./. ./. ./. A7 ./.

dm A7 dm dm A7 dm D7 ./. ./. G7

C C G7 5+ C ./. C7 ./. F A7 dm

F fm C G7 5+ C ./. A7 ./.

D7 dm7 G7 C ./.

62

Gut Bucket Blues C Louis Armstrong

Intro Banjo

Chorus:

C ./. ./. ./. F ./. C ./.

G7 ./. C F C Soli:

C F7 C ./. F ./. C ./.

G7 ./. C F C fine: | | | - | | -

G7 ./. C F C - - - - - - G7 C-

Intro Banjo - 2x tutti, p, co, tb, cl, Stomp (4/4) Halleluja F Vincent Youmans / Leo Robin / Clifford Grey 1927 ?

F C#7 C7 F C#7 C7 F F7 B bm F C7 F

A7 ./. D7 D G7 ./. C7 ./. Hallo, kleines Fräulein B

G7 ./. ./. ./. C7 ./. ./. ./.

F7 ./. ./. ./. B Ho cm F7

G7 ./. ./. ./. C7 ./. ./. ./.

63

Eb ebm B G7 C7 F7 B B(BAAb)

Happy Days are here again B Milton Ager / Jack Yellen 1925

A:

B ./. ./. ./. B ./. ./. B / BO

F7 ./. ./. ./. B Eb B F7

B:

dm A7 dm ./. F C7 F F7

A A B A Happy Days are here again C

A:

C C G7 5+ C ./. C C C ./.

G7 ./. ./. ./. C F7 C ./. B:

E c#m f#m

7 B7 E B7 E cm G em7 am

7 D7 G7 ./.

A A B A

64

Hello, Dolly B Jarry Hermann 1963

Intro:

C7 F7 C7 F7 C7 F7 B F7 (B) Chorus:

B ./. gm ./. B H° F7 ./.

cm ./. Ab ./. F7 ./. B F7

B ./. gm ./. B B7 Eb D7

gm dm gm dm C7 F7 B F7 (B)

Hello, Dolly, well hello, Dolly, it’s so nice to have you back where you belong, you’re looking swell, Dolly, I can tell, Dolly, you’re still glowing, you’re still growing, you’re still going strong. I feel the room swaying while the band’s playing one of those ols sweet songs from back when, - take her wrap, fellows, put her in an empty lap, fellows,

Chorus: Dolly, don’t you go away again.

Schluß: don’t you go away again, tell me that you’ll allways stay, Dolly, don’t you go away again.

65

High Society Eb

Porter Steele / Walter Melrose / 1901 oder Armand Piron / Clarence Williams 1929

Intro: (ohne Rhythmus)

B cm cm C7 F7 F7 Verse 1:

|:F7Ab7 cm F7 B ./. F7 ./. B ./.

gm cm gm D7 gm gm cm gm C7 F7 :| Verse 2:

|: F7 ./. B ./. C7 ./. F7 ./.

B D7 Eb B0 B F7 B F7 B :|

Modulation:

B7B7 - - B7B7 - - B7 B7 - - - Chorus:

Eb ./. ./. Eb B7 Eb Eb Ab Eb ./.

B7 ./. Eb ./. F Eb D C B7 - - - - - - -

Eb ./. ./. Eb B7 Eb Eb Ab Eb Eb7

Ab Eb0 Eb G7 C7 F7 B7 Eb B7 Eb

Interlude: (Marsch)

cm ./. G7 ./. cm ./. G7 ./.

fm ./. cm cm cm7 Ab Ab7 G7 B7

Intro – Verse1 – Verse2 – Modulation – Chorus – [ nicht bei voc ] Interlude – Chorusse (bei Klarinette: Tuba Break)

66

67

Hindustan B Oliver G. Wallace / Harold Weeks 1918 184.

Intro: | ||| ||| |

bm- - - bm - bm - bm- - - Verse: Piano Break

bm ./. ./. bm ebm bm F7 bm ./.

fm C7 fm C7 fm C7 F7 ./.

Chorus:

B ./. ./. ./. B ./. cm ./. F7 ./. ./. ./. F7 F+ B ./. B ./. ./. ./. B7 ./. Eb ./. C7 ./. eb

m ./. C7 F7 B ./.

Verse – 2 x Chorus Band – Chorus Vocal – Verse - Chorusse

68

Honeysuckle Rose B Thomas ‘Fats‘ Waller / Andy Razaf 1929

Verse:

F C7 F dm7 G7 F B

gm D7 gm d7

Eb ebm

7 B7 Eb

gm7 C7 gm

7 C7 F gm

gm7 C7 am

7 D7 gm G7 C7 F#o

Chorus:

gm7 C7 gm

7 C7 gm7 C7 gm

7 C7 F dm7 G7 C7 F gm

7 am7 Abo

gm7 C7 gm

7 C7 gm7 C7 gm

7 C7 F dm7 G7 C7 F B F

F7 ./. B ./. G7 ./. C7 G7 C7

gm7 C7 gm

7 C7 gm7 C7 gm

7 C7 F dm7 G7 C7 F B F

I Can’t Give You Anything . . . F Jimmy Mc Hugh / Dorothy Fields 1928

Verse: F F5+ F6 F5+ F gm

7 C7 F B7 F F5+ F6 F5+ F gm

7 C7 F

am E7 am am7 D7 gm

7 C7 5+ F F5+ F6 F5+ F G7 gm

7 C7

Chorus: F gm

7 F Go gm7 C7 F gm

7 F dm7 gm

7 C7

F7 ./. B ./. G7 ./. gm7 C7

F gm7 F Go gm

7 C7 F7 ./. B ./.

B Ho F D7 gm7 G7 C7 F ./.

69

I Can’t Give You Anything . . . Ab

Jimmy Mc Hugh / Dorothy Fields 1928

Verse: Ab Ab5+

Ab bm7 Eb7 Ab Db7 Ab Ab5+

Ab bm7 Eb7 Ab

Ab6 bm7 Ab6 bm

7

cm G7 cm cm7 F7 bm

7 Eb7 Ab Ab5+

Ab B7 bm7 Eb7

Ab6 bm7

Chorus: Ab bm

7 Ab Ho bm7 Eb7 Ab bm

7 Ab fm7 bm

7 Eb7

Ab 7 ./. Db ./. B7 ./. bm7 Eb7

Ab bm7 Ab Ho bm

7 Eb7 Ab7 ./. Db ./.

Db Do Ab F7 bm7 B7 Eb7 Ab ./.

If I Had You B Ted Shapiro – James Campbell – Rag Conelly 1928

gm A7 D7 G7 C7 F7 B D7 gm A7 D7 G7 G7 C7 cm7 F7

B B7 Eb ebm B Dbo cm

7 F7 B ./.

dm em7 A7 dm A7 dm em

7 A9b dm7 Db7 cm

7 F7

70

I Must Have It B 116

Intro: ohne Rhythmus F7 B --- F7 B7 F+

Chorus:

B ./. F7 ./. ./. ./. B ./. Break ab 2. Chorus

D7 ./. gm ./. F C7 F7 - - - - - - -

B ./. F7 ./. ./. ./. G7 ./. Break ab 2. Chorus

Eb B Ho F7 ./. B - - - - - - - Coda: 2 u- 4 B - - - - Ho / B

Intro ohne Rhythmus 1.Chorus Band ohne Breaks, Überleitung Piano ½ Chorus p, ½ Chorus tb ½ Chorus cl, ½ Chorus tp, Überleitung tb, Sax, Tuba ½ Chorus tu, ½ Chorus Band ohne Break 1 Chorus Band ohne Breaks, CODA Tuba Solo

� � � �

� � � � � � �

� � �

�� � � �� � � �

�

�� � � � � � � � � � � �

� � � � � � �

☺ �

71

72

Indiana F James F. Hanley / Ballard Mc Donald 1917

F D7 G7 ./. C7 ./. F F7

B B Ho F D7 G7 ./. C7 ./.

F D7 G7 ./. A7 ./. dm Db7

F A7 dm Ho F C7 * F ./.

* Variante: dm / F7 bm

7/bm6

It’s A Long Way To Tipparary B Jack Judge / Harry Williams 1912

Verse:

B ./. B Ho F7 B ./. A7 dm F7

B ./. A7 dm D7 gm C7 F7

Chorus:

B B F7 B ./. Eb ./. B ./.

B B F7 B ./. C7 ./. F7 ./.

B B F7 B ./. Eb ./. D7 D7 ---

B ./. Ho B C7 F7 B ./.

73

Isle Of Capri F / B Will Grosz, Jimmy Kennedy 1934

A: Rumba

F ./. ./. C7 ./. ./. C7 C7 F B: 4/4 - Takt

B F C7 F B F dm G7 C7

AABA It’s Tight Like That Ab

Thomas ‘Georgia Tom‘ Dorsey / Hudson Whittaker 1928 Blues in Ab

I’ve Found A New Baby dm Spencer Williams / Jack Palmer 1926

Verse:

dm A7 D7 gm em7-5 dm B7 A7

dm A7 D7 gm em7-5 dm

A7

A7 Ho Co

Chorus:

dm A7 dm A7 G7 C7 F A7

dm A7 dm A7 G7 C7 F ./.

A7 dm

dm A7 dm A7 G7 C7 F ./.

74

I Want A Big Butter And Egg Man Percy Venable – Louis Armstrong 1926 168

F ./. G7 ./. C7 ./. F ./.

F Fo gm7 C7 G7 C7 F Fo gm

7C7

F7 ./. B ./. D7 ./. G7 C7

F ./. G7 ./. gm7 C7 F ./.

I Wish I Could . . . Sister Kate Eb

Billy Eckstine 1944

Verse:

B7 ./. Eb ./. Eb Gbo fm7 B7 Eb

B7 ./. Eb ./. C7 F7 H7 B7 Eb

Chorus:

B7 ./. Eb ./. B7 ./. Eb ./.

B7 ./. Eb Eb7 Ab Ao Eb C7 F7 B7 Eb C7

F7 B7 Eb

Jackass Blues B Mel Stitzel / Art Kassel 1926

B ./. ./. B7 Eb ./. Eb7 B

F7 ./. B Eb B

75

76

If I Had You B Ted Shapiro – James Campbell – Rag Conelly 1928

gm A7 D7 G7 C7 F7 B D7 gm A7 D7 G7 G7 C7 cm7 F7

B B7 Eb ebm B Dbo cm

7 F7 B ./.

dm em7 A7 dm A7 dm em

7 A9b dm7 Db7 cm

7 F7

Jada F Bob Carlton 1918

F D7 G7 C7 F C7 F D7 G7 C7

F Abo gm7 C7 F Abo gm

7 C7 F D7 G7 C7 F D7

G7 C7 F

Jazz Me Blues Eb

Tom Delaney 1921

A:

l: Eb ./. ./. F7 B7 Eb ./. Co FB7 Eb :l Interlude:

B7 Ho B F7 B G7 B:

C7 ./. F7 ./. B7 ./. Eb ./.

C7 ./. F7 ./. Eb G7 cm C7

F7 B7 Eb ./.

77

Jogo Rhythm B 108

Intro:

l l l F l l l F F l Ebl F l Ebl F l Ebl Db7l C7 l

Verse 1: F C+ F C+ F / F7 B/ bm F / C7 F / C7

F C+ F C+ F / F7 B / Fo F / C7 FC7 F Verse 2: ( die ersten 8 Takte „2“ – „4“ )

l: G7 ./. C ./. G7 ./. C l l l l l l l

G7 ./. C C / C7 F/ Ebo C / A7 D7/G7 C :l Chorus:

B Fo F7 ./. B Fo F7 ./.

B B7 Eb Ho B F7 B ./. letzter Chorus:

B Fo F7 l l l l l l l B Fo F7 l l l l l l l

B B7 Eb Ho B F7 B ./. Intro Verse1 - Verse2 - Verse1

Chorusse: 1. Posaune - 2. Cornet - 3. Klarinette - 4. Banjo ( ohne Tuba ) - 5. und 6. Band

7. und 8. Band mit Breaks (letzte Zeile von langsam nach schnell und verlängert )

78

Just A Closer Walk With Thee B Traditional

B ./. F7 ./. F7 ./. B ./. B B7 Eb eb

m B F7 BB7Ebebm B (F7)

Klarinettenmuckel B,F,Eb

A:

|: B ./. ./. F7 ./. ./. ./. B :| B:

|: C7 F C7 F C7 F C7 F :| C:

|: Eb ./. ./. B7 ./. ./. ./. Eb :|

2 x A – 1 x B – 1 x A - 1 x C – 1x A

79

Lady Be Good G George Gershwin / Ira Gershwin 1924

G C9 G G G#o am7 D7 G D7

G C9 G G G#o am7 D7 G G7

C C#o G ./. A7 ./. am7 D7

G C9 G G G#o am7 D7 G ./.

Lambeth Walk F Noel Gay / Douglas Furber / Arthur Rose 1937

Verse:

F Abo gm7 C7 F7M F#o gm

7 C7 F7M F#o dm dm7 dm

7 G9 C7 F

am bm7 E7 A f#m

7 bm7 E7 am am

7 D7 gm7 C7 C75+

Chorus:

F ./. F D7 gm ./. gm7 C7 F

dm7 G7 C dm

7 G7 C F F#o C G7 C7

Lazy River F Hoagy Carmichael / Sidney Arodin 1931

D7 ./. G7 ./. C7 ./. F C7 F F7

D7 ./. G7 ./. Bb Bo(4.) F D7 G7 C7 F D7

G7 C7 F

80

81

Lina Blues B

Intro: Synkope Synkope l~~~~~~~~~~~~~l

B A+ B A+ cm - - - - - - - Ho- - - cm-F7-

Verse:

B ./. ./. G7 C7 F7 B F7

B ./. ./. F7 C7 ./. F7- - - - - - - Chorus:

B ./. F+ ./. B ./. G7 ./.

cm F7 B G7 C7 ./. F7- - - - - - -

B ./. F+ ./. B B7 Eb ./.

Eb Ho B G7 C7 F7 B ./. bei Piano: Tuba-Break

NOTS

Lonesome Road F Ferdinand “Jelly Roll” Morton 1923

F F7 bm ./. F C7 F ./.

dm ./. am ./. dm ./. am C7

82

Long, Deep And Wide Eb

200

Verse1:

C7 ./. F7 ./. B7 ./. ebm - - -

ebm - - -

C7 ./. F7 ./. B7 ./. ebm ./.

ebm ./.

Verse2 : (2.Durchgang Tuba Solo) Rumba- -----------

|: ebm ./. ab

m ./. ebm H7 B7 eb

m ./.

ebm ./. eb

m ./. ebm H7 B7 eb

m ./. :| Verse3:

Eb E Eb Ab A Ab Db D Db Gb ./.

Eb E Eb Ab A Ab Db D Db Gb - - - - - - - Chorus:

Tuba Break

Eb ./. Ab ./. B7 ./. Eb - - - - - - - Break nur 1.Chorus und

1.Chorus nach Soli

Eb ./. Ab ./. B7 ./. Eb - - - - - - -

CODA: nach Posaune : B B

Eb H V123 Eb Eb 1u2u3

Eb - - - abm - - - Eb - - - Eb

83

84

Mac The Knife B Kurt Weill (Bertold Brecht,Marc Blitztein) 1928

gm cm F7 B B cm F7 B Mac The Knife C Kurt Weill (Bertold Brecht,Marc Blitztein) 1928

C6 ./. dm7 ./. dm

7 G7 C ./.

am am7 dm

7 ./. dm7 dm

7-5G9b C ./. Marchand de Poissons C Sydney Bechet - Ferdinand Bonifay 1952

A:

C G7 ./. C A7 dm D7 G

C G7 ./. C A7 dm G7 C B:

F C7 ./. F F C7 ./. F

F C7 ./. F F C7 ./. F G7

85

Marchand de Poissons F Sydney Bechet - Ferdinand Bonifay 1952

A:

F C7 ./. F D7 gm G7 C7

F C7 ./. F D7 gm C7 F B:

C G7 ./. C C G7 ./. C

C G7 ./. C C G7 ./. C C7

C: Am Ende Teil C zum Improvisieren

B F7 ./. B G7 cm C7 F7

B F7 ./. B G7 cm F7 B

86

March of the Siamese Children

A:

F ./. dm ./. am ./. C7 ./.

F ./. dm ./. am C7 F ./.

am ./. ./. ./. G ./. ./. ./.

D ./. ./. ./. am ./. E7 ./.

am ./. ./. ./. G ./. ./. ./.

D ./. ./. ./. am ./. C7 ./. B: ( “1“ )

F ./. dm ./. am ./. C7 ./.

F ./. dm ./. am C7 F ./. C:

B ./. gm ./. dm ./. ./. ./.

B ./. gm ./. dm F7 B B ‘ / - Coda:

x x x BB / -

A B A C Coda

87

Margie F Con Conrad /J.Russell Robinson / Benny Davis 1920

F ./. ./. ./. B ./. ./. ./.

F ./. D ./. G7 ./. C7 ./.

F ./. ./. ./. B ./. A7 ./.

F ./. ./. D7 G7 C7 F ./. Marie B Irving Berlin 1928

B ./. ./. ./. F ./. ./. ./. C7 C7 / F#o gm

7 C7 F C7 F F7 5+

B ./. ./. ./. F ./. ./. ./.

C7 C7 / F#o gm7 C7 F B F ./.

Marie Ab

Irving Berlin 1928

Db ./. ./. ./. Ab ./. ./. ./.

Eb7 Eb7 / Ao bm7 Eb7 Ab Ab Ab 7 5+

Db ./. ./. ./. Ab ./. ./. ./.

Eb7 Eb7 / Ao bm7 Eb7 Ab Ab ./.

88

Martinique C Wilbur de Paris 1952

�

G7 ./. C ./. G7 ./. C ./.

G7 ./. ./. ./. G7 ./. C7 ./.

F ./. ./. ./. D7 ./. G7 Ab7 dm7 Dbo

G7 ./. C ./. G7 ./. C ./.

Interlude : cm ./. ./. ./. �

cm ./. ./. ./. ./. ./. ./. ./.

Interlude : D7 G7 C ./. Memories F

F ./. G7 ./. C7 ./. F F7

B bm F D7 G7 ./. C7 C+

F ./. G7 ./. C7 A7 dm F7

B Fo F D7 G7 C7 F ./. Midnight In Moskow cm

Vassili Soloviev / (M.Matusvaky) / Mann Curtis 1959

cm fm G7 cm Eb Eb7 Ab B7 Eb D7 G7

cm G7 cm fm fm7 dm

7 cm dm7 G7 cm D7 G7

89

cm G7 cm fm fm7 dm

7 cm dm7 G7 cm ./.

Misty Eb

Errol Garner / Johnny Burke 1954

Eb7M bm7Eb9b Ab7M Ab7MDb9 Eb7Mcm

7 fm7 B7 G7 C7 F7 B7

Eb7M bm7Eb9b Ab7M Ab7MDb9 Eb7Mcm

7 fm7 B7 Eb Db9 Eb

bm7 Eb9b Ab7M ./. am

7 D7 F7 B7 Eo fm7 B7

Eb7M bm7Eb9b Ab7M Ab7MDb9 Eb7Mcm

7 fm7 B7 Eb Db9 Eb

Mood Indigo B Duke Ellington / Barney Bigard / Irving Mills 1930

B C9 fm F7 B B C9 Gb7 F7

B B7 Eb ebm B C9 fm F7 B

Moonglow Eb

Will Hudson – Eddie de Lange – Irving Mills 1934

Eb ebm B C9 cm

7 F7 B Ho ebm

6HoB

B9 ./. G9 ./. C9 ./. F7 Gb7 F7 B7

90

Moulin à Café B Sidney Bechet 1950

�

B C7 F7 B B Dbo F7 ./. B

B C7 F7 B B B7 Eb Eo B F7 B �

F7 ./. B ./. G7 ./. cm ./.

F7 - - - - - - - B - - - - - - - C7 F7 B ./. �

Eb ./. F7 B7 Eb Eb ./. F7 B7

Eb ./. F7 B7 Eb Ebo ./. F7 B7 Eb

Coda:

Ebo ./. F7 abm

6 Eb B7 Eb B 7Eb-

� - � -� -� - � - � - � - � - � - Coda

Breaks Teil � nur 2x

91

Muscrat Ramble B Edward ‘Kid‘ Ory – Ray Gilbert 1926 184

A:

B F7 ./. B B dm A7 dm F7

B F7 ./. B ¬ G7 cm C7 F7 Bb

B: G Ab A F ( 2. Durchgang etwas vorziehen ! )

C7 l C7 l F7 l F7 l Bb Bb Co F7 ./. Bb ./.

C7 l C7 l F7 l F7 l Bb Bb ¬ G7 cm C7 F7 Bb

A - B - A - Impr. A – B – A - Schluß My Bonnie Is Over The Ocean B

Verse:

B Eb B ./. B C7 F7 ./.

B Eb B G7 C7 F7 B ./.

Refrain:

B B7 Eb C F7 ./. B ./. B B7 Eb C F7 ./. B ./.

92

New Orleans Function Ab/B 1. Spanische Melodie 1857 / 2. Will Handy / Bob Cole 1902

Flee As A Bird: New Orleans, ad lib, sehr langsam

fm fm bm fm C7 fm bm6 Db7 C C7

fm fm bm fm C7 fm C7 fm ./.

Ab Ab Db Eb ./. fm bm Ho C7

fm fm bm fm C7 fm C7 fm ./.

Oh Didn’t He Ramble: 1. Durchgang 6/8 Marsch, danach Swing

in 4/4, mittelschnell

B ./. ./. ./. B F7 B F7

B ./. ./. ./. B F7 B ./.

93

New Orleans Wiggles B/Eb

200

Intro: 1 2 - 4 1 - 3 - nur Piano BB - B F - F -

Verse 1

|: B Eb F7 B G7 cm A7 dm F

B Eb D7 gm G7 cm F7 B :| Verse2:

|: F7 ./. B ./. F7 ./. B ./.

F7 ./. B ./. Eb - - - - - - - Ho - - - - - - -

Ho - - - - - - - F7 B :| Chorus: nur 1. Chorus nur 1. Chorus

Eb ./. B7 - - - - - - - B7 ./. Eb - - - - - - - nur 1. Chorus

C7- - C7 - - - - fm ./. F7 ./. B7 - - - - - - - nur 1. Chorus nur 1. Chorus

Eb ./. B7 - - - - - - - B7 ./. G7 - - - - - - - 1 - 3 - 1 1. Chorus

cm- cm - Co - - - Eb - - - - - - - F7 B7 Eb ./. 2. Chorus

Eb EbEbEb - 1 - 1 3 -

Eb- Eb- Eb - - - Eb - - - - B7Eb - NOTS

94

Olga B

Intro:

B - - - - Gb7- F7 B - - - - Gb7- F7 Thema:

B D7 G7 ./. C7 F7 B Ho cm F7

B D7 G7 ./. C7 F7 B ./.

Eb ebm B G7 C7 ./. F - - - - - - -

B D7 G7 ./. C7 F7 B Eb B

Verse:

C7 F7 B G7 C7 F7 B ./.

C7 F7 B ./. F C7 F - - - - - - - Old Rugged Cross B

A: B ./. Eb ./. F7 ./. B ./. B: F7 ./. B ./. C ./. F7 ./.

A – A – B - A

95

Onions C Sidney Bechet 1949?

�

F ./. ./. C7 F F ./. ./. C7 F

F ./. ./. C7 F F ./. ./. C7 F �

C G7 ./. C C G7 C - - - - - -

F C7 ./. F F C7 F - - - - - -

C G7 ./. C C G7 C - - - - - - On The Street Where You Live B Frederick Loewe – Alan Jay Lerner 1956

A: B Eb7 dm

7cm7 B Eb7 dm

7cm7 B Dbo cm

7 F7

cm7 Ab7 B gm

7 C7 F7 B ./.

B: am

7 D7 Eb7 ./. ebm

6 ebm

6 Eo B ./. Gb7 em

7 ./. A7 D7 Dbo cm7 F7

A – A – B - A On the sunny side of the street B Jimmy Mc High / Dorothy Fields 1930

A: B D7 Eb dm Ebo gm C6 cm F7 B F7

B: B7 ./. Eb Eb C C6 ./. cm F7 F

96

Intro - A – A – B – A On the sunny side of the street C Jimmy Mc High / Dorothy Fields 1930

A:

C E7 F G7 G#o am7 D7 dm

7 g7 C B:

C7 gm7 C7 F ./. D7 am7 D7 G7 C#o dm

7 g7

A – A – B – A On Treasure Island B Joe Burke – Edgar Leslie 1935

B ./. C7 ./. F7 ./. B F7

B ./. C7 ./. F7 ./. B ./.

Gb ebm B ./. gb

m ebm C7 F7

B ./. C7 ./. F7 ./. � B ./.

� B B - - -

97

Original Dixieland Onestep Ab

Nick La Rocca / J. Russell Robinson / George Crandall 1912

� B - - B - - F7 ./. F7 B F7 B

B - - B - - F7 ./. F7 B F7 B �

B7 ./. Eb ./. B7 ./. Eb ./.

B7 ./. Eb ./. Ab C7 fm F#o Eb B7 Eb

� Ab ./. C7 ./. F7 ./. B7 ./.

Eb7 ./. Ab ./. cm G7 cm Eb7

Ab ./. C7 ./. F7 ./. B7 ./.

Db dbm Ab F7 B7 Eb7 Ab ./.

98

Ory’s Creole Trombone B Edward ‘Kid’ Ory 1927? 200

Intro: - tb -

- - - - - - - - - - - - - G7- C7 F - F - Verse 1:

- - - - - - - - F ./. - - - - - - - - G7 C7

- - - - - - - - F ./. - - - - - - - - - G7- - C7 F Verse 2:

G7 C7 F ./. C7 ./. F F D7

G7 C7 F Fo F - - - - - - - G7 C7

Verse 1a: - co -

- - - - - - - - F ./. - - - - - - - - G7 C7

- - - - - - - - F ./. - - - - - - - - - G7- - C7 F7

Chorus:

B B G7 C7 ./. F7 ./. B F7

B B G7 C7 ./. F7 ./. B F7 B Verse 3: - tb – ohne Rhythmus!

D7 ./. ./. gm C7 ./. ./. F

F ./. ./. F7

99

Over In The Gloryland B Traditional

�

B ./. ./. ./. ./. ./. F7 ./.

B ./. ./. ./. B B F7 B ./. �

B ./. B F7 B B7 Eb ./. ./. B

B ./. F7 ./.

B ./. B F7 B B7 Eb ./. ./. B

B B F7 B ./. Over The Waves B J. Rosas

B ./. ./. ./. B ./. F7 ./.

F7 ./. ./. ./. F7 Eb B ./.

B ./. ./. ./. B B7 Eb ./.

Eb ebm B G7 C7 F7 B ./.

100

Panama Rag Eb / Ab

William H. Tyers 1911

Intro: (ohne Rhythmus)

Eb Ebo B7Db7 fmDb7 - B7- -

Verse 1:

|: Eb B7 ./. Eb Eb B7 ./. Eb

Eb B7 ./. Eb Eb7 Ab Ebo Eb C7 F7 B7 Eb :|

Verse 2:

Ab Ebo Eb C7 F7 B7 Eb Eb7

Ab Ebo Eb C7 F7 B7 Eb Ab Eb(7)

Verse 3:

|: Ab F7 bm ./. Eb Eb7 Ab Eb7

Ab ./. cm ./. cm G7 cm Eb7 :| Chorus:

Ab ./. Eb7 ./. Eb7 ./. Ab ./.

Ab Ab7 Db Abo Ab Eb7 Ab ./. CODA:

Ab Eb7 Ab Eb7 Ab ./. ./. ./.

101

Papa De Dada Eb

Spencer Williams / Clarence Williams / Clarence Todd 1925

Verse:

F9b B7 Eb F9bB7 Eb Eb7 Ab Eb ./. B7 ./.

F9b B7 Eb F9bB7 Eb Eb7 Ab Eb Ab Eb F7 B7

Chorus:

B7 ./. Eb Eb Eo B7 ./. F7 B7

B7 ./. Eb Eb7 Ab gm fm F7 B7

B7 Ho B7 F7 B7 Eb bj p tu co

ohne 1. Breaks letzter Chorus

Schlußtöne: B Eb

Perdido B Juan Tizol – Harry Lenk – Irvin Drake 1941

A: cm7 F7 cm

7 F7 B ./. cm7 F7 cm

7 F7 B ./. B: D7 ./. G7 ./. C7 ./. cm

7 F7

A – A – B - A

102

Perdido Street Blues F Lil Hardin Armstrong / Louis Armstrong 1926

Intro: 1 4 1 4 1 4 1-2-3-4 1-2-3-4

dm --- --- dm gm --- --- gm A7--- --- A7 dm ./. 1-2-3-4 1-2-3-4

dm ./. Verse: 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4

dm ./. ./. ./. dm ./. A7 ./. 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4

dm ./. ./. ./. dm A7 dm C7

Chorus:

F B F F7 B bm F ./.

C7 ./. F B F Coda: 1 und 2 syncopiert

F F F C7 F Piano:

F G7 C7 F ./. B ./. F ./.

C7 G7 C7 F C7 F NOTS Intro – Verse tp – 2x cl Stoptime (1 u.2 - -) – p (abweichende Harmonien!) – bj – tb – Band - Coda

103

Petersburger Marsch Eb / B / Ab

Denk’ste denn .... Verfasser unbekannt 1837

A: |: Eb ./. B7 Eb B7 Eb B7 Eb :| B: |: F7 B F7 B F7 B F7 B

Eb ./. B7 Eb B7 Eb B7 Eb :| C: |: Ab Eb7 ./. Ab AbEb7 Ab Eb7 ./. Ab :| D: |: B7F7B7 Eb B7Eb B7 Eb B7 F7B7 Eb B7Eb B7 Eb

Ab Eb7 ./. Ab Ab B7 Eb7 Ab :| A B C D � A B ohne Wiederholung

104

Petite Fleur gm

Sidney Bechet / Fernand Bonifay 1952

Intro:

gm A7 D7 l l l

A:

D7 . / . gm . / . A7 . / . D7 D7 l l l

D7 . / . B . / . F7 . / . B D7 B

D7 . / . gm . / . A7 . / . D7 l l l l l l l

D7 . / . gm . / . A7 D7 gm cm gm l l l B:

G7 . / . cm . / . F7 . / . B D7 l l l

D7 . / . gm . / . A7 D7 gm cm gm l l l Gitarre:

D7 . / . gm . / . A7 D7 gm cm gm

Intro A B Git B

105

Piggly-Wiggly B 208

Intro: 1 2 3

Eb Ho B G7 C7 F7 B B B|

Verse:

B F7 B B F7 B B7 Eb B F7 B C7 F7

B F7 B B7 Eb C7 F C7 F7

Chorus:

B B7 Eb B B7 Eb ./. C7 F7

D7 ./. gm ./. C7 ./. F7||| | | | |

B B7 Eb B B7 Eb ./. D7 ./.

G7 ./. C7 ./. F7 ./. B ./.

letzter Chorus: B B B|

B B B|

Intro Verse Chorus cl, co, tb Verse Chorus bj Chorus Band (verlängert !)

106

Please Don’t Talk About Me .. Eb

Sam H. Stept / Sidney Clare 1930

A Eb G7 C7 ./. F7 B7 Eb ./.

B G7 ./. C7 ./. F7 ./. B ./. A – A – B – A Red River Valley F Traditional

A F ./. ./. ./. ./. ./. C7 ./.

B F F7 B bm F C7 F ./. A – A – B - A Red Sails In The Sunset F Hugh Williams – Jimmy Kennedy 1935

A: F fm7 F7 B bm F am

7 F#o gm7 C7 ./. F

B: B bm F gm7 F F7 B bm F G7 gm

7 C7

A – A – B – A

107

Rent Party Blues B Duke Ellington – Johnny Hodges 1929

Intro B F7 B B6 cm7

Chorus: A: B B7 Eb eb

m B F7 B (C7) F7

A: B B7 Eb ebm B F7 B Eb B(Gb9)

B: Eb ebm B B7(Gb9) Eb eb

m B C7 F7

A: B B7 Eb ebm B F7

� B ./. Verse:

A: F7 B D7 gm B7 Eb Eo B G7 C7 F7

A1: F7 B D7 gm B7 Eb Eo B G7 C7 F7 B �

Coda B F7 B Eb cm7 B C9 F7 B

Roses Of Picardy B Haydn Wood / Fred E. Weatherly 1916

cm7 F7 B B Dbo cm

7 F7 5+ B D7

G7 ./. cm ./. C7 ./. cm7 F7

cm7 F7 B B Dbo cm

7 F7 D7 ./.

G7 5+ ./. C9 ./. cm7 F7 B ./.

108

Rosetta F Earl Hines – Henry Woode 1933

F E7 Eb7 D7 G7 C7 F C7

F E7 Eb7 D7 G7 C7 F B F E7

am E7 am fm6 C G7 C C7

F E7 Eb7 D7 G7 C7 F ./. Royal Garden Blues B Clarence Williams / Spencer Williams 1919

Intro:

F F7 F F7

F F7 C7 - B bm B bm C7 - � F F7 F F7 F F7

F F7 B F7 5+ ./. ./. B Ho B bm B bm B bm

C7 ./. F B F �

F F F - B B C7 F ./.

C7 ./. F B F

Modulation:

F7 B bm F - F7 -

B ./. ./. B7 Eb ./. B G7

109

C7 F7 B ./. San Antonio Rose B Bob Wills 1940

�

B B7 Eb C7 F7 ./. B ./.

B B7 Eb C7 F7 ./. B ./. �

F ./. C7 ./. ./. ./. F ./.

F ./. C7 ./. ./. ./. F F7

Satin Doll C Duke Ellington / Billy Strayhorn / Johnny Mercer 1953

dm7 G7 ./. em

7 A7 ./. am7 D7 ab

m7Db7 C7M dm

7 em7 A7

dm7 G7 ./. em

7 A7 ./. am7 D7 ab

m7Db7 C F C

gm7 C7 ./. F7M gm

7 am7 gm

7

am7 D7 ./. dm

7 G7 em7 A7

F7M

dm7 G7 ./. em

7 A7 ./. am7 D7 ab

m7Db7 C ./.

110

Savoy Blues G Edward ‘Kid’ Ory – Sid Robin 1927 ?

�

G D7 G D7 G D7 A7 D7

G D7 G D7 G D7 A7 D7

G G

C G7 C G7 C G7 C G D7 G D7 A7 D7 G

� einfacher Blues in G � erweiterter Blues in G Interlude:

G D7 G D7 E7 Eb7 E7 Eb7

Schwarze Augen / Katjuscha dm

A.Salami / Charles B. Marks

A7 ./. dm ./. A7 ./. * dm ./.

gm ./. dm ./. A7 ./. dm ./.

Variante * B ./. Schwarze Augen / Katjuscha gm A.Salami / Charles B. Marks

bm: 2 x F7 ./. bm ./. F7 ./. bm ./. gm ./. dm ./. A7 ./. dm ./.

cm: 12 Takte Übergang cl (ohne Rhythmus)

G7 ./. cm ./. G7 ./. cm ./.

111

fm ./. cm ./. G7 ./. cm ./. 1 x Thema, 2 x as, 2 x cl, 1 x Thema , dann zu Katjuscha Sentimental Journey F Les Brown / Ben Homer / Bud Green 1944

A:

F ./. ./. F C7 F B7 F /F D7 G7C7 /F

Schluß: F/F D7 G7C7/F

B: B B Ho F ./. G7 G C7 gm

7 Co C7

A A B A

112

She’s Crying For Me Ab

184

Intro:

F - - - Db C F - - - Db C F - - - Db C F - - - Db C

B F B F B F Db C F - - - Db C BBCD Eb - - - Chorus 1:

|: Ab ./. ./. ./. Eb7 ./. � Ab ./. :|

bei tb „2“ – „4“ / bei tp jeder 2.Takt „1“ � Ab Ab - - -

Chorus 2: |: ab

m ./. ./. ./. Eb7 ./. abm ./. :|

Eb 1 H 24 Eb 1 H 24 Eb B 0 Eb 1 H 24

Interlude 1

chromatisch Ab7 A7 B7 H7 C7 - - - - - - - Verse

|: F ./. ./. F7 B ./. F ./.

C7 ./. F B FC7:| �F B7 Eb lll CODA Synkope mit Schlußtönen; tb, dann tu Ab Ab

NOTS Shine Eb

Ford Dabney / Cecil Mack / Lew Brown 1924

Eb ./. B7 ./. Eb ./. B7 ./.

G7 ./. cm ./. F7 ./. B7 ./.

Eb Eb ./. B7 ./. G7 ./. cm G7 cm E

b7

113

Ab Ao Eb C7 fm7 B7 Eb ./.(B7)

114

Snake Rag Ab

Joe ‘King‘ Oliver / Alphonse Picou 1923 208

Intro:

Eb ./. ./. ./. Eb- - - - - - - - - - - - B7Eb-

Verse1:

Eb ./. ./. ./. ./. ./. B7 ./.

Eb ./. ./. ./. Eb- - - - - - - - - - - - B7Eb-

Verse2:

B7 ./. Eb ./. B7 ./. Eb- - - - - - -

B7 ./. Eb ./. Eb- - - - - - - - - - - - B7Eb-

Chorus:

Ab ./. ./. ./. ./. ./. ./. ./.

Eb7 ./. Ab F7 B7 ./. Eb- - - - - - -

Ab ./. ./. ./. ./. ./. ./. ./.

Eb7 ./. Ab F7 B7 Eb7 Ab ./.

nur 2.Chorus: Ab - - - - - -

Intro – Verse1 – 2x Verse2 – Verse1 Chorusse ( „Oh my sweet Ma“ )

115

Si tu vois ma mere (Lonesome) B Sidney Bechet – Jean Brousolle 1952

A: B F gm B7 Eb ebm B F7 B

B: am7 D7 am

7 D7 gm D7 gm C7 ./. Gb7

F7 cm7

F7

A’: B F gm B7 Eb eb

m B Ab7 G7

C: cm7 ./. B G7 cm

7 C7 F7 B ./. A – B – A’ - C

116

Sobbin‘ Blues F Vic Berton / Art Kassel 1923 138

Intro:

F ./. ./. C7-C7-

Verse 1: F ./. ./. F7 B ./. F ./.

F - - F F - - F B - - B F - - - F ./. ./. F7

Chorus: ab 2. Chorus ab 2. Chorus

F ./. C7 C7 - - - F ./. C7 C7 - - -

F F7 B bm ➘ G7 ./. C7 ./.

F ./. C7 C7 - - - F ./. C7 C7 - - -

F F7 B bm F C7 F B F

Interlude: F - C+- ./. ./. ./.

Verse 2: F F7 B bm F C7 F C7 F F7 B bm F C7 F C7

B C7 F7 B F7 C7 F F7 B bm F7 C7 F

AAA AbAbAb GGG F F

CODA: F Fo gm C7-C7-

Intro – Verse 1 – ½ Chorus Tuba – ½ Chorus Band Interlude – Verse 2 Cl – 2 x Chorus Band – CODA

117

Someday Sweetheart Ab

Benjamin und John B. Spikes 1919 120

Intro: Ab lAbol Eb7 lAb l Ab lEb7 l ./. Verse:

Ab Abo Ab Ab7 bm F7 bm F7 bm B7 B7

Eb7 ./. Ab ./. ./. Ab Eb Ebo Eb7 l l l Chorus:

Ab ./. Ab7 F7 B7 Eb7 Ab Ebo bm

7Eb7

Ab ./. cm G7 cm G7 ./. cm Eb7

Ab7 ./. Db ./. B7 ./. Eb7 ./.

Ab ./. Ab7

F7 B7 Eb7 Ab ./. Chorus(Synkopen):

Ab ./. Ab7

F7 B7 Eb7 Ab/ Ebo bm7Eb7

Ab ./. cm G7 cm G7 ./. cm Eb7

Ab7 ./. Db ./. B7 ./. Eb7 Eb7l l l

Ab ./. Ab7

F7 B7 Eb7 Ab ./. CODA: Ab l Db l AbEb7Ab l

Verse Chorus: 16 Takte Tuba – 16 Takte Sax 16 Takte Piano – 16 Takte Band 24 Takte Klarinette synk. – 8 Takte Klarinette CODA

Some of these Days F Shelton Brooks 1910

A7 ./. dm

D7 ./. gm

F7 ./. B

B Ho F

./. A7 ./. d

./. G7 ./. C

./. D7 ./. g

D7 G7 C7

118

dm ./.

C7 ./.

gm ./.

F ./.

119

South Eb

Bennie Moten / Thamon Hayes / Ray Charles 1924

�

Eb ./. ./. ./. B7 ./. ./. Eb

Eb ./. ./. ./. B7 ./. ./. Eb

�

B7 Ho B7 Eb B7+5 Eb B7 Bo B7 Eb ./.

B7 Ho B7 Eb B7+5 Eb C7 Eo fm fm7 B7 Eb

St. Louis Blues F / fm

William Christopher Handy 1914

A:

F F7 B bm F F7 B B bm F ./.

C7 G7 C7 F D7 C7 B: F – Ab C F – Ab C C – E D C – E D C – E D C – E D F – Ab D G – E C

fm ./. C C7 C7 ./. fm D7 G7 D7

fm ./. C C7 C7 ./. fm D7 C7

St. James Infirmary dm Joe Primrose (Pseudonym von Irving Mills)

dm A7 dm dm gm A7 dm A7 dm B7 A7 dm

dm A7 dm dm gm A7 dm A7 dm B7 A7 dm

120

121

St. Phillip Street Breakdown B

B ./. ./. B7 Eb ./. B ./.

F7 ./. B B F7 Struttin‘ With Some Barbeque Ab

Lilian Hardin Armstrong / Don Raye 1927

Verse: Ab Eb7 Ab Eb7 Ab ./. bm

7 Eb 5+

Ab Eb7 Eb F7B7 Eb7 Chorus:

Ab ./. ./. ./. ./. ./. F7 ./.

bm7 Eb7 fm ./. B7 ./. Eb7 ./.

Ab ./. ./. ./. Ab7 ./. Db ./.

Db dbm Ab F7 bm

7 Eb7 Ab ./.

122

Dippermouth Blues Eb

King Oliver / Louis Armstrong / Walter Melrose 1923 ?

Intro:

Co ./. G7 Go G7 �

C F7 C C7 F F F#o C A7

D7 G7 C F C � 1 2 3 -

C C - CoCo - C C - C7 C7 - F F - F#o F#o - C C - A7 A7 -

D7 D7 - G7 G7 - C F C

Chorusse Blues in C

123

Sugar Foot Strut Eb

Billy Pierce – Henry Meyers – Chas. M. Schwab 1927

Intro:

Eb ./. ( B ./. ) Eb ./. ( B ./. )

Eb - - - - - - Eb B - - - - - - B B - - - - - - B ( B7 - ) Chorus:

Eb abm Eb Ab ab

m Eb cm F7 B7 Eb Eo B7

Eb abm Eb Ab ab

m Eb cm F7 B7 Eb Eb7

Ab abm Eb ./. F7 ./. B7 Ho B7

Eb abm Eb Ab ab

m Eb cm F7 B7 Eb ./. Verse:

Eb Eb

Eb B7 Eb Eb7 Ab F7 B7 Ab7 ab

m6

abm ./. ./. ./. ./. ./. ab

m6 F

7 B7

Summerset B

B Eb7 B Eb7 B G7 cm7 F7 B gm

7 cm7 F7

B Eb7 B Eb7 B G7 cm7 F7 B Eb7 B B7

ebm Ab7 Db ./. C7 ./. cm

7 F7

B Eb7 B Eb7 B G7 cm7 F7 B Eb7 B

124

Summerset G

G C G C G E7 am7 D7 G em

7 am7 D7

G C G C7 G E7 am7 D7 G C7 G G7

cm F7 B ./. A7 ./. am7 D7

G C G C G E7 am7 D7 G C7 G

Swanee River C Stephen C.Foster 1851

C C7 F F#o C D7 G7 ./.

C C7 F F#o C G7 C ./.

G7 ./. C C7 F ./. C C#o dm7 G7

C C7 F F#o C G7 C ./. Sweet Georgia Brown Ab Maceo Pinkard / Ben Bernie / Kenneth Casey 1925

F7 ./. ./. ./. B7 ./. ./. ./.

Eb7 ./. ./. ./. Ab ./. C7 ./.

F7 ./. ./. ./. B7 ./. ./. ./.

fm C7 fm C7 Ab F7 B7 / Eb Ab

125

126

Sweet Mumtaz dm

208

Intro: ( siehe Noten !)

|: dm dm- - - dm dm- - - A7 A7- - - dm ./. :|

Verse:

dm gm A7 dm ./. gm A7 dm- - -

dm gm A7 dm ./. gm A7 dm-dm-

dm gm A7 dm ./. gm A7 dm- - -

dm gm A7 dm ./. gm A7 dm-dm-

Chorus:

dm ./. ./. ./. ./. ./. A7 ./.

D7 ./. gm Fo F C7 F ./.

nur bei cl-Chorus: F - - - - - - -

letzter Chorus: F F - Coda: ( siehe Noten !)

dm dm- - - dm dm- - - A7 A7- - - dm-dm- dm-dm-

dm-dm- dm

127

Sweet Lorraine F Cliff Burwell / Mitchell Parish 1928

A:

F / D G / C7 dm / B

F / D G / C7 dm / B B:

B / D7 gm / B7 Eb / D Sweet Substitute Eb ? Ferdinand ‘Jelly Roll‘ Morton 1938

Eb D G7

Eb D G7

/ B7 A7 D7 / G7 C7

/ B7 A7 D7 / G7 C7

/ D7 gm / B7 Eb / D7 gm / C7 Eb

cm Ab Eb F

cm Ab Eb F

128

F C7

F F7

/ D7 gm / C7

F7 B7

F7 Eb / C7

129

F7 / B7 Eb Sweet Sue B Victor Young / Will J. Harris 1928

F7 ./. ./. ./. B ./. ./. ./.

F7 ./. ./. ./. B ./. ./. ./.

B dm fm G7 cm ./. ebm ./.

F7 ./. ./. ./. B / B7 Eb/ ebm F#7 / F7 F7 / F

Terrible Blues C Clarence Williams 1924 112

Intro: | | | D7 G7 C C -

Verse: C G7 ./. C C7 F ./. C G7 ./.

G7 ./. C F(7) C Chorus: (teilerweiterter Blues in C)

C F7 (c?) C C7 F fm C A7

D7 G7 C ./. Coda:

C C7

Intro – Verse – 3xChorus – 2xChorus mit 2 Breaks – Coda cl ohne Erweiterung

130

131

Texas Moaner Blues Eb

Clarence Williams / Fya Barnes 1924

Chorus: Break ab 2. Chorus

Eb Ab7B7 Eb Eb Eb7 Ab fm B7 Eb--- - - - -

B7 E7 B7 Eb Ab EbB7 Verse: 1-2-3-u

1-2-3-u

1-2-3-u

1-2-3-u

Eb ./. Eb B7 Eb(7) Ab ./. Eb ./.

B7 F7 B7 Eb Eb Eb- Coda:

B+ Eb 4xChorus – 1xVerse (Stoptime) - Coda

132

That’s A Plenty B Lew Pollack / Ray Gilbert 1914

�

dm ./. ./. ./. A7 ./. dm A7

dm ./. ./. ./. A7 ./. dm A7 dm

�

C7 ./. F ./. C7 ./. F ./.

C7 ./. F ./. B Ho F D7 G7 C7 F �

B ./. G7 ./. C7 F7 B Dbo cm7 F7

B ./. G7 ./. C7 F7 B ./.

Interlude:

D ./. ./. ./. F ./. ./. ./.

F ./. (C7) F7 The Preacher F Horace Silver – Baba Gonzales 1955

F F7 B Ho F F dm7 G7 C7

F F7 B A7 B Ho F D7 gm7 C7 F

133

The Sheik Of Araby B Ted Snyder / Harry B. Smith / Franois Wheeler 1921

B ./. F7 ./. F7 ./. B ./.

B ./. F7 ./. F7 ./. B ./.

B ./. F7 ./. F7 ./. D7 ./.

G7 ./. C7 ./. F7 ./. B B (F7) The World Is Waiting For Sunrise B Ernest Seitz / Eugene Lockhart 1919

B ./. A7 ./. B ./. D7 ./.

Eb ebm B G7 C7 ./. F7 F

B ./. A7 ./. B ./. D7 ./.

Eb ebm B G7 C7 F7 B ./.

There’ll Be Some Changes Made B W.Benton Overstreet / Billy Higgins 1921

G7 ./. ./. ./. C7 ./. ./. ./.

D7 ./. G7 ./. C7 ./. F7 ./.

G7 ./. ./. ./. C7 ./. ./. ./.

D7 ./. G7 ./. C7 F7 B G7

C7 F7 B ./.

134

135

Tiger Rag Ab Nick La Rocca / Harry De Costa 1917 176

Verse 1: B ./. F7 B ./. ./. F7 B

B ./. F7 B ./. ./. F7 B

C7 F - - F C7- - C7 F - - F C7 F - - F C7- - C7 F F7

B ./. F7 B ./. ./. F7 B Verse 2:

Eb ./. Eb - - - - - - - Eb ./. B - - - - - - -

B7 ./. Eb ./. B7 ./. Eb - - - - - - -

B7 ./. Eb ./. Ab Eb Eb C7 F7 B7 Eb

Chorus: Db C B Ab

Ab ./. ./. ./. ./. ./. Eb ./.

Eb7 ./. ./. ./. ./. ./. Ab - - - - - - - Synk ...............................................................................................................................

Ab ./. ./. ./. ./. Ab7 Db ./. ....................................| 4/4

Db Abo Ab F7 B7 Eb7 Ab ./.

136

Till We Meet Again F Richard A. Whiting / Raymond B. Egan 1918 168

F ./. C7 ./. C7 ./. F F7

B ./. F D7 G7 ./. C7 ./.

F ./. C7 ./. C7 ./. F F7

B ./. F D7 G7 gm7/ C7 F F

Tin Roof Blues B New Orleans Rhythm Kings / Walter Melrose 1923 92 Tishomingo Blues G Spencer Williams 1917

G G7 C G G7 C ./. G ./.

D7 ./. G G gm D A7 D D7

G G7 C G G7 C ./. H7 ./.

G H7 em Eb7 G D7 G D7 G Trouble in Mind F Richard M. Jones 1926

Verse:

F B7 F F7 B ./. F ./.

B7 B7 C7 F ./. C7 ./. F B F Chorus:

F C7 F7 B Ho F C7 F ./.

137

138

Undecided B Charlie Shavers / Sid Robin 1938

A B ./. Eb9 ./. C7 cm7 F7 B ./.

B B7 ./. Eb ./. C7 ./. F7 ./. A – A – B - A Way Down Yonder In New Orleans F J.Turner Layton / Henry Creamer 1922

Verse:

F F#o C7 ./. F dm A7 ./. dm

F B F G7 C7 F F7 B D7 G7 C7

Chorus:

C7 ./. F ./. F C7 C7 F

C7 ./. F ./.

F7 ./. B F7 B G7 ./. C7 Co C7

F dm F Db7 F F#o gm7 C7 F ./.

139

Weary Blues F / B Artie Mathtews / Mort Greene / George Cates 1915 200.

Verse 1: l~~~~~~~~~~~~~l

F - - - F - - - F - - - - - - - B ./. F ./.

C7 ./. F B F Verse 2:

F ./. ./. F F ./. F ./.

F ./. F F Überleitung:

F ./. F7 B F C7 F F7

Chorus: B F7 B ./. ./. F7 B ./.

G7 ./. cm Ho B F7 B ./.

2 x Verse 1 - 1 x Verse 2 Tuba / Banjo – Break - 1 x Verse 2 Band / Tuba - Break 1 x Verse 1 - Überleitung tp 2 – 4 - 1 x Chorus cl - 1 x Chorus cl 1 x Chorus tp Break - 1 x Chorus tb 2 – 4 - 2 x Chorus Band

140

141

142

When Erastus Plays His Old Kazoo Ab Sam Coslow / Sammy Fain / Larry Spier 1927

Intro:

Ab G Ab bm am bm Gb F Gb C7 Ebo C7

Verse:

fm Db7 fm Db7 C7 ./. fm --- ----

fm Db7 fm Db7 C7 ./. fm --- ----

Eb7 ./. Ab Ab fm B7 ./. ./. Eb7

Chorus:

Ab ./. ./. ./. Eb7 ./. Ab B7Eb7

Ab ./. ./. ./. Eb7 ./. Ab ./.

C7 ./. F7 ./. B7 ./. Eb7--- ----

Ab ./. ./. ./. Eb7 ./. Ab ./. When I’ts Sleepy Time Down South G Leon + Otis Rene – Clarence Muse 1931

Ab7M abm

6 Eb7 cm7 F7 B9 Eo fm

7 7 Ab6 ab

m6 Eb

G7 bm7 Eb7

Ab7M abm

6 Eb7 cm7 F7 B9 Eo fm

7 7 Ab6 abm

6 Eb D7 G7

G G G#o am7 D7 G D7 G G G#o am

7 D7 G B7

Ab7M abm

6 Eb7 cm7 F7 B9 Eo fm

7 7 Ab6 abm

6 Eb G7

143

144

When I Take My Sugar To Tea F Sammy Fain – Pierre Norman – Irwing Kahal 1931

F F#o C7 F F#o C7 D7 gm gm7 F C7 F

F F#o C7 F F#o C7 D7 gm gm7 F C7 F F7

B6 ./. Eb7 ./. F G7 Db7 C7

F F#o C7 F F#o C7 D7 gm gm7 F C7 F

When My Dreamboat Comes Home B Dave Franklin – Cliff Friend 1936

B ./. ./. ./. B B Eb B ./.

B B7 Eb Eb (B) C7

./. F7 ./.

B ./. ./. ./. B B Eb B ./.

B B7 Eb Eb (B) C7

F7 B ./.

When you’re smiling B Larry Silay / Joe Goodwin / Mark Fisher 1929

B ./. dm ./. gm ./. cm ./.

cm ./. cm7 ./. F7 ./. B ./.

B7 ./. Eb ./. C7 ./. F7 ./.

B ./. G7 ./. cm7 F7 B ./.

145

Whispering Eb

John Schonberger / Malvin Schonberger 1920

Verse: Eb EO fm

7 B7 Eb B7 Eb EO fm7 B7 Eb 7M 6 / 5

gm D7 gm ./. B7 G7 cm7F7 B7 fm

7 B7

Chorus: Eb ./. D7 ./. Eb ./. C7 ./.

F7 ./. fm7 B7 Eb gm

7Gbo fm7 B7

Eb ./. D7 ./. Eb ./. C7 ./.

F7 ./. fm7 B7 fm

7 Ababm

6 Eb ./. Whistling Rufus Eb / Ab

Intro: ---- ---- ---- | BCD

A: Eb ./. ./. ./. Eb ./. F7 B7

Eb ./. ./. ./. Eb || ---- ---- ---- B:

Eb ./. B7 ./. ./. ./. Eb ./.

Eb Eb7 Ab abm Eb F7 B7 Eb ./.

C: Ab ./. Db ./. B7 ./. Eb7 ./.

Ab ./. Db ./. B7 ./. Eb7 Ab

D:

146

Ab ./. Eb7 ./. ./. ./. Ab ./.

Ab Ab7 Db dbm Ab B7 Eb7 Ab ./.

White Christmas C Irving Berlin 1942

C ./. dm G7 F ./. C ./.

C C7 F fm C A7 D7 G7

C ./. dm G7 F ./. C ./.

C C7 F fm C G C ./. White Cliffs Of Dover B

A: B dm Eb B cm

7 F7 B C7 F7

B dm Eb B cm7 F B F B B7

B: Eb ./. B ./. Eb ./. C7 F7

B dm Eb B cm7 F7 B F7 B

147

Wild Cat Blues C Thomas ‘Fats‘ Waller / Clarence Williams 1923 208

A: 4x C_ H_ A_ G_

C ./. ./. ./. G7 ./. C ./.

B: 2x C G7 C G7 C em H7 em G7

C G7 C G7 C C7 F F#o C G7 C

A: 2x C ./. ./. ./. G7 ./. C ./.

C: F ./. ./. ./. ./. ./. am E7 am C7

F ./. ./. ./. D7 gm C7 F A_ Ab_ G_ F_ D A_ Ab_ G_ F_ E dm E7 A7 dm dm �

� � � dm E7 A7 dm A7

� � �

�

dm E7 A7 dm dm � � �

� D7 gm C7 F

F ./. ./. ./. ./. ./. am E7 am C7

F ./. ./. ./. D7 gm C7 F

○ ○ ○ ○ ● ○. ● ○. ~~~~~~

dm E7 A7 dm

� dm

6 dm dm

148

Willie The Weeper B Marty Bloom / Grant V. Rymal / Walter Melrose 1927 184

F Eb F Überleitung Tuba

Intro: F7 - - - Fo - - - F7 - - - - - - - Chorus:

F7 ./. B ./. F7 ./. B ./.

G7 ./. cm cm C7 F7 ./. B ./. B G A

Überleitung: B- gm- D7- - - letzter Chorus: C

Verse: nur tp Chorus

|: gmD7 gm D A7 D7 gm D7 gm cm gm- - - ---- :|

Winter Wonderland Eb

Standard Felix Bernard – Dick Smith 1934

A: Eb ./. fm

7 B7 B7 ./. F7 B7 Eb

B: G D7 G G D7 G B F7 B B F7 B B7

A – A – B - A

149

Wolverine Blues Eb

Ferdinand ‘Jelly Roll‘ Morton / John & Benjamin Spikes 1923

Intro:

F7 ./. Fo F7 �

B Dbo F7 B Dbo F7 B Dbo F Abo C7 F7

B Dbo F7 B Dbo F7 B B7 Eb C7 F7 B �

F7 ./. B ./. F7 ./. B ./.

F7 ./. B B7 Eb Eo B G7 C7 F7 B Modulation:

B7 ./. ./. ./. �

Eb Eo B7 (F7) B7 Eb Eo B7 F7 B7

Eb ./. Ab Ab Gb7 F7 ./. ( B7 - )

Eb Eo B7 (F7) B7 Eb7 ./. Ab ./.

fm ./. Eb G7 C7 fm7 B7 Eb ./.

150

Worn Out Blues Ab

208

Intro: 1 4 - 1 4 - 1 4 - 1

Ab ا ا ا ا ا ا Ab Db

ا ا ا ا ا ا Db B7 ا ا ا ا ا ا B7 Eb7

ا ا ا ا ااا

Chorus: 1. Chorus 4/4 Takt

Eb7 ./. Ab ./. C7 ./. fm Ab7

Db dbm Ab F7 Eb B7 Eb7 Eb+

Eb7 ./. Ab ./. C7 ./. fm Ab7

Db dbm Ab F7 B7 Eb7 Ab ./.

Verse:

|: Ab ./. ./. Eb7 Eb7 Ab B7 Eb7 :|

nach tb- Chorus Verse Yes Sir, That’s My Baby Eb

Walter Donaldson – Gus Kahn 1925

A Eb Eb Eo B7 ./. ./. ./. Eb ./.

B Eb7 ./. Ab ./. F7 ./. B ./.

151

You Always Hurt The One You Love * Doris Fisher / Allan Roberts 1944

B dm ./. gm B Ho cm ./.

cm ./. ./. ./. F7 ./. B ./.

B B7 Eb ./. C7 ./. F7 ./.

B dm ./. G7 C7 F7 B ./. You Are My Real Sweetheart F 184

Intro: • • •

F ./. ./. D7 G7 C7 F F F ׀

Verse: F ./. ./. F7 B ./. F7 ./.

gm ./. ./. ./. G7 ./. C7 ./.

B ./. F ./. G7 ./. C7 ./.

Chorus: F ./. ./. ./. ./. Fo C7 ./.

C7 ./. ./. ./. ./. ./. F ./.

F ./. F7 ./. B ./. G7 C7

F ./. ./. D7 G7 C7 F ./.

152

You Are My Sunshine F Stevie Wonder 1972

F ./. ./. F7 B ./. F F7

B ./. F ./. F D7 G7 C7 F ./. Your Feet’s Too Big

A:

Eb ./. B ./. F7 C7 / F7 B / Eb7 B

Eb ./. B ./. F7 ./. B / Eb7 B

B:

Eb ./. B ./. F7 ./. B / cm7 B

Eb ./. B ./. F7 ./. B ./.

153

154

10

Transponier-Tabelle

1 2 3 4 5 6 7 8 9 10 11 12 1 Prime C C#/Db D D#/Eb E F F#/Gb G G#/Ab A B/A# H 2 C#/Db D D#/Eb E F F#/Gb G G#/Ab A B/A# H C 3 Sek D D#/Eb E F F#/Gb G G#/Ab A B/A# H C C#/Db

4 D#/Eb E F F#/Gb G G#/Ab A B/A# H C C#/Db D 5 Terz E F F#/Gb G G#/Ab A B/A# H C C#/Db D D#/Eb

6 Quarte F F#/Gb G G#/Ab A B/A# H C C#/Db D D#/Eb E 7 F#/Gb G G#/Ab A B/A# H C C#/Db D D#/Eb E F 8 Quinte G G#/Ab A B/A# H C C#/Db D D#/Eb E F F#/Gb

9 G#/Ab A B/A# H C C#/Db D D#/Eb E F F#/Gb G 10 Sexte A B/A# H C C#/Db D D#/Eb E F F#/Gb G G#/Ab

11 B/A# H C C#/Db D D#/Eb E F F#/Gb G G#/Ab A 12 Sept H C C#/Db D D#/Eb E F F#/Gb G G#/Ab A B/A#

Tuba Akkorde :Grifftabelle

Prime

Db 2

23 Ab 1

1

Eb 1

1 B

0

0

F 0

0

13

C 1

13 G 12

12

D 0

12

T

m

7

Terz

F 0

0

13

C 1

13 G 12

12

D 0

12

A 2

2

E 2

2 H 12

123 F# 23

23

verm.

Terz

E 2

2 H 12

123 Gb

23

23

Db 2

23

Ab 1

1

D# 1

1 A# 0

0

F 0

0

13

Quinte

Ab 1

1

Eb 1

1 B 0

0

F 0

0

13

C 1

13 G 12

12

D 0

12 A 2

2

Septime H 12

123 Gb

23

23

Db 2

23 Ab

1

1

Eb 1

1 B 0

0

F 0

0

13

C 1

13

mT = Tonika; m = moll; 7 = Septimem

11

Akkorde

5 4 3 2 1 0 1 2 3 4 5 6 To + m m6 0 7 m7

1 Prime Db Ab Eb B F C G D A E H F#

2 D A E H Gb C#/Db G# D# A# F C G

3 Sek Eb B F C G D A E H F# C# G#

4 E H Gb Db Ab D#/Eb A# F C G D A

5 Terz F C G D A E H F# C# G# D# A#

6 Quarte Gb Db Ab Eb B F C G D A E H

7 G D A E H F#/Gb C# G# D# A# F C

8 Quinte Ab Eb B F C G D A E H F# C#

9 A E H Gb Db G#/Ab D# A# F C G D

10 Sexte B F C G D A E H F# C# G# D#

11 H Gb Db Ab Eb B /A# F C G D A E

12 Sept C G D A E H F# C# G# D# A# F

S T Ds M

Subdominante

Tonika

Dominant-Septime

zugeh. Moll-Tonart

Harmonien (HaraldThiel+KlausKappel-Sammlung)_Gesamtinhalt / 01.06.2016

- 1 -

(Back Home Again In) Indiana [Teil 1 - S. 129] (Home In) Pasadena (Bb) [Teil 1 - S. 195] (Home In) Pasadena (C) [Teil 1 - S. 196] (Oh,) Lady Be Good [Teil 1 - S. 141] (The) Darktown Strutter’s Ball [Teil 1 - S. 68] (The) Jazz Me Blues [Teil 1 - S. 138] (The) Jazz Me Blues (Lyrics) [Teil 1 - S. 139] (The) Memphis Blues [Teil 1 - S. 164] (The) Minor Drag [Teil 1 - S. 168] (The) Morning After Blues [Teil 1 - S. 171] (The) Sheik Of Araby [Teil 1 - S. 216] (The) Sheik Of Araby (Jazz Rebells) [Teil 1 - S. 217] 47th Street Stomp [Teil 1 - S. 93] A Kiss To Build A Dream On [Teil 1 - S. 14] After Tonight [Teil 1 - S. 7] After You’ve Gone [Teil 1 - S. 8] After You’ve Gone B [Teil 2 - S. 12] After You’ve Gone Eb [Teil 2 - S. 12] Ain’t Misbehavin' Eb [Teil 2 - S. 13] Ain’t Misbehavin’ [Teil 1 - S. 9] Ain’t She Sweet (Bb) [Teil 1 - S. 10] Ain’t She Sweet (G) (Jazz Rebells) [Teil 1 - S. 12] Ain’t she sweet B [Teil 2 - S. 13] Ain’t she sweet F [Teil 2 - S. 13] Alexander’s Ragtime Band B [Teil 2 - S. 14] All Of Me (Bb) [Teil 1 - S. 15] All Of Me (C) [Teil 1 - S. 16] All Of Me (F) (Jazz Rebells) [Teil 1 - S. 17] All of me B [Teil 2 - S. 14] Alligator Hop B / Eb [Teil 2 - S. 15] Am I Blue [Teil 1 - S. 18] Angry [Teil 1 - S. 19] Anywhere Sweetie Goes (Lyrics) [Teil 1 - S. 22] Anywhere Sweety Goes (I’ll Be There) [Teil 1 - S. 21] Apex Blues B [Teil 2 - S. 16] At The Jazzbandball [Teil 1 - S. 23] At the Jazzbandball [Teil 2 - S. 16] Avalon (F) [Teil 1 - S. 24] Avalon F [Teil 2 - S. 17] Baby Won’t You Please Come Home F [Teil 2 - S. 17] Baby, Won’t You Please Come Home [Teil 1 - S. 25] Basin Street Blues B [Teil 2 - S. 18] Beale Street Blues B [Teil 2 - S. 18] Bei Mir Bist Du Schoen [Teil 1 - S. 26] Bei mir biste schön gm [Teil 2 - S. 19] Bel Ami F * [Teil 2 - S. 19] Big Butter And Egg Man (F) [Teil 1 - S. 27] Big Butter And Egg Man (Lyrics) [Teil 1 - S. 28] Bill Baily B [Teil 2 - S. 19] Black And Blue [Teil 2 - S. 20] Black And Blue (Am) [Teil 1 - S. 30] Black And Blue (Gm) [Teil 1 - S. 29] Black Bottom Stomp [Teil 1 - S. 31] Black Snake Blues [Teil 1 - S. 33] Black Snake Blues (Lyrics) [Teil 1 - S. 34] Blue Monk [Teil 1 - S. 39] Blue Moon [Teil 1 - S. 35] Blueberry Hill B [Teil 2 - S. 20] Blueberry Hill F [Teil 2 - S. 20] Blues F, B, Eb, G [Teil 2 - S. 21] Blues My Naughty Sweetie Gives To Me [Teil 1 - S. 40] Blues My Naughty Sweety Gives To Me B [Teil 2 - S. 22] Blues Stampede [Teil 1 - S. 36] Blues Stampede B / Eb [Teil 2 - S. 23]

Body And Soul [Teil 1 - S. 38] Bonanza B [Teil 2 - S. 24] Bourbon Street Parade [Teil 1 - S. 41] Bourbon Street Parade Ab [Teil 2 - S. 24] Breeze [Teil 1 - S. 42] Brüder zur Sonne zur Freiheit B [Teil 2 - S. 24] BSC-Song F [Teil 2 - S. 25] Buddy’s Habits B [Teil 2 - S. 26] Bugle Call Rag B [Teil 2 - S. 27] Burgundy Street Blues C [Teil 2 - S. 25] By The Beautiful Sea Eb [Teil 2 - S. 28] Bye Bye Blues C [Teil 2 - S. 28] Bye, Bye Blackbird F [Teil 2 - S. 27] C’ est Si Bon B [Teil 2 - S. 32] Cabaret [Teil 1 - S. 43] Cake Walking Babies From Home B [Teil 2 - S. 29] Cakewalking Babies From Home [Teil 1 - S. 44] Camp Meeting Blues Eb [Teil 2 - S. 30] Canal Street Blues F [Teil 2 - S. 30] Candy Lips [Teil 1 - S. 46] Cannonball Blues [Teil 1 - S. 47] Caravan [Teil 2 - S. 31] Careless Love F [Teil 2 - S. 31] Carry Me Back To Old Virginia F [Teil 2 - S. 31] Champs Elysees C [Teil 2 - S. 32] Charleston (Bb) (Jazz Rebells) [Teil 1 - S. 49] Charleston (F) [Teil 1 - S. 48] Charleston voc. Julia(F) (Jazz Rebells) [Teil 1 - S. 51] Charmaine [Teil 1 - S. 53] Chattanooga Stomp [Teil 1 - S. 54] Chicago Breakdown [Teil 1 - S. 56] Chicago Buzz Eb [Teil 2 - S. 33] Chicago Rhythm F [Teil 2 - S. 33] Chimes Blues [Teil 1 - S. 58] Chimes Blues Eb [Teil 2 - S. 34] China Boy [Teil 1 - S. 59] Chinaboy F [Teil 2 - S. 34] Chinatown Eb [Teil 2 - S. 34] Chinatown(My Chinatown) [Teil 1 - S. 60] Ciribiribin Eb [Teil 2 - S. 36] Clarinet Marmalade F [Teil 2 - S. 36] Coal Cart Blues [Teil 1 - S. 61] Come Back Sweet Papa B [Teil 2 - S. 38] Cornet Chop Suey Eb [Teil 2 - S. 39] Crazy Rhythm (F) [Teil 1 - S. 63] Creole Jazz B [Teil 2 - S. 40] Creole Love Call B [Teil 2 - S. 40] CUSHION FOOT STOMP – andere Version [Teil 1 - S. 66] Cushion Foot Stomp Eb [Teil 1 - S. 64] Cushion Foot Stomp Eb [Teil 2 - S. 41] Dallas Blues B [Teil 2 - S. 42] Dans le Rues d’Antibes B [Teil 2 - S. 43] Dardanella C [Teil 2 - S. 44] Darktown Strutters Ball B [Teil 2 - S. 44] Davenport Blues Eb [Teil 2 - S. 45] Day By Day G [Teil 2 - S. 45] Dead Man Blues [Teil 1 - S. 69] Decatur Street Tutti [Teil 1 - S. 70] Deep Henderson F/Db [Teil 2 - S. 46] Dinah [Teil 1 - S. 72] Dinah Ab [Teil 2 - S. 47] Dinah F [Teil 2 - S. 47] Dippermouth Blues Eb [Teil 2 - S. 122] Do You Know What It Means C [Teil 2 - S. 48]

Harmonien (HaraldThiel+KlausKappel-Sammlung)_Gesamtinhalt / 01.06.2016

- 2 -

Do You Know What It Means, To Miss New Orleans [Teil 1 - S. 74] Doctor Jazz [Teil 1 - S. 75] Down Among The Sheltering Palms [Teil 1 - S. 73] Down By The Riverside F [Teil 2 - S. 48] Dr Jazz Eb [Teil 2 - S. 52] Dream A Little Dream Of Me G [Teil 2 - S. 48] Dreamin‘ The Hours Away F [Teil 2 - S. 50] Drop That Sack Ab [Teil 2 - S. 51] East St. Louis Toodle – Oo (Jazz Rebells) [Teil 1 - S. 76] Easy Come, Easy Go Blues [Teil 1 - S. 79] Easy Come, Easy Go Blues (Lyrics) [Teil 1 - S. 81] Easy Rider [Teil 1 - S. 82] Eccentric C [Teil 2 - S. 53] Edna [Teil 1 - S. 83] Eh La Bas F [Teil 2 - S. 52] Everybody Loves My Baby (Dm/F) [Teil 1 - S. 84] Everybody Loves My Baby (Fm/Ab) [Teil 1 - S. 85] Everybody Loves My Baby F [Teil 2 - S. 52] Exactly Like You [Teil 1 - S. 86] Exactly Like You C [Teil 2 - S. 53] Farewell Blues [Teil 1 - S. 87] Farewell Blues B [Teil 2 - S. 54] Fidgety Feet [Teil 1 - S. 88] Fidgety Feet Ab [Teil 2 - S. 54] Five Foot Two, Eyes Of You [Teil 1 - S. 90] Flat Foot Eb [Teil 2 - S. 55] Flat Foot Floogee B [Teil 2 - S. 55] Forty And Tight [Teil 2 - S. 55] Forty And Tight (Bb) [Teil 1 - S. 91] Forty And Tight (Eb) [Teil 1 - S. 92] Fräulein, Pardon B [Teil 2 - S. 56] Friendless Blues Eb [Teil 2 - S. 56] Gatemouth (Eb) [Teil 1 - S. 94] Gatemouth Eb [Teil 2 - S. 56] Georgia Bo Bo F [Teil 2 - S. 58] Georgia On My Mind F [Teil 2 - S. 58] Georgia Swing Ab [Teil 2 - S. 59] Geri [Teil 1 - S. 95] Gigolo * [Teil 2 - S. 60] Gisela (Hallo, kleines Fräulein) [Teil 1 - S. 96] Go Down Moses fm [Teil 2 - S. 60] Good Night Ladies B [Teil 2 - S. 61] Good Night Ladies F [Teil 2 - S. 61] Goody Goody C [Teil 2 - S. 61] Gut Bucket Blues C [Teil 2 - S. 62] Halleluja F [Teil 2 - S. 62] Hallo, kleines Fräulein B [Teil 2 - S. 62] Ham Gravy [Teil 1 - S. 97] Happy Days are here again B [Teil 2 - S. 63] Happy Days are here again C [Teil 2 - S. 63] Happy Feet (Jazz Rebells) [Teil 1 - S. 98] He Wouldn’t Stop Doin’ It [Teil 1 - S. 101] Hello Lola [Teil 1 - S. 100] Hello, Dolly B [Teil 2 - S. 64] High Society Eb [Teil 2 - S. 65] Hindustan B [Teil 2 - S. 67] Honeysuckle Rose (C) (Jazz Rebells) [Teil 1 - S. 103] Honeysuckle Rose (F) [Teil 1 - S. 102] Honeysuckle Rose B [Teil 2 - S. 68] I Can’t Beat You Doin’ What You’re Doin’ Me [Teil 1 - S. 105] I Can’t Beat You Doin’ What You’re Doin’ Me (Lyrics) [Teil 1 - S. 106]

I Can’t Dance (Bb) [Teil 1 - S. 107] I Can’t Dance (C) (Jazz Rebells) [Teil 1 - S. 108] I Can’t Give You Anything But Love (Ab) [Teil 2 - S. 69] I Can’t Give You Anything But Love (C) [Teil 1 - S. 113] I Can’t Give You Anything But Love (F) [Teil 1 - S. 112] I Can’t Give You Anything But Love (F) [Teil 2 - S. 68] I Can't Dance, I Got Ants in My Pants (Lyrics) [Teil 1 - S. 109] I Cover The Waterfront [Teil 1 - S. 116] I Lost my Gal from Memphis Dm [Teil 1 - S. 120] I Lost my Gal from Memphis Em [Teil 1 - S. 121] I Lost my Gal from Memphis Lyrics [Teil 1 - S. 119] I Must Have It B [Teil 2 - S. 70] I Want A Big Butter And Egg Man [Teil 2 - S. 74] I Wish I Could Sister Kate Eb [Teil 2 - S. 74] I’m Beginning To See The Light [Teil 1 - S. 115] I’m Confessin’ That I Love You [Teil 1 - S. 122] I’m Crazy ‘bout My Baby (Eb) [Teil 1 - S. 123] I’m Going Hunting [Teil 1 - S. 124] I’m Gonna Sit Right Down And Write Myself A Letter (C) [Teil 1 - S. 126] I’m Gonna Sit Right Down And Write Myself A Letter (Eb) [Teil 1 - S. 125] I’m In The Mood For Love [Teil 1 - S. 128] I’ve Found A New Baby [Teil 1 - S. 132] I’ve Found A New Baby dm [Teil 2 - S. 73] Ice Cream [Teil 1 - S. 114] If I Had You B [Teil 2 - S. 69] If I Had You B [Teil 2 - S. 76] If We Never Meet Again [Teil 1 - S. 117] If You Wanna Be My Sugar Papa (You Gotta Be Sweet To Me) [Teil 1 - S. 118] I'm Gonna Take My Bimbo Back To The Bamboo Isle [Teil 1 - S. 127] In The Shade Of The Old Appletree [Teil 1 - S. 130] Indiana F [Teil 2 - S. 72] Isle Of Capri F / B [Teil 2 - S. 73] It Don’t Mean A Thing (If It Ain’t Got That Swing) (Jazz Rebells) [Teil 1 - S. 131] It’s A Long Way To Tipparary B [Teil 2 - S. 72] It’s Tight Like That [Teil 1 - S. 133] It’s Tight Like That Ab [Teil 2 - S. 73] It's Tight Like That (Lyrics) [Teil 1 - S. 134] Jackass Blues [Teil 1 - S. 136] Jackass Blues B [Teil 2 - S. 74] Ja-Da [Teil 1 - S. 137] Jada F [Teil 2 - S. 76] Jazz Me Blues Eb [Teil 2 - S. 76] Jogo Rhythm B [Teil 2 - S. 77] Just A Closer Walk With Thee B [Teil 2 - S. 78] King Joe [Teil 1 - S. 140] Klarinettenmuckel B,F,Eb [Teil 2 - S. 78] La Vie En Rose [Teil 1 - S. 142] Lady Be Good G [Teil 2 - S. 79] Lambeth Walk F [Teil 2 - S. 79] Lazy River [Teil 1 - S. 143] Lazy River F [Teil 2 - S. 79] Limehouse Blues [Teil 1 - S. 144] Lina Blues [Teil 1 - S. 145] Lina Blues (Lyrics) [Teil 1 - S. 146] Lina Blues B [Teil 2 - S. 81] Little White Lies [Teil 1 - S. 147]

Harmonien (HaraldThiel+KlausKappel-Sammlung)_Gesamtinhalt / 01.06.2016

- 3 -

Livin’ High [Teil 1 - S. 148] Lonesome Road F [Teil 2 - S. 81] Long, Deep And Wide Eb [Teil 2 - S. 82] Loveable [Teil 1 - S. 149] Loveable Lyrics [Teil 1 - S. 150] Lullaby Of Birdland [Teil 1 - S. 151] Mabel’s Dream [Teil 1 - S. 152] Mac The Knife B [Teil 2 - S. 84] Mac The Knife C [Teil 2 - S. 84] Mack The Knife (Lyrics) [Teil 1 - S. 154] Mack The Knife F + C + Bb [Teil 1 - S. 153] Make Me A Pallet On The (Your) Floor [Teil 1 - S. 155] Mama Don’t Allow It [Teil 1 - S. 156] Mama’s Gone Goodbye (F) [Teil 1 - S. 157] Mama's Gone, Goodbye (Bb) + Lyrics [Teil 1 - S. 158] Mandy, Make Up Your Mind [Teil 1 - S. 160] March of the Siamese Children [Teil 2 - S. 86] Marchand de Poissons C [Teil 2 - S. 84] Marchand de Poissons F [Teil 2 - S. 85] Margie [Teil 1 - S. 162] Margie F [Teil 2 - S. 87] Marie Ab [Teil 2 - S. 87] Marie B [Teil 2 - S. 87] Martinique C [Teil 2 - S. 88] Memories F [Teil 2 - S. 88] Memories Of You [Teil 1 - S. 163] Midnight In Moskow cm [Teil 2 - S. 88] Minnie The Moocher (Jazz Rebells) [Teil 1 - S. 165] Minnie The Moocher (Lyrics) [Teil 1 - S. 167] Misty Eb [Teil 2 - S. 89] Mobile Blues [Teil 1 - S. 169] Mood Indigo B [Teil 2 - S. 89] Moonglow (Bb) [Teil 1 - S. 170] Moonglow Eb [Teil 2 - S. 89] Moulin à Café B [Teil 2 - S. 90] Muscrat Ramble [Teil 1 - S. 172] Muscrat Ramble B [Teil 2 - S. 91] My Baby [Teil 1 - S. 173] My Bonnie Is Over The Ocean B [Teil 2 - S. 91] My Melancholy Baby [Teil 1 - S. 174] Nagasaki [Teil 1 - S. 176] Never Had A Reason To Believe In You ( + Lyrics) [Teil 1 - S. 177] New Orleans [Teil 1 - S. 178] New Orleans Function Ab/B [Teil 2 - S. 92] New Orleans Wiggles B/Eb [Teil 2 - S. 93] Nobody’s Sweetheart Now [Teil 1 - S. 179] Nuages [Teil 1 - S. 180] Oh Baby [Teil 1 - S. 181] Old Rugged Cross B [Teil 2 - S. 94] Olga B [Teil 2 - S. 94] On A Slow Boat To China [Teil 1 - S. 183] On The Street Where You Live B [Teil 2 - S. 95] On The Sunny Side Of The Street (C) [Teil 1 - S. 186] On The Sunny Side Of The Street (F) (Jazz Rebells) [Teil 1 - S. 187] On the sunny side of the street B [Teil 2 - S. 95] On the sunny side of the street C [Teil 2 - S. 96] On Treasure Island [Teil 1 - S. 188] On Treasure Island B [Teil 2 - S. 96] Once Or Twice [Teil 1 - S. 185] Once Or Twice (Lyrics) [Teil 1 - S. 184] Onions C [Teil 2 - S. 95] Oriental Man [Teil 1 - S. 189] Original Dixieland One Step (Ab) [Teil 1 - S. 191]

Original Dixieland Onestep Ab [Teil 2 - S. 97] Ory’s Creole Trombone B [Teil 2 - S. 98] Over In The Gloryland B [Teil 2 - S. 99] Over The Waves B [Teil 2 - S. 99] Panama Rag Eb / Ab [Teil 2 - S. 100] Papa De Da Da [Teil 1 - S. 193] Papa De Da Da (Lyrics) [Teil 1 - S. 194] Papa De Dada Eb [Teil 2 - S. 101] Pennies From Heaven (C) [Teil 1 - S. 197] Perdido B [Teil 2 - S. 101] Perdido Street Blues [Teil 1 - S. 198] Perdido Street Blues F [Teil 2 - S. 102] Petersburger Marsch Eb / B / Ab [Teil 2 - S. 103] Petite Fleur gm [Teil 2 - S. 104] Piggly Wiggly [Teil 1 - S. 200] Piggly-Wiggly B [Teil 2 - S. 105] Please Don’t Talk About Me Eb [Teil 2 - S. 106] Potato Head Blues [Teil 1 - S. 201] Puttin’ On The Ritz (Jazz Rebells) [Teil 1 - S. 203] Red River Valley F [Teil 2 - S. 106] Red Roses For A Blue Lady [Teil 1 - S. 204] Red Sails In The Sunset F [Teil 2 - S. 106] Rent Party Blues B [Teil 2 - S. 107] Rhythm King (F) [Teil 1 - S. 205] Roses Of Picardy B [Teil 2 - S. 107] Rosetta [Teil 1 - S. 206] Rosetta F [Teil 2 - S. 108] Royal Garden Blues [Teil 1 - S. 207] Royal Garden Blues B [Teil 2 - S. 108] S’Wonderful [Teil 1 - S. 237] San [Teil 1 - S. 208] San Antonio Rose B [Teil 2 - S. 109] Satin Doll (C) [Teil 1 - S. 209] Satin Doll (F) (Jazz Rebells) [Teil 1 - S. 210] Satin Doll C [Teil 2 - S. 109] Saturday Night Function [Teil 1 - S. 212] Sau Sha Stomp [Teil 1 - S. 213] Savoy Blues [Teil 1 - S. 214] Savoy Blues G [Teil 2 - S. 110] Schwarze Augen / Katjuscha dm [Teil 2 - S. 110] Schwarze Augen / Katjuscha gm [Teil 2 - S. 110] Sentimental Journey F [Teil 2 - S. 111] September In The Rain [Teil 1 - S. 215] She’s Crying For Me Ab [Teil 2 - S. 112] Shine [Teil 1 - S. 219] Shine Eb [Teil 2 - S. 112] Si tu vois ma mere (Lonesome) B [Teil 2 - S. 115] Sidewalk Blues [Teil 1 - S. 220] Sidewalk Blues Version zwei [Teil 1 - S. 222] Snake Rag Ab [Teil 2 - S. 114] Sobbin‘ Blues F [Teil 2 - S. 116] Some Of These Days (F) [Teil 1 - S. 230] Some of these Days F [Teil 2 - S. 118] Somebody Stole My Gal (Eb) [Teil 1 - S. 224] Somebody Stole My Gal (F) [Teil 1 - S. 225] Somebody Stole My Gal (Lyrics) [Teil 1 - S. 226] Someday Sweetheart [Teil 1 - S. 227] Someday Sweetheart - leichtere Version [Teil 1 - S. 228] Someday Sweetheart (Lyrics) [Teil 1 - S. 229] Someday Sweetheart Ab [Teil 2 - S. 117] South Eb [Teil 2 - S. 119] St James Infirmary dm [Teil 2 - S. 119] St Louis Blues F / fm [Teil 2 - S. 119] St Phillip Street Breakdown B [Teil 2 - S. 121]

Harmonien (HaraldThiel+KlausKappel-Sammlung)_Gesamtinhalt / 01.06.2016

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St. James Infirmary [Teil 1 - S. 231] St. Louis Blues [Teil 1 - S. 232] Stomp Your Stuff [Teil 1 - S. 233] Struttin‘ With Some Barbeque Ab [Teil 2 - S. 121] Sugar Foot Strut Eb [Teil 2 - S. 123] Summerset B [Teil 2 - S. 123] Summerset G [Teil 2 - S. 124] Sunday [Teil 1 - S. 234] Swanee River C [Teil 2 - S. 124] Sweet Georgia Brown [Teil 1 - S. 235] Sweet Georgia Brown Ab [Teil 2 - S. 124] Sweet Lorraine F [Teil 2 - S. 128] Sweet Mumtaz dm [Teil 2 - S. 126] Sweet Substitute Eb ? [Teil 2 - S. 128] Sweet Sue B [Teil 2 - S. 129] Sweet Sue(- Just You) [Teil 1 - S. 236] Take Your Black Bottom Outside [Teil 1 - S. 238] Tampeekoe [Teil 1 - S. 239] Terrible Blues C [Teil 2 - S. 129] Texas Moaner Blues Eb [Teil 2 - S. 131] That Rhythm Man [Teil 1 - S. 241] That Rhythm Man (Lyrics) [Teil 1 - S. 242] That’s A Plenty B [Teil 2 - S. 132] The Lady Is A Tramp [Teil 1 - S. 243] The Preacher F [Teil 2 - S. 132] The Sheik Of Araby B [Teil 2 - S. 133] The World Is Waiting For Sunrise B [Teil 2 - S. 133] The World Is Waiting For The Sunrise [Teil 1 - S. 244] There’ll Be Some Changes Made B [Teil 2 - S. 133] Tiger Rag [Teil 1 - S. 245] Tiger Rag Ab [Teil 2 - S. 135] Till We Meet Again F [Teil 2 - S. 136] Tin Roof Blues [Teil 1 - S. 247] Tin Roof Blues B [Teil 2 - S. 136] Tis Autumn [Teil 1 - S. 248] Tishomingo Blues [Teil 1 - S. 249] Tishomingo Blues G [Teil 2 - S. 136] Too Busy [Teil 1 - S. 250] Too Busy (Lyrics) [Teil 1 - S. 251] Trouble in Mind F [Teil 2 - S. 136] Undecided B [Teil 2 - S. 138] Wa Wa Wa [Teil 1 - S. 252] Wabash Blues [Teil 1 - S. 253] Wabash Blues (Lyrics) [Teil 1 - S. 255] Way Down Yonder In New Orleans [Teil 1 - S. 256] Way Down Yonder In New Orleans F [Teil 2 - S. 138] Weary Blues F / B [Teil 2 - S. 139] Wednesday Evening Blues [Teil 1 - S. 257] What You Want Me To Do [Teil 1 - S. 258] What You Want Me To Do (Lyrics) [Teil 1 - S. 259] When Day Is Done [Teil 1 - S. 260] When Erastus Plays His Old Kazoo (Bb) [Teil 1 - S. 262] When Erastus Plays His Old Kazoo (F) [Teil 1 - S. 261] When Erastus Plays His Old Kazoo Ab [Teil 2 - S. 142] When I Take My Sugar To Tea F [Teil 2 - S. 144] When I’ts Sleepy Time Down South G [Teil 2 - S. 142] When My Dreamboat Comes Home [Teil 1 - S. 263] When My Dreamboat Comes Home B [Teil 2 - S. 144] When you’re smiling B [Teil 2 - S. 144] When You're Smiling [Teil 1 - S. 264] Whispering Eb [Teil 2 - S. 145] Whistling Rufus Eb / Ab [Teil 2 - S. 145] White Christmas C [Teil 2 - S. 146] White Cliffs Of Dover B [Teil 2 - S. 146]

Wild Cat Blues (Bb) [Teil 1 - S. 266] Wild Cat Blues (C) [Teil 1 - S. 265] Wild Cat Blues (C) [Teil 1 - S. 267] Wild Cat Blues C [Teil 2 - S. 147] Willie The Weeper [Teil 1 - S. 269] Willie The Weeper B [Teil 2 - S. 148] Winter Wonderland Eb [Teil 2 - S. 148] Wochenend’ und Sonnenschein [Teil 1 - S. 270] Wolverine Blues [Teil 1 - S. 271] Wolverine Blues Eb [Teil 2 - S. 149] Worn Out Blues Ab [Teil 2 - S. 150] Yearning [Teil 1 - S. 273] Yes Sir, That’s My Baby (Jazz Rebells) [Teil 1 - S. 272] Yes Sir, That’s My Baby Eb [Teil 2 - S. 150] You Ain’t Too Old [Teil 1 - S. 274] You Always Hurt The One You Love * [Teil 2 - S. 151] You Are My Real Sweetheart F [Teil 2 - S. 151] You Are My Sunshine F [Teil 2 - S. 152] You’re Bound To Look Like A Monkey When You Get Old + Lyrics [Teil 1 - S. 275] Your Feet’s Too Big [Teil 2 - S. 152] Zaz Zuh Zaz (Jazz Rebells) [Teil 1 - S. 276] Zaz Zuh Zaz (Lyrics) [Teil 1 - S. 277]

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Harmonien Harmonien Kpl.doc Harald Thiel Klaus Kappel Kirchstraße 20b 28844 Weyhe-Leeste � 0421 803774 klaus.kappel@arcor.de