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C Lee Filter | filters 002-035

Allgemeines&Bestellinformationen 002-003 700erSerie 004-007 DieWissenschafthinterderKunst,Farbmustersammlungen 008-010 Farbpalette,farbigeFrostfilter,Kosmetikfilter 011-021 numerischeAuflistung,neueFarben2011 022-023 TechnischeFilter&Konversionsübersicht 024-029 Diffusionsmedien 030-034 Leuchtstoffröhrenhülsen 035

ULtraLite DichroitischeFilter | dichroic filters 036

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LEEStandardFilter

Rollenmaße|rollsize7.62mx1.22m6.10mx1.52mProdukte|products • ColourEffectFilters• TungstenConversion• DaylightConversion• NeutralDensity• FluorescentCorrection• ArcCorrection• UltraVioletAbsorption• DiffusionMedia• NonFlameRetardant• DiffusionMedia• FlameRetardant• HeatShield

BeiFarbfilterfolienhabenwirunsaufdieProduktedesHerstellersLEEspezialisiert,daLEEdaskompletteSpektrumabdecktundperma-nenteinegleichbleibendhoheQualitätliefert.AuchwenneinigeandereTrademarksmitdenLEECodesversehensind,sogibtesdefinitivnureinLEEOriginal!MitLEEFilterfolienlassensichfantastischeErgebnisseerzielen.EsgibtzweiSerien:StandardundHT.DieHT-SerieistextremhitzebeständigundwirdimGegensatzzuden763x122cm(610x152cm„WideRoll“StandardrollenindenAbmessungen400x117cmangeboten.

IntermsofcolourfilterswehavespecializedonLEEproducts,sincethismanufacturercoverstheentirespectrumanddeliversaconstantlyhighquality.AlthoughseveralothertrademarksareprintedwiththeLEEcodes,thereisdefinitelyonlyoneLEEoriginal!WithLEEfiltersyoucanachievephantasticresults.Therearetwoseries:StandardandHT.TheHTseriesisextremelyheat-proofandisofferedinthedimensions400x117cm,contrarytothestandardroles(763x122cm,610x152cm„WideRoll“).

LEEfilters

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Farbecht, hitzebeständig, tropffest und schwer entflammbar. Permanente Testswährend der Produktion gewährleisten eine gleichbleibend hohe Qualität undFarbechtheit.GängigeFarbenliefernwirauchindenBogenformaten25/50x122cm.WeitereFarbenundSpezialfoliensindnuralsRollenwareerhältlich.

Colour-proof,heat-resisting,drop-proofandflameretardant.Permanenttestsduringproductionensureaconstantlyhighqualityandcolourfastness.Standardcoloursarealsoavailable in sheetsof25/50 x122cm.Other coloursand special foilsareonlyavailableasrolls.

Und so bestellen Sie | howtoorder:

Code + LEE Code• Bogen|Sheet25x122cm LF025CM…• Bogen|Sheet50x122cm LF050CM…• Rolle|roll763x122cm LFR…• breiteRolle|wideroll610x152cm LFRW…

Beispiel | example:SiemöchteneineRolleLEE002RosePinkbestellen:DerBestell.-Codelautet:LFR002Siemöchteneinen50cmBogenLEE002RosePinkbestellen:DerBestell.-Codelautet:LF050CM002

YouwanttoorderaROLLLEE002RosePinkTheorder-Codeis:LFR002Youwanttoorder50cmsheetLEE002RosePinkTheorder-Codeis:LF050CM002

LEE Standard Folien | standardfilters

B e s t e l l i n f o r m a t i o nhow to order

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LEEHTFilter

Rollenmaße|rollsize4.00mx1.17mProdukte|products• ColourEffectHT

B e s t e l l i n f o r m a t i o nhow to orderHT-Filter bestehen aus Polycarbonat und halten eine größere Hitze aus alsStandardfolien. HT-Folien werden vorwiegend für dunklere Farben eingesetzt.Farbecht, hitzebeständig, tropffest und schwer entflammbar. Permanente Testswährend der Produktion gewährleisten eine gleichbleibend hohe Qualität undFarbechtheit.GängigeFarbenliefernwirauchindenBogenformaten25/50x117cm.WeitereFarbenundSpezialfoliensindnuralsRollenwareerhältlich.

HTfiltersconsistofpolycarbonateandcanenduregreaterheat thanstandard foils.HTfiltersaremainlyusedfordarkerhues.Colour-proof,heat-resisting,drop-proofandflameretardant.Permanenttestsduringproductionensureaconstantlyhighqualityandcolourfastness.Standardcoloursarealsoavailableinsheetsof25/50x117cm.Othercoloursandspecialfoilsareonlyavailableasrolls.

Und so bestellen Sie | howtoorder:

Code + LEE Code• Bogen|Sheet25x117cm LF025HT…• Bogen|Sheet50x117cm LF050HT…• Rolle|roll400x117cm LFRH…

Beispiel | example:SiemöchteneineRolleLEE022HTDarkAmberbestellen:DerBestell.-Codelautet:LFRH022Siemöchteneinen50cmBogenLEE022HTDarkAmberbestellen:DerBestell.-Codelautet:LF050HT022

YouwanttoorderaROLLLEE022HTDarkAmberTheorder-Codeis:LFRH022Youwanttoorder50cmsheetLEE022HTDarkAmberTheorder-Codeis:LF050HT022

LEE HT Folien | hightemperaturefilters

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Ein ganz spezielles Lichtfiltersortiment, exklusiv von LEE.Die Farben der Series 700 wurden von einigen der bestenLichtgestalterausdenBereichenBühne,Leinwand,Fernsehen,KinoundArchitekturbeleuchtungentwickelt.

Lichtgestalter haben ständig irgendeine Farbe im Kopf. Ob eineromantische Szenerie im Mondenschein oder ein aggressiver,lebendiger Hintergrund – sie wissen genau, welche Farben siefür den gewünschten Effekt benötigen. LEE hat über 250 Farbenim Angebot und trotzdem haben Designer manchmal das Gefühl,dass eine bestimmte Farbe, nach der sie suchen, fehlt. LEEhat beschlossen, hier für Abhilfe zu sorgen und bietet nunLichtgestalterndieeinmaligeChance,ihreIdeenzuverwirklichen.

Seit1998habenwireineReiheführenderLichtdesignerzurFabrikvon LEE Filters eingeladen, um ihre ganz persönlichen Farben zuentwerfen.DieLichtfilterderSeries700sindeindirektesResultatdervondiesenPersonengeleistetenArbeit.

InnerhalbeinesTageskannjederDesignereinProblemlösenodereine Farbe für eine bestimmte Stimmung bzw. einen speziellenEffektkreieren.InengerZusammenarbeitmitLEEsForschungs-undEntwicklungsteam setzen die Designer ihre Ideen um, indem sieFarbtönemischenundzuneuenFarbenkombinieren.Anschließendwerden Testmuster für Feldversuche hergestellt und sobalddie Farbe LEEs strenges Qualitätskontrollverfahren erfolgreichbestandenhat,wird sienach ihremSchöpferbenanntund indieSeries700aufgenommen.

A very special range of lighting filters unique to LEE. The 700 Series colours have been created by some of the top lighting designers working in stage, screen, television, cinema and architectural lighting.

Lighting designers always have a colour in mind. Be it to createa romantic moonlit setting or a feisty, angry backdrop, they knowexactlywhatcolourstheyneedtocreatethedesiredeffect.LEEofferover 250 colours, but designers sometimes feel that a particularcolourtheyare lookingfor ismissing.LEEdecidedtorectify thisbyoffering lighting designers a unique opportunity - to turn their ideasintorealities.

Since1998anumberof leading lightingdesignershave been invitedtotheLEEFilters factorytocreatetheirownuniquecolours.The700Series of lighting filters is a direct result of the work undertaken bythesedesigners.

Withinthecourseofaday,eachdesignerisabletosolveaproblemorcreateacolourforaspecificmoodoreffect.WorkingcloselywithLEE‘s Research & Development team, designers take their ideasforwardbymixingandblendingdyes,enablingthemtocreatenewcolours.Testsamplesarethenmanufacturedforfieldtrialsandoncethecolourhaspassed the stringent LEEqualitycontrolprocess it isnamedbythedesignerandaddedtothe700Series.

Peter Barnes* 707 Ultimate Violet Used in musical performances for general colour washes and set lighting.

* 721 Berry Blue Used in musical performances for rear colour wash or set lighting.

* 729 Scuba Blue Used in musical performances for a rear colour wash or set lighting.

* 797 Deep Purple Used in musical performances for general colour washes and set lighting.

Paule Constable731 Dirty Ice Dirtier than 730 Liberty Green, more orange, sympathetic with skin tones.

733 Damp Squib A dirty green, reduces warmth. Good for cross lighting.

742 Bram Brown Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn‘t go pink at low light levels.

768 Egg Yolk Yellow A bold strong chemical yellow, less orange/red than 179 Chrome Orange.

“I was fascinated to learn the process of making colour. The chance to develop new colours was thrilling; a real meeting of art and science. Being able to discuss colour in that detail and for LEE to respond in such a positive way was a unique experience.”Paule Constable

LEEfilters»the700series«

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Chris Davey712 Bedford Blue A smoky warm blue. Good for skin tones.

722 Bray Blue A purer blue with very little red in it.

748 Seedy Pink A smoky pink. Good for tungsten on skin tones.

Dave Davey701 Provence The colour of the Lavender fields of the south of France. A redder version of 180 Dark Lavender for use on cameras balanced to tungsten sources.

736 Twickenham Green A powerful green with depth, for music or light entertainment.

744 Dirty White Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a dingy effect like a smoky bar.

749 Hampshire Rose Combines flesh tone warmer 154 Pale Rose with some Hampshire frost.

770 Burnt Yellow A colour that feels warm and dense on camera, a balance between 179 Chrome Orange and 105 Orange.

Chris Ellis714 Elysian Blue A new deeper version of 197 Alice Blue.

717 Shanklin Frost 201 Full CT Blue with frost to soften the beam of profile units.

718 Half Shanklin Frost 202 Half CT Blue with frost to soften the beam of profile units.

798 Chrysalis Pink A new deeper lavender with a dash of rose blusher.

Rick Fisher708 Cool Lavender For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting.

728 Steel Green Approaching storms. Overcast days. Cold steely light. Malevolent moonlight.

735 Velvet Green A beautiful background colour. Victorian melodrama. A night time green.

Peter Fisker700 Perfect Lavender In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres.

703 Cold Lavender A colour that would be great for front / key lighting and that works well with 152 Pale Gold.

727 QFD Blue A special version of 729 Scuba Blue which is good for backlighting and swimming pool effects.

780 AS Golden Amber Between 778 Millennium Gold and 135 Deep Golden Amber, but less red and strong and good for backlighting.

„A big thank you for a very interesting day. All the team at LEE clearly take great pride in your products, shown by the rigorous quality control checks.“Chris Davey

„I had a very productive day at LEE, resulting in two colours which, although similar, spoke different languages“Rick Fisher

* Also available in High Temperature (HT) version


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Henrik Hambro706 King Fals Lavender A cold lavender.

710 Spir Special Blue A cool industrial blue.

740 Aurora Borealis Green Primary jungle colour. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.

741 Mustard Yellow Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.

773 Cardbox Amber Warm tint for skin tones.

787 Marius Red Nice deep full red. Rose leaf colour.

799 Special KH Lavender A deep lavender that brings out the UV.

Jesper Kongshaug730 Liberty Green A good green for creating mystery and suspense.

765 LEE Yellow Useful for producing a strong sunlight effect.

Mark Henderson711 Cold Blue To give a cold/grey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources.

719 Colour Wash Blue To allow low intensity tungsten to hold a cold/ blue feel.

746 Brown To give a murky, dirty feel to tungsten. A darker, less pink chocolate.

777 Rust A vivid rust colour effect.

789 Blood Red For a deep saturated red effect. Used when a strong vivid red effect is required.

David Hersey724 Ocean Blue Useful at low levels of light. Good for dull skies and moonlight.

725 Old Steel Blue Cool wash, useful for highlights.

763 Wheat Adds warmth, sunlight.

764 Sun Colour Straw Adds warmth, bright sunlight.

776 Nectarine Romantic sunset. Period pieces.

779 Bastard Pink Deep sunset. Useful on dark skin tones.

Jakob Holst* 716 Mikkel Blue A romantic blue to produce a night effect.

774 Soft Amber Key 1 Used for producing a warm key light colour. Flame retardant.

775 Soft Amber Key 2 Used for producing a warm key light colour. Flame retardant.

“I would like to thank LEE Filters for the two days I spent with their very professional R&D team. It was great fun to play with colours and very difficult to stop getting new ideas.”

Henrik Hambro


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Kate Wilkins723 Virgin Blue This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.

747 Easy White Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones.

Patrick Woodroffe* 715 Cabana Blue A deep blue that still has enough transmission to work encouragingly well on television.

* 778 Millennium Gold Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a HMI lamp.

793 Vanity Fair A rich glamorous pink, good for use on special occasions.

Andy Liddle* 713 J.Winter Blue A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash.

* 738 JAS Green A rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.

781 Terry Red A strong amber red that works well when used against deep reds and dark ambers, in wash combinations and on cycloramas.

Durham Marenghi702 Special Pale Lavender A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades.

704 Lily A cool lavender with little red content. Good for romantic evening exteriors.

705 Lily Frost Smoothes PAR or flood washes of large areas. Useful for houselights and a good colour wash for evening events.

720 Durham Daylight Frost Smoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.

750 Durham Frost A frost that almost completely softens shutter edges and removes hot spots.

790 Moroccan Pink A rich natural pink, good for producing late afternoon sun effects.

791 Moroccan Frost Smoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.

David Whitehead709 Electric Lilac Provides good colour rendering which creates a sharp edge, adding a touch of drama.

767 Oklahoma Yellow A rich blend of bright sunshine and warm ochre overtones.

794 Pretty ‚n Pink Creates warm and soft effects.

795 Magical Magenta Rich mixture of red and pinks.

„...I appreciate you finding the time to talk to designers such as myself about your products.“Durham Marenghi

„After 20 years in lighting, I promise to never throw a piece of colour on the stage again, now I know what it takes to develop and make!“Andy Liddle



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die wissenschaft hinter der kunst

■Licht

Licht ist Energie, die sich wellenförmig aus-breitet. Das menschliche Auge reagiert aufbestimmte Wellenlängen, diese bilden dassichtbare Spektrum. Wellenlängen außerhalbdieses Spektrums sind für uns unsichtbar, z.B.Infrarot,UltraviolettundRöntgenstrahlung.

Isaac Newton demonstrierte, dass weißesLicht, durch ein Glasprisma geschickt, in seineunterschiedlichenWellenlängenzerlegtwerdenkann.

Jede Wellenlänge innerhalb des sichtbarenSpektrums wird von unseren Augen als einespezifische Farbempfindung wahrgenommen,dasuntenstehendeDiagrammzeigtanschaulichdiesichtbarenFarbenmitihrenentsprechendenWellenlängen. Weißes Licht besteht aus allensichtbaren Wellenlängen, die zu gleichenAnteilenvorhandensind.

Durch den Einsatz von Filtern zur Reduzierungder Lichtstärke bei bestimmten WellenlängenkönnenwirfarbigesLichterzeugen,dasunserenindividuellen technischen oder ästhetischenAnforderungengenügt.

Die meisten künstlichen Lichtquellen gebenim Prinzip kein weißes Licht ab. So erzeugenbeispielsweiseGlühlampenmitWolframwendelLicht,daseinenhöherenEnergieanteilamrotenEnde des Spektrums aufweist, wohingegeneine Leuchtstoffröhre oft Energiespitzenhauptsächlich im blau grünen Bereichaussendet. Mittels Filtern lassen sich solcheUnterschiede ausgleichen und die Lichtquellenperfektaneinanderangleichen.

Um eine Farbe akkurat festzuhalten undwiederzugeben, muss man entweder einphysikalisches Muster dieser Farbe anfertigen,dasniemalsverblasstoderbeschädigtwird,odereinmathematischesModellbemühen.EinModellbenutzt Zahlen, um die Eigenschaften einerFarbe–FARBTON,SÄTTIGUNGundHELLIGKEIT– zu erfassen. Mit FARBTON beschreibt mandie physikalische Farbe – also rot, gelb, grünusw. SÄTTIGUNG ist eine Wahrnehmung, mitwelcher Leuchtkraft ein bestimmter Farbton indemMustervorhandenist.DieHELLIGKEIT(oderDunkelheit)einerFarbewirdempfunden,wennmaneinenVergleichmiteinerähnlichen,nichteingefärbten Zone anstellt, die mit derselbenLichtintensitätbeleuchtetwird.

Da also eine Farbe drei Eigenschaftenbesitzt, kann man sich die mit ihnen in einemRechenmodell verknüpften Zahlen als einePosition in einem dreidimensionalen Raumvorstellen,demsogenanntenFarbraum.

Der spezielle, von den Technikern von LEEFilters benutzte Farbraum wurde 1931 vonder Commision International Eclairage (CIE)entwickeltundisteinerdervieleninternationalanerkanntenStandard-Farbräume.

■Light

Light is energy that travels inwave form. Thehuman eye responds to certain wavelengthsand these make up the visible spectrum.Wavelengthsoutsidethisspectrumareinvisibletous,suchasinfrared,ultravioletandX-ray.

Isaac Newton showed that by shining whitelightthroughaglassprismitcouldbeseparatedbackintoitsdifferentwavelengths.

Each wavelength within the visible spectrumis recognised by our eyes as providing aparticular colour sensation, the diagrambelow clearly indicates the visible coloursand their corresponding wavelengths.White light consists of all of the visiblewavelengths,presentinequalamounts.

By using filters to selectively reduce thelevel of light at certain wavelengths we cancreate coloured light to meet our individualrequirements,whethertechnicaloraesthetic.

Most artificial light sources do not actuallyproducewhitelight.Forexample,incandescentsourcessuchastungstengeneratelightwhichhasmoreenergyattheredendofthespectrum,whereasafluorescentsourceoftenhasspikesofenergymainlyintheblueandgreenregion.Filterscanbeusedtocorrectthesedifferencesandmakeonelightsourceappearlikeanother.

In order to record and communicate colouraccurately,youeitherneedtocreateaphysicalexample of that colour that will never fadeor become damaged, or use a mathematicalmodel. A model uses numbers to describedifferent attributes of a certain colour, thesebeingHUE,SATURATIONandLIGHTNESS.TheHUEdescribesthephysicalcolour-red,yellow,greenetc.SATURATIONisaperceptionofhowstrong thehueof the colour is represented inthesample.TheLIGHTNESS(ordarkness)ofacolour isperceived,whena comparisonmadetoasimilarareathatisnotcoloured,butlitwiththesamestrengthofillumination.

As there are three attributes to a colour,the numbers associated with them in amathematical model can be thought of as aposition in a three dimensional shape, thisshapeiscalledacolourspace.

The particular colour space used by LEEFilters technicianswasdevised in1931by theCommision International Eclairage (CIE ) andis one of the many internationally recognisedstandardcolourspaces.

Wavelength - Nanometres

400 500 600 700

Infra-redUltra-VIolet

LEEfilters

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the science behind the art

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■ Farbton und Sättigungjeder beliebigen Farbe lassen sich anhand ihrerPosition in einem Chromatizitätsdiagramm wie demuntengezeigtendarstellen.DasDiagrammenthältallesichtbarenFarbensowieallemöglichenDichtewertedieser Farben in zweidimensionaler Präsentation.BlasseFarbenfindensichinZentrumsnähe,gesättig-teTönederselbenFarbenandenRändern.Dabeiwirddie Position einer Farbe in diesem Diagramm durchihreChromatizitäts-Koordinatenangegeben.

■ Zum Gebrauch dieser Broschüre

Die in dieser Broschüre enthaltenen technischenInformationen sollen Ihnen auf unterschiedlicheWeise bei der Wahl der richtigen Farbe für IhrenBedarfhelfen.Diez.T.indenFarbmustersammlungenabgebildetenSpektralverteilungskurven(SPD)zeigen,wie viel Prozent des Lichts bei Verwendung einesbestimmten Filters über das gesamte Spektrum dersichtbaren Wellenlängen durchgelassen werden.Anhand dieser Daten wird deutlich, welche AnteiledesLichtsungehindertpassierenkönnenundwelcheherausgefiltertwerden.

Der Y-Prozentwert steht für die mittlereGesamttransmission dieses Filters, wie sie vommenschlichen Auge wahrgenommen wird. DerY-WertistdabeieinerderdreiTRISTIMULUS-WERTE,einer für jede Farbe singulären Konstellation vonWerten, die anhand der in der SPD-Grafik enthal-tenen Daten mathematisch berechnet werden. DieAbsorption(Abs)einesFilterserrechnetsichausdemY-Prozentwert und stellt eine weitere Möglichkeitdar,dielichtstoppendenEigenschaftendiesesFiltersauszudrücken. Abs ist eine lineare Skala, weshalbsichWerteleichteraddierenbzw.subtrahierenlassenalsmitY-Prozentangaben.

Die für jede Farbe angegebenen Chromatizitäts-Koordinaten werden mittels einer theoretischenNormlichtquelle gemessen, berechnet und könnenindasChromatizitäts-Diagrammeingetragenwerden,um die Eigenschaften dieser speziellen Farbe imVergleichzuallenanderenFarbenzudokumentieren.

■ Die Wahl des Filtermaterials

Da subtraktive Filter nach dem Prinzip derEnergieabsorption funktionieren, ist es für denAnwender wichtig, die zu erwartende spektra-le Performance eines bestimmten Filters undinsbesondere dessen Wirkungsgrad für dieGesamtdurchlässigkeitYzukennen,umsichfürdasrichtige Material – ob Polyester, hitzebeständigesPolymer oder Glas – zu entscheiden. Zu jedemMaterial gibt es empfohlene Temperaturgrenzwerteund unser Team berät Sie jederzeit gern, welchesMaterialfürwelchenZweckamgeeignetstenistundüber seineHaltbarkeit.DievoneinemsolchenFilterbei einer bestimmten Anwendung zu erwartendeLebensdauer lässt sich oft schwer voraussagen, dadiese von vielen verschiedenen Faktoren abhängt.Wir verfügen über langjährige Erfahrung auf vielenunterschiedlichen Gebieten und unsere Mitarbeitergeben ihr erworbenes Praxiswissen, wie sich dieStandzeit jedes beliebigen Filters verlängern lässt,gernanSieweiter.

■ The hue and saturation

of any colour can be represented by its positi-on on a chromaticity diagram, as seen here. Thediagram contains all visible colours, and all possibledensities of these colours, in a two dimensionalconfiguration. Pale colours in the centre and satu-rated versions of those same colours at the edges.Acolour’spositiononthisdiagramwillberepresentedbyitsChromaticityCo-ordinates.

■ How to use this brochure

The technical information contained in this brochureisdesigned tohelpyouchoose thecorrectcolour foryourrequirementsinanumberofdifferentways.Thespectralpowerdistribution(SPD)curvesillustratedinthe LEE swatch books, show the percentage of lightat each wavelength across the visible spectrum thatispassedwhenlightisshonethroughthefilter.Fromthis data you can tell which constituent parts of thesourcewillbetransmitted,andwhichwillbereduced.

The Y% figure is representative of overall averagetransmissionofthatfilter,asperceivedbythehumaneye.TheYvalue isactuallyoneof theTRISTIMULUSVALUES, a set of values unique to each colour, thatarecalculatedmathematicallyfromthedatacontainedintheSPDgraph.Theabsorption (abs)ofa filter is calculated from theY%value,and isanotherwayofexpressing the lightstoppingpropertiesofthatfilter.Absisalinearscale,sovaluescanbeaddedorsubtractedmoreeasilythanusingY%.

The Chromaticity co-ordinates published for eachcolouraremeasuredandcalculatedusingatheoreticalstandardlightsource,andcanbeplottedonthechro-maticity diagram to establish that particular colour’scharacteristicsinrelationtoallothercolours.

■ Choosing filter materials.

Since subtractive filters achieve their purpose byabsorbing energy, knowing the expected spectralperformanceofaparticularfilterandinparticular, itsoverallTransmissionEfficiencyY,canhelptheusertoselect the materials used, whether being polyester,high temperature polymer or glass. Each materialhas recommended temperature limits, and our staffare always happy to advise on the best material foraparticularjob,andonitsdurability.Thelifetimethatmaybeexpectedfromaparticularfilterinaparticularapplicationcanoftenbedifficulttopredict,becauseitdependsuponmanydifferentfactors.Wehavemanyyearsofexperience in lotsofdifferentareas,andourstaffwillreadilyofferthepracticalknowledgethattheyhavegainedastohowtoprolongthe lifetimeofanyparticularfilter.

Y% abs

50 0.3(1Stop)

25 0.6(2Stop)

12.5 0.9(3Stop)

LEEfilters

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Farbmustersammlungen | swatches CodeLEEDesignerEdition LFMLEECinematographers’Edition LFMCDLEEMasterEdition LFMMasterLEEVenetianEdition LFMVenetianLEEFluorescentEdition LFMFluo

UmunserenKundendiebesteUnterstützungunddiebestenInformationengebenzukönnenstelltdieFirmaLEEeinbreitesSpektrumantechnischenInformationenzurVerfügung.DieFirmaLeeproduzierteineReihevonMusterheften,jedesindividuellentwickelteinenbestimmtenBereichabzudecken.

■TheDesigners’EditionEineinzigartigesMusterheft,welchesalleLee-FilternachFarbensortiertbeinhaltet,zusammenmiteinernumerischenSortierung.Ein reinnumerischesMusterheft istaufBestellungaucherhältlich.

■TheCinematographers’EditionEingroßformatigesDoppel-MusterheftmitdenAbstufungenderFarb-KorrekturfilterunddenDiffusionsfiltern,sehroftgenutztinderFilmbranche.

■TheMasterEditioneinsehrgroßformatigesMusterheftmitProduktenderLichttechnik.

■TheVenetianEditionEininStreifengefaltetesPoster(wieeineLandkarte)welchesindeneinzelnenTeilenAusschnittedergesammtenFarbrangeanzeigt.

■TheFluorescentEditionBeinhaltetBeispieleallerFarbendiealsEinlagenindieklarenLEELeuchtstoffröhren-Hülsenverfügbarsind.

Inordertogiveourend-usersthehighestpossiblelevelsofinformationandsupport,LEEFiltersmakesavailableapackageoftechnicalinformation.Weproducearangeofswatchbooks,eachindividuallydevelopedtoserveaspecificpurpose.

■The Designers’ EditionAunique swatchbook that containsall of the filters in chromaticgroupings, alongwithanadditionalnumericindex.Anumericswatchbookisalsoavailableonrequest.

■The Cinematographers’ EditionAlargeformatdualswatchbookwithgradesofbothcolourcorrectionanddiffusionfiltersmostfrequentlyusedinfilm.

■The Master EditionAverylargeformatswatchoflightingproducts.

■The Venetian EditionAcollapsibleposterthatismadeupofaseriesofslatswhichwillfoldtogetherlikeaconcertina.Eachslathassmallthewholerangetobeviewedsimultaneously.

■The Fluorescent EditionContainsasampleofallthecoloursavailableaspolyesterinsertsfortheclearfluore-scentsleeves.

LEE Farbmustersammlungen | swatches

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010 C

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Product Effect/Colour(Measured to source C, Correlated Colour Temperature of 6774K)

702 SpecialPale Acoldlavenderwhenusedwithafulltungstensource,butwarms 54.1 0.27 0.281 0.269 Lavender asthesourceisdimmed.Goodasafillforslowsunsetfades.

003 LavenderTint Subtlecoolwashforstageandstudiolighting. 75.7 0.12 0.303 0.300

169LilacTint Palelavender.Goodforalmostwhitelightwithacooltint. 59.5 0.23 0.294 0.281

136 PaleLavender Pantomime,ballroomsets,enhancesdarkskin 43.2 0.36 0.288 0.254 tonesinfollowspots.

170 DeepLavender Setlighting-discos-theatres. 25.7 0.59 0.278 0.211

345 FuchsiaPink Musicalrevue,pantomime,sultryscenes. 15.5 0.81 0.252 0.156

703 ColdLavender Madeforfront/keylightingperfecttogetherwithLee152. 20.4 0.69 0.255 0.181

704 Lily Acoollavenderwithlittleredcontent.Goodforromantic 40.0 0.40 0.267 0.221 eveningexteriors.

052*LightLavender Generalareasidelights.Greatforbasicfollowspotcolour. 33.0 0.48 0.259 0.218 Excellentbacklight.

194SurprisePink With193formusicals. 22.3 0.65 0.240 0.183

798 ChrysalisPink Anewdeeplavenderwithadashofroseblusher. 3.8 1.43 0.190 0.060

701 Provence ThecolouroftheLavenderfieldsoftheSouthofFrance.Aredder 9.4 1.03 0.199 0.098 versionof180foruseoncamerasbalancedtotungstensources.

058*Lavender Excellentbacklight.Createsanewdimension. 8.9 1.05 0.212 0.099

343 SpecialMedium TheatreandT.V.effectlighting,backlighting. 6.0 1.22 0.182 0.081 Lavender

700 Perfect Goodforbacklightingandromanticatmospheres. 4.8 1.32 0.177 0.070 Lavender

707*UltimateViolet Usedinmusicalperformancesforgeneralcolourwashes 2.0 1.69 0.170 0.042 andsetlighting.

180 DarkLavender Pleasingeffectsfortheatricallighting,backlighting. 6.6 1.18 0.191 0.072

706 KingFals Acoldlavender. 5.5 1.26 0.186 0.091 Lavender

344Violet Duskeffect,goodskintones,romanticeffect. 20.0 0.70 0.213 0.175

137SpecialLavender Moonlight,musical/romanticscenes,enhancesskintones. 26.4 0.58 0.231 0.175

053*PalerLavender Subtlecoolwash. 62.2 0.21 0.284 0.284

709 ElectricLilac Providesgoodcolourrenderingwhichcreatessharpedges, 34.0 0.47 0.238 0.227 addingatouchofdrama.

142 PaleViolet Moonlight,cycloramas,highlightingpotplants. 20.1 0.70 0.209 0.148

199 RegalBlue Adeeplavenderblue,thatstronglyenhancesskintones. 5.4 1.26 0.161 0.070

181*CongoBlue Lookslikeblacklightwhenusedwithafluorescentsource. 0.8 2.10 0.158 0.035 Greateffectcolour.Verysaturated.


TransmissionY%

Absorption Chromaticity Co-ordinatesx y

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011C

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Product Effect/Colour

799 SpecialK.H. AdeeplavenderthatbringsouttheUV. 1.4 1.86 0.158 0.035 Lavender

071* TokyoBlue Deepblue,useformidnightscenes,cycloramas. 1.0 2.00 0.151 0.030

198PalaceBlue Darkmoonlight-romanticevening. 1.7 1.78 0.159 0.066

713*J.WinterBlue AverydarkbluewithahighUVcontent.Goodwhenusedin 1.1 1.97 0.148 0.037 highconcentrationsforamoodyandpowerfulstagecolourwash.

120*DeepBlue Pleasingeffectfortheatricallighting. 2.1 1.68 0.149 0.051

085*DeeperBlue Deepwarmblue.Goodforbackandsidelighting. 2.5 1.60 0.143 0.065

716*MikkelBlue Aromanticbluetoproduceanighteffect. 3.9 1.4 0.146 0.054

363*SpecialMedium Coolmoonlight,moodeffects. 4.2 1.37 0.141 0.070 Blue

195*ZenithBlue Moonlightfordarksets,cycloramas. 2.7 1.56 0.142 0.046

119*DarkBlue Goodformoodeffectscreatedbybacklightandsidelight. 3.1 1.51 0.142 0.054 Createsgreatcontrast.

715*CabanaBlue Adeepbluethatstillhasenoughtransmissiontowork 6.8 1.17 0.152 0.075 encouraginglywellontelevision.

723 VirginBlue Thisisapureblue,nottoogreenandnottoolavender, 7.0 1.16 0.158 0.100 yetstillfeelswarmforabluewithanearlymorningfeel.

721*BerryBlue Usedinmusicalperformancesforrearcolourwash, 6.5 1.19 0.147 0.084 orsetlighting.

722 BrayBlue Apurerbluewithverylittleredinit. 5.2 1.28 0.139 0.086

714 ElysianBlue AnewdeeperversionofAliceblue. 6.8 1.17 0.151 0.097

079*JustBlue Goodcolourmixingblue.Greatforcycloramalighting. 5.6 1.25 0.145 0.072

710 SpirSpecialBlue Acoolindustrialblue. 12.2 0.91 0.180 0.133

197*AliceBlue Greatforcycloramalighting.Deepblueskies. 10.4 0.98 0.164 0.118

075 EveningBlue Goodfornightscenes,romanticmoonlight. 12.5 0.90 0.158 0.117

712 BedfordBlue Asmokywarmblue.Goodforskintones. 17.9 0.75 0.183 0.158

719 ColourWashBlue Toallowlowintensitytungstentoholdacold/bluefeel. 19.3 0.71 0.188 0.171

200DoubleCTB Convertstungstentodaylight. 16.2 0.79 0.179 0.155

711 ColdBlue Togiveacold/greyH.M.I.effectfromatungstensource.Will 14.4 0.84 0.223 0.198 alsohelpblendwhenusingbothtungstenandHMIsources.

366 Cornflower Seasonalmoodlighting,palemoonlight. 17.7 0.75 0.193 0.190

201FullCTB Convertstungstentophotographicdaylight. 34.0 0.47 0.228 0.233

TransmissionY%

(Measured to source C, Correlated Colour Temperature of 6774K)



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012 C

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708 CoolLavender Foruseasawarmertintwithoutturningyellowandto 43.4 0.36 0.257 0.260 recreatethecolouroffluorescentlighting.

281Threequarters Convertstungstentodaylight. 45.5 0.35 0.239 0.258 CTB

202 HalfCTB Convertstungstentodaylight. 54.9 0.26 0.261 0.273

061*MistBlue Nightscenes,coolwash. 62.4 0.21 0.268 0.284

203QuarterCTB Convertstungstentodaylight. 69.2 0.16 0.285 0.294

218 EighthCTB Convertstungstentodaylight. 81.3 0.09 0.299 0.307

063*PaleBlue Coolfrontlightwash,goodforcreatinganovercast 54.4 0.26 0.252 0.270 lookforcoldweather.

174DarkSteelBlue Setlighting-createsgoodmoonlightshadows. 30.0 0.52 0.204 0.205

161SlateBlue Puremediumblue.Goodforskies,moonlight,dusk. 24.8 0.61 0.176 0.176

068SkyBlue Morningskintones,nightsky.Cycloramalights. 13.4 0.87 0.151 0.128

132*MediumBlue Deepmoonlight.Greatforcolourmixing. 8.3 1.08 0.137 0.110

165DaylightBlue Moonlight. 20.0 0.70 0.159 0.158

141*BrightBlue Verydramaticwhenusedasmoonlight. 18.6 0.75 0.129 0.159

196TrueBlue Moonlight. 26.6 0.57 0.175 0.197

143PaleNavyBlue Moonlight,cycloramanighteffect. 16.2 0.79 0.170 0.205

352 GlacierBlue Coldblue,goodforcoolatmosphericmoodsetting. 23.4 0.63 0.171 0.190

724 OceanBlue Usefulatlowlevelsoflight,dullskies,-moonlight. 36.2 0.44 0.189 0.222

140 SummerBlue Goodforlightmiddaysky.Lightbluetintedwash. 41.4 0.38 0.201 0.245

117 SteelBlue Goodforcoolwashes.Addsapalegreentint. 54.7 0.26 0.223 0.278 Greatforemulatingicyweatheronstage.

725 OldSteelBlue Coolwash,usefulforhighlights. 56.2 0.24 0.239 0.270

353 LighterBlue Daylighteffects. 41.0 0.39 0.193 0.246

144NoColourBlue Cleanbluewithhintsofgreen.Goodformoonlightandsidelight. 32.4 0.49 0.183 0.228

118*LightBlue Strongnighteffect. 22.2 0.65 0.149 0.113

183 MoonlightBlue Moonlight,cycloramas. 18.7 0.73 0.128 0.168

172*LagoonBlue Floodlitwarmwash-underwaterscenes-ballet. 25.4 0.60 0.141 0.220

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013C

C


727 QFDBlue Goodforbacklightingandswimmingpooleffect. 6.6 1.18 0.109 0.210

729* ScubaBlue Usedinmusicalperformancesforarearcolourwash, 8.7 1.06 0.110 0.241 orsetlighting.

116*Medium Pleasingeffectfortheatricallighting. 16.5 0.78 0.113 0.280 Blue-Green

354SpecialSteelBlue Coolingblue-greenwashforstageandsetlighting. 39.2 0.41 0.173 0.265

115*PeacockBlue Pleasingeffectonsets,cycloramacloths,backlighting 35.2 0.46 0.134 0.296 (e.g.icerinks,galas,etc).

131MarineBlue Romanticmoonlight-ballet-underwaterscenes. 41.3 0.38 0.199 0.305

241 LEEFluorescent Convertstungstentofluorescentlightof5700K 27.4 0.56 0.231 0.290 5700Kelvin (coolwhite/daylight).

728 SteelGreen Approachingstorms.Overcastdays.Coldsteelylight. 45.9 0.33 0.256 0.302 Malevolentmoonlight.

730LibertyGreen Agoodgreenforcreatingmysteryandsuspense. 67.5 0.17 0.277 0.330

731 DirtyIce Aflatgreenwithafluorescentfeel.Sympathetictoskintones. 63.8 0.20 0.293 0.339

733 DampSquib Adirtygreen.Reduceswarmthbutnottowardsblue. 63.6 0.20 0.312 0.351 Goodforcrosslighting.

243 LEEFluorescent Convertstungstentofluorescentlightof3600K(warmwhite). 45.7 0.34 0.286 0.370 3600Kelvin

242 LEEFluorescent Convertstungstentofluorescentlightof4300K(white). 37.3 0.43 0.262 0.346 4300Kelvin

219 LEEFluorescent Generaltungstentofluorescentcorrectionforusewhen 31.0 0.51 0.219 0.334 Green fluorescentcolourtempisunknown,toprovidemediumcorrection.

323 Jade Useforunderwaterscenes,cycloramas,backlighting. 32.0 0.50 0.165 0.367

322 SoftGreen Coolgreen,useforgobocover,pantomime,cycloramas. 38.3 0.42 0.201 0.364

325 MallardGreen Goodformoodsetting,undergrowth. 7.7 1.11 0.112 0.412

735 VelvetGreen Abeautifulbackgroundcolour.Victorianmelodrama. 11.5 0.93 0.103 0.536 Anight-timegreen.

124* DarkGreen Cycloramas-goodforbacklighting. 29.7 0.53 0.123 0.586

327 ForestGreen Deepgreen,sinisterforestscenes,cycloramas,backlighting. 4.2 1.38 0.162 0.496

090* DarkYellow Highlightingforforesteffects. 10.9 0.96 0.184 0.641 Green

736 Twickenham Apowerfulgreenwithdepth,formusicorlightentertainment. 7.2 1.14 0.175 0.740 Green

740 AuroraBorealis Primaryjunglecolour.Removessomeredandblue. 3.7 1.43 0.337 0.617 Green WorksbestwithDaylightbulbs.Sodiumlampeffect.

139* PrimaryGreen Setlighting,cycloramas. 11.9 0.92 0.196 0.712

089* MossGreen Moodcreator.Usedwithgobos,createsagreatfoliageeffect. 29.8 0.53 0.259 0.547

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014 C

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122* FernGreen Cycloramas-goodformoodeffect. 51.5 0.28 0.234 0.543

738* JASGreen Arichyellowishgreen:usefulasaconcertstagewashwhere 52.3 0.28 0.315 0.587 darkerskintones,costumeandsetareaconsideration.

121* LEEGreen Densefoliage,tropicalorwoodlandseffect. 64.0 0.20 0.302 0.534

088 LimeGreen Usewithgobosforleafyglades-pantomimes-slightly 70.9 0.15 0.356 0.511 sinisteratmosphere.

138 PaleGreen Goodwithgobosforwoodedscenes. 79.9 0.10 0.331 0.433

244 LEEPlusGreen ApproximatelyequivalenttoCC30green. 74.2 0.12 0.324 0.388

213 WhiteFlame Correctswhiteflamecarbonarcsby 80.0 0.10 0.317 0.359 Green absorbingultraviolet.

245 HalfPlusGreen ApproximatelyequivalenttoCC15green. 81.7 0.08 0.319 0.355

246 QuarterPlus ApproximatelyequivalenttoCC075green. 84.6 0.07 0.315 0.337 Green

278 EighthPlus Providesveryslightgreencast. 87.7 0.06 0.313 0.327 Green

130 Clear Usedinanimationandprojectionwork. 95.0 0.02 0.311 0.317

226 LEEUV Transmissionoflessthan50%at410nms. 91.5 0.04 0.314 0.321

159 NoColourStraw Warmeffect,sunlight. 89.4 0.05 0.325 0.337

444 EighthCTStraw Converts6500Kto5700K-daylighttotungstenlight 83.1 0.08 0.323 0.332 withyellowbias.

223 EighthCTO Convertsdaylighttotungstenlight. 85.2 0.07 0.328 0.332

212 LCTYellow(Y1) Reducescolourtemperatureoflowcarbonarcsto3200K. 88.7 0.05 0.340 0.363

007* PaleYellow Sunlight. 85.4 0.07 0.339 0.363

443 Quarter Converts6500Kto5100K-daylighttotungstenlight 79.8 0.10 0.338 0.349 CTStraw withyellowbias.

206 QuarterCTO Convertsdaylighttotungstenlight. 79.1 0.10 0.346 0.340

763 Wheat Addswarmth,sunlight. 84.3 0.07 0.343 0.357

103 Straw Palesunlightthroughwindoweffect-warmwintereffect. 81.6 0.09 0.336 0.359

764 SunColour Addswarmth,brightsunlight. 80.5 0.09 0.365 0.380 Straw

442 HalfCTStraw Converts6500Kto4300K-daylighttotungstenlight 71.2 0.15 0.370 0.378 withyellowbias.

205 HalfCTO Convertsdaylighttotungstenlight. 70.8 0.15 0.374 0.364

162 BastardAmber Warmwhite,warmwash,lamplight. 77.7 0.11 0.348 0.328

TransmissionY%


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015C

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009* PaleAmberGold Perfectwarmfrontlightforanyskintone. 71.1 0.15 0.376 0.371

765 LEEYellow Usefulforproducingastrongsunlighteffect. 80.2 0.10 0.389 0.412

013* StrawTint Warmerthanotherstrawcolours.Goodsunlighteffect 72.1 0.14 0.392 0.392 whenusedincontrastwithambersandblues.

285 Threequarters Convertsdaylighttotungstenlight. 61.3 0.21 0.400 0.387 CTO

744 DirtyWhite Correctadaylightsourcetoanoffwhitetungstensource.Used 57.9 0.24 0.421 0.412 withatungstensourceprovidesa„dingy“effectlikeasmokybar.

204 FullCTO Convertsdaylighttotungstenlight. 55.4 0.26 0.437 0.392

441 FullCTStraw Converts6500Kto3200K-daylighttotungstenlight 57.3 0.24 0.426 0.407 withyellowbias.

651 HiSodium UsedontungstentocreateaHighPressureSodiumlook. 48.8 0.31 0.444 0.396

236 HMI(toTungsten) ConvertsHMIto3200K,forusewithTungstenfilm. 58.2 0.24 0.426 0.376

604 FullCTEightFive Convertsdaylighttotungstenwitharedbias. 55.9 0.25 0.422 0.389

773 CardboxAmber Warmtintforskintones. 60.2 0.22 0.400 0.351

108 EnglishRose Warmtintwash-darkfleshtones-softerskintones. 57.1 0.24 0.412 0.352

776 Nectarine Romanticsunset.Periodpieces. 52.9 0.27 0.424 0.368

147 Apricot Sunrise,sunset,lamplight. 53.0 0.28 0.446 0.381

237 CID(toTungsten) ConvertsCIDto3200K,forusewithtungstenfilm. 38.5 0.41 0.430 0.365

779 BastardPink Deepsunset.Usefulondarkskintones. 38.8 0.41 0.501 0.336

008* DarkSalmon Enhancesdarkskintones,sunsets,ballroomsets. 35.4 0.45 0.498 0.347

017 SurprisePeach Skintones-moodlight. 19.6 0.71 0.439 0.372

127 SmokeyPink Cycloramas-setlighting,discos. 12.0 0.92 0.397 0.265

748 SeedyPink Asmokypink.Goodfortungstenonskintones. 14.4 0.84 0.373 0.263

238 CSI(toTungsten) ConvertsCSIto3200K,forusewithtungstenfilm. 29.8 0.53 0.372 0.331

747 EasyWhite Primarilydevelopedforfluorescentstoensurewarm, 31.1 0.51 0.389 0.344 comfortablelightandflatteringskintones.

156 Chocolate Warmslightandreducestheintensity. 26.4 0.58 0.380 0.363

746 Brown Togiveamurky,dirtyfeeltotungsten. 1.5 1.82 0.498 0.437 Adarker,lesspinkchocolate.

653 LoSodium UsedontungstentocreateaLowPressureSodiumlook. 2.4 1.62 0.540 0.443

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016 C

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742 BramBrown Adirtybrownwithgreen/coolquality.Goodforskintones, 11.5 0.94 0.430 0.423 dimswellwithoutgoingtoopink.

208 FullCTO Convertsdaylighttotungsten6500Kto3200K 15.6 0.81 0.442 0.394 +.6ND andreduceslight2stops.

207 FullCTO Convertsdaylighttotungsten6500Kto3200Kand 32.5 0.49 0.435 0.386 +.3ND reduceslight1stop.

232 SuperCorrection Convertswhiteflamearcto3200K,forusewithtungstenfilm. 37.4 0.43 0.423 0.385 W.F.Greento Tungsten230 SuperCorrection Convertsyellowcarbonarc(oflowcolourtemperature) 41.9 0.38 0.367 0.368 LCTYellow totungsten.

650 IndustrySodium UsedontungstentoblendwithSodiumlight 34.1 0.47 0.397 0.424

741 MustardYellow Spookywhenusedinhaze.Removessomeredandblue. 3.3 1.48 0.506 0.491 Worksbestwithdaylightbulbs.Sodiumlampeffect.

642 HalfMustard HalfstrengthSodiumlighteffect,designedforuse 13.7 0.86 0.500 0.496 Yellow withdaylightsources.

643 QuarterMustard QuarterstrengthSodiumlighteffect,designedforuse 31.3 0.50 0.483 0.493 Yellow withdaylightsources.

100 SpringYellow Sunlightwash-usewithgobos,disco,darkskintones. 84.2 0.08 0.410 0.502

010* MediumYellow Purebrightyellow.Notgoodforactingareasbutgreat 86.5 0.06 0.426 0.509 forspecialeffectsandaccents.

101 Yellow Sunlightandwindoweffect-pleasantinactingareas. 80.0 0.10 0.451 0.507

102 LightAmber Warmyellowcolour.Greatforcandlelightorwarm 75.1 0.12 0.434 0.440 brightsunlighteffects.

767 OklahomaYellow Arichblendofbrightsunshineandwarmochreovertones. 68.9 0.16 0.481 0.501

104 DeepAmber Goodforsunlighteffect,accents,sidelight.Becarefulof 63.9 0.20 0.496 0.462 skintonesunderthereddishtintofthiscolour.

015* DeepStraw Warmamberlight.Goodforeffectssuchascandlelightandfire. 60.8 0.22 0.517 0.460

768 EggYolkYellow Aboldstrongchemicalyellow.Basedon179butnotasred. 55.6 0.26 0.522 0.469

179 ChromeOrange Combinationof1/2CTOanddoublestrength104,sunlight. 54.0 0.27 0.520 0.460

020* MediumAmber Afternoonsunlight,candlelight,greatsidelight. 50.7 0.30 0.523 0.419

770 BurntYellow Acolourthatfeelswarmanddenseoncamera,abalance 47.7 0.32 0.545 0.447 between179and105.

105 Orange Mainlylightentertainment,functions.Fireeffectif 41.3 0.38 0.563 0.428 usedwith106,166,104.

134 GoldenAmber Greatforemulatingalateinthedaysunset.Sidelighting, 37.8 0.42 0.501 0.371 cycloramalighting.

652 UrbanSodium Usedontungstentocreatetheorangeglowassociated 21.9 0.66 0.535 0.399 withSodiumlight

158 DeepOrange Fireeffect. 29.9 0.52 0.588 0.403

777 Rust Avividrustcoloureffect. 24.3 0.61 0.576 0.416

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021* GoldAmber Greatforsunsets,cycloramalightingandfireeffects. 31.3 0.51 0.586 0.396

778* MillenniumGold Usefulforlightingarchitecture:itproducesarichamberwhenusedon 27.3 0.56 0.606 0.382 atungstensource,oramuchcoolereffectwhenusedonaHMIlamp.

780 ASGoldenAmber Astrongcolourgoodforbacklighting. 25.8 0.59 0.623 0.376

022* DarkAmber Backlight. 23.9 0.62 0.647 0.339

135 DeepGolden Fireeffect. 19.5 0.71 0.667 0.326 Amber

025 SunsetRed Warmstagewash,TVstudiowash,sunseteffect. 26.4 0.58 0.566 0.359

781 TerryRed Astrongamberredthatworkswellwhenusedagainstreds, 19.1 0.72 0.643 0.348 anddarkambers,inwashcombinations,andoncycloramas.

019* Fire Strongred/amber.Goodforfireeffects. 18.9 0.72 0.664 0.310

164 FlameRed Specialeffectsandgreatforfireeffects. 18.0 0.75 0.659 0.302

182 LightRed Theatreandtelevisioneffectlighting,cycloramas. 11.0 0.96 0.670 0.313

106 PrimaryRed Strongredeffect,cycloramas. 9.3 1.03 0.699 0.285

026* BrightRed Vibrantred,goodforcycloramalighting. 8.6 1.06 0.712 0.281

029 PLASARed Fireeffect,musicals,cycloramas. 5.8 1.24 0.693 0.303

789 BloodRed Foradeepsaturatedredeffect. 1.2 1.91 0.677 0.314 Usedwhenastrongvividredeffectisrequired.

027* MediumRed Cycloramalighting,sidelighting,footlights. 3.6 1.44 0.712 0.261 Goodforcolourmixing.

787 MariusRed Nicedeepfullred.Roseleafcolour. 1.0 2.00 0.714 0.283

046* DarkMagenta Verystrongpink,goodforbacklighting. 6.0 1.22 0.572 0.223

113 Magenta Verystrong-usedcarefullyforsmallareasonset. 10.9 0.96 0.563 0.217

148 BrightRose Fireeffects,musicals. 14.4 0.84 0.482 0.238

024* Scarlet Pantomimes,ballroomsets,fireeffects. 18.7 0.73 0.561 0.296

166 PaleRed Cycloramas. 25.0 0.60 0.532 0.263

193 RosyAmber Warm,emotional,romantic. 36.0 0.44 0.473 0.279

157 Pink Dancesequences(usefulforsofteningwhite 36.4 0.44 0.457 0.272 costumeswithoutaffectingskintones).

107 LightRose Goodforgeneralwashes.Goodforfollowspots. 48.0 0.32 0.407 0.284

109 LightSalmon Interestingbacklight. 54.9 0.26 0.391 0.295

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153 PaleSalmon Backlightinginconjunctionwithwhitelight. 64.9 0.19 0.362 0.303

176 LovingAmber Backlightandgeneralarea,greatforsunrise,warmsskintones. 50.2 0.30 0.407 0.321

790 MoroccanPink Arichnaturalpink,goodforproducinglateafternoonsuneffects. 58.1 0.24 0.378 0.324

004* MediumBastard Naturallyenhancesskintones. 64.1 0.19 0.370 0.335 Amber

151 GoldTint Pleasingeffectfortheatricallighting. 69.4 0.16 0.361 0.321

152 PaleGold Interiorlightingtoenhanceskintones. 70.7 0.15 0.370 0.332

154 PaleRose Pleasingeffectfortheatricallighting,lamplight. 73.4 0.14 0.350 0.318

279 EighthMinus Providesveryslightmagentacorrection. 86.5 0.06 0.312 0.311 Green

249 QuarterMinus ApproximatelyequivalenttoCC075magenta. 82.4 0.08 0.312 0.307 Green

248 HalfMinusGreen ApproximatelyequivalenttoCC15magenta. 72.0 0.14 0.317 0.297

035* LightPink Musicalreviews.Warmwash. 61.3 0.21 0.335 0.289

247 LEEMinusGreen ApproximatelyequivalenttoCC30magenta. 57.8 0.22 0.325 0.279

039 PinkCarnation Soft,coolpastelpink,goodforbacklightingand 60.2 0.22 0.320 0.268 generalcolourwash.

110 MiddleRose Pleasingeffectsfortheatricallighting. 47.5 0.32 0.351 0.249

036* MediumPink Goodforgeneralwashes.Sidelighting. 45.4 0.34 0.360 0.268

192 FleshPink Musicalandpantomimekeylighting. 34.9 0.46 0.410 0.237

341 Plum Romantic,atmosphericsetlighting. 19.4 0.71 0.309 0.256

794 Pretty‘nPink Createswarmandsofteffects. 46.8 0.33 0.335 0.251

111 DarkPink Goodforcycloramas. 31.9 0.50 0.389 0.215

002 RosePink Strongpinkwashcycloramas. 32.7 0.50 0.328 0.202

328 FolliesPink Dramaticstagelighting. 21.6 0.67 0.335 0.180

128 BrightPink Createdforuseasbacklighting,sidelighting. 13.7 0.86 0.401 0.151 Goodfor„specials“.Greatformusicals.

793 VanityFair Arichglamorouspink,goodforuseonspecialoccasions. 12.0 0.92 0.419 0.170

332 Special Pantomimes,lightentertainmentetc.Strongstagewash. 10.5 0.98 0.465 0.193 RosePink

795 MagicalMagenta Richmixtureofredandpinks. 13.1 0.88 0.327 0.138

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019C

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048 RosePurple Goodforemulatingevening.Greatbacklight. 13.9 0.86 0.288 0.167

049 MediumPurple Astrongcheerfulglow,forcycloramasandpantomimes. 4.5 1.35 0.287 0.102

126Mauve Goodforbacklighting.Darkmagenta/purpleaddsdrama,mood. 4.1 1.38 0.287 0.082

797*DeepPurple Usedinmusicalperformancesforgeneralcolourwashes 2.3 1.65 0.235 0.065 andsetlighting.


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791# Moroccan SmoothesPARorfloodwashesoflargeareas.Usefulfor 57.2 0.24 0.376 0.322 Frost houselights;goodforinteriorcolourwashes.

749# Hampshire Combinesfleshtonewarmer154withsomeHampshireFrost. 74.0 0.13 0.339 0.318 Rose

774 SoftAmber Usedforproducingawarmkeylightcolour. 70.6 0.15 0.366 0.348 Key1

775 SoftAmber Usedforproducingawarmkeylightcolour. 58.4 0.23 0.409 0.363 Key2

705# LilyFrost SmoothesPARorfloodwashesoflargeareas.Usefulfor 38.5 0.42 0.264 0.217 houselights;agoodcolourwashforeveningevents.

720#Durham SmoothesPARorfloodwashesoflargeareas.Usefulfor 32.3 0.49 0.216 0.209 DaylightFrost houselights;goodforentrancesfromnaturallight.

717#ShanklinFrost 201withfrosttosoftenthebeamofprofileunits. 37.6 0.43 0.227 0.225

718# Half 202withfrosttosoftenthebeamofprofileunits. 56.3 0.25 0.263 0.270 ShanklinFrost

221 BlueFrost Usedforsoftlighteffectswiththeadditionof218. 42.0 0.38 0.312 0.316

217#BlueDiffusion AsWhiteDiffusionbutwiththeadditionof218. 36.0 0.44 0.312 0.317

224#DaylightBlue Usedforsoftlighteffectswiththeadditionof 22.6 0.65 0.235 0.219 Frost tungstencorrection201.

225#Neutral Usedforsoftlighteffectswiththeadditionof 25.0 0.60 0.318 0.326 DensityFrost 0.6NeutralDensity.

# Non-Flame Retardant product

186 CosmeticSilver Paletintscomplementarytokeylighting. 59.7 0.22 0.323 0.308 Rose

185 Cosmetic Paletintscomplementarytokeylighting. 57.7 0.24 0.324 0.319 Burgundy

187 CosmeticRouge Paletintscomplementarytokeylighting. 58.8 0.23 0.336 0.328

188 Cosmetic Paletintscomplementarytokeylighting. 66.3 0.18 0.330 0.327 Highlight

184 CosmeticPeach Paletintscomplementarytokeylighting. 58.6 0.23 0.328 0.328

189 CosmeticSilver Paletintscomplementarytokeylighting. 71.7 0.15 0.327 0.347 Moss

190 Cosmetic Paletintscomplementarytokeylighting. 67.1 0.17 0.307 0.327 Emerald

191 CosmeticAqua Paletintscomplementarytokeylighting. 65.8 0.18 0.300 0.318 Blue

TransmissionY%



TransmissionY%

Absorption Chromaticity Co-ordinatesx yProduct Effect/Colour

LEEfilters

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002 ROSEPINK

003LAVENDERTINT

004* MEDIUMBASTARDAMBER

007* PALEYELLOW

008* DARKSALMON

009* PALEAMBERGOLD

010* MEDIUMYELLOW

013* STRAWTINT

015* DEEPSTRAW

017 SURPRISEPEACH

019* FIRE

020* MEDIUMAMBER

021* GOLDAMBER

022* DARKAMBER

024* SCARLET

025 SUNSETRED

026* BRIGHTRED

027* MEDIUMRED

029 PLASARED

035* LIGHTPINK

036* MEDIUMPINK

039 PINKCARNATION

046* DARKMAGENTA

048 ROSEPURPLE

049 MEDIUMPURPLE

052* LIGHTLAVENDER

053* PALERLAVENDER

058* LAVENDER

061* MISTBLUE

063* PALEBLUE

068 SKYBLUE

071* TOKYOBLUE

075 EVENINGBLUE

079* JUSTBLUE

085* DEEPERBLUE

088 LIMEGREEN

089* MOSSGREEN

090* DARKYELLOWGREEN

100 SPRINGYELLOW

101 YELLOW

102 LIGHTAMBER

103 STRAW

104 DEEPAMBER

105 ORANGE

106 PRIMARYRED

107 LIGHTROSE

108 ENGLISHROSE

109 LIGHTSALMON

110 MIDDLEROSE

111 DARKPINK

113 MAGENTA

115* PEACOCKBLUE

116* MEDIUMBLUE-GREEN

117 STEELBLUE

118* LIGHTBLUE

119* DARKBLUE

120* DEEPBLUE

121* LEEGREEN

122* FERNGREEN

124* DARKGREEN

126 MAUVE

127 SMOKEYPINK

128 BRIGHTPINK

129 HEAVYFROST

130 CLEAR

131 MARINEBLUE

132* MEDIUMBLUE

134 GOLDENAMBER

135 DEEPGOLDENAMBER

136 PALELAVENDER

137 SPECIALLAVENDER

138 PALEGREEN

139* PRIMARYGREEN

140 SUMMERBLUE

141* BRIGHTBLUE

142 PALEVIOLET

143 PALENAVYBLUE

144 NOCOLOURBLUE

147 APRICOT

148 BRIGHTROSE

151 GOLDTINT

152 PALEGOLD

153 PALESALMON

154 PALEROSE

156 CHOCOLATE

157 PINK

158 DEEPORANGE

159 NOCOLOURSTRAW

161 SLATEBLUE

162 BASTARDAMBER

164 FLAMERED

165 DAYLIGHTBLUE

166 PALERED

169 LILACTINT

170 DEEPLAVENDER

172* LAGOONBLUE

174 DARKSTEELBLUE

176 LOVINGAMBER

179 CHROMEORANGE

180 DARKLAVENDER

181* CONGOBLUE

182 LIGHTRED

183 MOONLIGHTBLUE

184 COSMETICPEACH

185 COSMETICBURGUNDY

186 COSMETICSILVERROSE

187 COSMETICROUGE

188 COSMETICHIGHLIGHT

189 COSMETICSILVERMOSS

190 COSMETICEMERALD

191 COSMETICAQUABLUE

192 FLESHPINK

193 ROSYAMBER

194 SURPRISEPINK

195* ZENITHBLUE

196 TRUEBLUE

197* ALICEBLUE

198 PALACEBLUE

199 REGALBLUE

200 DOUBLECTBLUE

201 FULLCTBLUE

202 1/2CTBLUE

203 1/4CTBLUE

204 FULLCTORANGE

205 1/2CTORANGE

206 1/4CTORANGE

207 FULLCTORANGE+ .3NEUTRALDENSITY

208 FULLCTORANGE+ .6NEUTRALDENSITY

209 .3NEUTRALDENSITY



212 LCTYELLOW

213 WHITEFLAMEGREEN

214 FULLTOUGHSPUN

215 1/2TOUGHSPUN

216 WHITEDIFFUSION

217 BLUEDIFFUSION

218 1/8CTBLUE

219 LEEFLUORESCENTGREEN

220 WHITEFROST

221 BLUEFROST

223 1/8CTORANGE

224 DAYLIGHTBLUEFROST

225 LEEN.D.FROST

226 LEEU.V.

228 BRUSHEDSILK

229 1/4TOUGHSPUN

230 SUPERCORRECTION LCTYELLOW

232 SUPERWHITEFLAMEGREEN

236 H.M.I(TOTUNGSTEN)

237 C.I.D.(TOTUNGSTEN)

238 C.S.I.(TOTUNGSTEN)

239 POLARISER

241 LEEFLUORESCENT5700K



244 LEEPLUSGREEN

245 1/2PLUSGREEN

246 1/4PLUSGREEN

247 LEEMINUSGREEN

248 1/2MINUSGREEN

249 1/4MINUSGREEN

250 1/2WHITEDIFFUSION



793

142

*Also available in High Temperature (HT) version**254 available in High Temperature (HT) version only

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253 HAMPSHIREFROST

254** NEWHAMPSHIREFROST

255 HOLLYWOODFROST

256 1/2HAMPSHIREFROST



261 TOUGHSPUNFR-FULL

262 TOUGHSPUNFR-3/4

263 TOUGHSPUNFR-1/2

264 TOUGHSPUNFR-3/8

265 TOUGHSPUNFR-1/4

269 LEEHEATSHIELD

270 LEESCRIM

271 MIRRORSILVER

272 SOFTGOLDREFLECTOR

273 SOFTSILVERREFLECTOR

274 MIRRORGOLD

275 BLACKSCRIM

278 1/8PLUSGREEN

279 1/8MINUSGREEN

280 BLACKFOIL

281 3/4CTBLUE

285 3/4CTORANGE


299 1.2NEUTRALDENSITY

322 SOFTGREEN

323 JADE

325 MALLARDGREEN

327 FORESTGREEN

328 FOLLIESPINK

332 SPECIALROSEPINK

341 PLUM

343 SPECIALMEDIUM

LAVENDER

344 VIOLET

345 FUCHSIAPINK

352 GLACIERBLUE

353 LIGHTERBLUE

354 SPECIALSTEELBLUE

363* SPECIALMEDIUMBLUE

366 CORNFLOWER

400 LEELUX

402 SOFTFROST

404 HALFSOFTFROST

410 OPALFROST

413 HALFHIGHLIGHT

414 HIGHLIGHT


420 LIGHTOPALFROST

429 QUIETFROST

430 GRIDCLOTH

432 LIGHTGRIDCLOTH

434 1/4GRIDCLOTH

439 HEAVYQUIETFROST

441 FULLCTSTRAW

442 1/2CTSTRAW

443 1/4CTSTRAW

444 1/8CTSTRAW



460 QUIETGRIDCLOTH

462 QUIETLIGHTGRIDCLOTH

464 QUIET1/4GRIDCLOTH

604 FULLCTEIGHTFIVE

642 HALFMUSTARDYELLOW

643 QUARTERMUSTARDYELLOW

650 INDUSTRYSODIUM

651 HISODIUM

652 URBANSODIUM

653 LOSODIUM

700 PERFECTLAVENDER

701 PROVENCE

702 SPECIALPALELAVENDER

703 COLDLAVENDER

704 LILY

705 LILYFROST

706 KINGFALSLAVENDER

707* ULTIMATEVIOLET

708 COOLLAVENDER

709 ELECTRICLILAC

710 SPIRSPECIALBLUE

711 COLDBLUE

712 BEDFORDBLUE

713* J.WINTERBLUE

714 ELYSIANBLUE

715* CABANABLUE

716* MIKKELBLUE

717 SHANKLINFROST

718 HALFSHANKLINFROST

719 COLOURWASHBLUE

720 DURHAMDAYLIGHTFROST

721* BERRYBLUE

722 BRAYBLUE

723 VIRGINBLUE

724 OCEANBLUE

725 OLDSTEELBLUE

727 QFDBLUE

728 STEELGREEN

729* SCUBABLUE

730 LIBERTYGREEN

731 DIRTYICE

733 DAMPSQUIB

735 VELVETGREEN

736 TWICKENHAMGREEN

738* JASGREEN

740 AURORABOREALISGREEN

741 MUSTARDYELLOW

742 BRAMBROWN

744 DIRTYWHITE

746 BROWN

747 EASYWHITE

748 SEEDYPINK

749 HAMPSHIREROSE

750 DURHAMFROST

763 WHEAT

764 SUNCOLOURSTRAW

765 LEEYELLOW

767 OKLAHOMAYELLOW

768 EGGYOLKYELLOW

770 BURNTYELLOW

773 CARDBOXAMBER

774 SOFTAMBERKEY1

775 SOFTAMBERKEY2

776 NECTARINE

777 RUST

778* MILLENNIUMGOLD

779 BASTARDPINK

780 ASGOLDENAMBER

781 TERRYRED

787 MARIUSRED

789 BLOODRED

790 MOROCCANPINK

791 MOROCCANFROST

793 VANITYFAIR

794 PRETTY‘NPINK

795 MAGICALMAGENTA

797* DEEPPURPLE

798 CHRYSALISPINK

799 SPECIALKHLAVENDER

NEW COLOURS 2011

New colours from Tanya Burns

525 ARGENTBLUE

508 MIDNIGHTMAYA

505 SALLYGREEN

506 MARLENE

507 MADGE

New colours from Mike Robertson

500 DOUBLENEWCOLOURBLUE

501 NEWCOLOURBLUE

502 HALFNEWCOLOURBLUE

503 QUARTERNEWCOLOURBLUE

504 WATERFRONTGREEN

New perforated diffusion

414P PERFORATEDHIGHLIGHT

439P PERFORATEDHEAVYQUIETFROST

New technical filters

283 ONEANDAHALFCTB

286 ONEANDAHALFCTO

287 DOUBLECTO

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technical filters

Das technische LEE-Filtersortiment wurde für eine akkurate Konversion und Manipulation von Lichtquellen mit einem hohen Grad an Präzision für technische Situationen entwickelt. Eine umfassende Auswahl an Tageslicht-, Wolfram- und Fluoreszenz-Konversionsfiltern, neutralen Dichten, Diffusoren, Reflektoren und Scrims sind für jede nur denkbare Aufgabe in unterschiedlichen Größen und Materialien erhältlich.

The LEE range of technical filters has been developed to accurately convert and manipulate light sources with a high degree of accuracy for technical situations. A full range of daylight, tungsten and fluorescent conversions, neutral densities, diffusers, reflectors and scrims, are all available in a variety of sizes and materials to suit the required job.

Conversion Chart� 025

Conversion Filters� 026-027

Acrylic Panels� 027

Correction Filters� 028-029

Reflection Media� 029

Protection Media� 029

Diffusion Media� 030-033

748

238

A touch of art, a lot of science.

In addition to our broad range of lighting filter, we also produce the highest quality camera filters in both resin and polyester.

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10000

9000

8000

7000

6000

5000

4000

3500

3000

2500

2000

2000

2500

3000

3200

3500

4000

5000

6000

7000

8000

9000

10000

Clear Blue Sky

Example3

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Daylight

Cool Daylight Fluorescent Tube

Cool Daylight Fluorescent Tube

Daylight Fluorescent Tube

Daylight Fluorescent Tube

Cool White Fluorescent Tube

Cool White Fluorescent Tube

White Fluorescent Tube

White Fluorescent TubeWarm White

Fluorescent Tube

Warm White Fluorescent Tube

Electronic Flash

HMI, CID

Carbon Arc

CSI

Tungsten Lamp at 100%

High Pressure Mercury White

High Pressure Mercury White

High Pressure Mercury Cool White

High Pressure Mercury Cool White




Household Lamp

High Pressure Sodium

Candle

Candle

High Pressure Sodium



Household Lamp



Tungsten Film

CSI

Carbon Arc

Electronic Flash

CID, HMI

Daylight

Clear Blue Sky

+400

+350

+300

+250

+200

+150

+100

+50

00

-50

-100

-150

-200

-250

-300

-350

-400

MIR

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Converted SourceLighting Filter

Daylight Film

-18�(218)�Eighth�CTB

-35�(203)��Quarter�CTB

-78�(202)��Half�CTB

-112�(281)�Three�Quarters�CTB

-137�(201)�Full�CTB

-215�One�and�a�half�CTB�

(201�+202)

-274�DoubleCTB.(200)

+318��(204�+�204)�

Twice�full�CTO�

+268��(204�+�205)�One�and�a�half��CTO

+159�(204)�Full�CTO

(207)��Full�CTO�+�3ND�

(208)��Full�CTO�+�6ND

+124�(285)�Three�Quarters�

CTO�

+109�(205)�Half�CTO

+64�(206)�Quarter�CTO

+26�(228)�Eighth�CTO

How to useSimplydrawalinefromtheColourTemperaturevalueofyourOriginalLightSource,tothatoftherequiredSource.Wherethelinecrossesthecentralband,readofftheMiredShiftvalue.ForyourconveniencewehaveaddedbothourLightingandCameraFiltersattheirappropriatepositionsinrelationtotheMiredShiftScale.TheLightingFiltersarepositionedontheleftoftheMiredShiftScale,whilsttheCameraFiltersareontheright.

Example 1 (Lighting Filter)Toconvertanoriginalsourceof6500Kto3200K.Thelinehasbeendrawnasanexample.Youwillnotethatitcrossesthecentralbandatjustover+150MiredShift.ThisindicatesthattheFilterrequiredis204FullCTO(alsoavailablewithtwodegreesofNeutralDensity).

Example 2 (Lighting Filter)Toconvertanoriginalsourceof2500Kto3200K.Youwillnotethatthelinecrossesthecentralbandat-90MiredShift.Inthisexamplethenearestfilterisa202HalfCTBwithaMiredShiftof-78.Toachievethedesiredmiredshiftof-90acombinationoftwofilterscanbeused.202HalfCTB(-78MiredShift)and218EighthCTB(-18MiredShift).CombiningthesetwofilterstogetherwillgiveatotalMiredShiftof-96(whichinmostcaseswouldbeacceptable).

Example 3 (Camera Filter)Toconvertanoriginalsourceof3250K(tungstenlight)to5600k(daylightfilm)youcanseethatthelinecrossesthecentralbandat-130miredshift.Thisindicatesthatthecamerafilterrequiredisan80A(-131MiredShift).

Kelvin

+160��(441)��Full�CT�Straw�

+81�(442)��Half�CT�Straw�

+42�(443)�Quarter�CT�

Straw�

+20�(444)��Eighth�CT�Straw�

+131(85B/85BN3/85BN6/85BN9)

+112(85/85N3/85N6/85N9)

+81(85C)

+53�(81EF/81EFN3/

81EFN6/81EFN9)+42�(81D)+35(81C)+27(81B)+18(81A)

+9(81)-10�(82)-21(82A)-32(82B)-45(82C)-56(80D)

-81(80C)

-112(80B)

-131(80A)

+234�(14)�

+219�(13)�

+204�(12)�

+188�(11)�

+173�(10)�

+159�(9)�

+144�(8)�

+129�(7)�

+113�(6)�

+99�(5)�

+83�(4)�

+69�(3)�

+54�(2)�

+39�(1)�

+137(FL5700-B)�

+80(FL4300-B)�

+35(FL3600-B)�

+6(FL5700-D)�

-51(FL4300-D)�

-96(FL3600-D)�

MIRED SHIFT CALCULATIONTocalculatetheMired(MicroReciprocalDegree)Shiftvalueforanyconversion,carryoutthefollowingsimplecalculation.10000001000000T2T1

T1isthecolourtemperatureoftheoriginallightsourceindegreesKelvin.

T2isthecolourtemperatureoftherequiredsource.

NotetheresultingMiredShiftValuecanbenegativeaswellaspositive

=MiredShiftValue

+134�(236)�HMI�to�tungsten�

+131�(237)��CID�to�tungsten�

+62�(212)�(Y1)�L.C.T.�to�Yellow�

+49�(238)��CSI�to�tungsten�

-34�(243)��Lee�Fluorescent

3600�Kelvin�


4300�Kelvin�


5700�Kelvin�

Daylight Conversion

Colour Temperature Adjustment inc Neutral Density

Fluorescent Light Conversion

Coral

C. T. Straws

Tungsten Light Conversion

Arc Correction

Tungsten to Fluorescent Conversion

Example1

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Product description Mired ShiftKelvin


TransmissionY%


Product description Mired ShiftTransmission

Y%Absorption Stop Value Note

Axis uncrossed(double sheet)

single sheet

Axis crossed(double sheet)

Tungsten Light Conversion

200 DoubleCTB ConvertsTungstentoDaylight. 3200Kto -274 16.2 0.79 0.179 0.155 26000K approx201 FullCTB ConvertsTungstento 3200Kto -137 34.0 0.47 0.228 0.233 PhotographicDaylight. 5700K

281 Threequarters ConvertsTungstentoDaylight. 3200Kto -112 45.5 0.35 0.239 0.258 CTB 5000K

202 HalfCTB ConvertsTungstentoDaylight. 3200Kto -78 54.9 0.26 0.261 0.273 4300K

203 QuarterCTB ConvertsTungstentoDaylight. 3200Kto -35 69.2 0.16 0.285 0.294 3600K

218 EighthCTB ConvertsTungstentoDaylight. 3200Kto -18 81.3 0.09 0.299 0.307 3400K

Daylight Conversion

204 FullCTO ConvertsDaylighttoTungstenLight. 6500Kto +159 55.4 0.26 0.437 0.392 3200K

285 Threequarters ConvertsDaylighttoTungstenLight. 6500Kto +124 61.3 0.21 0.400 0.387 CTO 3600K

205 HalfCTO ConvertsDaylighttoTungstenLight. 6500Kto +109 70.8 0.15 0.374 0.364 3800K

206 QuarterCTO ConvertsDaylighttoTungstenLight. 6500Kto +64 79.1 0.10 0.346 0.346 4600K

223 EighthCTO ConvertsDaylighttoTungstenLight. 6500Kto +26 85.2 0.07 0.328 0.332 5550K

207 FullCTO ConvertsDaylighttoTungsten 6500K +159 32.5 0.49 0.435 0.386 +.3ND andreduceslight1Stop. to3200K

208 FullCTO ConvertsDaylighttoTungsten 6500K +159 15.6 0.81 0.442 0.394 +.6ND andreduceslight2Stops. to3200K

441 FullCTStraw ConvertsDaylighttoTungsten 6500Kto +160 57.3 0.24 0.426 0.407 Lightwithyellowbias. 3200K

442 HalfCTStraw ConvertsDaylighttoTungsten 6500Kto +81 71.2 0.15 0.370 0.378 Lightwithyellowbias. 4300K

443 QuarterCT ConvertsDaylighttoTungsten 6500Kto +42 79.8 0.10 0.338 0.349 Straw Lightwithyellowbias. 5100K

444 EighthCT ConvertsDaylighttoTungsten 6500Kto +20 83.1 0.08 0.323 0.332 Straw Lightwithyellowbias. 5700K

604 FullCT Convertsdaylighttotungstenwith 6500Kto +159 55.9 0.25 0.422 0.389 EightFive aredbias. 3200K

Polariser

239 Polariser Madefrom0.006”(150micron)Triacetate.Reducesglare +19 50.0 0.3 1 andreflection.UsewithLEEPolarisingCameraFilter.

38.0 0.42 11/3

3 >10

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Neutral Density

298 .15ND Reduceslight1/2Stop,withoutchangingcolour. 70.2 0.15 0.311 0.319

209 .3ND Reduceslight1Stop,withoutchangingcolour. 50.0 0.30 0.310 0.319

210 .6ND Reduceslight2Stops,withoutchangingcolour. 25.0 0.60 0.308 0.317

211 .9ND Reduceslight3Stops,withoutchangingcolour. 12.3 0.90 0.310 0.322

299 1.2ND Reduceslight4Stops,withoutchangingcolour. 6.3 1.18 0.308 0.315

Daylight Conversion

A204FullCTO ConvertsDaylighttoTungstenLight. +175 57.2

A205HalfCTO ConvertsDaylighttoTungstenLight. +90 72.6

A207FullCTO ConvertsDaylighttoTungstenandreduceslight1Stop. +175 30.2 +.3ND

A208FullCTO ConvertsDaylighttoTungstenandreduceslight2Stops. +175 13.8 +.6ND

Neutral Density

A209.3ND Reduceslight1Stop,withoutchangingcolour. 0 48.0

A210.6ND Reduceslight2Stops,withoutchangingcolour. 0 22.2

A211.9ND Reduceslight3Stops,withoutchangingcolour. 0 13.1

Product description TransmissionY%Mired Shift

AbsorptionProduct description(Measured to source C, Correlated Colour Temperature of 6774K)

TransmissionY%

Chromaticity Co-ordinatesx y

ThesepanelsaremanufacturedspecificallyforLEEandexhibitthesamedegreesofcolouraccuracyandconsistencyasourrangeoflightingfilters.

Specificallyforuseoverwindowsforcorrectingdaylight,thesehard-wearingpanelscanbecuttosizeandinstalledpermanently,orusedonlocationagainandagain.

ThepanelsareavailableinarangeofColourTemperatureOrangesandNeutralDensities,includingcombinationsthatareuniquetoLEEFilters.

Thepanelsareavailableintwosizes:

Size Thickness Weight Note

2.44mx1.22m(8‘x4‘) 3mm(1/8”) 9.6kg(21lbs) Allpanelsavailable inthissize

2.44mx1.52m(8‘x5‘) 3mm(1/8”) 12kg(26.5lbs) OnlyA204,A209, A210&A211 availableinthissize

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Product description(Measured to source C, Correlated Colour Temperature of 6774K)

Fluorescent Correction System

241 LEEFluorescent ConvertsTungstentoFluorescentlightof5700K 27.4 0.56 0.231 0.290 5700Kelvin (coolwhite/daylight).

242 LEEFluorescent ConvertsTungstentoFluorescentlightof4300K(white). 37.3 0.43 0.262 0.346 4300Kelvin

243 LEEFluorescent ConvertsTungstentoFluorescentlightof3600K(warmwhite). 45.7 0.34 0.286 0.370 3600Kelvin

219 LEEFluorescent GeneralTungstentoFluorescentcorrectionforusewhen 31.0 0.51 0.219 0.334 Green colourtemperatureisunknown.

Plus Green-UsedonDaylightandTungstenlightsourcestoprovidegreencastwhenusedinconjunctionwithdischargelighting.

244 LEEPlusGreen ApproximatelyequivalenttoCC30Greencamerafilter. 74.2 0.12 0.324 0.388

245 HalfPlusGreen ApproximatelyequivalenttoCC15Greencamerafilter. 81.7 0.08 0.319 0.355

246 Quarter ApproximatelyequivalenttoCC075Greencamerafilter. 84.6 0.07 0.315 0.337 PlusGreen

278 EighthPlus Providesveryslightgreencast. 87.7 0.06 0.313 0.327 Green

Minus Green-Usedonlightingtoeliminateunwantedgreencastcreatedbydischargelightsourcesonfilm.

247 LEEMinusGreen ApproximatelyequivalenttoCC30Magentacamerafilter. 57.8 0.22 0.325 0.279

248 HalfMinusGreen ApproximatelyequivalenttoCC15Magentacamerafilter. 72.0 0.14 0.317 0.297

249 Quarter ApproximatelyequivalenttoCC075Magentacamerafilter. 82.4 0.08 0.312 0.307 MinusGreen

279 Eighth Providesveryslightcorrection. 86.5 0.06 0.312 0.311 MinusGreen

Ultra Violet Absorption

226 LEEUV Transmissionoflessthan50%at410nms. 91.5 0.04 0.314 0.321

Arc Correction and Effect

212 LCTYellow(Y1) ReducesColourTemperatureoflowcarbonarcsto3200K 88.7 0.05 0.340 0.363

213 WhiteFlame CorrectsWhiteFlameCarbonarcsbyabsorbingultraviolet 80.0 0.10 0.317 0.359 Green

230 SuperCorrection ConvertsYellowcarbonarc(oflowcolourtemperature) 41.9 0.38 0.367 0.368 LCTYellow toTungsten.

232 SuperCorrection ConvertsWhiteFlamearcto3200K,forusewithTungstenfilm. 37.4 0.43 0.423 0.385 WhiteFlame GreentoTungsten236 HMI(toTungsten) ConvertsHMIto3200K,forusewithTungstenfilm. 58.2 0.24 0.426 0.376

237 CID(toTungsten) ConvertsCIDto3200K,forusewithTungstenfilm. 38.5 0.41 0.430 0.365

238 CSI(toTungsten) ConvertsCSIto3200K,forusewithTungstenfilm. 29.8 0.53 0.372 0.331

TheabovecorrectionfiltersaretobeusedinconjunctionwithanappropriateLEEFL-BFluorescenttoTungstenorLEEFL-DFluorescenttoDaylightcamerafilter.


TransmissionY%


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Product description

741 MustardYellow Spookywhenusedinhaze.Removessomeredandblue. 3.3 1.48 0.506 0.491 Worksbestwithdaylightbulbs.Sodiumlampeffect.

642 HalfMustard HalfstrengthSodiumlighteffect,designedforuse 13.7 0.86 0.500 0.496 Yellow withdaylightsources.

643 QuarterMustard QuarterstrengthSodiumlighteffect,designedforuse 31.3 0.50 0.483 0.493 Yellow withdaylightsources.

650 IndustrySodium UsedontungstentoblendwithSodiumlight 34.1 0.47 0.397 0.424

651 HiSodium UsedontungstentocreateaHighPressureSodiumlook. 48.8 0.31 0.444 0.396

652 UrbanSodium Usedontungstentocreatetheorangeglowassociated 21.9 0.66 0.535 0.399 withSodiumlight

653 LoSodium UsedontungstentocreateaLowPressureSodiumlook. 2.4 1.62 0.540 0.443

Reflector

271 MirrorSilver Produceshardreflection. Availablein6.10mx1.52m Whitebacked. (20’x60”)rolls

272 SoftGold Producessoftreflection. Availablein6.10mx1.52m Reflector Whitebacked.MiredShift+45. (20’x60”)rolls

273 SoftSilver Producessoftreflection. Availablein6.10mx1.52m Reflector Whitebacked. (20’x60”)rolls

274 MirrorGold Produceshardreflection. Availablein6.10mx1.52m Whitebacked.MiredShift+45. (20’x60”)rolls

Scrim

270 LEEScrim Perforatedreflectorproducingaverysoftreflection. Stopvalue11/2whenused Silverononesideandblackonreverse. asafilter,Transmission36%.

275 BlackScrim Aflexibleperforatedmaterialthatisblackonbothsides.Canbe Stopvalue11/2whenused usedonwindowstoreducelightintensity,withoutcausingany asafilter,Transmission36%. unwantedreflections.

Heat Shield

269 LEEHeatShield Atransparentflexiblefilmusedtoextendthelifeofafilter. 91.0 0.04 0.311 0.317 Theshieldshouldbeplacedbetweenthelightsourceandthe filterallowingdistancebetweentheshieldandthefilter.Airshould beallowedtocirculatefreelyaroundtheLEEHeatShield.

Foil

280 BlackFoil Usedtoreduceunwantedlightspillortocontrol Availableintworollsizes unwantedlightreflection. 7.62mx0.61m(25‘x24“) 15.24mx0.30m(50‘x12“)

TransmissionY%





Product description special note

TransmissionY%


Absorption Chromaticity Co-ordinatesx yProduct description

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No Filter

452 Sixteenth White Diffusion >85 85 85

No Filter

229 Quarter Tough Spun 60 3/4 NFR

265 Tough Spun FR - 1/4 60 3/4 FR

264 Tough Spun FR - 3/8 50 1 FR

215 Half Tough Spun 36 11/2 NFR

263 Tough Spun FR - 1/2 41 11/3 FR

262 Tough Spun FR - 3/4 32 12/3 FR

214 Full Tough Spun 18 21/2 NFR

261 Tough Spun FR - Full 25 2 FR

SpuNS�-�Createsanoveralldiffusion,softensshadowsandleavesbeamintact.

No Filter

434 Quarter Grid Cloth 60 3/4 NFR

464 Quiet Quarter Grid Cloth 47.5 1 NFR

432 Light Grid Cloth 30 13/4 NFR

462 Quiet Light Grid Cloth 22.5 21/4 NFR

430 Grid Cloth 18 21/2 NFR

460 Quiet Grid Cloth 15 23/4 NFR

grID�CLOTHS�-�Areinforcedmaterialcontainingdiffusionpropertiesrangingfrommediumtodense. Gridclothcreatestheeffectofashadowlessbeamoflight.

No Filter

413 Half Highlight 84 1/4 FR

414 Highlight 40 11/3 FR

404 Half Soft Frost 36 11/2 FR

429 Quiet Frost 18 21/2 FR

402 Soft Frost 12 3 FR

FLExI�FrOSTS�-�Soft,quiteandpliablefrostswhichcanbesewnforuseonlargeframes.Waterproof,durableandthickmakesthemperfectforwindyandrainyweatherconditions.

% T Stop Non/ ILLUSTRATIONS Value Flame

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Non-Flame RetardantFrost

410 OpalFrost Usedforsofteningspotlightbeamedgeswithoutalteringshape 71 1/2 (23micronpolyesterbase).

420 LightOpalFrost SimilarcharacteristicstoOpalFrost,butlessdiffuse >85 85 85 85 85

Product description

Non-Flame RetardantDiffusion

216 WhiteDiffusion 36 11/2 Rollsalso availablein 1.52m(60”)width416 ThreeQuarter 50 1 WhiteDiffusion

250 HalfWhite 60 3/4 Rollsalso Diffusion availablein 1.52m(60”)width450 ThreeEighth 63 2/3 WhiteDiffusion

251 QuarterWhite 80 1/3 Rollsalso Diffusion availablein 1.52m(60”)width252 EighthWhite >85 85

Product description Transmission%Stop value Special Notes

Flame RetardantFrost

129 HeavyFrost Strongdiffuser,eliminatesnearlyallshadows. 25 2

220 WhiteFrost Usedforsoftlighteffects. 39 11/3

221 BlueFrost Usedforsoftlighteffectswiththeadditionof218. 42 11/3 1/8CTBlue

254 New Usedtosoftentheedgesofspotlightbeams,andtoreduce >85

KreativwerdenmitfluoreszierendemLicht!Mitüber200Farbenbietendiefluores-zierendenFarbhülsenvonLEEFiltersdemLichtgestaltereinegrößereAuswahldennjefürBeleuchtungsprojekteimInnen-undAußenbereich.WählenSienachBeliebenausunseremumfangreichenFarbsortiment.AufAnfrageistaucheinSwatchbookmitsämtlichenFarbenerhältlich.

Vormontierte HülsenSiewählendieFarbeundüberlassenunsdenRest.IhregewählteFarbewirdineinetransparenteHülseeingeschobenundinstallationsfertiggeliefert.Die Hülsen bestehen aus wärmebeständigem, nichtleitfähigem Polycarbonat. DieHülsenendensindmittransparentenAbschlusskappenbestückt;überdiesewirddieHülseanderNeonröhrebefestigt,waseineleichteInstallationermöglicht.DieHülsensindinStandardlängenvon0,61m(24”),1,22m(48”)und1,53m(60”)fürT5,T8undT12Röhrendurchmessererhältlich.AufAnfragesindauchSondergrößenundzusätzlicherUV-Schutzlieferbar.

Get creative with fluorescent lighting! With over 200 colours to choose from, LEEFiltersFluorescentColouredSleevesofferthedesignermorechoicethaneverforbothinteriorandexteriorlightingprojects.Youcanchooseanyof thecolours fromourextensivecolour range.Aswatchbookcontainingallthecoloursisalsoavailableonrequest.

Pre-Assembled SleevesYouchoosethecolourandleavetheresttous.Yourchosencolourisinsertedintoaclearsleeveanddeliveredreadytoinstall.Thesleevesaremadefromathermallystable,electrically insulating,polycarbonate.Theendsofeachsleevehaveaclearendcap; theseendcaps fix thesleeveto thefluorescenttubemakinginstallationeasy.The sleeves are available in standard lengths 0.61m (24”), 1.22m (48”) and 1.53m(60”),forT5,T8andT12diametertubes.CustomsizesandUV-protectionsleevesarealsoavailableonrequest.

LEE Neon Hülsen | fluorescentsleeves

LEE Neon Hülsen Typ Code + LEE Code• HülseT5x610mm LFT50610…• HülseT5x1220mm LFT51220…• HülseT5x1530mm LFT51530…• HülseT8x610mm LFT80610… 022(Beispielfarbe)• HülseT8x1220mm LFT81220…• HülseT8x1530mm LFT81530…• HülseT12x610mm LFT120610…• HülseT12x1220mm LFT121220…• HülseT12x1530mm LFT121530…

BeispielSiemöchteneineHülse610mmlangfürT5RöhreninLEE022DarkAmberbestellen:DerBestell.-Codelautet:LFT50610022

LEE fluorescent sleeves Type Code + LEE Code• SleeveT5x610mm LFT50610…• SleeveT5x1220mm LFT51220…• SleeveT5x1530mm LFT51530…• SleeveT8x610mm LFT80610… 022(examplecolour)• SleeveT8x1220mm LFT81220…• SleeveT8x1530mm LFT81530…• SleeveT12x610mm LFT120610…• SleeveT12x1220mm LFT121220…• SleeveT12x1530mm LFT121530…

ExampleYouwanttoorderasleeve610mmlongforT5tubesinLEE022DarkAmberTheordercodeis:LFT50610022

T5Sleeves T8Sleeves T12Sleeves

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LEEfilters»architecturalseries«

FluorescentSleeveEditionCode:LFMFluo

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Ultralite

Dichrofilter rundohne Rahmen

dichroicfiltersroundwithoutframe

Dichrofilter rechteckigfür Fluter (mit Adapterrahmen

ULFLAR für Ultralite Fluter)dichroicfilterssquareforfloodlights

(withspecialframeforUltraliteFluter)

AlleabgedrucktenFarbenkönnenausdrucktechnischenGründennureinenEindruckdertatsächlichendichroitischenFilterfarbevermitteln!Allprintedcoloursareonlyindicative,becauseprintingcannotreproducetherealtransmissionofdichroicfilers.

LW 520 LW 580 LW 640

SW 460 SW 510 SW 570

WB4853 WB5055 WB 5059

SL 4763 SL 0064

mit Filterrahmen PAR 6426,5x26,5cm

includingfilterframePAR64

Filterrahmen PAR 5622,5x22,5cm (passtnichtfürPAR56

ShortEco)includingfilterframePAR56

(doesnotfitforPAR56shortEco)

Filter Farbe Fluter1 Glas2 PAR 64 Alu3 PAR 64 schwarz4 PAR 56 Alu3 PAR 56 schwarz4

Filter Colour Glas160x110mm Ø168mm Aluminiumbrushed black Aluminiumbrushed black Code Code Code Code Code CodeLW520 yellow FFLW520 DFLW520 DFLW520R DFLW520RS DFLW520R56 DFLW520R56SLW580 orange FFLW580 DFLW580 DFLW580R DFLW580RS DFLW580R56 DFLW580R56SLW640 red FFLW640 DFLW640 DFLW640R DFLW640RS DFLW640R56 DFLW640R56SSW460 darkblue FFSW460 DFSW460 DFSW460R DFSW460RS DFSW460R56 DFSW460R56SSW510 blue FFSW510 DFSW510 DFSW510R DFSW510RS DFSW510R56 DFSW510R56SSW570 cyan FFSW570 DFSW570 DFSW570R DFSW570RS DFSW570R56 DFSW570R56SWB4853 seagreen FFWB4853 DFWB4853 DFWB4853R DFWB4853RS DFWB4853R56 DFWB4853R56SWB5055 green FFWB5055 DFWB5055 DFWB5055R DFWB5055RS DFWB5055R56 DFWB5055R56SWB5059 lightgreen FFWB5059 DFWB5059 DFWB5059R DFWB5059RS DFWB5059R56 DFWB5059R56SSL4763 magenta FFSL4763 DFSL4763 DFSL4763R DFSL4763RS DFSL4763R56 DFSL4763R56SSL0064 violet FFSL0064 DFSL0064 DFSL0064R DFSL0064RS DFSL0064R56 DFSL0064R56SSW410 woodeffect FFSW410 DFSW410 DFSW410R DFSW410RS DFSW410R56 DFSW410R56S

1unkonfektioniert,Glas2mm/160x110mmfürFluter,passenderAdapterrahmen:CodeULFLARDichroglass2mm/160x110mmforfloodlightswithoutframe,suitableadapterframe:CodeULFLAR2unkonfektioniert,Glas3mm/Ø168mmfürPAR64/PAR56Rahmen|Glass3mm/Ø168mmforPAR64/PAR56frames

3Glas3mmkomplettbestücktinPAR64/PAR56Alurahmennatur|Glass3mmreadymadeinPAR64/PAR56frame4Glas3mmkomplettbestücktinPAR64/PAR56Alumrahmenschwarz|Glass3mmreadymadeinPAR64/PAR56frame

Ultralite DichrofilterliefernbeständigeundintensiveFarbenmitunübertroffenerLichtausnutzung.AuchbeidunklenFarbenwirdeinehoheLichttransmissionerzielt.DiehoheHitzebeständigkeitwirdbis380°Cgarantiert.EssindfolgendeAusführungenerhältlich:

■ 3mmdickes,nahezubruchfestes Glasfürfertigdimensionierte Größen,z.B.Ø168mmfürPAR64, PAR56Rahmen,160x110mmfür Fluter2mmstark■ k

€¦ · Created Date: 4/3/2011 2:27:32 PM

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Transcript of €¦ · Created Date: 4/3/2011 2:27:32 PM