DEMO

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RE

CAP HOORN Mario BürkiKap Hoorn (span. Cabo de Hornos, engl. Cape Horn) ist eine Landspitze auf der chilenischen Felseninsel Isla Hornos. Kap Hoorn ist, abgesehen von den abgelegenen, noch südlicher gelegenen Diego-Ramirez-Inseln, und ohne Berücksichtigung der manchmal ebenfalls zu Südamerika gerechneten Südsandwichinseln, der südlichste Punkt Südamerikas.Kap Hoorn wurde von einer Expedition des niederländischen Seefahrers Willem Cornelisz Schouten am 29. Januar 1616 entdeckt und nach Schoutens Geburtsort, der in der Provinz Nordholland gelegenen Stadt Hoorn, benannt. Vermutlich war aber bereits der Engländer Francis Drake schon 30 Jahre früher um das Kap gesegelt.Die Umrundung des Kaps gehörte zu den meistgefürchteten Schiffspassagen, wovon auch die Gründung der Gemeinschaft der Kap Hoorniers zeugt. Kommandierende Kapitäne, die das Kap Hoorn auf einem Frachtensegler ohne Hilfsmotor bezwangen, wurden Ehrenmitglieder dieser internationalen Gemeinschaft.Bis zur Fertigstellung des Panamakanals im Jahr 1914 war für Handelssegler die Umschiffung des Kaps die etwas günstigere Möglichkeit, vom Atlantik aus zur südamerikanischen Westküste zu gelangen. Die dafür ebenfalls in Frage kommende Magellanstraße, bereits Jahrhunderte zuvor von Schiffen der Niederländischen Ostindien-Kompanie durchsegelt, bot ihrerseits für Segelschiffe ebenfalls schwierige Wetter- und Strömungsverhältnisse.Am Kap Hoorn war vor allem die Passage vom Atlantik zum Pazifik gegen die Westwinddrift gefährlich und schwierig. Es forderte von den in diese Richtung segelnden Schiffen ein ständiges Kreuzen bei hoher See und Regen, Kälte, schlechter Sicht und Eisbergen. Die Besatzungen kämpften auf überfluteten Decks und in wild schwankenden Masten mit steifen Segeln und gefrorenem Tauwerk. Das Falsche Kap Hoorn sorgte durch die Verwechslungsgefahr für zusätzliche Schwierigkeiten der Navigation. Schätzungen zufolge wurde die See vor Kap Hoorn mehr als 800 Schiffen und mehr als 10.000 Menschen zum Grab und zum größten Schiffsfriedhof der Welt.Seit der Zeit des Goldrauschs wurden die Zeiten verglichen, die ein Schiff brauchte, um vom 50. südlichen Breitengrad um das Kap herum wieder auf 50° S zu gelangen. Den Rekord setzte mit 5 Tagen und 14 Stunden der Windjammer Priwall, einer der für ihre Geschwindigkeit berühmten Flying P-Liner. Am längsten brauchte hingegen das Vollschiff Susanna, dessen Kapumsegelung 1905 im südlichen Winter 99 Tage dauerte.Andere Kapitäne gaben auf und liefen Südamerika lieber über Afrika und Australien an. Bereits William Bligh, Kommandant der Bounty, hatte sich am 22. April 1788 nach mehr als vierwöchigem Kampf um das Kap entschlossen, lieber umzukehren und Tahiti über das Kap der Guten Hoffnung anzusteuern.

DER KOMPONISTMario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienausweis das Prädikat “Sehr Gut”. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz - erreichte am Kompositions-wettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester «La Artistica Buñol» in Valencia aufgeführt.Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario Bürki erhält regelmässig Kompositionsaufträge und mehrere Werke wurden als Wettstücke im In- und Ausland gespielt. Ton- und Notenbeispiele seiner Werke können auf der Homepage des Verlages eingesehen werden: www.musikverlag-frank.ch

D

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RE

CAP HOORN Mario BürkiCape Horn is the most southerly point of South America, and marks the northern boundary of the Drake Passage; for many years it was a major milestone on the clipper route, by which sailing ships carried trade around the world. However, the waters around the Cape are particularly hazardous, owing to strong winds, large waves, strong currents and icebergs; these dangers have made it notorious as a sailors› graveyard.

The need for ships to round the Cape Horn was greatly reduced by the opening of the Panama Canal in 1914. However, sailing around the Horn is widely regarded as one of the major challenges in yachting. Thus, a few recreational sailors continue to sail this route, sometimes as part of a circumnavigation of the globe, and almost all of these choosing routes through the channels to the north of the actual Cape (though many take a detour through the islands and anchor to wait for fair weather to actually visit Horn Island or even sail around it to replicate a rounding of this historic point). Several prominent ocean yacht races, notably the Volvo Ocean Race, the VELUX5OCEANS and the Vendée Globe, sail around the world via the Horn, and speed records for round-the-world sailing are recognized for following this route.

THE COMPOSERBorn the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the Mid-Europe Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.

© 2003 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLANDwww.musikverlag-frank.ch

E

DEMO

SCO

RE

Lento q=60

Lento q=60

CAP HOORNMario Bürki

© 2004 by musikverlag frank, Schulhausstrasse 22, 4528 Zuchwil (Switzerland)

Soprano Cornet Eb

Solo Cornet Bb

Repiano Cornet Bb

2nd Cornet Bb

3rd Cornet Bb

Flugelhorn

Solo Horn Eb

1st Horn Eb

2nd Horn Eb

1st Baritone Bb

2nd Baritone Bb

1st Trombone Bb

2nd Trombone Bb

Bass Trombone

Euphonium Bb

Bass Eb

Bass Bb

Percussion 1:Vibraslap, B.D.,

Cl. Cymb., Gong,Anvil, S.C., Cabasa

Percussion 2:Windchimes, Belltree,Rainstick, Xylophone

Timpani

Percussion 3:Snare drum, S.C.,

Woodblock

pp

blow air

ff pp ff pp ff pp ff pp ff

pp ff pp ff pp ff

all in free tempo but fast! remove 2nd valve slide

pp ff pp ff

pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff

pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff

pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff

pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff

pp ff pp ff pp ff

pp

get faster then slower freely!

mp pp

get faster then slower freely!

pp

pp

get faster then slower freely!

mp pp

pp

get faster then slower freely!

mp pp

pp

get faster then slower freely!

mp pp get faster then slower freely!

pp mp

blow air pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff pp ff

blow air pp ff pp ff pp ff pp ff

2nd player cont. Solo espress. legato

mf

pp

one

pppp

Vibraslapmf

Vibraslapmf

Windchimespp

pp mp

pp mp

pp

woodblock get faster then slower freely!

pp mp pp

get faster then slower freely!pp mp pp

DEMO

SCO

RE

10 ASop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

pp ff pp ff pp ff pp ff pp pp

pp ff pp ff pp ff pp ff pp pp

replace 2nd valve slide

pp ff pp ff pp ff pp ff pp pp

pp ff pp ff pp ff pp ff pp pp

pp ff pp ff pp ff pp ff pp pp

pp ff pp ff pp ff pp ff pp pp

mp pp

open

p mf p

open

p mf p

pp

openp mf p

pp ff pp ff pp ff pp ff pp ff pp

mute

p cresc.

pp ff pp ff pp ff pp ff pp ff pp

p

mute

cresc.

pp ff pp ff

play

p string. mp

3

3 3 3

pp ff pp ff

play

p string. mp mp

3

pp ff pp ff

play

p string. mp mp3

3 3 3 3

mf string. f

6

3

mp mf

mp mf

Vibraslap

mf fp

pp mf

S.C.

ppmf

2

DEMO

SCO

RE

20 B stringendo

stringendo

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f ff fp ff

f ff fp ff

f ff

fpff

mp mf f ff

fpff

mp mf f ff fp ff

f ff fp ff

mp mf f ff fp ff

mp mf f ff fp ff

mp mf ff

fpff

open

ff

openff

sonoremp ff fp ff

ff

fpff

ff fp ff

ff ff

mp mf f ff fp ff

mp mf f ff

fp ff

B.D.

fC.S.

Xylo

f ff f fp

mp mf f ff f fp ff

pp ff

S.D.

f ff

3

DEMO

SCO

RE

(q=76)

(q=76)

28 (q=86)

(q=86)

(q=96)

(q=96)

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

fff

3 3 3 3

fff

f

6 6

3 3 3 3

fff

f

6 6

fff

f

66

3 3

fff

f

6 6

3 3

fff

f

6 6

3 3

fff

f3 3 3 3

fff f3 3

3 3

3 3

fff f3 3 3 3

3 3

ff

fff ff

3

3 3

fff ff

3

3 3 3 3

fff ff

3

3 3 3 3

fff f

3

fff f

fff f

3

fff f

3

ff

ff

fff f

ff f3

4

DEMO

SCO

RE

C36 q=60

q=60

poco rall.

poco rall.

D q=144

q=144

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

cadenza Alto

cadenza Alto

cadenza Alto cup

p mf p

6 6

cadenza Alto

cup

p mf p

6 6

cadenza Alto

Solo

mp

3

3

mp

cadenza Alto cup

p mf p

6 6

mp

cadenza Alto cup

p mf p

6 6

mp

cadenza Alto

mp p

cadenza Alto

p mf p

6 6

mp p

cadenza Alto

p mf p

6 6

mp p

cadenza Alto

f

mp p

cadenza Alto

fmp p

cadenza Alto

f

mp p

cadenza Alto

p mf p

6 6

mp p

cadenza Alto

p mf p

ff

6 6

mp pp

cadenza Alto ff

3 3 3 3

cadenza Alto Tam Tammf

f

Anvil

mp

Windchimes

p

cadenza Alto

mp pp

cadenza Alto

pp ff

ff

mp

cadenza Alto f

5

DEMO

SCO

RE

47 E FSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

p f

mf f

p f mf f

mf f mf f mf

openp f f

openp f

mp mf mp mf mp mf f mf f mf

p f

mp mf mp mf mp mf f mf f mf

f ff f f

open

mf f

p f

mp mf mp mf mp mf f mf f mf

openmf f

p f

mp mf mp mf mp mf f mf f mf

mf f

p f

mp mf mp mf mp mf f mf f mf

p f

mf f

mp mf mp mf mp f mf

mf f

mp mf mp mf mp f mf

mf

mf fp f mf f mf

mf

mf fp f mf f mf

mf

mf fp f

p f

p f

mf

mf

mf fp f

mf

mf fp

f

p f

p f

mf

p f

mf

mf fp f

6

DEMO

SCO

RE

60 GSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f ff f ff fp f ff

f ff f ff f ff f ff fp f ff mf f

mf

f fp f ff

mf

f ff f ff f ff f ff fp f

mf f

mf

f ff f ff f ff f ff

ff mf f

mf

f

f mf f mf f mf mf f mf f

f ff f ff f ff f ff

f mf f mf f mf mf f mf f

f ff f ff f ff f ff

f mf f mf f mf mf f mf f

f ff f ff f ff f ff

f mf f mf f mf mf f mf f

f ff f ff mf f

p mf

f ff f ff mf f

f mp f mf f

f mp f mf f

mp f mf f

ff

mf

mfmf

ff

fp

p mf

ff

fp

f

f

f

fp

7

DEMO

SCO

RE

71 HSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

f f

f mf f

f

f mf f

f

f

f mf f

f f

f mf f

f f

f

mf f

f

mf f

f

p p mf p

f

f

f mf f ff

f mf f fff mf f ff

p mf p p mf p

f

p p mf p

fff f f

p mf p p mf p

fff f f

mf

mf

mf

f

p f f

8

DEMO

SCO

RE

81 ISop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

ff f

ff

p f

ff p f

ff

ff

p f

mf mf

mf mf

mf mf

ff

ff ff

ff

ff p f

p f

ff

ff

ff ff

S.C.f ff

B.D.f

f

f

mf

9

DEMO

SCO

RE

91 JSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

p f

3

3 3 3

3

3 3 3

3

3 3 3

3

3 3 3

ff ff

ff ff

ff ff

3 3 3 3 3 3 3 3

ff ff

ff

B.D.

f ff

ff mf

f

10

DEMO

SCO

RE

100

K Lento q=76

Lento q=76

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

pick a note

pp ff

*** *** gently tap instrument with finger nails to create sound of rain. Whisper vocal sound -dsh

blow air (like waves)

dsch dsch dsch

pick a notepp ff

*** dsch

blow air (like waves)

dsch

continue Solo lament

pp p pp p

pick a notepp ff

*** blow air (like waves)dsch dsch dsch

pick a notepp ff

*** blow air (like waves)dsch dsch dsch

pick a notepp ff

*** blow air (like waves)dsch dsch dsch

ff

***

dsch

blow air (like waves)

dsch dsch

ff

*** dsch

blow air (like waves)

dsch dsch

ff

*** blow air (like waves)dsch dsch dsch

ff

*** dsch

blow air (like waves)

dsch dsch

ff

***

dsch

blow air (like waves)

dsch dsch

ff

***

dsch

blow air (like waves)

dsch dsch

pick a notepp ff

*** blow air (like waves)dsch dsch dsch

pick a notepp ff

*** blow air (like waves)dsch dsch dsch

pick a note

pp ff

*** blow air (like waves)

dsch dsch dsch

ff

***

dsch

blow air (like waves)

dsch dsch

ff sfz

***

dsch

blow air (like waves)

ff sfz

***

dsch

blow air (like waves)

S.C. f

ff

mf

Rainstick

ff sfz sfz

ff sfz

11

DEMO

SCO

RE

113 in Tempo

in Tempo

L colla voce

colla voce

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

pp p

3

mp

stringendo

mf f

stringendo

ff

acc.

f

acc.

3 3 3 3 3 3

p

Cup mutef

open3 3

a1 Cup mutef

open3 3

a1 Cup mutef

open3 3

Cup mute

f

open

dsch

3 3

Cup mute

f

open

dsch

3 3

Cup mute

f

open

dsch

3 3

Cup mute

f

3 3 3

Cup mute

f

3 3 3

Cup mute

f

3 3 3

mf

mf

f

S.C.p f

S.C.mf f

12

DEMO

SCO

RE

124 M Lento q=60

Lento q=60

NSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

dsch niente

cuppp

rit. One cup

p

dsch niente

p

cup

dsch niente

p

One cup

dsch niente

p

One cup

dsch niente

Solo

mp

dsch niente pp

dsch niente pp

dsch niente pp

dsch niente pp

dsch niente pp

open pp

open pp

open pp

dsch niente

a1pp

solo

mf

dsch niente pp

dsch niente

pp

mp

S.C.p mf

13

DEMO

SCO

RE

137 rallentando

rallentando

accelerando

accelerando

rit.

rit.

O Tempo 1 (q = 60)

Tempo 1 (q = 60)

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

one

mp

f

cresc.

f

allopen

f mp

one f

f

open

mp

mf

cresc.

f

allopen

f mp

f

all

open

f mp

f

p f mp mf p mf

cresc.

f

f mp mf

cresc.

f

f mp mf

cresc.

f

f mp f

f

mf

cresc.

f

f

mf

cresc.

f

f mp

fp f

f mp

fp f

fmp

fp f

f ff f p

f

f mp fp f

mp

fp f

f

fp f

S.C.p f

S.C.mf f

14

DEMO

SCO

RE

147 rit.

rit.

rit.

rit.

P Allegro q=160

Allegro q=160

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

mf

3

mf f

ff

3 solo

mf pp

9

3

ff

mp f

ff mp f

3 3 3

ff mp f

33 3

ff

ff

solomf

solo

mp pp33 3 3

ff

3 3 3

ff

33 3

ff

3 solomp pp

ff

3

ff

mp pp3 3

ff

mp pp

3

3

ff

mp pp3 3

ff

3

mp f

solomp pp

3

ff

mp pp

ff

Cabasa

mf

ff

pp

mf

congas

15

DEMO

SCO

RE

159 QSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

f f

f f

f

f fp

mf fp f

mf fp fp

mf fp fp

f

mf fp mf fp

mf fp mf fp

mf fp mf fp

mf fp mf fp

f

f

f

xylomf f f

mf f

16

DEMO

SCO

RE

171 RSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f f

f

f f

f

f f

f

f f

f

f

f

f

f

f

f

f

f

f

f

f

f ff

f

17

DEMO

SCO

RE

183 SSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

mp mf

mp mf f ff

mp mf f ff

mp mf f ff

mp mf f ff

ff

mp mf f ff

mp mf f ff

mp mf f ff

mp

mp

mp

mp

mp f ff

mp

f ff

mp

mf f ff

mp

f ff

mp

f

mp

mp

18

DEMO

SCO

RE

197 TSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

f mf

str. mute

f

str. mute

mf

str. mutemf

str. mutemf

f

str. mute

mf

f

f

f

fp f

f

fp f

f

fp f

fp f

f

fp f

f

fp f

fp f

fp f

f

f

mf

f fp f f

f

19

DEMO

SCO

RE

207 U VSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

f

sonore

Openf

sonore

f

Open sonore

ff fp

Open

f

sonore

Opensonore

ff fp

Open sonore

mf ff fp

mf ff fp

mf

f

f

f ff fp

f ff fpf ff fp

f

f

f

mf

f

ff fp

20

DEMO

SCO

RE

218 WMysterioso q=80

Mysterioso q=80

begin slow and get faster!

begin slow and get faster!

begin slow and get faster!

begin slow and get faster!

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

ff fp ff fp

ff fp ff fp

pp f mf mf

3

3 33

ff fp

pp f mp mp

3

3 33

ff fp ff fp

ff fp pp f

ff fp

ff fp pp f

ff fp ff fp

pp f

33 3

3

ff fp

cup mutep

3 3

3 3

ff fp

cup mutep

3 3

3 3

cup mute

p

3 3

3 3

ff fp ff fp pp f

ff fp ff fp fp f

ff fp ff fp ff fp fp f

ff fp ff fp ff fp fp f

ff fp ff fp ff fp fp f

pp f p

p

3 33 3 3 3

3 3

3

3 33

fp f

3 33 3

3 3 33

fp f

3 3 3 3 3 33 3

ff fp ff fp

Bell tree

ff fp

fp f

ff fp ff fp f p mf p

21

DEMO

SCO

RE

Tempo q=120

Tempo q=120

228 accelerando poco a poco

accelerando poco a poco

Xaccelerando poco a poco

accelerando poco a poco

accelerando poco a poco

accelerando poco a poco

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

repead freely up to T. 233

mf

f

3 3

3 3 3 3

mp

repead freely up to T. 233 3 3 3 3

repead freely up to T. 233

mf

f

3 3 3 3 3 3

mf

repead freely up to T. 233

f

3 3 3 3 3 3

repead freely up to T. 233

mp

3 3 3 3

mp

repead freely up to T. 233 f 3 3 3 3 3

3

mf

repead freely up to T. 233 f

3 3

3

3

3 3

mf

repead freely up to T. 233

3 3 3 3

repead freely up to T. 233

mf

mf f

3 3

3 3 3 3

repead freely up to T. 233

mp

3 3 3 3 3 3

mp

cresc. poco a poco mf cresc. poco a poco f 3

3

3 3 3 3

mp

cresc. poco a poco mf cresc. poco a poco f

3 3 3 3 3 3

mp

cresc. poco a poco mf cresc. poco a poco f

3 3

repead freely up to T. 232

mp

mf f ff3

3

mf cresc. poco a poco f

f

S.C.p f

B.D.

f

mf

f f3 3 3 3 3 3 3 3

22

DEMO

SCO

RE

Y Tempo q=150

Tempo q=150

239 molto ritardando

molto ritardando

Z Maestoso q=76

Maestoso q=76

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

ff

f f mf f mf f mf f

ff

f f mf f mf f mf f

ff mf f mf f mf f mf f

ff mf f mf f mf f mf f

ff

f f mf f mf f mf f

ff mf f mf f mf f mf f

ff mf f

ff mf f f

ff

mf f f

ff mf f f

ff mf mf f f

ff

mf f

ff

mf f

ff

mf f f

ff mf mf

f

ff mf mf f f

ff mf mf f f

ff

S.C.mf f

ff

mf f

ff

mf f

f

23

DEMO

SCO

RE

248

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

ff3 5

f ff

3 5

f ff3

f ff3

f ff

3

f ff

3

f mf f mf f mf f mf f ff

f mf f mf f mf f mf f

ff

f mf f mf f mf f mf f

ff

f mf f mf f mf f mf f ff

mf f mf f mf f mf f ff

f f ff3

f f ff

3

f ff

mf f mf f mf f mf fff ff

f ff

f ff

C.C.f

mf ff

ff

f

ff

f

24

DEMO

SCO

RE

256 AA Tempo q=150

Tempo q=150

BBSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

fp fp

f

f fp fp f

mf f f

mf

f

f

fp fp f

f fp fp

mf f fp fp

mf f fp fp

mp f

p f p f3 3 3

3

3 3 3

3

p f

p f p f

3 3 3

3

3 3 3

3

mp f fp fp f

p ff fp fp f

pf

f

mp f

p f p f3 3 3

3

3 3 3

3

p f

p f p f

3 3 3 3 3 3 3 3

p f

p f p f

3 3 3

3

3 3 3

3

f

ff

ff p mf f f fp fp f fp fp f

25

DEMO

SCO

RE

266 CCSop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

ff

f ff

ff

f ff

ff

f ff

ff

ff3

3

3

3

ff

ff3

3

3

3

ff

f ff

f ff

ff

f ff

ff

f ff

ff

ff mf f

ff3

3

3

3

ff

ff3

3

3

3

ff

ff

ff

ff

ff

ff mf f

3

3

3

3

ff mf f ff

3 3 3 3

ff mf f ff3

3

3

3

ff

f ff3 3 3 3

26

DEMO

SCO

RE

276

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

3

3 3 3

3

3 33

3

3 33

33

3 3

3 3

3 3

3

3

3

3

3

3 33

3 3

3 3

ff

27

DEMO

SCO

RE

281 DD molto ritardando

molto ritardando

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

Perc. 1

Perc. 2

Timp.

Perc. 3

ff

ff

ff

3 3

3 3

ff

ff

ff

3 3

3 3

ff

ff

ff

ff

3 3

3 3

ff

3 3

3 3

(6) gliss. gliss. gliss. gliss.

ff

(5) gliss. gliss. gliss. gliss.

ff

3 3 3 3 3 3ff

ff

3 3

3 3

3 3 3 3 3 3ff

3 3 3 3 3 3

ff B.D.f

3 3 3 3 3 3 C.C.

ff

f

3 3

ff

f ff

3 3 3 3 3 3 3 3

28