Post on 24-Jan-2021
PAN AMSTERDAMCATALOGUS 2019
PIET HEIN EEK
1606 (locatie: Mövenpick Hotel, Amsterdam), 2008-201981 x 160 cm (L) 65 x 130 cm (M)Inkjet on lustre, diasec glossyedition: 7 + 2 a.p. euro 4.600
WILLEM VAN DEN HOED
829 (Narcissus) (locatie: Hotel Nikko, Düsseldorf), 2019100 x 100 cm (L) 70 x 70 cm (M)inkjet on baryta, diasec edition: 7 + 2 a.p. euro 4.500
TOKIHIRO SATO
Sakura on Sakura #12, 2018111,8 x 161,5 cminkjet color-print edition: 12euro 18.600
Sakura on Sakura #16, 2018111,8 x 161,5 cminkjet color-print edition: 12euro 18.600
Sakura on Sakura #6, 2018111,8 x 161,5 cminkjet color-print edition: 12euro 18.600
Sakura on Sakura #24, 2018111,8 x 161,5 cminkjet color-print edition: 12euro 18.600
Camera Lucida-Tsuruoka #33, 201530 x 38 cminkjet color-print edition: 12euro 3.350
Camera Lucida-Tsuruoka #4, 201530 x 38 cminkjet color-print edition: 12euro 3.350
Camera Lucida-Tsuruoka #37, 201530 x 38 cminkjet color-print edition: 12euro 3.350
Camera Lucida-Tsuruoka #34, 201530 x 38 cminkjet color-print edition: 12euro 3.350
Camera Lucida-Tsuruoka #8, 201530 x 38 cminkjet color-print edition: 12euro 3.350
Shirakami #2, 2008149,5 x 183,5 cminkjet color-print edition: 2/3euro 19.476
Shirakami #3, 2008149,5 x 183,5 cminkjet color-print edition: 2/3euro 19.476
REINOUD VAN VUGHT
untitled, 2019
140 x 170 cm
arcylic paint on canvas
euro 9.300
untitled, 2019
180 x 200 cm
acrylic paint on canvas
euro 11.400
unitled, 2019
190 x 125 cm
acrylic paint, ink and charcoal on paper
euro 5.950
MARC MULDERS
HUNT FOR PARADISE. 01.04.19
46 x 38 cm
oil paint on paper
oak Piet Hein Eek-box frame
euro 4.800
HUNT FOR PARADISE. 20.03.19
46 x 38 cm
oil paint on paper
oak Piet Hein Eek-box frame
euro 4.800
HUNT FOR PARADISE. 10.04.19
46 x 38 cm
oil paint on paper
oak Piet Hein Eek-box frame
euro 4.800
ARSENIO RODRIGUEZ
Arsenio Rodriguez has been involved for more than 20 years in recycling art projects. He lives and works close to the sea in Cadiz, Spain. To create greater awareness for the global waste plastic problem and the plastic pollution he creates magical ‘underwater worlds’ from the materials that are destroying the seas in a rapid pace. The plastics that wash ashore are collected by the artist and are processed in his art works. Through his art works Arsenio creates an environment in which children and grown-ups can experience the fascinating particularities of human beings that on the one hand can create beauty but are destroying it at the same time.
untitled #4, 2019
78 x 28,5 x 14 cm
waste plastic and tiewraps
euro 1.035,50
untitled #11, 2019
70 x 43,5 x 17,5 cm
waste plastic and tiewraps
euro 1.144,50
untitled #10, 2019
60,5 x 38,5 x 22 cm
waste plastic and tiewraps
euro 1.199
untitled #5, 2019
63,5 x 24 x 12 cm
waste plastic and tiewraps
euro 1.035,50
untitled #9, 2019
100 x 37,5 x 17 cm
waste plastic and tiewraps
euro 1.035,50
untitled #13, 2019
105 x 74 x 10 cm
waste plastic and tiewraps
euro 1.696
37 47
84
OAK CHAIR IN SCRAPWOOD The scrap wood chair is virtually identical to the oak chair. After making the rigid and uncomfortable prototype, we curved the back by laminating it with two pieces of wood, each 4 or 5 mm thick. The layers of wood were (and still are) pressed into shape using a press. I didn’t think it was possible to make this chair in scrap wood because the back of the seat back was made of planed wood, resulting in little visible texture or colour when you pulled up the chair. I realised much later that it was possible to also make this chair in scrap wood because we laminate it. You simply stick the smooth, planed sides against each other, exposing the scrap wood on both sides. I felt like I had spent years walking around in a daze because, despite repeated attempts to make the oak chair in scrap wood, I was continually held back by a wrong thought. The chair has now become our best-selling chair, which only further emphasises that
prolonged blind spot.
art nr
year
size
material
rrp
2475
2005
38 x 46 x 84 (48) cm
scrapwood unlacquered
euro 379
art nr
year
size
material
rrp
2475F
2005
38 x 46 x 84 (48) cm
scrapwood fixated
euro 417
art nr
year
size
material
rrp
2475H
2005
38 x 46 x 84 (48) cm
scrapwood unlacquered
euro 498
color
detailsinside cabinet
available in various colors of scrapwood
2 doors + 3 large drawers
10 small drawers + 2 shelves
40 x 40 CUBE SERIES
art nr
year
size
material
rrp
3890-77A
2019
48 x 48 x 48 cm
scrapwood
euro 5.938
art nr
year
size
material
rrp
3890-77B
2019
48 x 48 x 48 cm
scrapwood
euro 4.750
art nr
year
size
material
rrp
3890-77D
2019
48 x 48 x 48 cm
scrapwood
euro 4.750
art nryear
size
material
rrp
3890-77C
2019
48 x 48 x 48 cm
scrapwood
euro 5.938
art nr
year
size
material
rrp
3890-77E
2019
48 x 48 x 48 cm
scrapwood
euro 4.750
art nr
year
size
material
rrp
3890-77G
2019
48 x 48 x 48 cm
scrapwood
SOLD
art nr
year
size
material
rrp
3890-77F
2019
48 x 48 x 48 cm
scrapwood
euro 5.938
CUT GLASS CANDLEHOLDER
art nr
year
size
material
rrp
3944
2019
ø 8,5 x 16 cm
cut glass / brass
euro 89
art nr
year
size
material
rrp
3945
2019
ø 12,5 x 19,8 cm
cut glass / brass
euro 139
190536 _GEZAAGD-GLAS-KANDELAAR
GGK-1A
CUT GLASS LAMP
art nryear
size
material
rrp
3946
2019
ø 9,5-12,10 x 19,8 cm
glass / brass
euro 149
190536 _NIEUW-GEZAAGD-GLAS-HANGLAMPJE
NGGHL1
OLD CUT GLASS CHANDELIER
art nr
year
size
material
rrp
unique / limited
2019
ø 46,5 x 50 cm
glass / brass
POA
art nr
year
size
material
rrp
unique / limited
2019
ø 93 x 100 cm
glass / brass
POA
200 x 200 OLD OAK CABINET
art nr
year
size
material
rrp
unique / limited
2019
140 x 60 x 140 cm
glass / brass
POA
WASTE BUSTE IN SCRAPWOOD
art nr
year
size
material
rrp
unique / limited
2013
220 x 320 x 200 cm
waste wood
euro 48.000
40 x 40 3D WASTE WASTE PAINTING Very attractive, and probably completely unsaleable, are the 40×40 3D paintings we have made. We had already previously made test paintings; I quite wrongly call all my works that are made to hang on the wall ‘paintings’ because you can hang them on the wall like a painting. The paintings are made from coloured 40×40 mm planks of scrap wood that are three-dimensionally and rhythmically joined together. Due to their three-dimensional character, the pieces change colour when you walk past them or move them. The pieces of wood are all glued corner to corner.
art nr
year
size
material
rrp
3890-85
2019
98,5 x 98,5 cm
scrapwood
euro 10.500
painting can be hung up in 2 ways
art nr
year
size
material
rrp
3890-84
2019
26,5 x 26,5 cm
scrapwood
euro 3.200
painting can be hung up in 4 ways
art nr
year
size
material
rrp
3890-66
2019
53,5 x 26,5 cm
scrapwood
4.200
art nr
year
size
material
rrp
3890-67
2019
26,5 x 26,5 cm
scrapwood
euro 3.200
painting can be hung up in 4 ways
painting can be hung up in 4 ways
WASTE TABLE IN SCRAPWOOD
art nr
year
size
material
rrp
3855H
2001
300 x 100 x 78 cm
scrapwood
POA
STRIJP-T VASES as well as all the square stuff, we have also been able to acquire some thick-walled, round, glass test tubes from the old Philips glass laboratory in the neighbouring industrial area Strijp-T. It is a series of vases that is limited by the number of test tubes we were able to find: 52 small tubes, 160 middle-sized and four large ones.
art nr
year
size
material
rrp
limited
2019
Ø 3,7 x 14 cm
copper / glass
euro 140
art nr
year
size
material
rrp
limited
2019
Ø 4,8 x 30,5 cm
copper / glass
euro 290
art nr
year
size
material
rrp
limited
2019
Ø 15 x 34,8 cm
copper / glass
euro 425
BOEK 1 BOEK 1 describes the first sixteen years of the existence of the Piet Hein Eek brand and the
Eek en Ruijgrok B.V. company in word and image. The book begins with the very first cabinet made from
matchsticks that Piet Hein Eek made in his attic room at the age of 13, followed by the scrap wood
cupboards he designed for his Industrial Design exam in Eindhoven. Max Fraser describes the stories
behind the designs, interiors and projects and thus clearly presents Piet Hein Eek’s idiosyncratic,
anti-specialist way of creating. The available materials, techniques and skills always form the starting
points for the designs. In a pragmatic way and ‘with simple common sense’, both small and large solutions
are devised. This initial period can be seen as the naive period in which everything is present within the
company, except an awareness of its own special way of thinking and doing business.
ISBN 978-90-823714-0-6
year 2006
size 30,5 x 26 x 4,2 cm (452 pages)
language EN/NL
rrp euro 60
BOEK 2 After the release of BOEK 1 in 2006, that came into being with the collaboration of design
journalist Max Fraser, it is now 25 years since the foundation of PIET HEIN EEK in 1993 and thus time for
BOOK 2. The company moved from Geldrop to Eindhoven in 2010 and doubled its number of employees
and business activities. PIET HEIN EEK became mainstream. As well as workshops and a showroom, there
was also a shop, restaurant, event space and gallery. The move to the new premises, right in the middle of
the financial crisis, generated a great deal of attention. In the following years, the building measuring over
10,000 square meters also became home to a huge variety of people and activities. Instead of starting with
a neatly organised view of the world and business model, the (chaotic) outside world was embraced and
welcomed in. BOEK 2 was written by Piet Hein himself from his perspective of this impetuous
development.
ISBN 978-90-828599-0-4
year 2018
size 30,5 x 26 x 4,2 cm (452 pages)
language EN/NL
rrp euro 60
BOEK 3 BOEK 3, more so than in BOEK 2, clarifies how diverse the business activities of the PIET HEIN
EEK brand are becoming. Architectural firm Eek en Dekkers B.V. is founded, a collaboration with IKEA is
initiated and the demand for designing exclusive accessories and furniture is increasing. Everything that is
being done, learned and invested remains available and proves itself to be valuable. A purely intuitive busi-
ness model has developed, whereby the theme of sustainability is closely scrutinised.
ISBN 978-90-828599-2-5
year 2018
size 30,5 x 26 x 4,2 cm (452 pages)
language EN/NL
rrp euro 60